Category: Business

  • MIL-OSI: BTC Miner: Earn Up to $1 Million Daily – Effortless Passive Income with Zero Risk

    Source: GlobeNewswire (MIL-OSI)

    London, UK, June 26, 2025 (GLOBE NEWSWIRE) — As the cryptocurrency market continues to demonstrate resilience, with Bitcoin maintaining solid growth and Ethereum flourishing amidst global economic uncertainties, BTC Miner is emerging as the ultimate solution for those seeking a secure, passive, and low-risk way to earn cryptocurrency daily. This innovative platform ensures that even those with no prior mining experience can start earning with ease and confidence.

    BTC Miner has redefined the landscape of cryptocurrency mining with its cutting-edge cloud mining technology. The platform allows investors to seamlessly earn passive income without worrying about the complexities of hardware setups or fluctuating market conditions. Its AI-driven smart contracts ensure that all users, regardless of their technical expertise, can engage in mining and start earning immediately.

    Key Features:

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    Investor Testimonials:
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    Conclusion:
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    MEDIA Contact:
    Full Name: Liam Carter
    City: Shropshire, United Kingdom
    Email: info@btcminer.net
    Website: https://btcminer.net

    Disclaimer: This press release is for informational purposes only and does not constitute financial advice, legal advice, or investment recommendations. Stock Trading involves risk and market volatility. Please research or consult a licensed financial advisor before making investment decisions. BTCMiner.net and associated parties are not liable for any financial loss incurred.

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    The MIL Network

  • MIL-OSI: BTC Miner: Earn Passive Income Daily with Zero Effort – Potential to Earn Millions Daily

    Source: GlobeNewswire (MIL-OSI)

    London, UK, June 26, 2025 (GLOBE NEWSWIRE) — As cryptocurrency continues to surge, BTC Miner has redefined the mining process, offering investors a hassle-free and straightforward way to earn digital assets. Using cutting-edge cloud mining technology, BTC Miner provides an easy path to earning passive income with minimal effort and no technical expertise required.

    Whether you’re an experienced investor or just getting started with cryptocurrency, BTC Miner offers a simple and secure way to mine Bitcoin and other digital currencies from the comfort of your home.

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    FCA Certified and Secure

    BTC Miner operates under full compliance with the UK’s Financial Conduct Authority (FCA), ensuring your investments are handled with the highest levels of security and transparency. The platform uses advanced encryption technologies to protect user data and funds, giving investors peace of mind.

    How to Easily Earn Cryptocurrency with BTC Miner

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    Investor Feedback and Success Stories

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    Final Thoughts

    BTC Miner offers a path to financial freedom with its easy-to-use cloud mining platform. In a volatile market, its AI-driven optimizations ensure that your mining power works smarter, not harder, providing you with reliable, daily earnings. Whether you’re looking for a secondary income stream or seeking financial independence, BTC Miner is the perfect platform to start your cryptocurrency journey.

    Join BTC Miner today and unlock a new source of passive income. Visit https://btcminer.net for more information and to claim your $500 bonus.

    About BTC Miner

    BTC Miner is a leading cloud mining platform that allows users to earn Bitcoin and other cryptocurrencies daily without the need for hardware or technical management. With its AI-driven system and secure, FCA-compliant platform, BTC Miner ensures a seamless and profitable experience for investors, both beginners and seasoned traders. BTC Miner makes it simple to grow your digital assets.

    MEDIA Contact:
    Full Name: Liam Carter
    City: Shropshire, United Kingdom
    Email: info@btcminer.net
    Website: https://btcminer.net

    Disclaimer: This press release is for informational purposes only and does not constitute financial advice, legal advice, or investment recommendations. Stock Trading involves risk and market volatility. Please research or consult a licensed financial advisor before making investment decisions. BTCMiner.net and associated parties are not liable for any financial loss incurred.

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    The MIL Network

  • MIL-OSI USA: ICYMI: Hickenlooper, Senators Host PRIDE Celebration at Kennedy Center

    US Senate News:

    Source: United States Senator John Hickenlooper – Colorado
    In case you missed it, U.S. Senator John Hickenlooper, along with U.S. Senators Tammy Baldwin, Elizabeth Warren, Jacky Rosen, and Brian Schatz hosted a pride celebration and musical performance titled “Love is Love” on Monday at the Kennedy Center’s Justice Forum.
    The concert, produced by acclaimed Broadway producer Jeffrey Seller and directed by Seth Rudetsky and James Wesley Jackson, celebrated the important role that the arts have played in the gay rights movement. The actors and other creative talent who created this show gave their time and artistic energy to recognize and amplify this cultural transformation. The performance reminds us that our fight for equality – and for democracy – isn’t over. It’s happening right now, all around us.
    Photos from the event can be found HERE and attributable to the Office of U.S. Senator John Hickenlooper.
    Check out the headlines below:
    New York Times: With Broadway Tunes, Democrats Protest Trump’s Takeover of Kennedy CenterFive Democratic senators staged a gay pride concert at a small theater at the John F. Kennedy Center for the Performing Arts on Monday night as a form of symbolic protest against President Trump’s takeover of the institution.The event, which was held before an invited audience, featured performances by Broadway artists including Javier Muñoz, a “Hamilton” alum who sang “Satisfied” from the hit musical. Many of the songs and monologues were rife with L.G.B.T. themes, including one penned by Harvey Fierstein.Other performances included Brandon Uranowitz’s singing “What More Can I Say?” from “Falsettos,” and Beth Malone’s rendition of “An Old-Fashioned Love Story” from “The Wild Party.” That song’s composer, Andrew Lippa, performed a song from his oratorio “I Am Harvey Milk” alongside the Gay Men’s Chorus of Washington.The 90-minute concert was called “Love Is Love,” a slogan used by the gay rights movement and quoted by the “Hamilton” creator Lin-Manuel Miranda when his show won at the Tony Awards in 2016. It was produced by Jeffrey Seller, the lead producer of “Hamilton,” who recently canceled a planned 2026 run of the musical at the Kennedy Center, saying he did not want to support Mr. Trump’s vision for the venue.“What’s happening in the world is deeply concerning, but even in our darkest hours, we must continue to seek out the light,” Senator John Hickenlooper of Colorado, who hosted the concert, said in a statement. “The L.G.B.T.Q. community has long embodied this resilience, maintaining joy and creativity in the face of adversity.”
    National Public Radio (NPR): Democratic senators held an invite-only Pride event at the Kennedy CenterA group of Democratic senators and Hamilton producer Jeffrey Seller hosted a Pride celebration at the Kennedy Center Monday evening. But the Kennedy Center had nothing to do with programming it.Senators John Hickenlooper of Colorado, Elizabeth Warren of Massachusetts, Jacky Rosen of Nevada, Brian Schatz of Hawaii, and Tammy Baldwin of Wisconsin rented the Justice Forum, a small theater at the REACH, an expansion to the John F. Kennedy Center for the Performing Arts that opened in 2019.While the group of senators booked the space a few weeks ago, the Pride event, called Love Is Love, wasn’t announced until Monday. A statement from Sen. Hickenlooper’s office said the event was “about standing up for the arts and the progress the LGBTQ community has made. The performance reminds us that our fight for equality — and for democracy — isn’t over. It’s happening right now.”Directed by Seth Rudetsky and James Wesley, the show celebrated gay culture with songs and spoken word performances by top Broadway talent, including John Cameron Mitchell, Jelani Remy, Lisa Kron and Andrew Lippa.Details of Monday night’s show were first reported by The New York Times. Seller, whose credits also include Rent and Avenue Q, told the outlet that Hickenlooper called him to see if he’d like to engage in some “guerrilla theater.” Seller, who is gay, didn’t hesitate.
    Politico: Playbook Arts SectionSens. John Hickenlooper (D-Colo.), Tammy Baldwin (D-Wis.), Jacky Rosen (D-Nev.), Elizabeth Warren (D-Mass.) and Brian Schatz (D-Hawaii) hosted a Kennedy Center gay pride performance last night, per the NYT. Drawing a contrast with the Trump administration’s takeover of the theater, the Broadway concert-cum-protest included songs and performers from “Hamilton,” “Falsettos” and moreColorado Public Radio (CPR): Sen. Hickenlooper helps organize Pride concert at Trump-led Kennedy CenterColorado Sen. John Hickenlooper led a one-night takeover of the Kennedy Center in Washington, D.C., Monday night to celebrate Pride month, in defiance of the Center’s move away from what President Trump has called “woke” programming.The concert, titled “Love is Love,” featured Broadway artists and was produced by Jeffrey Seller, who has been behind shows such as “Hamilton,” “Avenue Q” and “Rent.”The event started when Hickenlooper reached out to Seller with what he described as a “goofy idea.”“Taking songs from this arc of acceptance (of gay rights), so that we get to celebrate for a moment just how powerful our arts and culture is and how it’s changed America and how better off we are,” explained Colorado’s junior senator.Playbill: Beth Malone, Brandon Uranowitz, Jelani Remy, More to Perform in Pride Protest Concert at Kennedy CenterSince President Trump took over the Kennedy Center in February, the institution has cancelled a number of Pride-related events. In protest, Hamilton producer Jeffrey Seller and five Democratic Senators are going to stage a Pride-themed concert at the Kennedy Center the evening of June 23.According to a report in the New York Times, senators are allowed to rent space at the Kennedy Center. So the Democratic senators asked to rent the 144-seat Justice Hall and didn’t tell the Kennedy Center what they needed it for. The invitation-only event will be called Love Is Love and will feature queer-themed songs and readings. The participants include Tony winners John Cameron Mitchell, Lisa Kron, and Brandon Uranowitz, as well as Andrew Lippa, Beth Malone, Jelani Remy, Hennessy Winkler, Alexis Michelle, Dylan Toms, Javier Muñoz, Kathryn Gallagher, and Brandi Chavonne Massey.The Gay Men’s Chorus of Washington, D.C. (whose previously planned concert had been cancelled at the Kennedy Center), will also perform. The title of the concert is a Pride slogan, and Hamilton creator Lin-Manuel Miranda quoted it in a 2016 Tony Awards acceptance speech.Seller produced the event, after being invited to participate from Senator John Hickenlooper of Colorado. As Seller told the Times: “This is our way of reoccupying the Kennedy Center. This is a form of saying, ‘We are here, we exist, and you can’t ignore us.’ This is a protest, and a political act.” Seller previously pulled a planned engagement of Hamilton from the Kennedy Center as protest against the Trump Administration. Seth Rudetsky and his husband, James Wesley Jackson, are directing the event. They previously helped organize a Broadway Rallies for Kamala event during the 2024 election.Said Rudetsky to Playbill: “I am honored that Jeffrey Seller reached out to me and my husband James to help put this concert together after Jeffrey was contacted by the Senator’s office. We decided together that we wanted to create concert of joy and pride! The gay community has been always integral to the arts and should be welcome in every artistic venue! I am so excited to be in the company of so many amazing queer artists who will be performing songs from the Broadway canon that celebrate PRIDE! Stay tuned for photos and videos of fabulous harmonies and belting!”Deadline: Democratic Senators To Host Kennedy Center Pride Concert To Protest Trump TakeoverFive Democratic senators will host an invitation-only Pride concert at the Kennedy Center Monday as a protest against President Donald Trump’s takeover of the Washington D.C. arts institution.The 90-minute concert, which is expected to feature Broadway performers as well as The Gay Men’s Chorus of Washington D.C., is set for Monday night, The New York Times reports.Organized by John Hickenlooper, D-Colo., the group of Senators – Hickenlooper, Tammy Baldwin of Wisconsin, Jacky Rosen of Nevada, Brian Schatz of Hawaii and Elizabeth Warren of Massachusetts – have rented the Justice Forum, a 144-seat theater located in the Reach expansion of the Kennedy Center, using a privilege available to all members of Congress.“What’s happening in the world is deeply concerning, but even in our darkest hours, we must continue to seek out the light,” Hickenlooper said in a statement. “The L.G.B.T.Q. community has long embodied this resilience, maintaining joy and creativity in the face of adversity.”Colorado Today Podcast: June 24, 2025Last night, Colorado’s U.S. Senator John Hickenlooper led a little guerrilla theater. It was supposed to be a sort of takeover of a venue that’s already been taken over by President Donald Trump. The venue was the Kennedy Center in Washington, where Hickenlooper and a handful of other Democrats put on a night to celebrate LGBTQ pride. 
    …If you’re wondering why Hickenlooper specifically organized this, I’m not surprised that he decided to do it. You know, he’s a performer, banjo player, and you know, enjoys music. So I can understand why he turned to the arts and celebrated not just for pride, but to try and ensure that the arts unites the country.KKTV Colorado Springs: 11 News at 6am
    A group of U.S. Senators, including Colorado’s John Hickenlooper, came together and hosted a pride celebration in a musical performance titled “Love is Love.”Now, that performance was held last night at the Kennedy Center’s Justice Forum and produced by acclaimed Broadway producer Jeffrey Seller.The press release from Hickenlooper’s team said the performance reminds us that our fight for equality and democracy isn’t over. It’s happening right now, all across the world. Queerty: Dems hosted a private Pride bash at the Kennedy Center as a giant F.U. to Tr*mpWhen President Tr*mp took over the running of the Kennedy Center in February, he promised no more “woke” productions. He installed gay chum Richard Grenell as the art center’s acting President.Since then, not only have performers and productions pulled their appearances at the venue, but the center also canceled all of its planned Pride Month events.That was until last night!In a rebuke of the President’s takeover of the venue, five Democratic Senators hosted a private, invite-only Pride Month event. They didn’t tell the Kennedy Center in advance the exact nature of the private booking.The New York Times reported yesterday that the 90-minute show was booked at the 144-seat Justice Forum. It was organized by Senator John Hickenlooper (D-CO). His co-hosts included Tammy Baldwin (WI), Jacky Rosen (NV), Brian Schatz (HI) and Elizabeth Warren (MA).
    …Hickenlooper reshared the New York Times story to X, saying, “Let’s do this,” with a pride flag emoji.LGBTQ Nation: Gay MAGA official scorns “Hamilton” creators for Kennedy Center boycott: They “cosplay as victims”As the Daily Beast notes, Grenell’s statement came the same day as an invite-only Pride concert produced by Seller and staged by Democratic Senators John Hickenlooper (D-CO), Tammy Baldwin (D-WI), Jacky Rosen (D-NV), Elizabeth Warren (D-MA), and Brian Schatz (D-HI) at one of the Kennedy Center’s theaters. According to the outlet, Miranda does not seem to have been involved in the event in any way. While the New York Times reported on the concert Monday, the paper was also not involved in its production, as Grenell suggested. While Grenell claimed in his Monday statement that “No one has been cancelled by the Kennedy Center” and that “we welcome everyone who wants to celebrate the arts, including our compatriots on the other side of the political aisle,” under his leadership, several Pride events and performances have, in fact, been canceled.According to the Times, Hickenlooper invited Seller to produce Monday’s concert, which Seller said was meant “to celebrate gay characters, gay culture, gay music and gay pride.”“This is our way of reoccupying the Kennedy Center,” Seller told the paper. “This is a form of saying, ‘We are here, we exist and you can’t ignore us.’ This is a protest, and a political act.”Daily Beast: Kennedy Center President Melts Down at ‘Hamilton’ Duo in Social Media TiradeHickenlooper said in an X post that “this is about standing up for freedom. It’s about standing up for self-expression. At the core of it all, it’s about standing up for love.”BroadwayWorld: Photos: Senators Host LOVE IS LOVE Pride Celebration at the Kennedy CenterOn June 23rd U.S. Senators John Hickenlooper, Tammy Baldwin, Elizabeth Warren, Jacky Rosen, and Brian Schatz hosted a Pride celebration and musical performance titled Love is Love, which was produced by acclaimed Broadway producer Jeffrey Seller, at the Kennedy Center’s Justice Forum.
    …Senator Hickenlooper opened the program, which featured an evening of live performances and monologues celebrating LGBTQ culture and resilience.The Hill: 5 Democratic senators protest Trump Kennedy Center takeover with gay pride concertA group of five Democratic senators reportedly protested President Trump’s unprecedented overhaul of the Kennedy Center by hosting a gay pride concert.The performance, dubbed “Love is Love” and first reported by The New York Times, was held Monday night at a theater inside the Washington performing arts institution and included pro-LGBTQ songs and monologues. Sen. John Hickenlooper (Colo.) — one of the five Democrats behind the event — said in a statement, “What’s happening in the world is deeply concerning, but even in our darkest hours, we must continue to seek out the light.”The Monday concert, which came during Pride Month, aimed to “honor the role that the freedom of expression and the theatrical arts play in continuing to expand LGBTQ rights in America,” Hickenlooper said.The musical performance was also hosted by Sens. Tammy Baldwin (Wis.), Elizabeth Warren (Mass.), Brian Schatz (Hawaii) and Jacky Rosen (Nev.).Colorado Pols: Hickenlooper Master Trolls Trump’s Censored Kennedy CenterAs Colorado Public Radio’s Caitlyn Kim reports, Washington is abuzz this morning after a group of Democratic U.S. Senators led by Colorado’s Sen. John Hickenlooper pulled off a protest concert inside the Kennedy Center for the Performing Arts, which was taken over by the Trump administration soon after taking power, after Donald Trump personally objected to the content featured there during previous administrations:
    …Of course, none of this would be happening were it not for Trump’s takeover and ideological remake of the Center’s event schedule that Grenell himself presided over. There’s no amount of carping after the fact that can overcome the much bigger impression made by pulling off this protest concert inside the arts complex that Trump wants to micromanage like the infamous Carter White House tennis courts.These are the moments history remembers after repressive eras end, and this one belongs to Sen. John Hickenlooper of Colorado.

    MIL OSI USA News

  • MIL-OSI NGOs: World Bank Group, IAEA Formalize Partnership to Collaborate on Nuclear Energy for Development

    Source: International Atomic Energy Agency (IAEA) –

    Rafael Mariano Grossi, Director General of the International Atomic Energy Agency, and Ajay Banga, President of the World Bank Group, sign a partnership agreement to collaborate on the safe, secure and responsible use of nuclear energy for development. (Photo: M Arnaldo/World Bank)

    The World Bank Group and the International Atomic Energy Agency (IAEA) sealed an agreement today to work together to support the safe, secure and responsible use of nuclear energy in developing countries. The partnership agreement, signed by World Bank Group President Ajay Banga and IAEA Director General Rafael Mariano Grossi, formalizes multiple engagements between the two institutions over the last year, and marks the World Bank Group’s first concrete step to reengage with nuclear power in decades.

    The agreement also reflects a new, broader approach by the World Bank Group to electrification—one that prioritizes accessibility, affordability, and reliability, while managing emissions responsibly. With electricity demand in developing countries expected to more than double by 2035, this approach aims to help countries deliver the energy people need by enabling pathways that best fit their national context, including development objectives and Nationally Determined Contributions.

    Nuclear energy provides continuous baseload power, enhancing grid stability and resilience. Reliable baseload electricity is essential for job-generating sectors such as infrastructure, agribusiness, healthcare, tourism, and manufacturing. Nuclear power is also a source of high-skilled employment and stimulates investment across the broader economy. In addition, it can adjust to changes in electricity demand and support frequency regulation, enabling greater integration of variable renewable energy sources.

    “Jobs need electricity. So do factories, hospitals, schools, and water systems. And as demand surges—with AI and development alike—we must help countries deliver reliable, affordable power. That’s why we’re embracing nuclear energy as part of the solution—and reembracing it as part of the mix the World Bank Group can offer developing countries to achieve their ambitions. Importantly, nuclear delivers baseload power, which is essential to building modern economies,” said World Bank Group President Ajay Banga. “Our partnership with the IAEA marks an important step, and I’m grateful to Rafael for his personal commitment and leadership in making this possible. Together, we’ll deepen our expertise, support countries that choose nuclear, and ensure that safety, security, and sustainability guide every step forward.”

    “Today’s agreement is a milestone and the result of a year of joint work since President Ajay Banga kindly invited me to the World Bank Group Executive Board in Washington in June of last year,” IAEA Director General Grossi said. “This landmark partnership, yet another sign of the world’s return to realism on nuclear power, opens the door for other multilateral development banks and private investors to consider nuclear as a viable tool for energy security and sustainable prosperity. Together, we can help more people build a better future.”

    Under the memorandum of understanding signed today, the IAEA will work with the World Bank Group in three key areas:

    • Build knowledge related to the nuclear field: Expand the World Bank Group’s understanding of nuclear safety, security, safeguards, energy planning, new technologies, fuel cycles, reactor lifecycles, and waste management.
    • Extend the lifespan of existing nuclear power plants: Support developing countries in safely extending the life of existing nuclear reactors-one of the most cost-effective sources of low-carbon power-as many global reactors near the end of their original 40-year design life.
    • Advance SMRs: Accelerate the development of small modular reactors (SMRs), which offer flexible deployment, lower upfront costs, and potential for wide adoption in developing economies.

    Thirty-one countries currently operate nuclear power plants, which combined produce about 9% of the world’s electricity, amounting to almost a quarter of all low-carbon power globally. More than 30 other countries, most of them in the developing world, are considering or already embarking on the introduction of nuclear power and are working with the IAEA to develop the necessary infrastructure to do so safely, securely and sustainably.

    “SMRs have great potential to cleanly and reliably power progress and fight poverty, but financing remains a roadblock,” Director General Grossi said. “Today’s agreement is a crucial first step to clearing that path.”

    Contacts

    World Bank Group (London): David Young, (202) 473-4691, dyoung7@worldbankgroup.org;

    International Atomic Energy Agency (Vienna): Jeffrey Donovan, +43 699 165 22443, j.r.donovan@iaea.org

    About the World Bank Group: The World Bank Group works to create a world free of poverty on a livable planet through a combination of financing, knowledge, and expertise. It consists of the World Bank, including the International Bank for Reconstruction and Development (IBRD) and the International Development Association (IDA); the International Finance Corporation (IFC); the Multilateral Investment Guarantee Agency (MIGA); and the International Centre for Settlement of Investment Disputes (ICSID). For more information, please visit www.worldbank.org, ida.worldbank.org/en/home, www.miga.org, www.ifc.org, and www.icsid.worldbank.org

    About the International Atomic Energy Agency (IAEA): The IAEA is an international organization that seeks to promote the peaceful use of nuclear energy and to prevent its use for military purposes. The IAEA supports its member states in developing robust and sustainable nuclear safety and security infrastructures and applies safeguards to verify the peaceful use of nuclear material and technology.

    MIL OSI NGO

  • MIL-OSI United Kingdom: UK-Argentina Bicentenary celebration

    Source: United Kingdom – Executive Government & Departments

    World news story

    UK-Argentina Bicentenary celebration

    Authorities from both countries commemorated 200 years of diplomatic relations yesterday with a musical evening at the Colon Theatre.

    Ambassador Hayes delivering her speech at Teatro Colón.

    The British Embassy in Argentina yesterday celebrated 200 years of diplomatic relations between both countries with a musical evening at the Colon Theatre. The event was attended by high-level authorities from the national government, businesspeople, members of the diplomatic corps, artists, scientists and civil society representatives.

    The gathering also represented Ambassador Kirsty Hayes’s formal farewell after four years as Head of Mission in Buenos Aires, and served as a prelude to the performance of the British opera Billy Budd which the theatre will be staging from next Tuesday, with a cast that includes artists from Argentina, the UK and other countries.

    Among the most prominent guests were the ministers of Justice, Mariano Cúneo Libarona; and Deregulation, Federico Sturzenegger; the former Chief of Staff Nicolás Posse and the former chancellor Diana Mondino; Secretaries for Foreign Affairs, Eduardo Bustamante; Mining, Luis Lucero; Finance, Pablo Quirno and the Fight against Drug Trafficking, Martín Verrier; the Head of the President’s Advisory Council, Demian Reidel; deputies Lucila Crexell, Fernando Iglesias, María Fernanda Araujo, Marcela Campagnoli and Pilar Ramírez; businessmen Gustavo Weiss, Jaime Campos, and Juan Martín Bulgheroni; the president of Conicet, Daniel Salamone; CABA’s Ministers for Economic Development, Hernán Lombardi, and for Infrastructure Pablo Bereciartúa; the Chief of the Armed Forces Joint Staff, Air Chief Marshal Xavier Isaac; the Navy Chief of Staff, Admiral Carlos María Allievi; and the Army Chief of Staff, General Carlos Alberto Presti, among others.

    On 2 February 1825, the UK and the United Provinces of the River Plate signed a Treaty of Friendship, Commerce and Navigation which established diplomatic relations between both countries. It was also the first act of recognition by a leading European power of the independence of the country that would later become known as the Argentine Republic. For this reason, the British Embassy will be celebrating the Bicentenary of diplomatic relations throughout the year with a number of commemorative events like yesterday’s gala at the Colon Theatre’s Golden Room.

    During her speech, Ambassador Hayes said:

    Over these 200 years we have experienced times of closeness and times of distance, but our common history has always been marked by respect, mutual admiration and, above all, by the will to build bridges”.

    She then spoke about her departure from Argentina:

    Tonight also has a very personal significance for me, as it is my last public event as British Ambassador to Argentina. I must confess that saying goodbye to this country is not easy. I am taking with me unforgettable memories, strong friendships and immense gratitude for the warm welcome I received in every one of the 24 provinces.

    With Argentine scientist Diego Golombek as host, the event gave guests the opportunity to enjoy the Prologue of Billy Budd, sung by British tenor Toby Spence and interpreted on the piano by the musical director of the production, Erik Nielsen. As well as an extract from the opera “Darwin in Patagonia”, and an adaptation of the symphony “¡Viva la libertad!” (Long Live Freedom!) composed by Lalo Schifrin and Rod Schejtman. Before the end, Schejtman himself gave an impromptu live performance in honour of Ambassador Hayes, combining the musical notes randomly selected by the Ambassador herself, by Minister Cúneo Libarona representing the Argentine government, and by Julio Aro, president of the No Me Olvides Foundation, whose mission is related to preserving the memory of those who fell in the 1982 conflict.

    The main sponsor of the event was the GREAT campaign – the UK’s country brand – whose motto is an invitation to “See Things Differently”, and the private sponsors was Standard Chartered.

    Updates to this page

    Published 26 June 2025

    MIL OSI United Kingdom

  • MIL-OSI Europe: AFRICA/KENYA – Deaths and injuries during a demonstration commemorating the victims of last year’s clashes

    Source: Agenzia Fides – MIL OSI

    Nairobi (Agenzia Fides) – At least 16 people were killed in clashes between protesters and police in Kenya yesterday, June 25.This figure was released this morning by Amnesty Kenya, which stated that most of the victims were killed by security forces. According to police, there were 12 victims. In addition to the dead, at least 400 people were injured during the protests on the first anniversary of the demonstrations against the 2024 Finance Bill, which led to unrest and violence, claiming 60 lives. According to Kenyan authorities, violent elements infiltrated yesterday’s demonstrations and caused chaos, looting public and private property. Meanwhile, the Kenyan government has ordered the closure of major television stations for violating a directive issued by the Communications Authority of Kenya (CA) prohibiting live broadcasts of protests.The measure sparked outrage among media observers and legal experts. Former Chief Justice Willy Mutunga called the directive unconstitutional and a violation of press freedom. The Kenya Editors’ Guild condemned the decision, accusing the CA of misapplying the law and undermining public access to information, in violation of Articles 33 and 34 of the Constitution. (L.M.) (Agenzia Fides, 26/6/2025)
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    MIL OSI Europe News

  • MIL-OSI Banking: ADB and AFD Expand Partnership with $6 Billion Cofinancing Target

    Source: Asia Development Bank

    ADB and Agence Française de Développement (AFD) signed an amendment to their Partnership Framework Agreement today, raising their joint cofinancing target to $6 billion for the period 2026–2028 from their previous 3-year target (2023–2025) of $3 billion. The additional cofinancing will support activities in key sectors.

    MIL OSI Global Banks

  • MIL-OSI Banking: The Gambia: Third Review Under the Extended Credit Facility Arrangement, Requests for a Waiver of Nonobservance of a Performance Criterion, Modifications of Performance Criteria, and Financing Assurances Review, and Request for an Arrangement Under the Resilience and Sustainability Facility-Press Release; Staff Report; and Statement by the Executive Director for The Gambia

    Source: International Monetary Fund

    International Monetary Fund. African Dept. “The Gambia: Third Review Under the Extended Credit Facility Arrangement, Requests for a Waiver of Nonobservance of a Performance Criterion, Modifications of Performance Criteria, and Financing Assurances Review, and Request for an Arrangement Under the Resilience and Sustainability Facility-Press Release; Staff Report; and Statement by the Executive Director for The Gambia”, IMF Staff Country Reports 2025, 151 (2025), accessed June 26, 2025, https://doi.org/10.5089/9798229015844.002

    MIL OSI Global Banks

  • India launches First Maritime NBFC — Sagarmala Finance Corporation Limited (SMFCL)

    Source: Government of India

    Source: Government of India (4)

    In a significant development for India’s maritime sector, Union Minister of Ports, Shipping and Waterways, Sarbananda Sonowal on Thursday inaugurated the country’s first dedicated Non-Banking Financial Company (NBFC) for the maritime sector — Sagarmala Finance Corporation Limited (SMFCL). The event was also attended by Union Minister of State for MoPSW, Shantanu Thakur, and Secretary of MoPSW, TK Ramachandran.

    SMFCL, formerly known as Sagarmala Development Company Limited, has officially been registered as a NBFC with the Reserve Bank of India (RBI) as of June 19, 2025. It has also earned the status of a Mini Ratna, Category-I, Central Public Sector Enterprise. The move marks a major milestone under the government’s Amrit Kaal Vision 2047, aimed at bolstering the maritime infrastructure and transforming India into a global maritime power.

    Speaking at the launch, Minister Sonowal emphasized the strategic importance of SMFCL in addressing financial challenges within the sector. “The registration of Sagarmala Finance Corporation Limited as an NBFC is a major milestone in India’s maritime journey. Under the visionary leadership of Prime Minister Narendra Modi ji, we are taking decisive steps to strengthen the maritime sector as a key pillar of our economy. SMFCL will bridge crucial financing gaps and offer sector-specific financial solutions, empowering ports, MSMEs, startups, and institutions. It has fulfilled a long-standing demand of the maritime industry in the country,” he said.

    As a sector-specific NBFC, SMFCL will offer a range of tailored financial products including short-, medium-, and long-term funding. These will be extended to various stakeholders such as port authorities, shipping companies, MSMEs, startups, and maritime educational institutions.

    The corporation’s expanded role also encompasses support for shipbuilding, renewable energy, cruise tourism, and maritime education—key components in India’s strategy to enhance its global maritime presence. The launch aligns closely with the Maritime Amrit Kaal Vision 2047 and the national ambition of building a “Viksit Bharat” (developed India).

    Minister of State for MoPSW, Shantanu Thakur, highlighted the transformative impact of SMFCL’s NBFC status. “With SMFCL now functioning as a dedicated NBFC, we’re creating a focused financial ecosystem to accelerate maritime growth. This will unlock opportunities for innovation, investment, and inclusive development across the sector,” he stated.

  • MIL-OSI Europe: EU prosecutors crack down on illegal Chinese imports scheme

    Source: European Union 2

    Tons of goods illegally imported through port of Piraeus, €700 million in losses

    (Luxembourg, 26 June 2025) – A coordinated raid by the European Public Prosecutor’s Office (EPPO) in Athens (Greece), Madrid (Spain), Paris (France) and Sofia (Bulgaria) has dealt a significant blow to criminal networks flooding the EU market with goods fraudulently imported from China, while evading custom duties and VAT. The criminal scheme, which involved the massive importation of textile, shoes, e-scoters, e-bikes and other goods, is believed to have caused an estimated damage of approximately €700 million. 

    The investigation carried out by the EPPO, code-named ‘Calypso’, spans 14 countries: Bulgaria, China, Czechia, Denmark, France, Germany, Greece, Hungary, Italy, Poland, Portugal, Slovakia, Slovenia and Spain. A total of 101 searches were conducted yesterday at the offices of customs brokers, companies controlled by the organised criminal groups under investigation, the premises of the suspects, and at the offices of tax advisers and representatives, lawyers, accountants and transport companies, in Bulgaria, Greece, France and Spain. Ten suspects were arrested, including two customs officers. In addition, firearms and cold weapons were found and seized in the houses of three of the suspects.

    Law enforcement agents seized €5.8 million (of which €4.75 million in Greece and the remaining in France and Spain), in different currencies, including Hong Kong dollars, euros in digital wallets and cryptocurrencies. In addition, 7 133 e-bikes and 3 696 e-scooters were secured, as well as 480 containers for further checks and verification in the Port of Piraeus. Eleven properties located in Spain were also seized, as well as 27 vehicles and luxury items (bags, watches and jewellery). Freezing orders were also issued in Greece to seize real estate, boats and bank accounts.

    At issue are several criminal networks, mainly controlled by Chinese nationals, that handle the full circuit of the goods imported from China into the EU market, including distribution to different Member States and sales to end customers, as well as money laundering and sending the profits back to China, while defrauding the payment of customs duties and committing large-scale VAT fraud. 

    How it works 

    The fraudulent scheme starts with the introduction of the goods from China into the EU, mainly through the port of Piraeus (Greece), with a substantial undervaluation or misclassification of the goods, in order to evade custom duties – using false documents to conceal the true value and nature of the merchandise. A network of professional enablers operating at the customs entry point, such as customs brokers, service providers and accounting firms, facilitate the initial clearance, and the apparent purchase and transport of the merchandise by companies mainly registered in Bulgaria, but operating in Greece with a Greek VAT registration number. 

    The goods are subsequently sold to companies established in other Member States, thus allowing the first apparent purchaser to benefit from a VAT import exemption based on Customs Procedure 42 (CP42). This procedure, created to simplify cross-border trade, exempts importers from paying VAT in the country of importation, if the imported goods are subsequently transported to another EU Member State. 

    Through a chain of buffer and shell companies, the goods are apparently sold to companies in specific Member States, where they are supposed to be sold on the market. These fraudulently declared destinations include Bulgaria, Czechia, Denmark, Germany, Hungary, Italy, Slovakia, Slovenia and Spain. However, these fake ultimate acquirers of the goods never receive the merchandise, and operate as a missing trader, thus not paying VAT. In some cases, the criminal organisations used identity documents from legitimate companies, fraudulently hijacking their VAT numbers to conceal the true destination of the goods.

    In reality, after the goods enter the EU, they are stored in warehouses and places controlled by the criminal organisations, and from there they are transported, using false documents, to France, Italy, Poland, Portugal and Spain (the real countries of destination). These Chinese logistics centres, where all goods are stored, operate as highly controlled warehouse districts, functioning almost like exclusive communities, accessible only to members of the criminal groups managing them.

    The transport documents are destroyed as soon as the goods are delivered, and the merchandise is sold to end customers mostly on the black market, in cash, as part of a highly concealed parallel economy. 

    One-stop criminal enterprise

    The criminal organisations under investigation are in charge of producing the false invoices and transport documents to conceal the real destination of the goods, and to recruit a large network of sham companies used for the fake sales and deliveries, in order to hide the whole fraudulent chain. This allows the companies controlled by the criminal organisations to sell the products at a very competitive price, since VAT remains unpaid and customs duties and anti-dumping fees are largely evaded.

    Finally, the proceeds of the crime are transferred to China using different money laundering techniques, including providing money laundering services to other criminal organisations via trade-based underground banking systems. In this way, the organised criminal groups control and conceal the whole criminal chain, from the initial fraudulent import to the VAT fraud, and from the sale of the goods to the laundering of the profits.

    The total damage of the criminal activities under investigation is currently estimated at approximately €700 million: over €250 million come from evaded customs duties (which revert entirely to the EU budget), and close to €450 million from unpaid VAT (which damages both the EU budget and the national budgets of Member States). The damage caused by the fraudulent scheme under investigation is likely much higher. Greece’s Independent Authority for Public Revenue (AADE) is also actively supporting the EPPO to further evaluate the extent of the damage in evaded customs duties. 

    This EPPO-led investigation was supported by Europol through analytical assistance, coordination via a Virtual Command Post, and the deployment of an expert to the command centre in Luxembourg, with additional backing from national law enforcement agencies – highlighting the value of cross-border cooperation against organised crime. The European Anti-Fraud Office (OLAF) contributed to the detection. 

    All persons concerned are presumed to be innocent until proven guilty in the competent courts of law.

    The EPPO is the independent public prosecution office of the European Union. It is responsible for investigating, prosecuting and bringing to judgment crimes against the financial interests of the EU.

    List of most important partners and national authorities involved:

    • Europol
    • European Anti-Fraud Office (OLAF)
    • Hellenic Internal Affairs Agency of Law Enforcement Bodies (Υπηρεσία Εσωτερικών Υποθέσεων Σωμάτων Ασφαλείας)
    • Hellenic Police’s Digital Forensics Investigations and Analysis Subdivision (Υποδιεύθυνση Ψηφιακής Εγκληματολογικής Έρευνας και Ανάλυσης της ΔΕΕ)
    • France’s National Anti-Fraud Office (Office National Antifraude – ONAF)
    • Bulgaria’s State Agency for National Security (ДАНС); National Investigation Service (Национална следствена служба); General Directorate National Police) Главна дирекция “Национална полиция”) and General Directoratе Gendarmerie and Specialised Counter-Terrorism Department (Главна дирекция “Жандармерия и специализан отряд за борба с тероризма”)
    • Spain’s National Police and Tax Agency (Policía Nacional and Agencia Estatal de Administración Tributaria)

    MIL OSI Europe News

  • MIL-OSI USA: Changing attitudes end auxiliary lodge system

    Source: US International Brotherhood of Boilermakers

    In the 1940s, the Boilermakers’ union, along with other unions, faced pressure to end their auxiliary lodge systems which segregated Black members into separate locals. It’s important to note that while not all unions were segregated in the 1940s, the majority were, mirroring wider society.

    While union leaders like International Vice President Charles J. MacGowan and Local 72 Business Agent Thomas Ray denied any discrimination, both the Fair Employment Practices Committee and the California Supreme Court came to the opposite conclusion, ultimately demanding that the system be dismantled.

    A pivotal case in the fight against the auxiliary system involved Joseph James, an African American Boilermaker working at Marinship in San Francisco. He sued both the International union and his employer, arguing that the auxiliary system was inherently discriminatory. His legal team was headed by Thurgood Marshall, who was then an attorney for the NAACP and would later become the first Black justice on the U.S. Supreme Court. In a landmark decision, the California Supreme Court ruled unanimously in favor of James, declaring the auxiliary system to be discriminatory and unconstitutional. The court ordered the union to abolish the system.

    Meanwhile, the FEPC, which had been established to ensure fair employment practices in wartime industries, also ordered Local 72 to end the auxiliary system. These double rulings highlighted the growing legal and political pressure on the Boilermakers’ leadership to address the issue of racial equality within the union.

    At the 1944 convention, MacGowan, who was preparing to succeed Joseph Franklin as the International President, used a letter from President Franklin D. Roosevelt to sway the delegates to vote to end the system. In the letter, Roosevelt praised the Boilermakers for their contributions to the war effort and appealed to their sense of patriotism, urging them to support racial equality so that “every worker capable of serving his country… [could] serve regardless of creed, race, or national origin.” The letter had an impact, leading to changes in the auxiliary system.

    In response, the 1944 convention passed a resolution that allowed auxiliary locals to elect their own delegates to union conventions and affiliate with local Metal Trades Councils. Previously, they had been dependent on their supervising white locals for representation. While auxiliary locals gained some autonomy, their meetings still had to be attended by the business agent of the supervising local. The precise nature of the relationship between supervising and auxiliary locals remained unclear, leaving much discretion to the International Executive Council.

    MacGowan pushed for a voluntary approach to integration, predicting that the issue would resolve itself over time. In 1945, the IEC agreed to stop forming new auxiliary locals, to open all job classifications to Black workers and to equalize insurance benefits between Black and white members. Black members were also allowed to transfer between auxiliary locals.

    Despite these reforms, voluntary integration did not lead to immediate change. By 1948, a few locals had integrated, but the majority remained segregated. The Boilermakers’ transformation from a segregated organization to an integrated one was slow, reflecting the broader social and political struggles of the United States during this period.

    The Civil Rights Movement of the 1960s finally brought about a decisive shift. The Civil Rights Act of 1964 outlawed segregation and discrimination, effectively ending the auxiliary system for good. In the years that followed, the union made concerted efforts to integrate and encourage Black workers to participate fully in the union. Subsequently, they were elected to positions at every level, from local lodge officers to the International Executive Council.

    The Boilermakers’ journey from a segregated union to an integrated one mirrored the nation’s slow and often painful path toward racial equality. What began throughout the labor movement as a reluctant and gradual process eventually led to workers of all races participating fully and equally, reflecting the changing values of the union and of American society.

    MIL OSI USA News

  • MIL-OSI USA: Philadelphia Vertical Farmer Pleads Guilty to Wire Fraud and Tax Evasion

    Source: US State of North Dakota

    A Pennsylvania man pleaded guilty yesterday to wire fraud and tax evasion.

    The following is according to court documents and statements made in court: John (Jack) Griffin of Philadelphia was the principal and founder of Second Story Farming Inc., which did business as Metropolis Farms. Second Story Farming had several lines of business, including growing crops in vertical farms to sell to customers, developing sustainable vertical farming technologies, and selling vertical farming systems to customers. Vertical farming refers to a practice of growing crops vertically and in horizontally stacked layers.

    In 2017, Griffin, through Second Story Farming, sold vertical farming systems along with the equipment, supplies, materials, and operational instructions necessary to operate them to two companies. Before entering into the contracts, Griffin provided financial projections to them that grossly overstated the anticipated revenues that could be generated by the vertical farms and grossly understated the anticipated expenses necessary to operate the vertical farms. In reliance on the financial projections, the companies each paid Second Story Farming to set up vertical farms for them. Rather than use those funds to provide them with vertical farms, Griffin used most of the money to pay his own personal expenses and operate Second Story Farming’s research and development line of business.

    In 2017, Griffin earned income from his work at Second Story Farming. Despite being legally required to file a tax return for that year, Griffin did not do so. Griffin tried to conceal that he received any income in 2017 by, among other things, withdrawing cash and paying personal expense from his business’s bank accounts and transferring funds from his business to his wife, and withdrawing cash from Second Story Farming’s business bank account.  

    Griffin is scheduled to be sentenced on Oct. 22. He faces a maximum penalty of 20 years in prison on each of the wire fraud charges and a maximum penalty of five years in prison on the tax evasion charge. He also faces a period of supervised release, restitution, and monetary penalties. A federal district court judge will determine any sentence after considering the U.S. Sentencing Guidelines and other statutory factors.

    Acting Deputy Assistant Attorney Karen E. Kelly of the Justice Department’s Tax Division and U.S. Attorney David Metcalf for the Eastern District of Pennsylvania made the announcement.

    IRS Criminal Investigation, the FBI, and the U.S. Postal Inspection Service are investigating the case.

    Trial Attorney Catriona Coppler of the Tax Division and Assistant U.S. Attorney Francis Weber for the Eastern District of Pennsylvania are prosecuting the case.

    MIL OSI USA News

  • MIL-OSI Security: Philadelphia Vertical Farmer Pleads Guilty to Wire Fraud and Tax Evasion

    Source: United States Attorneys General

    A Pennsylvania man pleaded guilty yesterday to wire fraud and tax evasion.

    The following is according to court documents and statements made in court: John (Jack) Griffin of Philadelphia was the principal and founder of Second Story Farming Inc., which did business as Metropolis Farms. Second Story Farming had several lines of business, including growing crops in vertical farms to sell to customers, developing sustainable vertical farming technologies, and selling vertical farming systems to customers. Vertical farming refers to a practice of growing crops vertically and in horizontally stacked layers.

    In 2017, Griffin, through Second Story Farming, sold vertical farming systems along with the equipment, supplies, materials, and operational instructions necessary to operate them to two companies. Before entering into the contracts, Griffin provided financial projections to them that grossly overstated the anticipated revenues that could be generated by the vertical farms and grossly understated the anticipated expenses necessary to operate the vertical farms. In reliance on the financial projections, the companies each paid Second Story Farming to set up vertical farms for them. Rather than use those funds to provide them with vertical farms, Griffin used most of the money to pay his own personal expenses and operate Second Story Farming’s research and development line of business.

    In 2017, Griffin earned income from his work at Second Story Farming. Despite being legally required to file a tax return for that year, Griffin did not do so. Griffin tried to conceal that he received any income in 2017 by, among other things, withdrawing cash and paying personal expense from his business’s bank accounts and transferring funds from his business to his wife, and withdrawing cash from Second Story Farming’s business bank account.  

    Griffin is scheduled to be sentenced on Oct. 22. He faces a maximum penalty of 20 years in prison on each of the wire fraud charges and a maximum penalty of five years in prison on the tax evasion charge. He also faces a period of supervised release, restitution, and monetary penalties. A federal district court judge will determine any sentence after considering the U.S. Sentencing Guidelines and other statutory factors.

    Acting Deputy Assistant Attorney Karen E. Kelly of the Justice Department’s Tax Division and U.S. Attorney David Metcalf for the Eastern District of Pennsylvania made the announcement.

    IRS Criminal Investigation, the FBI, and the U.S. Postal Inspection Service are investigating the case.

    Trial Attorney Catriona Coppler of the Tax Division and Assistant U.S. Attorney Francis Weber for the Eastern District of Pennsylvania are prosecuting the case.

    MIL Security OSI

  • MIL-OSI Analysis: Netflix gives African film a platform – but the cultural price is high

    Source: The Conversation – Africa – By Wunpini Fatimata Mohammed, Assistant Professor of Communication, Cornell University

    Netflix began its Africa operations in South Africa in 2016. When the US streaming giant announced it was setting up shop in Nigeria in 2020, many west African film-makers, writers, artists and media audiences were jubilant.

    Finally, west Africa’s creativity and brilliance would be formally recognised on the world stage. Netflix Naija’s purpose was to produce local content for Netflix just like Netflix South Africa and later Netflix Kenya.




    Read more:
    Netflix Naija: creative freedom in Nigeria’s emerging digital space?


    Some film-makers have been wary of US cultural imperialism happening through the market dominance of Netflix and other US streamers. Others have rushed to the streamer to sign deals that will gain their films and TV shows a global audience.

    Netflix’s interest in African stories comes with a colonial power dynamic that research and scholarship has not fully explored. As a scholar of media and communication, I recently examined the effect US streamers are having on the stories being told in films in Nigeria and Ghana.

    In my study, I argue that despite the growing global interest in African pop culture, African creative workers need to be careful about interest from global conglomerates. We can’t talk about African cinemas going global without paying attention to how Hollywood’s colonial relationship with Africa has shaped and influenced what African filmmakers believe will sell globally.




    Read more:
    Black Panther, Wakanda Forever and the problem with Hollywood – an African perspective


    What price is being paid to appeal to global audiences? Film-makers might focus so much on the western gaze that they lose focus on telling African stories authentically and respectfully.

    In my study, I analyse various films including the Ghanaian film Azali and the Nigerian movie Lionheart to argue that that’s exactly what’s happening.

    Dancing to the tune of the west

    Despite the existence of thriving African film and TV industries before the advent of streaming technologies, we are seeing a replication of what I call the everydayness of colonialism in the area of media representations of the continent.

    Here, African filmmakers and producers find themselves jumping through hoops to tell stories that are “fit” to be streamed to Netflix’s millions of American, European and global subscribers. Global cosmopolitan audiences are prioritised over African audiences.




    Read more:
    Woman King is set in Benin but filmed in South Africa – in the process it erases real people’s struggles


    African audiences at home and in the diaspora are the reason we have vibrant film industries such as Nollywood to begin with.

    This displacement of African audiences happens both in representation and in access.

    Most African movie audiences do not have access to Netflix and other streaming platforms due to the digital divide and the cost of subscribing. So the target audience shifts to the elite, both African and global, who can afford to stream.

    Azali and Lionheart

    Ghana and Nigeria’s film industries were developed by artists who wanted to reflect their societies to their communities. I found that with Netflix’s arrival, there is a danger of disrupting and undoing this important work.

    The intervention of US streamers has led to the development of glossier versions of Africa. They are universal enough to be consumed by anyone, anywhere in the world, even if it means sacrificing the integrity of stories to achieve this global appeal.

    In Azali, for example, I found that the film sacrificed authentic language and geographical accuracy to tell a story for a western audience.

    Azali explores the themes of child marriage, child-trafficking and rural-urban migration in Ghana. Here, a film about the Dagbamba was set in the town of Zebilla, where Dagbanli is not the dominant language. The film cast non-Dagbanli speakers in major roles to speak a language they neither understood nor had any proficiency in. If Dagbamba had been centred as the primary audience of the movie, this cultural indignity might not have happened.

    Lionheart, though star-studded, departed from traditional Nollywood narrative conventions. The film tells the story of a wealthy Nigerian family and the quest of a young woman to take control of the family business. The movie had high production values and told a story that would be considered universally relatable. However, it was disqualified in its bid for an Oscar nomination in the Best International Feature Film category because of its majority English dialogue. Despite appealing to Netflix in the area of production quality and storyline, African film-makers were still punished by the Academy.

    Nigeria and Ghana’s film industries have traditionally told a wide variety of African stories. Netflix’s arrival is reducing African stories to stories about the elite and for the global cosmopolitan elite.

    Stories about the majority of Africans are being erased. Africa becomes a backdrop to tell stories about the elite class.

    In my study, I argue that narrative construction is an important part of identity and that when external factors begin to determine how African stories are told, it distorts the image of Africa for Africans and raises questions of cultural sovereignty.

    Moving forward

    It is refreshing to see African cultures appreciated on a global scale. But this shouldn’t erase narratives about the African masses and working communities.

    There are film-makers that are resisting the Netflix canon. Nigerian actress and producer Funke Akindele shows that this is possible in A Tribe Called Judah. Her film set a new box office record in Nigeria by avoiding direct to Netflix/streamer distribution and staying true to African audiences. The film tells the story of how a single mother and her five sons navigate poverty in Lagos. It was later licensed to stream on Amazon Prime Video after it made history at the box office in Nigeria.

    Other film-makers like Omoni Oboli, whose approach centres the Nigerian masses, has turned to YouTube. She tells Nigerian stories while resisting the exploitation that can often come with signing a Netflix deal.




    Read more:
    The unique strategy Netflix deployed to reach 90 million worldwide subscribers


    These projects offer an alternative. As Netflix expands, African creative workers and cultural policymakers must protect the narrative integrity of African stories and resist the economic exploitation of African film-makers. Productions can capture the nuances of African stories while representing African languages and cultures with respect and dignity – without selling out to western values.

    Wunpini Fatimata Mohammed does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

    ref. Netflix gives African film a platform – but the cultural price is high – https://theconversation.com/netflix-gives-african-film-a-platform-but-the-cultural-price-is-high-259252

    MIL OSI Analysis

  • MIL-OSI Analysis: Netflix gives African film a platform – but the cultural price is high

    Source: The Conversation – Africa – By Wunpini Fatimata Mohammed, Assistant Professor of Communication, Cornell University

    Netflix began its Africa operations in South Africa in 2016. When the US streaming giant announced it was setting up shop in Nigeria in 2020, many west African film-makers, writers, artists and media audiences were jubilant.

    Finally, west Africa’s creativity and brilliance would be formally recognised on the world stage. Netflix Naija’s purpose was to produce local content for Netflix just like Netflix South Africa and later Netflix Kenya.




    Read more:
    Netflix Naija: creative freedom in Nigeria’s emerging digital space?


    Some film-makers have been wary of US cultural imperialism happening through the market dominance of Netflix and other US streamers. Others have rushed to the streamer to sign deals that will gain their films and TV shows a global audience.

    Netflix’s interest in African stories comes with a colonial power dynamic that research and scholarship has not fully explored. As a scholar of media and communication, I recently examined the effect US streamers are having on the stories being told in films in Nigeria and Ghana.

    In my study, I argue that despite the growing global interest in African pop culture, African creative workers need to be careful about interest from global conglomerates. We can’t talk about African cinemas going global without paying attention to how Hollywood’s colonial relationship with Africa has shaped and influenced what African filmmakers believe will sell globally.




    Read more:
    Black Panther, Wakanda Forever and the problem with Hollywood – an African perspective


    What price is being paid to appeal to global audiences? Film-makers might focus so much on the western gaze that they lose focus on telling African stories authentically and respectfully.

    In my study, I analyse various films including the Ghanaian film Azali and the Nigerian movie Lionheart to argue that that’s exactly what’s happening.

    Dancing to the tune of the west

    Despite the existence of thriving African film and TV industries before the advent of streaming technologies, we are seeing a replication of what I call the everydayness of colonialism in the area of media representations of the continent.

    Here, African filmmakers and producers find themselves jumping through hoops to tell stories that are “fit” to be streamed to Netflix’s millions of American, European and global subscribers. Global cosmopolitan audiences are prioritised over African audiences.




    Read more:
    Woman King is set in Benin but filmed in South Africa – in the process it erases real people’s struggles


    African audiences at home and in the diaspora are the reason we have vibrant film industries such as Nollywood to begin with.

    This displacement of African audiences happens both in representation and in access.

    Most African movie audiences do not have access to Netflix and other streaming platforms due to the digital divide and the cost of subscribing. So the target audience shifts to the elite, both African and global, who can afford to stream.

    Azali and Lionheart

    Ghana and Nigeria’s film industries were developed by artists who wanted to reflect their societies to their communities. I found that with Netflix’s arrival, there is a danger of disrupting and undoing this important work.

    The intervention of US streamers has led to the development of glossier versions of Africa. They are universal enough to be consumed by anyone, anywhere in the world, even if it means sacrificing the integrity of stories to achieve this global appeal.

    In Azali, for example, I found that the film sacrificed authentic language and geographical accuracy to tell a story for a western audience.

    Azali explores the themes of child marriage, child-trafficking and rural-urban migration in Ghana. Here, a film about the Dagbamba was set in the town of Zebilla, where Dagbanli is not the dominant language. The film cast non-Dagbanli speakers in major roles to speak a language they neither understood nor had any proficiency in. If Dagbamba had been centred as the primary audience of the movie, this cultural indignity might not have happened.

    Lionheart, though star-studded, departed from traditional Nollywood narrative conventions. The film tells the story of a wealthy Nigerian family and the quest of a young woman to take control of the family business. The movie had high production values and told a story that would be considered universally relatable. However, it was disqualified in its bid for an Oscar nomination in the Best International Feature Film category because of its majority English dialogue. Despite appealing to Netflix in the area of production quality and storyline, African film-makers were still punished by the Academy.

    Nigeria and Ghana’s film industries have traditionally told a wide variety of African stories. Netflix’s arrival is reducing African stories to stories about the elite and for the global cosmopolitan elite.

    Stories about the majority of Africans are being erased. Africa becomes a backdrop to tell stories about the elite class.

    In my study, I argue that narrative construction is an important part of identity and that when external factors begin to determine how African stories are told, it distorts the image of Africa for Africans and raises questions of cultural sovereignty.

    Moving forward

    It is refreshing to see African cultures appreciated on a global scale. But this shouldn’t erase narratives about the African masses and working communities.

    There are film-makers that are resisting the Netflix canon. Nigerian actress and producer Funke Akindele shows that this is possible in A Tribe Called Judah. Her film set a new box office record in Nigeria by avoiding direct to Netflix/streamer distribution and staying true to African audiences. The film tells the story of how a single mother and her five sons navigate poverty in Lagos. It was later licensed to stream on Amazon Prime Video after it made history at the box office in Nigeria.

    Other film-makers like Omoni Oboli, whose approach centres the Nigerian masses, has turned to YouTube. She tells Nigerian stories while resisting the exploitation that can often come with signing a Netflix deal.




    Read more:
    The unique strategy Netflix deployed to reach 90 million worldwide subscribers


    These projects offer an alternative. As Netflix expands, African creative workers and cultural policymakers must protect the narrative integrity of African stories and resist the economic exploitation of African film-makers. Productions can capture the nuances of African stories while representing African languages and cultures with respect and dignity – without selling out to western values.

    Wunpini Fatimata Mohammed does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

    ref. Netflix gives African film a platform – but the cultural price is high – https://theconversation.com/netflix-gives-african-film-a-platform-but-the-cultural-price-is-high-259252

    MIL OSI Analysis

  • MIL-OSI Analysis: Detty December started as a Nigerian cultural moment. Now it’s spreading across the continent – and minting money

    Source: The Conversation – Africa – By Nnamdi O. Madichie, Professor of Marketing & Entrepreneurship, University of Kigali

    Festivals like Carnival Calabar in Nigeria abound throughout the year-end parties across west Africa and beyond. Akintomiwaao/Wikimedia Commons, CC BY-SA

    Every December in Nigeria and Ghana a giant party takes place, unfolding in a whirlwind of concerts, festivals, weddings, art shows, dress-ups, meet-ups and travel. Locals and diaspora west Africans returning from overseas come together to create Detty December, a festive event stretching from mid-December to the new year.

    Detty is a playful term for “dirty” in the regional Pidgin language and “Detty December” is a term commonly believed to have been coined by Afropop star Mr Eazi in 2016. It means letting loose and indulging in some fun and revelry.

    Major events headlined by local and international music stars punctuate Detty December. In Nigeria events range from Flytime Fest in Lagos to Carnival Calabar, which showcases cultural heritage. In Ghana, festivals like AfroFuture and Afro Nation attract global celebrities and influencers as well as returning citizens.

    But this isn’t just a holiday fling. Propelled by youthful energy and cultural innovation, it’s an economic phenomenon. And it represents a shift in Africa’s urban landscape and its relationship with the rest of the world.

    Detty December now stands as a pillar of Africa’s creative economy, which has built on the global popularity of music from the continent, from Afrobeats to amapiano.

    As marketing and entrepreneurship lecturers with an eye on the creative industries, we’ve researched Detty December and believe it’s a cultural tourism phenomenon with the potential to spread across the continent. In fact, it’s already begun to do so.

    Nigeria: the economic power of Detty December

    Despite infrastructure challenges, places like Lagos are new cultural epicentres. During Detty December the city becomes a carnival of reunions and celebrations. “I Just Got Backs” (IJGBs) return, music spills from every bar and events pop up daily.

    Once simply a cultural moment, Detty December has rapidly become a powerful economic engine. It makes a big impact on hospitality, entertainment, tourism and local businesses.

    In Lagos alone, the 2024 festivities generated an estimated US$71.6 million in state revenue. Hotels contributed US$44 million and short-term rentals added US$30 million.

    Nationally, the impact is even more staggering. Detty December injected over US$220 million into Nigeria’s economy in 2023.

    A major driver of this growth is tourism. An estimated 1.2 million visitors flocked to Lagos in December 2024. Nearly 90% of these were diaspora Nigerians.

    Afrobeats star Wizkid’s Made in Lagos concert alone pulled in nearly US$650,000 in ticket sales. New song releases on Fridays have become features of the season.

    Beyond direct spending, Detty December creates temporary and permanent jobs and bolsters small businesses.

    Ghana: December in GH

    The government of neighbouring Ghana has recognised this potential, strategically branding its festive season December in GH. This initiative leverages cultural tourism for substantial economic gain. The country even takes measures like visa-on-arrival in December to encourage visitors.

    This builds on cultural tourism successes like the 2019 Year of Return campaign. In 2023, December in GH reportedly attracted about 115,000 participants.

    Even in a challenging economic climate, Detty December continues to thrive. This indicates a desire for cultural connection and a much-needed escape, especially among the continent’s youth and its global diaspora communities.

    South Africa: Ke Dezemba

    From Flytime in Lagos and AfroNation in Accra to Alte Sounds in Kigali and the vibrant December nightlife in Mombasa or Johannesburg’s rooftop party events, African cities have become seasonal epicentres for cultural consumption.

    “Ke Dezemba” is a term used in South Africa to describe the festive season. It’s a vibrant and celebratory term that’s often associated with summer holidays, braaiing (barbecuing) and social gatherings. It could become the branding of the country’s own Detty December.

    South Africa’s global profile has been raised during its 2025 presidency of the G20. Adopting its own version of Detty December could continue to amplify Brand South Africa. It could show off the country’s vibrancy, creativity, hospitality and potential for investment.

    Aligning cultural celebration with global visibility could reframe a season of revelry into a strategic cultural and economic asset. For South Africa, this could inject capital into the tourism sector, boosting hospitality, transport and ancillary services.




    Read more:
    Culture can build a better world: four key issues on Africa’s G20 agenda


    Beyond direct tourism, the spotlight on South African art and culture during this period could make a lasting impact on the creative economy, fostering growth and job creation.

    Physical celebration could be digitally amplified to make a lasting impression.

    A notable example is Spotify’s unveiling of its Detty December hub. The music streaming service intends celebrating the festive season across west Africa and South Africa with playlists of party tracks.

    Spotify’s Phiona Okumu explains:

    Detty December is a special time for our users in west Africa, and Ke Dezemba symbolises South Africa’s spirit of celebration.

    How to make it work

    The lessons from west African cities suggest that cultural economies thrive with:

    • flexible governance

    • inclusive participation

    • engaged diasporas

    • innovative business models.

    For Nigeria’s Detty December model to be sustainable it would require strategic policy support, urban planning integration and investment in creative infrastructure.

    A group of diasporans in Ghana at the AfroFuture festival.
    Fquasie/Wikimedia Commons, CC BY-SA

    Funding models such as memberships and sponsorships are crucial for the longevity of music festivals. Policy support and infrastructure investment are necessary to unlock the full potential of the creative sector.

    Cultural tourism, powerfully embodied by Detty December, is emerging as a viable economic strategy for African cities. This signals a broader recognition of culture’s economic power. It offers a compelling canvas for economic development and nation branding.

    The authors do not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and have disclosed no relevant affiliations beyond their academic appointment.

    ref. Detty December started as a Nigerian cultural moment. Now it’s spreading across the continent – and minting money – https://theconversation.com/detty-december-started-as-a-nigerian-cultural-moment-now-its-spreading-across-the-continent-and-minting-money-258949

    MIL OSI Analysis

  • MIL-OSI Analysis: Detty December started as a Nigerian cultural moment. Now it’s spreading across the continent – and minting money

    Source: The Conversation – Africa – By Nnamdi O. Madichie, Professor of Marketing & Entrepreneurship, University of Kigali

    Festivals like Carnival Calabar in Nigeria abound throughout the year-end parties across west Africa and beyond. Akintomiwaao/Wikimedia Commons, CC BY-SA

    Every December in Nigeria and Ghana a giant party takes place, unfolding in a whirlwind of concerts, festivals, weddings, art shows, dress-ups, meet-ups and travel. Locals and diaspora west Africans returning from overseas come together to create Detty December, a festive event stretching from mid-December to the new year.

    Detty is a playful term for “dirty” in the regional Pidgin language and “Detty December” is a term commonly believed to have been coined by Afropop star Mr Eazi in 2016. It means letting loose and indulging in some fun and revelry.

    Major events headlined by local and international music stars punctuate Detty December. In Nigeria events range from Flytime Fest in Lagos to Carnival Calabar, which showcases cultural heritage. In Ghana, festivals like AfroFuture and Afro Nation attract global celebrities and influencers as well as returning citizens.

    But this isn’t just a holiday fling. Propelled by youthful energy and cultural innovation, it’s an economic phenomenon. And it represents a shift in Africa’s urban landscape and its relationship with the rest of the world.

    Detty December now stands as a pillar of Africa’s creative economy, which has built on the global popularity of music from the continent, from Afrobeats to amapiano.

    As marketing and entrepreneurship lecturers with an eye on the creative industries, we’ve researched Detty December and believe it’s a cultural tourism phenomenon with the potential to spread across the continent. In fact, it’s already begun to do so.

    Nigeria: the economic power of Detty December

    Despite infrastructure challenges, places like Lagos are new cultural epicentres. During Detty December the city becomes a carnival of reunions and celebrations. “I Just Got Backs” (IJGBs) return, music spills from every bar and events pop up daily.

    Once simply a cultural moment, Detty December has rapidly become a powerful economic engine. It makes a big impact on hospitality, entertainment, tourism and local businesses.

    In Lagos alone, the 2024 festivities generated an estimated US$71.6 million in state revenue. Hotels contributed US$44 million and short-term rentals added US$30 million.

    Nationally, the impact is even more staggering. Detty December injected over US$220 million into Nigeria’s economy in 2023.

    A major driver of this growth is tourism. An estimated 1.2 million visitors flocked to Lagos in December 2024. Nearly 90% of these were diaspora Nigerians.

    Afrobeats star Wizkid’s Made in Lagos concert alone pulled in nearly US$650,000 in ticket sales. New song releases on Fridays have become features of the season.

    Beyond direct spending, Detty December creates temporary and permanent jobs and bolsters small businesses.

    Ghana: December in GH

    The government of neighbouring Ghana has recognised this potential, strategically branding its festive season December in GH. This initiative leverages cultural tourism for substantial economic gain. The country even takes measures like visa-on-arrival in December to encourage visitors.

    This builds on cultural tourism successes like the 2019 Year of Return campaign. In 2023, December in GH reportedly attracted about 115,000 participants.

    Even in a challenging economic climate, Detty December continues to thrive. This indicates a desire for cultural connection and a much-needed escape, especially among the continent’s youth and its global diaspora communities.

    South Africa: Ke Dezemba

    From Flytime in Lagos and AfroNation in Accra to Alte Sounds in Kigali and the vibrant December nightlife in Mombasa or Johannesburg’s rooftop party events, African cities have become seasonal epicentres for cultural consumption.

    “Ke Dezemba” is a term used in South Africa to describe the festive season. It’s a vibrant and celebratory term that’s often associated with summer holidays, braaiing (barbecuing) and social gatherings. It could become the branding of the country’s own Detty December.

    South Africa’s global profile has been raised during its 2025 presidency of the G20. Adopting its own version of Detty December could continue to amplify Brand South Africa. It could show off the country’s vibrancy, creativity, hospitality and potential for investment.

    Aligning cultural celebration with global visibility could reframe a season of revelry into a strategic cultural and economic asset. For South Africa, this could inject capital into the tourism sector, boosting hospitality, transport and ancillary services.




    Read more:
    Culture can build a better world: four key issues on Africa’s G20 agenda


    Beyond direct tourism, the spotlight on South African art and culture during this period could make a lasting impact on the creative economy, fostering growth and job creation.

    Physical celebration could be digitally amplified to make a lasting impression.

    A notable example is Spotify’s unveiling of its Detty December hub. The music streaming service intends celebrating the festive season across west Africa and South Africa with playlists of party tracks.

    Spotify’s Phiona Okumu explains:

    Detty December is a special time for our users in west Africa, and Ke Dezemba symbolises South Africa’s spirit of celebration.

    How to make it work

    The lessons from west African cities suggest that cultural economies thrive with:

    • flexible governance

    • inclusive participation

    • engaged diasporas

    • innovative business models.

    For Nigeria’s Detty December model to be sustainable it would require strategic policy support, urban planning integration and investment in creative infrastructure.

    A group of diasporans in Ghana at the AfroFuture festival.
    Fquasie/Wikimedia Commons, CC BY-SA

    Funding models such as memberships and sponsorships are crucial for the longevity of music festivals. Policy support and infrastructure investment are necessary to unlock the full potential of the creative sector.

    Cultural tourism, powerfully embodied by Detty December, is emerging as a viable economic strategy for African cities. This signals a broader recognition of culture’s economic power. It offers a compelling canvas for economic development and nation branding.

    The authors do not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and have disclosed no relevant affiliations beyond their academic appointment.

    ref. Detty December started as a Nigerian cultural moment. Now it’s spreading across the continent – and minting money – https://theconversation.com/detty-december-started-as-a-nigerian-cultural-moment-now-its-spreading-across-the-continent-and-minting-money-258949

    MIL OSI Analysis

  • MIL-OSI Analysis: Can academics use AI to write journal papers? What the guidelines say

    Source: The Conversation – Africa – By Sumaya Laher, Professor, University of the Witwatersrand

    Artificial intelligence (AI) refers to “intelligent machines and algorithms that can reason and adapt based on sets of rules and environments which mimic human intelligence”. This field is evolving rapidly and the education sector, for one, is abuzz with discussion on AI use for writing.

    This matters not just for academics, but for anyone relying on trustworthy information, from journalists and policymakers to educators and the public. Ensuring transparency in how AI is used protects the credibility of all published knowledge.




    Read more:
    AI in education: what those buzzwords mean


    In education and research, AI can generate text, improve writing style, and even analyse data. It saves time and resources by allowing quick summarising of work, language editing and reference checking. It also holds potential for enhancing scholarly work and even inspiring new ideas.

    Equally AI is able to generate entire pieces of work. Sometimes it’s difficult to distinguish original work written by an individual and work generated by AI.

    This is a serious concern in the academic world – for universities, researchers, lecturers and students. Some uses of AI are seen as acceptable and others are not (or not yet).




    Read more:
    AI can be a danger to students – 3 things universities must do


    As editor and editorial board member of several journals, and in my capacity as a researcher and professor of psychology, I have grappled with what counts as acceptable use of AI in academic writing. I looked to various published guidelines:

    The guidelines are unanimous that AI tools cannot be listed as co-authors or take responsibility for the content. Authors remain fully responsible for verifying the accuracy, ethical use and integrity of all AI-influenced content. Routine assistance does not need citation, but any substantive AI-generated content must be clearly referenced.

    Let’s unpack this a bit more.

    Assisted versus generated content

    In understanding AI use in academic writing, it’s important to distinguish between AI-assisted content and AI-generated content.

    AI-assisted content refers to work that is predominantly written by an individual but has been improved with the aid of AI tools. For example, an author might use AI to assist with grammar checks, enhance sentence clarity, or provide style suggestions. The author remains in control, and the AI merely acts as a tool to polish the final product.

    This kind of assistance is generally accepted by most publishers as well as the Committee on Publication Ethics, without the need for formal disclosure. That’s as long as the work remains original and the integrity of the research is upheld.

    AI-generated content is produced by the AI itself. This could mean that the AI tool generates significant portions of text, or even entire sections, based on detailed instructions (prompts) provided by the author.

    This raises ethical concerns, especially regarding originality, accuracy and authorship. Generative AI draws its content from various sources such as web scraping, public datasets, code repositories and user-generated content – basically any content that it is able to access. You can never be sure about the authenticity of the work. AI “hallucinations” are common. Generative AI might be plagiarising someone else’s work or infringing on copyright and you won’t know.




    Read more:
    What are AI hallucinations? Why AIs sometimes make things up


    Thus, for AI-generated content, authors are required to make clear and explicit disclosures. In many cases, this type of content may face restrictions. Publishers may even reject it outright, as outlined in the Committee on Publication Ethics guidelines.

    What’s allowed and what’s not

    Based on my readings of the guidelines, I offer some practical tips for using AI in academic writing. These are fairly simple and could be applicable across disciplines.

    • The guidelines all say AI tools can be used for routine tasks like improving grammar, revising sentence structure, or assisting with literature searches. These applications do not require specific acknowledgement.

    • Across the guidelines reviewed, AI generated content is not allowed unless there are clear reasons why this was necessary for the research and the content is clearly marked and referenced as such. Thus, depending on how AI is used, it must be referenced in the manuscript. This could be in the literature review, or in the methods or results section.

    • Sage and the Committee on Publication Ethics emphasise that authors must disclose when AI-generated content is used by citing this appropriately. There are different conventions for citing AI use but all seem to agree that the name of the generative tool used, the date accessed and the prompt used should be cited. This level of transparency is necessary to uphold the credibility of academic work.

    • Other aspects linked to AI assistance like correcting code, generating tables or figures, reducing word count or checking on analyses cannot be referenced directly in the body of the manuscript. In line with current best practice recommendations, this should be indicated at the end of the manuscript.

    • Authors are responsible for checking the accuracy of any AI content, whether AI assisted or AI generated, ensuring it’s free from bias, plagiarism, and potential copyright infringements.

    The final word (for now)

    AI tools can undoubtedly enhance the academic writing process, but their use must be approached with transparency, caution, and respect for ethical standards.

    Authors must remain vigilant in maintaining academic integrity, particularly when AI is involved. Authors should verify the accuracy and appropriateness of AI-generated content, ensuring that it doesn’t compromise the originality or validity of their work.




    Read more:
    South African university students use AI to help them understand – not to avoid work


    There have been excellent suggestions as to when the declaration of AI should be mandatory, optional and unnecessary. If unsure, the best advice would be to include the use of any form of AI (assisted or generated) in the acknowledgement.

    It is very likely that these recommendations will be revised in due course as AI continues to evolve. But it is equally important that we start somewhere. AI tools are here to stay. Let’s deal with it constructively and collaboratively.

    Sumaya Laher does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

    ref. Can academics use AI to write journal papers? What the guidelines say – https://theconversation.com/can-academics-use-ai-to-write-journal-papers-what-the-guidelines-say-258824

    MIL OSI Analysis

  • MIL-OSI Analysis: Sudan: foreign interests are deepening a devastating war – only regional diplomacy can stop them

    Source: The Conversation – Africa – By John Mukum Mbaku, Professor, Weber State University

    The war between the Sudanese Armed Forces and the Rapid Support Forces has raged since April 2023. It’s turned Sudan into the site of one of the world’s most catastrophic humanitarian and displacement crises.

    At least 150,000 people have been killed. More than 14 million have been displaced, with over 3 million fleeing to neighbouring countries like Chad, Ethiopia and South Sudan. Once a vibrant capital city, Khartoum is now a “burnt-out shell”.

    This devastating war, rooted in long-standing ethnic, political and economic tensions, has been compounded by what international and regional actors have done and failed to do. As Amnesty International notes, the international response remains “woefully inadequate”.

    The problem lies in the fact that external involvement has not been neutral. Instead of halting the conflict, many external players have complicated it. In some cases, international interventions have escalated it.

    More than 10 countries across Africa, the Middle East and Asia have been drawn into Sudan’s war. This has turned it into a proxy conflict that reflects the interests of external actors, such as Egypt, Turkey and Saudi Arabia.

    Several actors have taken sides.

    Saudi Arabia, for instance, backs the Sudanese army. The United Arab Emirates (UAE) is alleged to support the paramilitary Rapid Support Forces. Egypt, citing historical ties, backs the army. For their part, Ethiopia and Eritrea reportedly support the paramilitary group. Chad has been accused of facilitating arms shipments to the Rapid Support Forces via its eastern airports. Russia, Ukraine, Turkey and Iran have also been linked to diplomatic and military support to Sudan’s army.

    These geopolitical entanglements have made peace nearly impossible, deepening the conflict instead of resolving it.

    I have studied Africa’s governance failures for more than 30 years, from military elites and coups to state capture and political instability. Based on this, my view is that Sudan’s conflict cannot be resolved without serious international commitment to neutrality and peace.




    Read more:
    Sudan’s peace mediation should be led by the African Union: 3 reasons why


    The involvement of foreign actors on opposing sides must be reversed. International involvement must be premised on helping the Sudanese people develop the capacity to resolve governance problems themselves.

    For this to happen, regional diplomacy must be stepped up. The African Union must assert its legitimacy and take the lead in addressing this challenging crisis. It can do this by putting pressure on member states to ensure that any ceasefire agreements are enforced.

    The East African Community and the Intergovernmental Authority on Development can provide assistance in securing a peace agreement and ensuring it’s enforced. Members of these continental organisations can encourage external actors to limit their intervention in Sudan to activities that promote democratic governance and sustainable development.

    The African Union

    The African Union should play a central role in bringing peace to Sudan. But its absence has been conspicuous.

    Despite adopting the “African solutions to African problems” mantra, the African Union has neither held Sudan’s warlords accountable nor put in place adequate civilian protection measures.

    First, it could have worked closely with the UN to deploy a mission to Sudan with a mandate to protect civilians, monitor human rights (especially the rights of women and girls), assist in the return of all displaced persons and prevent any further attacks on civilians.

    Second, the African Union could have sent an expert group to investigate human rights violations, especially sexual violence. The results could have been submitted to the union’s Peace and Security Council for further action.

    Third, the African Union could have worked closely with regional and international actors, including the Arab League. This would ensure a unified approach to the conflict, based on the interests of Sudanese people for peace and development.

    Finally, the AU could have addressed the root causes of Sudan’s conflicts, which include extreme poverty, inequality, political exclusion and economic marginalisation.

    The African Union could also make use of the insights and knowledge gleaned by African leaders like Kenya’s William Ruto and Egypt’s Abdel Fattah el-Sisi, who have attempted to mediate, but have failed. The AU should also use the political expertise of elder statesmen, such as Thabo Mbeki, Moussa Faki and Olusegun Obasanjo, to help address the conflict and humanitarian crisis.

    The United Arab Emirates

    The UAE is alleged to back the paramilitary troops in the war. In recent years, the UAE has become increasingly involved in African conflicts. It has supported various factions to conflicts in the Horn of Africa, the Sahel region and Libya.

    Its increased involvement in Africa is driven by several strategic interests. These include fighting terrorism, securing maritime routes, and expanding its trade and influence.




    Read more:
    Sudan is burning and foreign powers are benefiting – what’s in it for the UAE


    In 2009, the UAE helped Sudan mediate its border conflict with Chad. The UAE supported the ouster of Omar al-Bashir in April 2019, as well as Sudan’s transitional military council.

    In 2021, the UAE signed a strategic partnership with Sudan to modernise its political institutions and return the country to the international community. The UAE has stated that it has taken a neutral position in the present conflict. However, on 6 March 2025, Sudan brought a case against the UAE to the International Court of Justice. It accused the UAE of complicity in genocide, alleging that the UAE “has been arming the RSF with the aim of wiping out the non-Arab Massalit population of West Darfur.”

    The United States

    During his first term, US president Donald Trump spearheaded the Abraham Accords. These agreements were aimed at normalising relations between Israel and several Arab countries, including Sudan. Subsequently, Sudan was removed from the US list of state sponsors of terrorism.

    The accords appeared to have brought Khartoum closer to Washington. They provided avenues for the type of engagement that could have placed it in good stead when Trump returned to the White House in 2025.

    However, Sudan’s internal political and economic instability, including the present civil war, has complicated the situation.

    The Abraham Accords were a significant foreign policy achievement for Trump. A peaceful, democratically governed, and economically stable and prosperous Sudan could serve as the foundation for Trump’s “circle of peace” in the Middle East.

    But Trump and his administration are preoccupied with other domestic and foreign policy priorities. During his May 2025 visit to Saudi Arabia, Trump did not officially address the conflict in Sudan. Instead, he placed emphasis on securing business deals and investments.

    The European Union

    The European Union has strongly condemned the violence and the atrocities committed during the war in Sudan, especially against children and women. The organisation has appealed for an immediate and lasting ceasefire while noting that Sudan faces the “most catastrophic humanitarian crisis of the 21st century”.

    Unfortunately, member countries will remain preoccupied with helping Ukraine, especially given the growing uncertainty in Washington’s relationship with the authorities in Kyiv.

    The preoccupation and focus of the EU and the US on Gaza, Ukraine and Iran may, however, be underestimating the geopolitical risks Sudan’s war is generating.

    A peaceful and democratically governed Sudan can contribute to peace not just in the region, but also in many other parts of the world.

    What now?

    To end Sudan’s war and prevent future ones, international and African actors must do more than issue statements. They must act coherently, collectively and with genuine commitment to the Sudanese people’s right to peace, democratic governance and sustainable development.

    Democracy and the rule of law are key to peaceful coexistence and sustainable development in Sudan. However, establishing and sustaining institutions that enhance and support democracy is the job of the Sudanese people. The external community can provide the financial support that Sudan is likely to need. It can also support the strengthening of electoral systems, civic education and citizen trust in public institutions.

    John Mukum Mbaku does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

    ref. Sudan: foreign interests are deepening a devastating war – only regional diplomacy can stop them – https://theconversation.com/sudan-foreign-interests-are-deepening-a-devastating-war-only-regional-diplomacy-can-stop-them-259824

    MIL OSI Analysis

  • MIL-OSI Analysis: Sudan: foreign interests are deepening a devastating war – only regional diplomacy can stop them

    Source: The Conversation – Africa – By John Mukum Mbaku, Professor, Weber State University

    The war between the Sudanese Armed Forces and the Rapid Support Forces has raged since April 2023. It’s turned Sudan into the site of one of the world’s most catastrophic humanitarian and displacement crises.

    At least 150,000 people have been killed. More than 14 million have been displaced, with over 3 million fleeing to neighbouring countries like Chad, Ethiopia and South Sudan. Once a vibrant capital city, Khartoum is now a “burnt-out shell”.

    This devastating war, rooted in long-standing ethnic, political and economic tensions, has been compounded by what international and regional actors have done and failed to do. As Amnesty International notes, the international response remains “woefully inadequate”.

    The problem lies in the fact that external involvement has not been neutral. Instead of halting the conflict, many external players have complicated it. In some cases, international interventions have escalated it.

    More than 10 countries across Africa, the Middle East and Asia have been drawn into Sudan’s war. This has turned it into a proxy conflict that reflects the interests of external actors, such as Egypt, Turkey and Saudi Arabia.

    Several actors have taken sides.

    Saudi Arabia, for instance, backs the Sudanese army. The United Arab Emirates (UAE) is alleged to support the paramilitary Rapid Support Forces. Egypt, citing historical ties, backs the army. For their part, Ethiopia and Eritrea reportedly support the paramilitary group. Chad has been accused of facilitating arms shipments to the Rapid Support Forces via its eastern airports. Russia, Ukraine, Turkey and Iran have also been linked to diplomatic and military support to Sudan’s army.

    These geopolitical entanglements have made peace nearly impossible, deepening the conflict instead of resolving it.

    I have studied Africa’s governance failures for more than 30 years, from military elites and coups to state capture and political instability. Based on this, my view is that Sudan’s conflict cannot be resolved without serious international commitment to neutrality and peace.




    Read more:
    Sudan’s peace mediation should be led by the African Union: 3 reasons why


    The involvement of foreign actors on opposing sides must be reversed. International involvement must be premised on helping the Sudanese people develop the capacity to resolve governance problems themselves.

    For this to happen, regional diplomacy must be stepped up. The African Union must assert its legitimacy and take the lead in addressing this challenging crisis. It can do this by putting pressure on member states to ensure that any ceasefire agreements are enforced.

    The East African Community and the Intergovernmental Authority on Development can provide assistance in securing a peace agreement and ensuring it’s enforced. Members of these continental organisations can encourage external actors to limit their intervention in Sudan to activities that promote democratic governance and sustainable development.

    The African Union

    The African Union should play a central role in bringing peace to Sudan. But its absence has been conspicuous.

    Despite adopting the “African solutions to African problems” mantra, the African Union has neither held Sudan’s warlords accountable nor put in place adequate civilian protection measures.

    First, it could have worked closely with the UN to deploy a mission to Sudan with a mandate to protect civilians, monitor human rights (especially the rights of women and girls), assist in the return of all displaced persons and prevent any further attacks on civilians.

    Second, the African Union could have sent an expert group to investigate human rights violations, especially sexual violence. The results could have been submitted to the union’s Peace and Security Council for further action.

    Third, the African Union could have worked closely with regional and international actors, including the Arab League. This would ensure a unified approach to the conflict, based on the interests of Sudanese people for peace and development.

    Finally, the AU could have addressed the root causes of Sudan’s conflicts, which include extreme poverty, inequality, political exclusion and economic marginalisation.

    The African Union could also make use of the insights and knowledge gleaned by African leaders like Kenya’s William Ruto and Egypt’s Abdel Fattah el-Sisi, who have attempted to mediate, but have failed. The AU should also use the political expertise of elder statesmen, such as Thabo Mbeki, Moussa Faki and Olusegun Obasanjo, to help address the conflict and humanitarian crisis.

    The United Arab Emirates

    The UAE is alleged to back the paramilitary troops in the war. In recent years, the UAE has become increasingly involved in African conflicts. It has supported various factions to conflicts in the Horn of Africa, the Sahel region and Libya.

    Its increased involvement in Africa is driven by several strategic interests. These include fighting terrorism, securing maritime routes, and expanding its trade and influence.




    Read more:
    Sudan is burning and foreign powers are benefiting – what’s in it for the UAE


    In 2009, the UAE helped Sudan mediate its border conflict with Chad. The UAE supported the ouster of Omar al-Bashir in April 2019, as well as Sudan’s transitional military council.

    In 2021, the UAE signed a strategic partnership with Sudan to modernise its political institutions and return the country to the international community. The UAE has stated that it has taken a neutral position in the present conflict. However, on 6 March 2025, Sudan brought a case against the UAE to the International Court of Justice. It accused the UAE of complicity in genocide, alleging that the UAE “has been arming the RSF with the aim of wiping out the non-Arab Massalit population of West Darfur.”

    The United States

    During his first term, US president Donald Trump spearheaded the Abraham Accords. These agreements were aimed at normalising relations between Israel and several Arab countries, including Sudan. Subsequently, Sudan was removed from the US list of state sponsors of terrorism.

    The accords appeared to have brought Khartoum closer to Washington. They provided avenues for the type of engagement that could have placed it in good stead when Trump returned to the White House in 2025.

    However, Sudan’s internal political and economic instability, including the present civil war, has complicated the situation.

    The Abraham Accords were a significant foreign policy achievement for Trump. A peaceful, democratically governed, and economically stable and prosperous Sudan could serve as the foundation for Trump’s “circle of peace” in the Middle East.

    But Trump and his administration are preoccupied with other domestic and foreign policy priorities. During his May 2025 visit to Saudi Arabia, Trump did not officially address the conflict in Sudan. Instead, he placed emphasis on securing business deals and investments.

    The European Union

    The European Union has strongly condemned the violence and the atrocities committed during the war in Sudan, especially against children and women. The organisation has appealed for an immediate and lasting ceasefire while noting that Sudan faces the “most catastrophic humanitarian crisis of the 21st century”.

    Unfortunately, member countries will remain preoccupied with helping Ukraine, especially given the growing uncertainty in Washington’s relationship with the authorities in Kyiv.

    The preoccupation and focus of the EU and the US on Gaza, Ukraine and Iran may, however, be underestimating the geopolitical risks Sudan’s war is generating.

    A peaceful and democratically governed Sudan can contribute to peace not just in the region, but also in many other parts of the world.

    What now?

    To end Sudan’s war and prevent future ones, international and African actors must do more than issue statements. They must act coherently, collectively and with genuine commitment to the Sudanese people’s right to peace, democratic governance and sustainable development.

    Democracy and the rule of law are key to peaceful coexistence and sustainable development in Sudan. However, establishing and sustaining institutions that enhance and support democracy is the job of the Sudanese people. The external community can provide the financial support that Sudan is likely to need. It can also support the strengthening of electoral systems, civic education and citizen trust in public institutions.

    John Mukum Mbaku does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

    ref. Sudan: foreign interests are deepening a devastating war – only regional diplomacy can stop them – https://theconversation.com/sudan-foreign-interests-are-deepening-a-devastating-war-only-regional-diplomacy-can-stop-them-259824

    MIL OSI Analysis

  • MIL-OSI Banking: Samsung in Partnership with CUT Host Graduation Ceremony for 2nd Cohort

    Source: Samsung

    Samsung in mphopartnership with the Central University of Technology (CUT) recently hosted a graduation ceremony where certificates were awarded to 21 students from the 2nd cohort that have successfully completed studies in AI in the prestigious Samsung Innovation Campus (SIC) programme.
    At this year’s graduation, the SIC partnership with CUT is also celebrating the fact that 16 out of the 21 students have already secured employment, while five (5) of these graduates have opted to further their studies. This is a key milestone in this partnership and a confirmation of how this SIC programme has successfully managed to fulfil its main objectives of addressing South Africa’s youth unemployment and the critical skills gap in technology and innovation.
    Since November 2022, when the Memorandum of Agreement (MOA) was signed by Samsung and CUT – this SIC programme has been able to equip an overall group of 71 enthusiastic, young participants with in-demand skills in 4IR including Artificial Intelligence (AI), as well as Coding and Programming (C&P). This second cohort of CUT students that is now graduating with skills in AI; were also part of the cohort that completed Coding and Programming in Python. The programme has been structured in such a way that it includes theoretical learning, practical sessions and capstone projects.
    These essential skills that these CUT students have acquired have not only prepared them for the demands of the modern tech industry but have also turned them into a group of eligible young professionals – able to secure permanent employment in the local market. This global SIC programme is in line with the country’s transformation goals outlined in the National Development Plan, the long-term strategic plan for South Africa’s future which aims to eliminate poverty and reduce inequality by 2030.
    Professor Wendy Setlalentoa, CUT acting Deputy Vice Chancellor: Research, Innovation and Engagement said: “We are grateful to Samsung for choosing to partner with our institution and for helping us to make a lasting difference in the lives of young people in South Africa. This partnership is a perfect example of a well-functioning and mutually beneficial Public-Private Partnership (PPP) with tangible examples of how to address youth unemployment and skills development.
     

     
    “In the last few years, our institution has had the opportunity to play a crucial role in providing the curriculum and training for students in 4IR skills and focus on developing practical skills that have helped prepare our graduates for future careers in innovation and technology space,” added Prof. Setlalentoa.
    CUT’s Centre for Innovation in Learning and Teaching (CILT) has also supported the SIC programme by creating an enabling education environment and improving the quality of teaching and learning. Also, CUT students that participated in the SIC programme have now developed stronger problem-solving skills, which are crucial for both career advancement and entrepreneurial pursuits.
    And furthermore, the institution’s broader emphasis on work-integrated learning and industry exposure has allowed CUT to play an instrumental role in securing jobs for students participating in the SIC programme, primarily through its Careers Office and other key industry partners. Some of the partners who are employers to these employed graduates and their primary activities include: Capacity – Full stack developer in Python; BoxFusion – Junior Data Analyst and Junior Software Engineer respectively; Vodacom – Software Architect; BitCube – Junior Software Developer Associate and Standard Bank – Junior Software Engineer.
    One of the top performing students in the graduating cohort, Mpho Macdonald Ramaisa said: “I am overjoyed and exceptionally grateful to have been part of the SIC programme. The programme has equipped me with critical skills, particularly in the tech field and these, have now boosted my confidence in my abilities, given me a clearer career direction and enhanced my innovative thinking skills.
     

     
    “The majority of us have already secured jobs and this alone, has given us a sense of purpose and accomplishment. For us, access to these in-demand tech skills needed by our local economy and the employment opportunities that we have secured – means that we will be able to create better opportunities for ourselves and our families,” Ramaisa.
    The partnership between Samsung and CUT has also seen success in the increase of female representation in the SIC programme as well as in ensuring that graduates have better opportunities in the job market or entrepreneurship space. The gender split in this graduating cohort is as follows: 52% female representation.
    Lefa Makgato, Corporate Social Responsibility Manager for Samsung Electronics in Southern Africa said: “We are very proud of what this partnership has achieved since inception; and how well its accomplishments align with the country’s vision 2030 goals.
     

     
    Importantly, this collaboration with CUT has also ensured that these students are now equipped with skills to contribute to the digital economy. But most importantly, in conjunction with CUT – we have now been able to accomplish Samsung’s education vision which centres around fostering future technological leaders and ICT entrepreneurs by providing accessible and engaging learning experiences that integrate technology and real-world application.”

    MIL OSI Global Banks

  • MIL-OSI United Kingdom: British industry to benefit from billions in government spending under new plans to protect national security

    Source: United Kingdom – Executive Government & Departments

    Press release

    British industry to benefit from billions in government spending under new plans to protect national security

    Government will back British industries such as energy, steel and cyber – giving them more of the £400bn spent on government procurement each year and protecting our national security.

    • British industries such as energy, steel and cyber are set to get more money from government spending under new plans being considered to protect UK national security.
    • Central government departments will be told to consider UK-made steel for all public projects, and use exemptions for buying rules wherever possible to support steel makers, in new guidance issued today.
    • New rules would also ensure the public sector excludes companies that have failed to pay small businesses on time.

    Government will back British industries such as energy, steel and cyber – giving them more of the £400bn spent on government procurement each year and protecting our national security.

    A consultation launching today will consider new rules to give the government greater power to back our national security through government buying and ensure the country retains a strong, homegrown industrial base.

    The plans will allow Ministers to designate certain UK industries as nationally important to protecting UK national security – as part of our Plan for Change to secure Britain’s future.

    Current rules require public sector buyers to consider bids from overseas suppliers that can undercut UK firms. Under the new designation, public sector buyers will be able to avoid normal buying rules to support national security, and award contracts to our industries. 

    Chancellor of the Duchy of Lancaster, Pat McFadden said:

    Strong industry is essential to our national security. The new rules being considered  will give us the power to protect our national industries, ensuring more money goes to them as we buy goods and services in government.

    Our reforms will boost growth and ensure British industry is supported to deliver national security and our Plan for Change.

    The move aims to harness the £400 billion spent by central Government each year on everyday products and services to boost British business – as the government rebuilds the country in a decade of national renewal and delivers the Plan for Change. 

    The changes come following the publication of the government’s Industrial Strategy which set out a ten year plan to boost investment, skills and jobs and reduce the energy costs for business and industry.

    New guidance will also require Government departments to consider UK-made steel in all future public projects, including those that form part of the £725bn of UK infrastructure spending over the next 10 years.

    Industry Minister Sarah Jones said:

    This is the latest win for our Steel Strategy, supporting jobs across the UK and building on the launch of our modern Industrial Strategy which will cut energy costs for steel firms.

    By strengthening our procurement to back British industry, we’ll not only bolster national security but drive growth by filling up companies’ order books across the UK. Supported by up to £2.5 billion, our upcoming Steel Strategy will set out how we’ll boost growth and investment in the sector even further.

    Cracking down on late payment and supporting SMEs

    The new rules will also ensure public sector buyers exclude companies that cannot evidence a good record of paying businesses in their supply chains promptly and on time. 

    Prompt payment is vital to a small business’ success, as they work to tight margins. By ensuring government supply chains are paying them quickly and on time we can remove uncertainty and fuel growth.

    Alongside prompt payments, new rules will be introduced that would require all large contracting bodies to set three year targets for SME spending. 

    The government previously announced that Government departments would have targets, and this expands that requirement to the wider public sector. Further prioritising and boosting spending with SMEs.

    Supportive quotes;

    Gareth Stace, Director-General of UK Steel said:

    This is unequivocally positive news for the UK steel industry. These changes rightly recognise the strategic importance of steelmaking to national security and the vital role of resilient domestic supply chains. 

    With the launch of the National Infrastructure Strategy and Strategic Defence Review, the next decade presents a generational opportunity for our steel industry. This revised guidance and proposals in the consultation will help government departments unlock the full capacity and capability of our members, supporting jobs and driving investment across the country.

    Updates to this page

    Published 26 June 2025

    MIL OSI United Kingdom

  • MIL-OSI: Form 8.3 – Tritax Big Box Reit Plc

    Source: GlobeNewswire (MIL-OSI)

    8.3

    PUBLIC OPENING POSITION DISCLOSURE/DEALING DISCLOSURE BY
    A PERSON WITH INTERESTS IN RELEVANT SECURITIES REPRESENTING 1% OR MORE
    Rule 8.3 of the Takeover Code (the “Code”)

    1.        KEY INFORMATION

    (a)   Full name of discloser: Rathbones Group Plc
    (b)   Owner or controller of interests and short positions disclosed, if different from 1(a):
            The naming of nominee or vehicle companies is insufficient. For a trust, the trustee(s), settlor and beneficiaries must be named.
     
    (c)   Name of offeror/offeree in relation to whose relevant securities this form relates:
            Use a separate form for each offeror/offeree
    Tritax Big Box REIT Plc
    (d)   If an exempt fund manager connected with an offeror/offeree, state this and specify identity of offeror/offeree:  
    (e)   Date position held/dealing undertaken:
            For an opening position disclosure, state the latest practicable date prior to the disclosure
    25/06/2025
    (f)   In addition to the company in 1(c) above, is the discloser making disclosures in respect of any other party to the offer?
            If it is a cash offer or possible cash offer, state “N/A”
    Yes

    2.        POSITIONS OF THE PERSON MAKING THE DISCLOSURE

    If there are positions or rights to subscribe to disclose in more than one class of relevant securities of the offeror or offeree named in 1(c), copy table 2(a) or (b) (as appropriate) for each additional class of relevant security.

    (a)      Interests and short positions in the relevant securities of the offeror or offeree to which the disclosure relates following the dealing (if any)

    Class of relevant security: 1p Ord
      Interests Short positions
      Number % Number %
    (1)   Relevant securities owned and/or controlled: 28,233,149 1.13%    
    (2)   Cash-settled derivatives:        
    (3)   Stock-settled derivatives (including options) and agreements to purchase/sell:        

            TOTAL:

    28,233,149 1.13%    

    All interests and all short positions should be disclosed.

    Details of any open stock-settled derivative positions (including traded options), or agreements to purchase or sell relevant securities, should be given on a Supplemental Form 8 (Open Positions).

    (b)      Rights to subscribe for new securities (including directors’ and other employee options)

    Class of relevant security in relation to which subscription right exists:  
    Details, including nature of the rights concerned and relevant percentages:  

    3.        DEALINGS (IF ANY) BY THE PERSON MAKING THE DISCLOSURE

    Where there have been dealings in more than one class of relevant securities of the offeror or offeree named in 1(c), copy table 3(a), (b), (c) or (d) (as appropriate) for each additional class of relevant security dealt in.

    The currency of all prices and other monetary amounts should be stated.

    (a)        Purchases and sales

    Class of relevant security Purchase/sale Number of securities Price per unit
    1p Ordinary Shares Sale 96,751 146.5p
    1p Ordinary Shares Sale 2,264 146.2643p

    (b)        Cash-settled derivative transactions

    Class of relevant security Product description
    e.g. CFD
    Nature of dealing
    e.g. opening/closing a long/short position, increasing/reducing a long/short position
    Number of reference securities Price per unit
             

    (c)        Stock-settled derivative transactions (including options)

    (i)        Writing, selling, purchasing or varying

    Class of relevant security Product description e.g. call option Writing, purchasing, selling, varying etc. Number of securities to which option relates Exercise price per unit Type
    e.g. American, European etc.
    Expiry date Option money paid/ received per unit
                   

    (ii)        Exercise

    Class of relevant security Product description
    e.g. call option
    Exercising/ exercised against Number of securities Exercise price per unit
             

    (d)        Other dealings (including subscribing for new securities)

    Class of relevant security Nature of dealing
    e.g. subscription, conversion
    Details Price per unit (if applicable)
    1p Ordinary Shares Transfer out 4,195  

    4.        OTHER INFORMATION

    (a)        Indemnity and other dealing arrangements

    Details of any indemnity or option arrangement, or any agreement or understanding, formal or informal, relating to relevant securities which may be an inducement to deal or refrain from dealing entered into by the person making the disclosure and any party to the offer or any person acting in concert with a party to the offer:
    Irrevocable commitments and letters of intent should not be included. If there are no such agreements, arrangements or understandings, state “none”
    None

    (b)        Agreements, arrangements or understandings relating to options or derivatives

    Details of any agreement, arrangement or understanding, formal or informal, between the person making the disclosure and any other person relating to:
    (i)   the voting rights of any relevant securities under any option; or
    (ii)   the voting rights or future acquisition or disposal of any relevant securities to which any derivative is referenced:
    If there are no such agreements, arrangements or understandings, state “none”
    None

    (c)        Attachments

    Is a Supplemental Form 8 (Open Positions) attached? No
    Date of disclosure: 26/06/2025
    Contact name: Chinwe Enyi – Compliance Department
    Telephone number: 0151 243 7053

    Public disclosures under Rule 8 of the Code must be made to a Regulatory Information Service.

    The Panel’s Market Surveillance Unit is available for consultation in relation to the Code’s disclosure requirements on +44 (0)20 7638 0129.

    The Code can be viewed on the Panel’s website at.

    The MIL Network

  • MIL-OSI: Real Matters to Announce Third Quarter Fiscal 2025 Financial Results on July 31, 2025

    Source: GlobeNewswire (MIL-OSI)

    TORONTO, June 26, 2025 (GLOBE NEWSWIRE) — Real Matters Inc. (“Real Matters”), a leading network management services provider for the mortgage lending and insurance industries, will announce its third quarter fiscal 2025 financial results via news release on Thursday, July 31, 2025, before market open.

    Conference Call and Webcast         
    A conference call to review the results will take place at 10:00 a.m. (ET) on Thursday, July 31, 2025, hosted by Chief Executive Officer Brian Lang and Chief Financial Officer Rodrigo Pinto. An accompanying slide presentation will be posted to the Investor Relations section of our website shortly before the call.

    Conference call dial-in:

    • Participants can dial-in to the conference call; however, pre-registration is required. To register, visit: https://register-conf.media-server.com/register/BI798e8af4ea274111bfa0efe3766760a2.
    • Once registered, you will receive an email including dial-in details and a unique access code required to join the live call.
    • Please ensure you have registered at least 10 minutes prior to the conference call start time.

    To listen to the live webcast of the call:

    The webcast will be archived and a transcript of the call will be available in the Investor Relations section of our website following the call.

    About Real Matters
    Real Matters is a leading network management services provider for the mortgage lending and insurance industries. Real Matters’ platform combines its proprietary technology and network management capabilities with tens of thousands of independent qualified field professionals to create an efficient marketplace for the provision of mortgage lending and insurance industry services. Our clients include top 100 mortgage lenders in the U.S. and some of the largest banks and insurance companies in Canada. We are a leading independent provider of residential real estate appraisals to the mortgage market and a leading independent provider of title and mortgage closing services in the U.S. Headquartered in Markham (ON), Real Matters has principal offices in Buffalo (NY) and Middletown (RI). Real Matters is listed on the Toronto Stock Exchange under the symbol REAL. For more information, visit www.realmatters.com.

    For more information:
    Lyne Beauregard
    Vice President, Investor Relations and Corporate Communications
    Real Matters
    lbeauregard@realmatters.com
    416.994.5930

    The MIL Network

  • MIL-OSI Global: Five ways you can use mantra meditation every day to boost your wellbeing

    Source: The Conversation – UK – By Jennifer Donnelly, Doctoral Researcher, Meditation-based Interventions in Clinical Settings, Centre of Positive Health Sciences, RCSI University of Medicine and Health Sciences

    Andrii Iemelianenko/Shutterstock

    Meditation has become a popular subject on self-improvement podcasts, corporate strategy days and health campaigns. But beyond the buzz, there’s a growing scientific and clinical interest in meditation as a tool to regulate attention and promote relaxation. These are increasingly recognised as central to wellbeing in a world of constant notifications, high demands and information overload.

    Mantra meditation has roots in ancient contemplative traditions across many cultures. At its simplest, a mantra is a word, phrase, or sound repeated silently or aloud to focus the mind, steady attention and support relaxation. Depending on the tradition, mantras may carry deep spiritual, linguistic or energetic significance. But in a more personal or secular practice, you might choose or create a mantra that’s meaningful only to you.

    It’s important to note that mantra meditation is distinct from focusing on breathing. While both help develop concentration and awareness, the mantra, not the breath, is the primary anchor of attention in mantra meditation. You may notice the breathing naturally while meditating, but the repetition of the mantra is what gently draws your mind back when it wanders.

    Emerging research suggests that mantra meditation may have promising benefits, from reducing stress and burnout to improving mood, focus and sleep. Focusing on a mantra to disengage from an overactive mind can be a valuable tool in today’s fast-paced world.

    Mantra meditations moments

    A simple starting point is to choose a phrase that resonates with you, something easy to remember and calming. For example: “I am … here now.” Or a word like “ease” or “peace”. Some people visualise a calming image, like a steady tree or a gentle wave, repeating it silently in their mind. The key is to return to your chosen anchor, your mantra, each time your mind drifts.

    You don’t need a special cushion, app or ritual. Below are five everyday moments when you can try this light mantra-practice:

    • On public transport: Use a few minutes of your commute to mentally repeat your mantra. The surrounding noise and movement can actually enhance the practice. When your mind wanders, which it will, gently return to your anchor.

    • While brushing your teeth: This brief, repetitive activity is already part of your day. Use the rhythm of brushing as a cue to repeat your mantra internally.

    • During your first sips of tea or coffee: Let this be a pause point. Breathe naturally. Repeat your chosen phrase. Even a few seconds of presence can shift the tone of your morning.

    Your first morning coffee could become a moment of deep calm in an otherwise hectic day.
    NDAB Creativity/Shutterstock

    • Instead of scrolling: Replace one moment of habitual phone use with one minute of mantra repetition. Notice the impulse to scroll, and meet it with your mantra instead. You can scroll later if you want; the point is to notice the choice.

    • Before stepping out of the car: Pause for 30-60 seconds before entering a new environment, whether that’s work, home or a social setting. This brief ritual can be a surprisingly powerful reset when transitioning to a new destination or activity.

    Longer sessions may deepen the effects, but short, consistent moments of practice are what build tolerance and insight. Meditation doesn’t always begin with peace. More often, it starts with the uncomfortable awareness of how distracted our thoughts can become. That moment of noticing is not a failure, it’s the practice.

    For parents, especially those with young children, meditation might feel unrealistic. But mantra practice can be adapted. Children often respond well to repetitive, rhythmic exercises. Try counting fingers together, repeating a calming phrase, or simply taking three breaths. It might not look like traditional meditation, but it can still create a shared moment of calm.

    Even counting fingers with children could be a way to experience a moment of togetherness and calm.
    YAKOBCHUK VIACHESLAV/Shutterstock

    For those living with chronic pain, health challenges or intense life transitions, meditation can sometimes make discomfort feel more present. In such cases, stillness might initially increase distress.

    Some research confirms that meditation can have uncomfortable or adverse effects, and distraction may be necessary at times. Even so, carefully introduced mantra meditation techniques or similar practices may support people living with chronic conditions by helping shift how discomfort is experienced, if approached with care, and suitable supports are offered.

    Mantra meditation isn’t about perfect focus, or fixing all our problems. Its strength lies in offering you a portable, repeatable practice to build awareness, one moment at a time.

    So before you move on after reading, try this: take 30 seconds, close your eyes, and return to your mantra. Just for now.

    Jennifer Donnelly does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

    ref. Five ways you can use mantra meditation every day to boost your wellbeing – https://theconversation.com/five-ways-you-can-use-mantra-meditation-every-day-to-boost-your-wellbeing-259313

    MIL OSI – Global Reports

  • MIL-OSI Global: Five ways you can use mantra meditation every day to boost your wellbeing

    Source: The Conversation – UK – By Jennifer Donnelly, Doctoral Researcher, Meditation-based Interventions in Clinical Settings, Centre of Positive Health Sciences, RCSI University of Medicine and Health Sciences

    Andrii Iemelianenko/Shutterstock

    Meditation has become a popular subject on self-improvement podcasts, corporate strategy days and health campaigns. But beyond the buzz, there’s a growing scientific and clinical interest in meditation as a tool to regulate attention and promote relaxation. These are increasingly recognised as central to wellbeing in a world of constant notifications, high demands and information overload.

    Mantra meditation has roots in ancient contemplative traditions across many cultures. At its simplest, a mantra is a word, phrase, or sound repeated silently or aloud to focus the mind, steady attention and support relaxation. Depending on the tradition, mantras may carry deep spiritual, linguistic or energetic significance. But in a more personal or secular practice, you might choose or create a mantra that’s meaningful only to you.

    It’s important to note that mantra meditation is distinct from focusing on breathing. While both help develop concentration and awareness, the mantra, not the breath, is the primary anchor of attention in mantra meditation. You may notice the breathing naturally while meditating, but the repetition of the mantra is what gently draws your mind back when it wanders.

    Emerging research suggests that mantra meditation may have promising benefits, from reducing stress and burnout to improving mood, focus and sleep. Focusing on a mantra to disengage from an overactive mind can be a valuable tool in today’s fast-paced world.

    Mantra meditations moments

    A simple starting point is to choose a phrase that resonates with you, something easy to remember and calming. For example: “I am … here now.” Or a word like “ease” or “peace”. Some people visualise a calming image, like a steady tree or a gentle wave, repeating it silently in their mind. The key is to return to your chosen anchor, your mantra, each time your mind drifts.

    You don’t need a special cushion, app or ritual. Below are five everyday moments when you can try this light mantra-practice:

    • On public transport: Use a few minutes of your commute to mentally repeat your mantra. The surrounding noise and movement can actually enhance the practice. When your mind wanders, which it will, gently return to your anchor.

    • While brushing your teeth: This brief, repetitive activity is already part of your day. Use the rhythm of brushing as a cue to repeat your mantra internally.

    • During your first sips of tea or coffee: Let this be a pause point. Breathe naturally. Repeat your chosen phrase. Even a few seconds of presence can shift the tone of your morning.

    Your first morning coffee could become a moment of deep calm in an otherwise hectic day.
    NDAB Creativity/Shutterstock

    • Instead of scrolling: Replace one moment of habitual phone use with one minute of mantra repetition. Notice the impulse to scroll, and meet it with your mantra instead. You can scroll later if you want; the point is to notice the choice.

    • Before stepping out of the car: Pause for 30-60 seconds before entering a new environment, whether that’s work, home or a social setting. This brief ritual can be a surprisingly powerful reset when transitioning to a new destination or activity.

    Longer sessions may deepen the effects, but short, consistent moments of practice are what build tolerance and insight. Meditation doesn’t always begin with peace. More often, it starts with the uncomfortable awareness of how distracted our thoughts can become. That moment of noticing is not a failure, it’s the practice.

    For parents, especially those with young children, meditation might feel unrealistic. But mantra practice can be adapted. Children often respond well to repetitive, rhythmic exercises. Try counting fingers together, repeating a calming phrase, or simply taking three breaths. It might not look like traditional meditation, but it can still create a shared moment of calm.

    Even counting fingers with children could be a way to experience a moment of togetherness and calm.
    YAKOBCHUK VIACHESLAV/Shutterstock

    For those living with chronic pain, health challenges or intense life transitions, meditation can sometimes make discomfort feel more present. In such cases, stillness might initially increase distress.

    Some research confirms that meditation can have uncomfortable or adverse effects, and distraction may be necessary at times. Even so, carefully introduced mantra meditation techniques or similar practices may support people living with chronic conditions by helping shift how discomfort is experienced, if approached with care, and suitable supports are offered.

    Mantra meditation isn’t about perfect focus, or fixing all our problems. Its strength lies in offering you a portable, repeatable practice to build awareness, one moment at a time.

    So before you move on after reading, try this: take 30 seconds, close your eyes, and return to your mantra. Just for now.

    Jennifer Donnelly does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

    ref. Five ways you can use mantra meditation every day to boost your wellbeing – https://theconversation.com/five-ways-you-can-use-mantra-meditation-every-day-to-boost-your-wellbeing-259313

    MIL OSI – Global Reports

  • MIL-OSI Global: How huge migrating animal puppets captivate in ways that climate news can’t

    Source: The Conversation – UK – By Matt Smith, Reader in Applied Theatre and Puppetry, University of Portsmouth

    A herd of puppet animals is migrating north from Africa. This 12,000 mile journey represents wildlife’s response to the climate crisis as species are forced to move north due to rising temperatures. As The Herds travels through the UK en route to the Arctic, the organisers hope this artistic project will help spectators along the route understand what is happening to the environment.

    Events like this are “louder than traffic”, according to US-based puppeteer Peter Schumann. The giant puppets are a visual tool to capture the public’s imagination.

    Over the past 30 years working as a theatre scholar, I have observed that puppetry has become an important artform for telling stories that explore the way we respond to and interact with nature.

    Like traditional street theatre such as Punch and Judy, puppets grab the audience’s attention against the backdrop of everyday life. Now with the rise of social media, modern culture is now even more visually oriented. Puppetry is a big hit in these new digital spaces, according to some researchers.

    The Herds project was created by a theatre company called Little Walk after the success of Little Amal, a Syrian refugee puppet project about human migration and climate relocation. One of the Little Amal puppeteers told me that, ironically, it was easier for the puppets to cross borders but the human artists and puppeteers had to take major detours to carry out the Little Amal project in 17 countries.

    The Herds aims to inspire people to think about the direct consequences of the climate crisis as the animal puppets travel from Africa to the Arctic. Puppeteers animate the life-size puppets in full view of the audience. As each puppeteer focuses on moving the puppet, they transfer their energy and emotion into the puppets body.

    The Herds takes puppets on a 12,000-mile-long migration from Africa to the Arctic.

    I was trained in these techniques during the 1990s. I know that when a performer intensely focuses on a performing object, the result is mesmerising. It can enable the audience to feel empathy for another non-human being. The aim is to cut through discourses and affect people directly with images performed beyond language and local agendas.

    Puppetry is both an interdisciplinary and interactive artform that is as old as human culture. Animated figures have been employed in both the popular spaces of folk theatres and the avant garde spaces of high art. Puppet characters can tell very simple stories in slapstick shows or speak to complex issues in projects like The Herds.

    Even having researched puppetry in communities for more than three decades, the many varied uses for puppetry continue to surprise me. Beyond theatres, puppets can affect people in everyday spaces, just as The Herds does. My book, published in 2024, explores how the popular global practice of puppetry by communities and groups brings pleasure through both making and performing with puppets.

    Communicating complexity

    In 2023, I collaborated with scientists at the Centre for Enzyme Innovation at University of Portsmouth who are developing enzymes that can break down plastic waste. We found that puppets could help to communicate complex science about innovative recycling to audiences through workshops and a showcase event. The puppets as entertaining figures symbolising ideas could animate the science and engage audiences in a playful and non-elitist fashion.

    Puppetry is a powerful and engaging art form that can capture the imagination of audiences globally. Even during our advanced technological times puppetry is still employed both by technologies – for example our own XR lab used puppets recently exploring their use with avatars.

    With successful West End productions in London such as Lion King and War Horse (a show which changed the fortunes of the National Theatre, puppetry has become mainstream in the UK. Now with The Herds, animal puppets are having a global reach.


    Don’t have time to read about climate change as much as you’d like?

    Get a weekly roundup in your inbox instead. Every Wednesday, The Conversation’s environment editor writes Imagine, a short email that goes a little deeper into just one climate issue. Join the 45,000+ readers who’ve subscribed so far.


    Matt Smith receives funding from Royal Academy of Engineering for the enzyme puppet project.

    ref. How huge migrating animal puppets captivate in ways that climate news can’t – https://theconversation.com/how-huge-migrating-animal-puppets-captivate-in-ways-that-climate-news-cant-259592

    MIL OSI – Global Reports

  • MIL-OSI Global: How huge migrating animal puppets captivate in ways that climate news can’t

    Source: The Conversation – UK – By Matt Smith, Reader in Applied Theatre and Puppetry, University of Portsmouth

    A herd of puppet animals is migrating north from Africa. This 12,000 mile journey represents wildlife’s response to the climate crisis as species are forced to move north due to rising temperatures. As The Herds travels through the UK en route to the Arctic, the organisers hope this artistic project will help spectators along the route understand what is happening to the environment.

    Events like this are “louder than traffic”, according to US-based puppeteer Peter Schumann. The giant puppets are a visual tool to capture the public’s imagination.

    Over the past 30 years working as a theatre scholar, I have observed that puppetry has become an important artform for telling stories that explore the way we respond to and interact with nature.

    Like traditional street theatre such as Punch and Judy, puppets grab the audience’s attention against the backdrop of everyday life. Now with the rise of social media, modern culture is now even more visually oriented. Puppetry is a big hit in these new digital spaces, according to some researchers.

    The Herds project was created by a theatre company called Little Walk after the success of Little Amal, a Syrian refugee puppet project about human migration and climate relocation. One of the Little Amal puppeteers told me that, ironically, it was easier for the puppets to cross borders but the human artists and puppeteers had to take major detours to carry out the Little Amal project in 17 countries.

    The Herds aims to inspire people to think about the direct consequences of the climate crisis as the animal puppets travel from Africa to the Arctic. Puppeteers animate the life-size puppets in full view of the audience. As each puppeteer focuses on moving the puppet, they transfer their energy and emotion into the puppets body.

    The Herds takes puppets on a 12,000-mile-long migration from Africa to the Arctic.

    I was trained in these techniques during the 1990s. I know that when a performer intensely focuses on a performing object, the result is mesmerising. It can enable the audience to feel empathy for another non-human being. The aim is to cut through discourses and affect people directly with images performed beyond language and local agendas.

    Puppetry is both an interdisciplinary and interactive artform that is as old as human culture. Animated figures have been employed in both the popular spaces of folk theatres and the avant garde spaces of high art. Puppet characters can tell very simple stories in slapstick shows or speak to complex issues in projects like The Herds.

    Even having researched puppetry in communities for more than three decades, the many varied uses for puppetry continue to surprise me. Beyond theatres, puppets can affect people in everyday spaces, just as The Herds does. My book, published in 2024, explores how the popular global practice of puppetry by communities and groups brings pleasure through both making and performing with puppets.

    Communicating complexity

    In 2023, I collaborated with scientists at the Centre for Enzyme Innovation at University of Portsmouth who are developing enzymes that can break down plastic waste. We found that puppets could help to communicate complex science about innovative recycling to audiences through workshops and a showcase event. The puppets as entertaining figures symbolising ideas could animate the science and engage audiences in a playful and non-elitist fashion.

    Puppetry is a powerful and engaging art form that can capture the imagination of audiences globally. Even during our advanced technological times puppetry is still employed both by technologies – for example our own XR lab used puppets recently exploring their use with avatars.

    With successful West End productions in London such as Lion King and War Horse (a show which changed the fortunes of the National Theatre, puppetry has become mainstream in the UK. Now with The Herds, animal puppets are having a global reach.


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    Matt Smith receives funding from Royal Academy of Engineering for the enzyme puppet project.

    ref. How huge migrating animal puppets captivate in ways that climate news can’t – https://theconversation.com/how-huge-migrating-animal-puppets-captivate-in-ways-that-climate-news-cant-259592

    MIL OSI – Global Reports

  • MIL-OSI Africa: Mpumalanga Health PPE contracts ‘invalid and unlawful’

    Source: South Africa News Agency

    Thursday, June 26, 2025

    The Special Tribunal has declared two personal protective equipment (PPE) contracts awarded by the Mpumalanga Health Department as unlawful and invalid.

    The two contracts – worth a combined R9 million – were awarded to Vitae Zoe to supply 3000 infrared non-contact digital body temperature devices, as well as an additional 1000 devices.

    The contracts were set aside following an approach to the court by the Special Investigating Unit (SIU).

    “Furthermore, the Tribunal ordered it to implement financial accountability measures for Vitae Zoe, requiring it to submit audited financial statements for the 2020/2021 financial year to the SIU and the Tribunal Registrar. Additionally, Vitae Zoe (Pty) Ltd must propose a repayment plan within 15 days of a formal demand by the SIU; failing to do so, further legal action may be pursued. 

    “The SIU has received Vitae Zoe’s financial statement and is currently determining the amount Vitae Zoe must repay. The Tribunal also ordered the company to cover the legal costs of the application,” the SIU said in a statement.

    The corruption busting unit described the judgement as a “crucial step in addressing corruption and ensuring accountability in PPE procurement during the COVID-19 pandemic”.

    “President Cyril Ramaphosa directed the SIU, under Proclamation R23 of 2020, to investigate allegations of corruption, maladministration, malpractice, and payments made by State institutions concerning PPE procurement and the conduct of State employees.
    “The SIU is also empowered to institute civil action in the High Court or a Special Tribunal to address any wrongdoing uncovered during investigations related to corruption, fraud, or maladministration.

    “In line with the Special Investigating Units and Special Tribunals Act 74 of 1996, the SIU refers any evidence of criminal conduct it uncovers to the National Prosecuting Authority for further action,” the statement concluded. – SAnews.gov.za

    MIL OSI Africa