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Source: ForeignAffairs4

Source: The Conversation – Global Perspectives – By Susan Hopkins, Senior Lecturer in Education (Curriculum and Pedagogy), University of the Sunshine Coast

In the new Netflix documentary Shark Whisperer, the great white shark gets an image makeover – from Jaws villain to misunderstood friend and admirer.

But the star of the documentary is not so much the shark, but the model and marine conservationist Ocean Ramsey (yes, that’s her real name).

The film centres on Ramsey’s self-growth journey, with the shark co-starring as a quasi-spiritual medium for finding meaning and purpose (not to mention celebrity status).

The film, and some in it, are happy to attribute Ramsey’s success as a shark conservation activist to how driven and photogenic she is. Ramsey says “People look first and listen second. I’ll use my appearance, I’ll put myself out there for a cause.”

Her husband, the photographer Juan Oliphant, enthuses she is good for sharks partly because she is so beautiful and uses all the attention she attracts in the selfless service of sharks.

The image of the long-haired, long-limbed young woman in a bikini swimming above an outsized great white shark is not a new one.

Primal fears and fantasies

Since Jaws (1975), generations have been fascinated and titillated by filmic images and promotional materials of bikini-clad young women juxtaposed with dangerous sharks.

The heroine of Deep Blue Sea (1999) is a neuroscientist – however the film and its promotional materials still require her to appear in a wet t-shirt and underwear while pursued by a massive shark monster.

The Shallows (2016) presents countless images of its bikini-clad heroine, with partially exposed bottom and long legs marked by bite marks as a kind of meat to be consumed – not least by the voyeuristic lens of the camera.

The poster for 47 Meters Down: Uncaged (2019) features a bikini-clad young woman with legs dangling precariously in front of the gaping jaws of an unnaturally large great white.

I have previously explored the psychosexual symbolism of these films and images. These films were never really about actual sharks. They are about very human fears and fantasies about being exposed and vulnerable.

Whisperer and the Ocean Ramsey website tap into the collective fascination with dangerous sharks fuelled by popular culture. Many online images show Ramsey in a bikini or touching sharks – she’s small, and vulnerable in the face of great whites. As with forms of celebrity humanitarianism, what I have dubbed “sexy conservationism” leaves itself open to criticism about its methods – even if its intentions are good.

The paradox of Shark Whisperer – and indeed the whole Ocean Ramsey empire – is it both resists and relies on Jaws mythology and iconography to surf the image economy of new media.

Saving, not stalking

Ramsey and Oliphant are on a mission not just to save individual sharks, but to change the public perception of great whites to a more positive one.

This mission is reiterated in Shark Whisperer and in the Saving Jaws documentary linked to the website, which also promotes a book, accessories and shark-diving tours.

It is reassuring to know proceeds from the bikini you buy from the official website are donated to shark conservation. But the (often sexualised) media attention which fuels the whole enterprise still depends on tapping into the legacy of popular culture representations of great whites as fearsome monsters.

In footage, Ramsey seems to spend most of her time with smaller tiger sharks, yet her website and the Shark Whisperer film foreground her rare close encounters with an “enormous” or “massive” great white as the climax and cover shot.

Shark Whisperer also includes the kind of “money shots” we have come to expect: images of a large great white tearing at flesh (here, a whale carcass) with blood in the water. Images like these arouse our collective cultural memory of the filmic great white as the ultimate bestial predator.

In its climactic scene, Whisperer strategically deploys eerie music to build the suspense and foretell the appearance of the enormous great white which rises from the depths. Again echoes of Jaws are used to stimulate viewing pleasures and sell the mixed messages of sexy shark conservation.

A story of (personal) growth

The self-growth narrative which underpins Whisperer will feel familiar to shark film fans. Jaws was always about overcoming fears and past traumas, as in the scene where Quint and Brody compare their real and metaphorical scars.

Over the past decade, a new generation of post-feminist shark films have used sharks as metaphorical stalkers to tell stories about women overcoming past trauma, grief, “inner darkness” or depression.

In The Reef: Stalked (2022) the heroine must overcome the murder of her sister. In Shark Bait (2022) the heroine must rise above a cheating partner. In The Shallows, the heroine is processing grief.

Whisperer also leans into the idea of Ramsey fighting inner demons on a journey to self-actualisation.

And while Ramsey has undoubtedly raised the profile of shark conservation, as a model-designer-conservationist-entrepreneur she has also disseminated another more dubious message: that the way to enact influence and activism is through instagrammable images of beautiful models in high risk situations.

Happy endings

The end credits of Whisperer are a montage of happy endings: Ramsey frolics with sharks and shows off her diamond ring. There is even an ocean-themed wedding scene.

Yet beneath all the glossy surface lies a sombre reality: globally at least 80 million sharks are killed every year.

The Ramsey website and the film rightly remind us of this. They also remind us that, thanks in part to the hashtag activism of Ocean Ramsey and her millions of fans and followers, Hawaii was the first state in the United States to outlaw shark fishing.

So, Ramsey may be right to argue her ends justify the means.

Susan Hopkins does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

– ref. Netflix’s Shark Whisperer wants us to think ‘sexy conservation’ is the way to save sharks – does it have a point? – https://theconversation.com/netflixs-shark-whisperer-wants-us-to-think-sexy-conservation-is-the-way-to-save-sharks-does-it-have-a-point-260290

Source: ForeignAffairs4

Source: The Conversation – Global Perspectives – By Paul Griffin, Professor, Infectious Diseases and Microbiology, The University of Queensland

Given the number of times this has happened already, it should come as little surprise that we’re now faced with yet another new subvariant of SARS-CoV-2, the virus responsible for COVID.

This new subvariant is known as XFG (nicknamed “Stratus”) and the World Health Organization (WHO) designated it a “variant under monitoring” in late June. XFG is a subvariant of Omicron, of which there are now more than 1,000.

A “variant under monitoring” signifies a variant or subvariant which needs prioritised attention and monitoring due to characteristics that may pose an additional threat compared to other circulating variants.

XFG was one of seven variants under monitoring as of June 25. The most recent addition before XFG was NB.1.8.1 (nicknamed “Nimbus”), which the WHO declared a variant under monitoring on May 23.

Both nimbus and stratus are types of clouds.

Nimbus is currently the dominant subvariant worldwide – but Stratus is edging closer. So what do you need to know about Stratus, or XFG?

A recombinant variant

XFG is a recombinant of LF.7 and LP.8.1.2 which means these two subvariants have shared genetic material to come up with the new subvariant. Recombinants are designated with an X at the start of their name.

While recombination and other spontaneous changes happen often with SARS-CoV-2, it becomes a problem when it creates a subvariant that is changed in such a way that its properties cause more problems for us.

Most commonly this means the virus looks different enough that protection from past infection (and vaccination) doesn’t work so well, called immune evasion. This basically means the population becomes more susceptible and can lead to an increase in cases, and even a whole new wave of COVID infections across the world.

XFG has four key mutations in the spike protein, a protein on the surface of SARS-CoV-2 which allows it to attach to our cells. Some are believed to enhance evasion by certain antibodies.

Early laboratory studies have suggested a nearly two-fold reduction in how well antibodies block the virus compared to LP.8.1.1.

Where is XFG spreading?

The earliest XFG sample was collected on January 27.

As of June 22, there were 1,648 XFG sequences submitted to GISAID from 38 countries (GISAID is the global database used to track the prevalence of different variants around the world). This represents 22.7% of the globally available sequences at the time.

This was a significant rise from 7.4% four weeks prior and only just below the proportion of NB.1.8.1 at 24.9%. Given the now declining proportion of viral sequences of NB.1.8.1 overall, and the rapid rise of XFG, it would seem reasonable to expect XFG to become dominant very soon.

According to Australian data expert Mike Honey, the countries showing the highest rates of detection of XFG as of mid-June include India at more than 50%, followed by Spain at 42%, and the United Kingdom and United States, where the subvariant makes up more than 30% of cases.

In Australia as of June 29, NB.1.8.1 was the dominant subvariant, accounting for 48.6% of sequences. In the most recent report from Australia’s national genomic surveillance platform, there were 24 XFG sequences with 12 collected in the last 28 days meaning it currently comprises approximately 5% of sequences.

The big questions

When we talk about a new subvariant, people often ask questions including if it’s more severe or causes new or different symptoms compared to previous variants. But we’re still learning about XFG and we can’t answer these questions with certainty yet.

Some sources have reported XFG may be more likely to course “hoarseness” or a scratchy or raspy voice. But we need more information to know if this association is truly significant.

Notably, there’s no evidence to suggest XFG causes more severe illness compared to other variants in circulation or that it is necessarily any more transmissible.

Will vaccines still work against XFG?

Relatively frequent changes to the virus means we have continued to update the COVID vaccines. The most recent update, which targets the JN.1 subvariant, became available in Australia from late 2024. XFG is a descendant of the JN.1 subvariant.

Fortunately, based on the evidence available so far, currently approved COVID vaccines are expected to remain effective against XFG, particularly against symptomatic and severe disease.

Because of SARS-CoV-2’s continued evolution, the effect of this on our immune response, as well as the fact protection from COVID vaccines declines over time, COVID vaccines are offered regularly, and recommended for those at the highest risk.

One of the major challenges we face at present in Australia is low COVID vaccine uptake. While rates have increased somewhat recently, they remain relatively low, with only 32.3% of people aged 75 years and over having received a vaccine in the past six months. Vaccination rates in younger age groups are significantly lower.

Although the situation with XFG must continue to be monitored, at present the WHO has assessed the global risk posed by this subvariant as low. The advice for combating COVID remains unchanged, including vaccination as recommended and the early administration of antivirals for those who are eligible.

Measures to reduce the risk of transmission, particularly wearing masks in crowded indoor settings and focusing on air quality and ventilation, are worth remembering to protect against COVID and other viral infections.

Paul Griffin has been the principal investigator for clinical trials of 8 COVID-19 vaccines. He has previously participated in medical advisory boards for COVID-19 vaccines. Paul Griffin is a director and medical advisory board member of the immunisation coalition.

– ref. XFG could become the next dominant COVID variant. Here’s what to know about ‘Stratus’ – https://theconversation.com/xfg-could-become-the-next-dominant-covid-variant-heres-what-to-know-about-stratus-260499

Source: ForeignAffairs4

Source: The Conversation – Global Perspectives – By Kitty Smith, PhD Candidate in Classical Greek and Roman History, University of Sydney

Could you ever be truly alone in the woods of ancient Greece or Rome? According to myth, the ancient world was filled with wild animals, terrifying monsters, and mischievous deities. Among them were nymphs: semi-divine female figures that personified elements of the natural world.

But nymphs offer us more than just stories of sexy nature spirits.

They can reveal how ancient people thought about their world and connected with their landscape through mythology.

Personifying elements of nature

Nymph was a broad category in myth. It encompassed almost every semi-divine woman and girl in myth, including a number of goddesses. The sea goddess Thetis and the underworld river Styx were both sea nymphs as well as goddesses.

Nymphs were typically portrayed as young, exceptionally beautiful women in art and literature. The word “nymph” in ancient Greek could even be used to mean “young girl” or “unmarried woman” when applied to mortal women.

Despite this etymological connection, many nymphs were married or mothers or gods. Amphitrite was the wife of Poseidon, and her sister Metis, the personification of wisdom, was Zeus’ first wife, according to Hesiod’s Theogony. Maia was the mother of Hermes, the messenger god.

What links all nymphs was their connection with the natural world. Nymphs typically personified elements of nature, like bodies of water, mountains, forests, the weather, or specific plants.

The nymph Daphne

One of the most quintessential nymphs was Daphne (or Laurel, in Latin). According to the Roman poet Ovid in his poem the Metamorphoses, Daphne was a stunningly beautiful nymph who lived in the forest.

Daphne had chosen to follow in the footsteps of Artemis (Diana), the goddess of the hunt, by being a huntress and abstaining from sex and marriage. But her beauty would be her downfall.

One day the god Apollo saw Daphne and immediately tried to pursue her. Daphne did not feel similarly and fled through the forest. Apollo chased and nearly caught her.

But Daphne’s father Peneus, a river god, saved his daughter by transforming her into the laurel tree.

Like many nymphs, Daphne’s myth was an origin story for her namesake tree and its significance to the god Apollo.

But her story also followed one of the most common tropes in nymph myths – the trope a nymph transformed into her namesake after running away from a male deity.

Different nymphs for trees, water, mountains, stars

There were even special names for different types of nymph.

Daphne was a dryad, or tree nymph. Oreads (mountain nymphs) are referenced in Homer’s Iliad. There were three different types of water nymph: the saltwater oceanids and nereids, and the freshwater naiads.

Nymphs lived in the wilderness. These untamed places could be dangerous but they also held precious natural resources that nymphs personified, such as special trees and springs.

Spring nymphs personified one of the most precious resources of all: freshwater.

It was hard to find freshwater in the ancient world, especially in places without human infrastructure. Cities were often built around springs.

The nymph Arethusa was the personification of the spring Arethusa in Sicily. Today, you can visit the Fountain of Arethusa in modern day Syracuse.

No matter where you looked in the ancient landscape, there were nymphs – even in the sky.

The Pleiades and Hyades were two sets of daughters of the god Atlas who eventually were transformed into stars.

Their myths gave an origin for two sets of constellations that were used for navigation and divination.

The Pleiades and Hyades constellations were visible to the naked eye, and can still be seen today.

The divine presence in nature

Although myths may feel like a fictional story told to kids, nymph myths show that ancient myth is inseparable from the ancient landscape and ancient people.

The natural world was imbued with a divine presence from the gods who physically made it – Gaia (Earth) was literally the soil underfoot. Nymphs were a part of this divine presence.

This divine presence brought with it a very special boon: the gift of inspiration.

Some writers (such as Plato) referred to this sort of natural inspiration as being “seized by the nymphs” (νυμφόληπτος or nympholeptus).

Being present in nature and present in places with nymphs could bring about divine inspiration for philosophers, poets and artists alike.

So, if you ever do find yourself alone in a Grecian wood, you may find yourself inspired and in good company – as long as you remain respectful.

Kitty Smith is a member of the Australian Society for Classical Studies and of Australasian Women in Ancient World Studies.

– ref. Greek and Roman nymphs weren’t just sexy nature spirits. They had other important jobs too – https://theconversation.com/greek-and-roman-nymphs-werent-just-sexy-nature-spirits-they-had-other-important-jobs-too-258287

Source: ForeignAffairs4

Source: The Conversation – Global Perspectives – By Patrick Dodd, Professional Teaching Fellow, Business School, University of Auckland, Waipapa Taumata Rau

For a long time, universities worked off a simple idea: knowledge was scarce. You paid for tuition, showed up to lectures, completed assignments and eventually earned a credential.

That process did two things: it gave you access to knowledge that was hard to find elsewhere, and it signalled to employers you had invested time and effort to master that knowledge.

The model worked because the supply curve for high-quality information sat far to the left, meaning knowledge was scarce and the price – tuition and wage premiums – stayed high.

Now the curve has shifted right, as the graph below illustrates. When supply moves right – that is, something becomes more accessible – the new intersection with demand sits lower on the price axis. This is why tuition premiums and graduate wage advantages are now under pressure.

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According to global consultancy McKinsey, generative AI could add between US$2.6 trillion and $4.4 trillion in annual global productivity. Why? Because AI drives the marginal cost of producing and organising information toward zero.

Large language models no longer just retrieve facts; they explain, translate, summarise and draft almost instantly. When supply explodes like that, basic economics says price falls. The “knowledge premium” universities have long sold is deflating as a result.

Employers have already made their move

Markets react faster than curriculums. Since ChatGPT launched, entry-level job listings in the United Kingdom have fallen by about a third. In the United States, several states are removing degree requirements from public-sector roles.

In Maryland, for instance, the share of state-government job ads requiring a degree slid from roughly 68% to 53% between 2022 and 2024.

In economic terms, employers are repricing labour because AI is now a substitute for many routine, codifiable tasks that graduates once performed. If a chatbot can complete the work at near-zero marginal cost, the wage premium paid to a junior analyst shrinks.

But the value of knowledge is not falling at the same speed everywhere. Economists such as David Autor and Daron Acemoglu point out that technology substitutes for some tasks while complementing others:

• codifiable knowledge – structured, rule-based material such as tax codes or contract templates – faces rapid substitution by AI

• tacit knowledge – contextual skills such as leading a team through conflict – acts as a complement, so its value can even rise.

Data backs this up. Labour market analytics company Lightcast notes that one-third of the skills employers want have changed between 2021 and 2024. The American Enterprise Institute warns that mid-level knowledge workers, whose jobs depend on repeatable expertise, are most at risk of wage pressure.

So yes, baseline knowledge still matters. You need it to prompt AI, judge its output and make good decisions. But the equilibrium wage premium – meaning the extra pay employers offer once supply and demand for that knowledge settle – is sliding down the demand curve fast.

What’s scarce now?

Herbert Simon, the Nobel Prize–winning economist and cognitive scientist, put it neatly decades ago: “A wealth of information creates a poverty of attention.” When facts become cheap and plentiful, our limited capacity to filter, judge and apply them turns into the real bottleneck.

That is why scarce resources shift from information itself to what machines still struggle to copy: focused attention, sound judgement, strong ethics, creativity and collaboration.

I group these human complements under what I call the C.R.E.A.T.E.R. framework:

• critical thinking – asking smart questions and spotting weak arguments

• resilience and adaptability – staying steady when everything changes

• emotional intelligence – understanding people and leading with empathy

• accountability and ethics – taking responsibility for difficult calls

• teamwork and collaboration – working well with people who think differently

• entrepreneurial creativity – seeing gaps and building new solutions

• reflection and lifelong learning – staying curious and ready to grow.

These capabilities are the genuine scarcity in today’s market. They are complements to AI, not substitutes, which is why their wage returns hold or climb.

What universities can do right now

1. Audit courses: if ChatGPT can already score highly on an exam, the marginal value of teaching that content is near zero. Pivot the assessment toward judgement and synthesis.

2. Reinvest in the learning experience: push resources into coached projects, messy real-world simulations, and ethical decision labs where AI is a tool, not the performer.

3. Credential what matters: create micro-credentials for skills such as collaboration, initiative and ethical reasoning. These signal AI complements, not substitutes, and employers notice.

4. Work with industry but keep it collaborative: invite employers to co-design assessments, not dictate them. A good partnership works like a design studio rather than a boardroom order sheet. Academics bring teaching expertise and rigour, employers supply real-world use cases, and students help test and refine the ideas.

Universities can no longer rely on scarcity setting the price for the curated and credentialed form of information that used to be hard to obtain.

The comparative advantage now lies in cultivating human skills that act as complements to AI. If universities do not adapt, the market – students and employers alike – will move on without them.

The opportunity is clear. Shift the product from content delivery to judgement formation. Teach students how to think with, not against, intelligent machines. Because the old model, the one that priced knowledge as a scarce good, is already slipping below its economic break-even point.

Patrick Dodd does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

– ref. AI is driving down the price of knowledge – universities have to rethink what they offer – https://theconversation.com/ai-is-driving-down-the-price-of-knowledge-universities-have-to-rethink-what-they-offer-260493

Source: ForeignAffairs4

Source: The Conversation – Global Perspectives – By Xanthe Mallett, Criminologist, CQUniversity Australia

The “mushroom murder trial”, as it has popularly become known, has gripped Australia over the past 11 weeks. More than that, it’s prompted worldwide headlines, multiple daily podcasts, and even YouTube videos of self-proclaimed “body language experts” assessing defendant Erin Patterson’s every move.

There’s an ABC drama series in the works. Acclaimed Australian author Helen Garner has been in the courtroom.

But why did this tragedy, in which three people died and a fourth was lucky to survive, grip the public consciousness in way no other contemporary Australian case has?

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Read more:
Erin Patterson has been found guilty in the mushroom murder trial. Legal experts explain why

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A not-so-wholesome family lunch

On July 29 2023, in a sleepy town called Leongatha in the foothills of the Strzelecki Ranges in Victoria, a very normal woman called Erin Patterson made an ostensibly very normal lunch of beef Wellington.

She was cooking for her in-laws, Gail and Don Patterson, Gail’s sister Heather Wilkinson, and Heather’s husband Ian. Erin’s estranged husband, Simon Patterson, was also invited, but chose not to attend.

Simon and Erin had two children, a boy and a girl, who did not attend the lunch either.

Shortly after the lunch, all four guests were admitted to hospital with suspected gastroenteritis. Erin Patterson also presented to hospital, but refused to be admitted.

Within a few days, Gail, Don, and Heather all died as a result of what was later confirmed as poisoning with Amanita phalloides, better known as death cap mushrooms.

Ian survived, but he was lucky. He spent seven weeks in hospital and needed a liver transplant.

The questions became, how did the mushrooms get into the beef Wellington? Was this an awful accident or something more sinister?

Public obsession

These questions became the focus of very significant public and media attention.

Erin Patterson spoke to the media in the days after the incident. She presented as your typical, average woman of 50.

That is, in my opinion, where the obsession with this case began.

This case had the feel of a Shakespearean drama: multiple deaths within one family, death by poison, and a female protagonist.

The juxtaposition between the normality of a family lunch (and the sheer vanilla-ness of the accused) and the seriousness of the situation sent the media into overdrive.

Then there were the lies. Patterson lied about foraging for mushrooms, and about having cancer to encourage the guests to attend.

The location also played a huge part. Leongatha is known for its staggering natural beauty and thriving food and wine scene. It’s hardly a place where the world expected a mass murderer to live.

However, the perception that rural areas are utopias of safety and social cohesion, and cities are dark and dangerous places, is a myth.

One study by the Australian Institute of Health and Welfare paints a different picture.

For serious assault cases that resulted in hospitalisation, for major cities the rates were 65 per 100,000 people. In rural areas, this rose to 1,244 people per 100,000. And for murder, in very remote areas the rate was five per 100,000 population, but fewer than one per 100,000 in urban areas.

Then there was Erin Patterson’s unusual behaviour. She disposed of the desiccator in which the mushrooms she had foraged were dehydrated. She used multiple phones, one of which underwent multiple factory resets on in the days following the lunch. One of these resets was done remotely after police seized her phone.

There are also the much-discussed plates. The court heard she prepared her meal on a different-coloured plate to those of her other guests so they were easily identifiable.

The public latched onto these details, each providing a new talking point around water coolers or spurring new Reddit threads dedicated to unpacking their significance.

The courtroom as a stage

Ultimately, after three months, Erin Patterson was charged with three counts of murder and one count of attempted murder. She pleaded not guilty.

The trial lasted 40 days. The prosecution alleged Patterson intentionally poisoned her guests, whereas the defence suggested it was all an awful, tragic accident.

The jury took six and a half days to deliberate. During that time, various media outlets did everything they could to keep the story on the front page.

Bizarre pieces began appearing online from credible sources such as the ABC, profiling people who had attended court. They included stories of people turning down work to attend the court daily, cases of friendships blossoming during the trial between regular attendees, and the outfit choices of locals turning up every day to watch the drama unfold.

There were also articles profiling local cafe owners and how they felt about being at the centre of the legal theatrics. The daily podcasts continued even when news from the courtroom didn’t.

The vibe felt more appropriate for a royal visit than a triple murder trial.

It seemed everyone in Australia was gripped by one event, united in a way few other things could manage. We all waited with bated breath to see what the 12 men and women of the jury would decide.

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Read more:
Justice on demand? The true crime podcasts serving up Erin Patterson’s mushroom murder trial

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Humanity behind the spectacle

The end to this strange and unique criminal case came on Monday July 7.

The result? Guilty on all four counts. Erin Patterson is formally a mass murderer, though many in the court of public opinion had reached the same conviction months earlier.

Leongatha will always be known for being the setting of (arguably) the most infamous multiple murder case in Australian history. It will join Snowtown in South Australia (home of the “bodies in the barrell” murder case), Kendall in New South Wales (where William Tyrrell disappeared), and Claremont in Western Australia (the murder or disappearance of three women) as places forever linked to tragic crimes.

While the trial is over, there’s much more content still to come, the public’s appetite yet to be satiated.

But the final word should be saved for the Patterson and Wilkinson families. This is an awful tragedy, and there are no winners. Ian and Simon have lost loved ones. The Patterson children have lost grandparents and now have to come to terms with the fact their mother caused those deaths intentionally.

Amid the spectacle, it’s easy to lose sight of the humanity at the centre. As the media spotlight dims, may the families get the privacy and respect they deserve.

Xanthe Mallett does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

– ref. A Shakespearean, small-town murder: why Australia became so obsessed with the Erin Patterson mushroom case – https://theconversation.com/a-shakespearean-small-town-murder-why-australia-became-so-obsessed-with-the-erin-patterson-mushroom-case-259982