Category: Entertainment

MIL-OSI: FortuixAgent 2025: This FortuixAgent App Sets New Standard in AI-Driven Trading with Unmatched Security and User Approval
Source: GlobeNewswire (MIL-OSI)

New York City, June 26, 2025 (GLOBE NEWSWIRE) — In the fast-evolving world of automated finance, FortuixAgent is making waves as a standout AI-powered trading application that merges advanced algorithmic intelligence with a user-first approach to security. As markets demand smarter, faster, and safer platforms, FortuixAgent is positioning itself as a leader in delivering what traders—both new and experienced—are now demanding.

Backed by proprietary AI models and designed to support both crypto and forex trades, the FortuixAgent App offers a seamless, fully automated experience bolstered by real-time analytics, risk management tools, and multi-broker integration. It’s not just about automation—it’s about trust. With enhanced encryption protocols and verified user satisfaction ratings across third-party platforms, FortuixAgent is fast earning the confidence of traders around the globe.

Early user reviews highlight not only its intuitive interface and demo mode but also its consistency in executing trades across volatile conditions. Whether users are exploring new investment opportunities or looking to streamline their current trading strategies, FortuixAgent delivers with precision and transparency.

As adoption surges in 2025, FortuixAgent is no longer just an app—it’s becoming the new standard for what intelligent, secure trading should look like in the AI era.

Why Traders Are Switching: Simplicity, Speed, and Proven Accuracy

As the trading landscape becomes saturated with overly complex tools and unclear metrics, FortuixAgent has emerged as a streamlined solution for everyday investors. Its intuitive interface, fast setup, and easy onboarding have led to widespread adoption across a diverse user base—from part-time crypto enthusiasts to full-time forex professionals.

Early user reports point to the app’s speed and efficiency as key performance factors. With claimed success rates reaching up to 85% on select market conditions, many traders are seeing consistent outcomes where previously they faced guesswork. Execution times are lightning-fast, allowing users to capitalize on market shifts with minimal lag—an essential advantage in the high-stakes world of digital assets.

Add to this the ability to activate “hands-free” mode or fine-tune trade parameters manually, and it’s clear FortuixAgent offers flexibility without compromising simplicity. In short, users are switching because the app works—without the noise, clutter, or steep learning curves found in legacy platforms.

Visit the Official Website Here

Global Reach, Local Access: Available Across Markets with Multi-Asset Support

Designed for a connected world, FortuixAgent bridges trading opportunities across multiple geographies and asset classes. Whether users are in North America, Europe, or Asia-Pacific, the app is compatible with a wide range of regulated brokers and supports real-time activity in both cryptocurrency and foreign exchange markets.

One of the key appeals of FortuixAgent is its multilingual platform and localized onboarding support—features that expand accessibility in regions where many automation tools remain limited or inaccessible. With 24/7 cloud-based uptime and integration across major trading platforms, FortuixAgent ensures users never miss an opportunity, regardless of time zone or asset class.

The system’s versatility includes support for major currency pairs, altcoins, and emerging digital assets. As global trading ecosystems diversify, FortuixAgent’s universal infrastructure makes it a tool built for now—and for what’s next.

Demo Mode and Learning Tools: For Beginners and Cautious Traders Alike

As per official website, Understanding the hesitation some users face when exploring automated trading, FortuixAgent has placed education and trial-based access at the heart of its offering. The built-in demo mode allows users to simulate real trades using live market data—without risking any actual funds. This functionality is designed for both learning and validation, giving users a clear sense of how the system behaves before any capital is committed.

For newer traders, FortuixAgent provides step-by-step onboarding, intuitive dashboards, and accessible tutorials that demystify complex trading strategies. Meanwhile, experienced users can dig deeper into advanced settings, customizing strategies and risk parameters to suit their style.

By removing the fear barrier and building confidence through hands-on experience, FortuixAgent is redefining how users engage with automated platforms. It’s not just plug-and-play—it’s test, learn, and grow.

How to Start Trading on FortuixAgent?

Getting started with FortuixAgent is designed to be seamless—even for those new to trading automation. The platform offers a guided registration process that connects users to licensed brokers operating in their region. With no prior technical experience required, users can be up and running in just a few simple steps.

The process begins by visiting the official FortuixAgent website and completing the secure sign-up form. Once registered, users are paired with a verified broker and offered access to a free demo mode, which allows them to explore the system with live market conditions—without any capital at risk.

When users are ready to trade live, they can fund their broker account with a modest deposit, typically around $250. From there, FortuixAgent’s automated system takes over, executing trades based on real-time signals, AI optimization, and custom user settings. Traders can monitor results, adjust risk levels, or switch back to demo mode at any time.

It’s trading made simple, safe, and smart—built to match the speed and security that 2025 demands.

Visit the Official Website Here

How Does FortuixAgent Work?

At the core of FortuixAgent is a dynamic AI engine trained to detect and act on profitable trading signals across crypto and forex markets. The system aggregates real-time data from financial news, technical charts, and historical market patterns to create predictive models that guide its automated trading logic.

Once connected to a user’s broker account, the app continuously scans the markets for trading opportunities based on predefined parameters—like stop-loss, take-profit, and risk tolerance. It executes buy/sell orders automatically and adjusts its behavior as market conditions evolve. Unlike passive bots, FortuixAgent uses adaptive learning algorithms to fine-tune its strategies over time, improving precision as it processes more data.

Users maintain full control over their account settings. They can choose between full automation or hybrid control, where trades are suggested but not executed without approval. With built-in performance analytics, every trade is traceable, transparent, and backed by logic.

The result? A trading experience that blends the speed of machines with the strategy of human oversight.

What Users Are Saying: Verified Feedback Across Trading Communities

With growing adoption throughout 2025, FortuixAgent has sparked active discussions in trading forums and across review platforms. Many users are praising the app for its consistency, ease of use, and transparency. Independent outlets such as CoinInsider have rated FortuixAgent 93/100, highlighting its AI precision and broker network compatibility. Meanwhile, Republic World and others describe the platform as “genuine and effective,” noting strong user satisfaction.

Traders frequently mention the platform’s “hands-free reliability,” citing noticeable gains during both volatile and sideways market conditions. Others applaud its responsive customer support and regular system updates—two areas where competing apps often fall short.

Importantly, the app’s legitimacy is underscored by its public-facing demo environment, zero upfront fees, and traceable broker integrations. In an industry where skepticism is high, FortuixAgent is earning its trust one trade at a time.

Click here to Visit the official website & Register on the FortuixAgent

What Makes FortuixAgent Different in 2025? A Comparative Look at the Market

In a crowded field of trading bots and automation tools, FortuixAgent sets itself apart with its strategic focus on performance transparency, user control, and AI-driven adaptability. Unlike platforms that require high upfront deposits or lock users into rigid algorithms, FortuixAgent offers flexible customization, hands-off automation, and real-time trade visibility—all without hidden fees.

While many legacy bots focus solely on crypto or forex, FortuixAgent supports multi-asset trading across both markets. This dual capability allows users to diversify strategies while staying within one secure interface. The platform’s emphasis on user education—via demo mode, in-app guidance, and open access to performance metrics—adds another layer of credibility that many alternatives simply lack.

Perhaps most critically, FortuixAgent maintains broker independence. Users retain full control over funds, executing trades through licensed brokers of their choice. This “non-custodial” architecture minimizes risk while reinforcing transparency—an approach becoming increasingly important in today’s regulation-conscious environment.

More Information on FortuixAgent Can Be Found On The Official Website Here

Roadmap & Future Development: What’s Next for FortuixAgent Technology

Looking ahead, FortuixAgent is not standing still. The development team has outlined an ambitious roadmap for late 2025 and beyond, which includes integrations with decentralized finance (DeFi) protocols, advanced market sentiment analysis using natural language processing (NLP), and greater personalization for user portfolios.

Upcoming updates are expected to offer mobile-first enhancements, allowing users even more responsive control through their smartphones and tablets. Plans also include expanding compatibility with additional regulated brokers across new jurisdictions, as well as enhanced AI learning modules that adapt based on individual user behavior.

This forward-looking posture positions FortuixAgent as not just a trading solution—but a continuously evolving ecosystem built for long-term relevance in the digital finance space.

Where to Access FortuixAgent Safely in 2025: Official Links & Avoiding Imitations

As the platform gains global traction, the risk of imitations and misleading websites has grown. To ensure a secure and authentic user experience, the developers behind FortuixAgent urge new users to access the app only through its official website

Users are cautioned against third-party domains or clone apps that promise unrealistic returns or require upfront deposits outside of FortuixAgent’s established process. Verified links offer demo mode access, official broker partnerships, and encrypted onboarding—all critical for maintaining platform integrity.

FortuixAgent remains committed to transparency, with support staff available to verify credentials and respond to user queries. In an increasingly noisy digital environment, clarity and legitimacy are the currency of trust—and FortuixAgent is earning it, one user at a time.

The Final Verdict

As automated trading platforms grow in popularity, FortuixAgent is emerging as one of the most trusted and forward-looking tools in the market. With its AI-powered core, multilayered security, user-friendly demo mode, and broad broker compatibility, the platform offers a credible and high-performance option for traders seeking an edge in 2025.

Third-party reviews and early user feedback consistently highlight FortuixAgent’s intuitive design, transparent operation, and real-time execution power. While no trading tool is without risk, FortuixAgent distinguishes itself by empowering users—not overwhelming them—with intelligent automation.

For traders ready to explore a smarter way to navigate financial markets, FortuixAgent isn’t just a product. It’s a glimpse into the future of trading—where technology works with you, not around you.

This is a free trading platform with a beginner-friendly approach. People can start trading today. Sign up for a FortuixAgent!

Contact:-
FortuixAgent
(713) 231-4768
50 W 4th St, New York, NY 10012, USA
Email: info@fortuixagent.net
Website: https://fortuixagent.net

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Trading Disclaimer:
Trading cryptocurrencies carries a high level of risk, and may not be suitable for all investors. Before deciding to trade cryptocurrency you should carefully consider your investment objectives, level of experience, and risk appetite. The possibility exists that you could sustain a loss of some or all of your initial investment and therefore you should not invest money that you cannot afford to lose. You should be aware of all the risks associated with cryptocurrency trading, and seek advice from an independent financial advisor. ICO’s, IEO’s, STO’s and any other form of offering will not guarantee a return on your investment.

HIGH RISK WARNING: Dealing or Trading FX, CFDs and Cryptocurrencies is highly speculative, carries a level of non-negligible risk and may not be suitable for all investors. You may lose some or all of your invested capital, therefore you should not speculate with capital that you cannot afford to lose. Please refer to the risk disclosure below. FortuixAgent does not gain or lose profits based on your activity and operates as a services company. FortuixAgent is not a financial services firm and is not eligible of providing financial advice. Therefore, FortuixAgent shall not be liable for any losses occurred via or in relation to this informational website.
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Cryptocurrencies that addressed to UK residents. The provision of trading services involving any MiFID II financial instruments is prohibited in the EU, unless when authorized/licensed by the applicable authorities and/or regulator(s). Please note that we may receive advertising fees for users opted to open an account with our partner advertisers via advertisers websites. We have placed cookies on your computer to help improve your experience when visiting this website. You can change cookie settings on your computer at any time. Use of this website indicates your acceptance of this website. Please be advised that the names depicted on our website, including but not limited to FortuixAgent, are strictly for marketing and illustrative purposes. These names do not represent or imply the existence of specific entities, service providers, or any real-life individuals. Furthermore, the pictures and/or videos presented on our website are purely promotional in nature and feature professional actors. These actors are not actual users, clients, or traders, and their depictions should not be interpreted as endorsements or representations of real-life experiences. All content is intended solely for illustrative purposes and should not be construed as factual or as forming any legally binding relationship
RISKS ASSOCIATED WITH FUTURES TRADING
Futures transactions involve high risk. The amount of the initial margin is low compared to the value of the futures contract, so that transactions are “leveraged” or “geared”. A relatively small market movement has a proportionately larger impact on the funds that you have deposited or have to pay: this can work both for you and against you. You may experience the total loss of the initial margin funds as well as any additional funds deposited in the system. If the market develops in a way that is contrary to your position or if margins are increased, you may be asked to pay significant additional funds at short notice to maintain your position. In this case it may also happen that your broker account is in the red and you thus have to make payments beyond the initial investment.
RISKS ASSOCIATED WITH ELECTRONIC TRADING
Before you begin carrying out transactions with an electronic system, you should carefully review the rules and provisions of the stock exchange offering the system, or of the financial instruments listed that you intend to trade, as well as your broker’s conditions. Online trading has inherent risks due to system responses/reaction times and access times that may vary due to market conditions, system performance and other factors, and on which you have no influence. You should be aware of these additional risks in electronic trading before you carry out investment transactions.
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Attachment
- FortuixAgent
The MIL Network –
June 27, 2025
MIL-OSI: Proto Hologram Secures Federal Trademark for “Beam There”
Source: GlobeNewswire (MIL-OSI)

Los Angeles, June 26, 2025 (GLOBE NEWSWIRE) — Proto Inc., the original holographic communications and AI spatial computing platform, has officially been awarded the trademark for the phrase “Beam There” by the United States Patent and Trademark Office (USPTO). This marks a major milestone for Proto, whose patented technology has defined a new standard for real-time, lifelike presence across distance since 2018.

Widely credited as the inventor of freestanding hologram devices, Proto also developed the proprietary software and operating system that powers them — enabling people to appear and interact remotely with stunning realism. Whether used live or powered by AI, Proto allows anyone to “beam” into another space and be seen, heard, and have a real sense of presence. Since the company’s breakout in 2020, “Beam There” has emerged as a natural shorthand for its sci-fi-inspired mission to dissolve the boundaries of time and geography.

“So if I say to you, ‘Beam There’ — sounds familiar right?” said William Shatner, a Proto Hologram partner. “Proto hologram owns those words: ‘Beam there’… I was recently asked to speak at an important event in Australia. I couldn’t get there in person, but I was able to beam there — And now we can beam anywhere. There’s no telling where this technology will go.”

Watch William Shatner talk about Proto’s “Beam There” trademark in hologram form

David Nussbaum, Proto’s Founder, Inventor, and Chairman, said “This framed document might just look like another certificate… but for us at Proto Hologram, it’s a declaration of where the future is headed. ‘Beam There’ isn’t just a phrase — it’s our mission. From hospitals and classrooms to stages, stores, arenas, and living rooms — we’re enabling people to show up anywhere in the world, in real time, with full presence. Location is no longer a limitation.”

The new trademark expands Proto’s already formidable IP portfolio, which includes multiple issued patents. It further protects the company’s brand leadership as others enter the hologram space — many inspired directly by Proto’s innovations. Proto continues to lead with AI-powered advancements, global partnerships, and commercial momentum, counting more than 20 Fortune 500 companies as clients or partners, 50 universities, teams from every U.S. pro sports league and the biggest names in entertainment. The company has been featured by every major news outlet and was recently honored by TIME, which named Nussbaum to the TIME100 Health List for 2025.

Nussbaum added, “We’re not just building hologram technology. We’re building a new language for spatial communication. To every sci-fi fan, tech optimist, and dreamer who ever wanted to teleport — the future is closer than ever. And we’re just getting started.”

About Proto Inc.: Proto Inc. is the patented leader in hologram technology and AI spatial computing. Proto devices and its platform are in use across enterprise, finance, healthcare, education, retail, hospitality, sports and entertainment. Invented in Los Angeles and with showrooms and distribution partners around the globe, Proto distributes the large Proto Epic and Proto Luma, the desktop-sized Proto M2, and a suite of hologram AI and spatial computing services. Learn more at protohologram.com

Attachment
- Proto Hologram Secures Trademark for “Beam There”
The MIL Network –
June 27, 2025
MIL-OSI: Joveo Launches First-Ever AI Career Site Builder
Source: GlobeNewswire (MIL-OSI)

MENLO PARK, Calif., June 26, 2025 (GLOBE NEWSWIRE) — Joveo, the global leader in AI-led, high-performance recruitment marketing, announced today the launch of its new AI Career Site Builder, purpose-built for recruitment marketing and talent acquisition (TA) professionals. This revolutionary content management system (CMS) enables TA teams to build high-converting career sites, landing pages, and microsites within minutes, using simple prompts.

Recruitment marketing and talent acquisition teams have long struggled with generic or outdated CMS platforms to build career sites and landing pages. These platforms take a long time to implement, need extensive IT support, and are hard to customize or adapt to recruiting; resulting in disjointed candidate experiences and limited control over employer brand storytelling.

Joveo’s AI Career Site Builder is designed to give full control back to recruitment marketing and TA teams. From full employer rebranding initiatives to hiring event pages, evergreen career hubs, and DE&I campaigns, recruitment marketers can now launch fully-branded and optimized web pages in record time – accelerating speed-to-hire and dramatically improving candidate experience.

“Transitioning our career site to Joveo was one of the best decisions we made,” said Adam Wardlow, Vice President of Recruiting and Digital Strategy at Inergroup, a strategic production and recruitment partner to some of the world’s largest consumer brands and 3PLs. “The process was incredibly fast and smooth – what another vendor couldn’t deliver in months, Joveo had up and running in just a few days. Our new site is sleek, easy to update as our business evolves, and purpose-built for driving results. Since launch, we’ve seen a significant increase in conversions and a 160% jump in candidate applications. At a time when job board costs are rising, this surge in organic traffic has delivered a major boost to our recruiting efforts.”

Unlike generic CMS platforms built for general marketers, web designers, or developers, Joveo’s solution is purpose-built for recruiting. It goes beyond page-building to address the specific needs of talent teams: seamless ATS and CRM integration, job listing personalization, recruitment-specific widgets with a drag-and-drop builder, and a candidate-first, conversational apply flow.

“You can’t build differentiated candidate experiences with tools designed for generic websites,” said Kshitij Jain, Founder and CEO of Joveo. “Recruitment marketing is a different game – it’s candidate-first, employer brand-driven, and conversion focused. Talent teams need purpose-built tools, not retrofitted ones. That’s why we built our own CMS – an AI-driven, prompt-based platform that empowers teams to launch personalized career sites, landing pages, hiring event pages, and more, faster than ever before. It finally delivers the control, speed, and flexibility that employer branding and recruitment marketing teams have been missing – at scale.”

Key capabilities:
- Prompt-based site creation: Enables the creation of career sites, landing pages, and microsites in minutes using natural language prompts – no code or technical support required.
- Agile landing page creation: Supports the rapid creation of a large number of landing pages for hiring events, niche talent campaigns, and DE&I initiatives – within minutes instead of weeks.
- Drag-and-drop customization: Offers modular widgets, including employee testimonial sliders, hiring event countdowns, FAQs, real-time social feeds, and much more. These can be directly added and arranged without writing code.
- AI-powered content generation: Automatically produces headlines, copy, visuals, and layouts aligned with employer brand guidelines, or draws from pre-built media libraries tailored to the organization’s employee value proposition (EVP).
- On-brand, personalized job listings with deep ATS integrations: Jobs are automatically synced with the ATS, personalized and presented in line with the employer brand.
- Candidate-first experience: From personalized job content to conversational apply, automated interview scheduling, and responsive design, every page is optimized to engage, guide, and convert candidates.
- Conversational AI integration: Includes an embedded conversational AI agent to engage candidates, schedule interviews, reduce drop offs, and increase hiring funnel conversions.
- Built-in search engine optimization and responsiveness: All pages are fully responsive, fast-loading, and technically optimized for search engines (SEO) as well as generative engines (GEO) by default.
- Career site analytics and performance insights: Includes an award-winning unified analytics dashboard to monitor candidate behavior, content engagement, traffic sources, and conversion metrics.
Learn more about Joveo’s AI Career Site Builder here.

About Joveo

As the global leader in AI-powered, high-performance recruitment marketing, Joveo is transforming talent attraction and recruitment media buying for the world’s largest employers, staffing firms, RPOs, and media agencies. The Joveo platform enables businesses to attract, source, engage, and hire the best candidates on time and within budget.

Powering millions of jobs every day, Joveo’s AI-led recruitment marketing platform uses advanced data science and machine learning to dynamically manage and optimize talent sourcing and applications across all online channels, while providing real-time insights at every step of the job seeker journey, from click to hire.

For more information about Joveo’s award-winning platform, visit www.joveo.com.

Media Contact
Heather van Werkhooven
Sr. Director, Content and Thought Leadership, Joveo
pr@joveo.com

A photo accompanying this announcement is available at https://www.globenewswire.com/NewsRoom/AttachmentNg/aed7169c-7751-4600-b840-64f57cdb13fa

The MIL Network –
June 27, 2025
MIL-OSI Analysis: The architecture of the new Queen Elizabeth II memorial aims to commemorate her as ‘a unifying force’

Source: The Conversation – UK – By Pippa Catterall, Professor of History and Policy, University of Westminster

In the heart of London’s St James’s Park, where John Nash’s 200-year-old landscape has witnessed the rise and fall of empires, a new chapter is about to unfold. The site that has long served as the nation’s ceremonial backdrop will soon become home to something unprecedented: a memorial not just to a monarch, but to an entire era.

The winner of the competition to design Queen Elizabeth II’s memorial has been announced, and perhaps it was inevitable that it would be Norman Foster.

However, it was also clear that the memorial was intended to be a new national landmark that somehow encapsulated the queen and changed national values and identities during her long reign.

Almost inevitably, it is to be situated in a Grade-I listed setting in St James’s Park, London. This presented designers with the further challenge of how to sensitively respond to John Nash’s historic landscape design across a site that spans the breadth of the park.

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After initial expressions of interest were sifted, the five candidates shortlisted in February had to come up with a master plan that was emotionally resonant and sustainable.

It also had to be compatible with the existing use of this extensive site, not least as a thoroughfare presenting vistas of Buckingham Palace and Whitehall. This memorial therefore involved much more than the simple statues of the Queen’s father and grandfather that came before it.

Even the memorial to Queen Victoria, undoubtedly the most commemorated woman in British history, is modest in scale compared to this new project.

The Queen Elizabeth II memorial is clearly intended to be very different from Victoria’s imperial confection. The brief for the design specified that it had to be immediately comprehensible to peoples of all races and religions, respect the park’s wildlife, be easy to maintain and be reasonably vandal proof. Above all, the proposal had to evoke the late queen’s qualities and “tell the story of her long reign through integrated design, landscaping and placemaking”.

The process was therefore an exercise in landscape architecture, rather than producing an artwork.

The queen herself had considerable familiarity with architecture. During her reign, she opened 122 buildings in London alone, as well as iconic buildings around the world, such as Sydney Opera House.

The queen described the latter as “a splendid achievement of engineering and architecture”. Her similar enthusiasm when opening the Barbican in London suggests that her architectural tastes were less traditional than her eldest son’s.

Yet there was no dominant school of architecture among the buildings she opened, nor a New Elizabethan style that defined her reign. It would be impossible to evoke the eclectic architecture range of her reign without pastiche.

However, if there was no defining architecture, there arguably was a defining architect – the nonagenarian Sir Norman Foster. A working-class lad from Manchester who built a globally renowned architectural brand, his architectural career, which commenced in 1956, nearly coincides with the queen’s reign.

During that reign, many of the significant buildings she opened, such as Stansted Airport, were designed by Foster. In his career, he has won every major architectural award and produced major landmark buildings all over the world. In consequence, he has been described as the “perfect architect for his era”.

With all due respect to the acclaimed teams of designers he was competing with, it therefore seems appropriate that his firm, Foster + Partners, should have been chosen to evoke the reign of a monarch during which his buildings featured so prominently.

A ‘unifying force’

To win the bid, Foster + Partners had to assemble a multidisciplinary team, including the British artist Yinka Shonibare. Their proposal was felt to address many of the dualities of the Queen’s reign: tradition and modernity, public duty and private faith and the relationship between the UK and the Commonwealth that was always dear to Elizabeth II’s heart.

To express these dualities, their master plan provided for two gates and two gardens, united by a path and a new translucent bridge over the park’s lake. As Foster reflected, this was intended to convey the queen’s role “as a unifying force”.

Probably one factor that worked in their favour was the significance given to the Duke of Edinburgh. The firm’s suggestion of a statue of the royal couple together is unusual. The statues of the queen’s parents, in contrast, are separate if adjacent on a staircase on the north side of The Mall facing the park where their daughter’s memorial will appear. This plan brings her back together with the beloved husband she so missed after his death in 2021. It’s a move that the queen would no doubt have thoroughly approved.

The design concept will, of course, be refined. The architectural renders at present can only give a glimpse of what the memorial landscape will look like in practice, let alone convey the ambience it seeks to evoke. Such details will need to be developed before the designs are submitted for planning permission.

Nevertheless, it does seem appropriate that, for an era that defies architectural categorisation it should reflect the vision of the man who, more than any other, has been the architect of the age.

Pippa Catterall does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

– ref. The architecture of the new Queen Elizabeth II memorial aims to commemorate her as ‘a unifying force’ – https://theconversation.com/the-architecture-of-the-new-queen-elizabeth-ii-memorial-aims-to-commemorate-her-as-a-unifying-force-259843

MIL OSI Analysis –

June 27, 2025
MIL-OSI Canada: Message by Minister Guilbeault to Canadians on Canada Day 2025
Source: Government of Canada News (2)

OTTAWA, June 26, 2025

In just a few days, Canada will mark the 158th anniversary of our Confederation. This day is an occasion for all Canadians to celebrate who we are with pride and conviction, as well as to look back on our shared history with reflection, and to the future with hope and determination.

This year, more than ever, Canada Day holds special meaning. Over the past few months, we have seen Canadians come together in a tremendous display of unity. Whether by buying Canadian, exploring our country, cheering on our sports teams, or celebrating our artists, Canadians have shown inspiring solidarity.

This July 1, it is your day, Canada. I invite all Canadians to experience a 100% Canadian day—celebrating with family and friends and taking part in the festivities and free activities organized in their communities all across the country!

Wherever you are, don’t miss out:
- Experience the highlights of the day: Watch the national noon ceremony and national evening show live on CBC and Radio-Canada platforms, or join the celebrations in person at LeBreton Flats Park in Ottawa—or on giant screens on Parliament Hill and in front of the Supreme Court of Canada.
- Enjoy free activities across the country: From four official sites in Ottawa–Gatineau to hundreds of venues all across Canada!
- Take part in the O Canada! Station initiative: Until July 2, share what makes you proud to be Canadian by recording a short video for a chance to win one of two unforgettable VIA Rail trips, valued at up to $15,000 each.
- Immerse yourself in Canadian music: Listen to the Official Canada Day Playlist featuring the incredible Canadian artists performing this year.
- Be part of the conversation: Share your Canada Day pride with the hashtag #CanadaDay.
- Celebrate all summer long: Keep choosing Canada with the Canada Strong Pass, offering discounts and free access to some of our country’s most iconic destinations and experiences.
Visit the Canada Day website for all the details.

On July 1, let’s come together—our hearts, our voices and our energy—to celebrate all that it means to be Canadian.

Happy Canada Day, Canada!

MIL OSI Canada News –
June 27, 2025
MIL-OSI USA: PRESS RELEASE: Reps. Barragán and Lofgren Lead Democrats’ Response to Rep. Kim’s Distorted, Partisan Resolution Regarding Trump’s Authoritarian Response to the LA Protests

Source: United States House of Representatives – Representative Nanette Diaz Barragán (CA-44)

FOR IMMEDIATE RELEASE
June 25, 2025

Contact: Jin.Choi@mail.house.gov

Reps. Barragán and Lofgren Lead Democrats’ Response to Rep. Kim’s Distorted, Partisan Resolution Regarding Trump’s Authoritarian Response to the LA Protests

Washington, D.C. — Today, Representatives Nanette Barragán (CA-44) and Zoe Lofgren (CA-18), Chair of the California Democratic Congressional Delegation, led Democrats in introducing a resolution to condemn Donald Trump’s deployment of the National Guard and Marines during the LA protests, while reaffirming support for state and local law enforcement and the people’s First Amendment right to peacefully protest. This resolution provides a fact-based response to Representative Young Kim’s distorted, partisan, and misleading resolution that House Republican leadership will have the House vote on later this week.

Rather than working on a bipartisan basis to condemn violence, defend the peaceful expression of First Amendment rights, and thank members of law enforcement, Rep. Kim’s resolution instead falsely claims that violence was widespread across LA and that California’s leadership has “prioritized protecting illegal immigrants and violent individuals over United States citizens” among other highly partisan claims.

In contrast, the Barragán-Lofgren resolution accurately notes that violence in LA was limited and under control by local and state law enforcement. When communities exercised their First Amendment right to assemble and protest U.S. Immigration and Customs Enforcement (ICE) raids, President Trump wrongfully deployed the National Guard and active-duty members of the U.S. Marine Corps in violation of the Posse Comitatus Act and without the consent of California Governor Gavin Newsom or local officials. Democrats’ resolution commends the state and local law enforcement officers who have worked to protect public safety and maintain peace, supports Americans’ right to protest peacefully, condemns acts of violence, and supports the military servicemembers in the Marines and National Guard while objecting to their current deployment to Los Angeles County.

“Our communities have been terrorized by Donald Trump and Stephen Miller’s indiscriminate mass deportation ICE operations — in response, people spoke up and protested to express their fear, anger, and anxiety,” said Rep. Nanette Barragán. “State and local law enforcement had the situation under control and the Trump Administration intentionally escalated the situation when they deployed troops into Los Angeles. Our resolution makes clear that we will not stand by while the federal government tries to intimidate Californians into silence through a show of military force. We must protect the right to protest, condemn violence, and reject authoritarian tactics that have no place in America.”

“Rep. Kim’s resolution regarding the L.A. protests is not just misguided, inaccurate, and disingenuous: it’s dangerous,” said Rep. Zoe Lofgren (CA-18), Chair of the California Democratic Congressional Delegation. “President Trump’s deployment of Marines and the National Guard in response to largely peaceful protests was unprecedented and wrong. Trump’s refusal to coordinate with state and local officials in deploying active-duty troops also put both protestors and state and local law enforcement officers at risk. House Republicans should be conducting vigorous oversight of the shocking deployment of servicemembers – a blatant attempt to take over states’ law enforcement responsibility – not reflexively jumping to providing justification for Trump to send troops into other communities or defending his dangerous attempt to squash constitutionally-protected dissent.”

“Communities throughout California have been upended by ICE raids where masked ICE agents are using excessive force to go after people without probable cause. People want safer communities, not to see elementary school students and sick people at hospitals deported without due process. Instead of deescalating violence, Trump has fomented it. By deploying Marines and the National Guard against protestors in LA, Trump exacerbated a situation that local officials had under control. The resolution introduced by Rep. Kim does not accurately state the facts of the situation and instead falsely lays blame on Californians for Trump’s escalatory actions. By introducing a resolution with the correct facts, Democrats are standing up for Californians, including our law enforcement officials, who have been repeatedly demonized by partisan hacks looking to score cheap political points,” said Rep. Lieu.

“There was only one reason Trump deployed the National Guard and Marines in Los Angeles: to launch his pathetic, made-for-TV reality show to justify his authoritarian crackdowns and cruel ICE raids,” said Rep. Kamalger-Dove. “But Angelenos know our city is not on fire. We see right through the reality TV president’s theatrics that are meant to distract from this Administration’s tanking of our economy, devastating cuts to Medicaid, and the brutality and inhumanity of its mass deportations. If you pan away from the set, you won’t see Trump’s toy soldiers or violence, but real people hurting from his policies. Let’s focus the camera back on that.”

“The Trump Administration is using our military service members as political pawns to create a false narrative of uncontrolled violence, trample on legal precedent, and perpetuate fear and hate in our communities,” said Rep. Cisneros. “Last week, I led a letter with over 34 of my colleagues demanding that the President withdraw troops from L.A. and allow our local officials and law enforcement to do their jobs. I’m proud to join California Democrats in demanding answers from the Administration.”

“As a proud born-and-raised Angeleno, Los Angeles will always be home. The Republican resolution we are voting on this week is a distorted and inaccurate attack on Los Angeles and our great state,” said Congresswoman Luz Rivas. “I thank Representatives Barragan and Lofgren for leading our California colleagues in introducing this resolution that reaffirms our support for peaceful protest and condemns President Trump’s mobilization of the National Guard and Marines on American soil. The President’s unprovoked and politically-motivated escalation of our military sowed more chaos and harm across our communities. My California House Democratic Caucus colleagues will continue to support the Constitutional right to peacefully protest the Trump Administration’s heartless immigration agenda while also swiftly condemning any acts of violence. Our Republican colleagues – especially our California Republican colleagues – need to do the same.”

“Trump’s deployment of Marines to Los Angeles was a dangerous overreach that bypassed both state and local authority. We all condemn violence. Californians have a right to protest peacefully — and the Governor’s office assured me that local law enforcement had the capacity to get the situation under control,” said Congresswoman Laura Friedman (CA-30). “The Republican resolution isn’t about safety — it’s political theater aimed at stripping Americans of their rights. Instead of targeting violent criminals, Trump is going after hardworking community members and using military force to intimidate dissent. Our resolution makes clear: we won’t let fear or federal overreach silence Californians exercising their constitutional rights.”

“This week, Republicans are forcing a vote on a partisan resolution to legitimize Trump’s unacceptable attacks on our community in Los Angeles and to excuse his warrantless mass ICE raids, his takeover of our National Guard, and his deployment of U.S. Marines on the streets of Southern California. This is just wrong. I’m proud to instead join my California Democratic colleagues in introducing this resolution to stand up to Trump’s attacks on California, defend our constitutional rights to due process and free expression, and thank the state and local law enforcement officers who have worked to protect public safety and prosecute those committing acts of violence and vandalism,” said Rep. Chu.

The resolution is cosponsored by: Reps. Aguilar, Bera, Brownley, Bynum, Carbajal, T. Carter, Chu, Cisneros, Correa, Costa, Dean, DelBene, DeSaulnier, Doggett, Espaillat, Friedman, Garamendi, R. Garcia, S. Garcia, J. Gomez, Gray, J. Hayes, Huffman, Ivey, Jacobs, Hank Johnson, Kamlager-Dove, T. Kennedy, Khanna, Landsman, Larsen, Latimer, Leger Fernandez, Levin, Liccardo, Lieu, Lofgren, Matsui, McCollum, Min, Morelle, Mullin, Panetta, Pelosi, Peters, Pettersen, Rivas, Ross, Ruiz, Salinas, L. Sanchez, Sherman, Simon, Swalwell, Takano, Thanedar, Thompson, N. Torres, Tran, Vargas, Waters, Whitesides.

The text of the resolution can be found HERE.

###

MIL OSI USA News –

June 27, 2025
MIL-OSI: Mega Frenzy Officially Launches in June 2025 – Legal Offshore Casino Access for US Players Seeking Real Money Action
Source: GlobeNewswire (MIL-OSI)

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Media Contact

Project name: Mega Frenzy

Company Website: mega-frenzy.com

Email: support@megafrenzy.com

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Disclaimer: This content is provided by a Mega Frenzy. The views, statements, and opinions expressed are solely those of the content provider and do not necessarily reflect those of this media platform or its publisher. We do not verify, endorse, or guarantee the accuracy, reliability, or completeness of any information presented.This article is for informational purposes only and should not be interpreted as financial, investment, legal, or gambling advice. Online gambling carries significant risk and may be illegal in some jurisdictions. Always ensure you comply with local laws before engaging in gambling activities. Participation in online casinos may result in financial loss—gamble responsibly and only with funds you can afford to lose. Investments or offers related to cryptocurrencies, NFTs, mining, or blockchain technology mentioned herein are speculative in nature and carry substantial risk, including the potential loss of all capital. These products and services may not be suitable for all users. Readers are strongly advised to conduct their own research and seek professional advice from a licensed financial advisor before making any decisions.
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The MIL Network –
June 27, 2025
MIL-OSI USA: ICYMI: Hickenlooper, Senators Host PRIDE Celebration at Kennedy Center

US Senate News:

Source: United States Senator John Hickenlooper – Colorado
In case you missed it, U.S. Senator John Hickenlooper, along with U.S. Senators Tammy Baldwin, Elizabeth Warren, Jacky Rosen, and Brian Schatz hosted a pride celebration and musical performance titled “Love is Love” on Monday at the Kennedy Center’s Justice Forum.
The concert, produced by acclaimed Broadway producer Jeffrey Seller and directed by Seth Rudetsky and James Wesley Jackson, celebrated the important role that the arts have played in the gay rights movement. The actors and other creative talent who created this show gave their time and artistic energy to recognize and amplify this cultural transformation. The performance reminds us that our fight for equality – and for democracy – isn’t over. It’s happening right now, all around us.
Photos from the event can be found HERE and attributable to the Office of U.S. Senator John Hickenlooper.
Check out the headlines below:
New York Times: With Broadway Tunes, Democrats Protest Trump’s Takeover of Kennedy CenterFive Democratic senators staged a gay pride concert at a small theater at the John F. Kennedy Center for the Performing Arts on Monday night as a form of symbolic protest against President Trump’s takeover of the institution.The event, which was held before an invited audience, featured performances by Broadway artists including Javier Muñoz, a “Hamilton” alum who sang “Satisfied” from the hit musical. Many of the songs and monologues were rife with L.G.B.T. themes, including one penned by Harvey Fierstein.Other performances included Brandon Uranowitz’s singing “What More Can I Say?” from “Falsettos,” and Beth Malone’s rendition of “An Old-Fashioned Love Story” from “The Wild Party.” That song’s composer, Andrew Lippa, performed a song from his oratorio “I Am Harvey Milk” alongside the Gay Men’s Chorus of Washington.The 90-minute concert was called “Love Is Love,” a slogan used by the gay rights movement and quoted by the “Hamilton” creator Lin-Manuel Miranda when his show won at the Tony Awards in 2016. It was produced by Jeffrey Seller, the lead producer of “Hamilton,” who recently canceled a planned 2026 run of the musical at the Kennedy Center, saying he did not want to support Mr. Trump’s vision for the venue.“What’s happening in the world is deeply concerning, but even in our darkest hours, we must continue to seek out the light,” Senator John Hickenlooper of Colorado, who hosted the concert, said in a statement. “The L.G.B.T.Q. community has long embodied this resilience, maintaining joy and creativity in the face of adversity.”
National Public Radio (NPR): Democratic senators held an invite-only Pride event at the Kennedy CenterA group of Democratic senators and Hamilton producer Jeffrey Seller hosted a Pride celebration at the Kennedy Center Monday evening. But the Kennedy Center had nothing to do with programming it.Senators John Hickenlooper of Colorado, Elizabeth Warren of Massachusetts, Jacky Rosen of Nevada, Brian Schatz of Hawaii, and Tammy Baldwin of Wisconsin rented the Justice Forum, a small theater at the REACH, an expansion to the John F. Kennedy Center for the Performing Arts that opened in 2019.While the group of senators booked the space a few weeks ago, the Pride event, called Love Is Love, wasn’t announced until Monday. A statement from Sen. Hickenlooper’s office said the event was “about standing up for the arts and the progress the LGBTQ community has made. The performance reminds us that our fight for equality — and for democracy — isn’t over. It’s happening right now.”Directed by Seth Rudetsky and James Wesley, the show celebrated gay culture with songs and spoken word performances by top Broadway talent, including John Cameron Mitchell, Jelani Remy, Lisa Kron and Andrew Lippa.Details of Monday night’s show were first reported by The New York Times. Seller, whose credits also include Rent and Avenue Q, told the outlet that Hickenlooper called him to see if he’d like to engage in some “guerrilla theater.” Seller, who is gay, didn’t hesitate.
Politico: Playbook Arts SectionSens. John Hickenlooper (D-Colo.), Tammy Baldwin (D-Wis.), Jacky Rosen (D-Nev.), Elizabeth Warren (D-Mass.) and Brian Schatz (D-Hawaii) hosted a Kennedy Center gay pride performance last night, per the NYT. Drawing a contrast with the Trump administration’s takeover of the theater, the Broadway concert-cum-protest included songs and performers from “Hamilton,” “Falsettos” and moreColorado Public Radio (CPR): Sen. Hickenlooper helps organize Pride concert at Trump-led Kennedy CenterColorado Sen. John Hickenlooper led a one-night takeover of the Kennedy Center in Washington, D.C., Monday night to celebrate Pride month, in defiance of the Center’s move away from what President Trump has called “woke” programming.The concert, titled “Love is Love,” featured Broadway artists and was produced by Jeffrey Seller, who has been behind shows such as “Hamilton,” “Avenue Q” and “Rent.”The event started when Hickenlooper reached out to Seller with what he described as a “goofy idea.”“Taking songs from this arc of acceptance (of gay rights), so that we get to celebrate for a moment just how powerful our arts and culture is and how it’s changed America and how better off we are,” explained Colorado’s junior senator.Playbill: Beth Malone, Brandon Uranowitz, Jelani Remy, More to Perform in Pride Protest Concert at Kennedy CenterSince President Trump took over the Kennedy Center in February, the institution has cancelled a number of Pride-related events. In protest, Hamilton producer Jeffrey Seller and five Democratic Senators are going to stage a Pride-themed concert at the Kennedy Center the evening of June 23.According to a report in the New York Times, senators are allowed to rent space at the Kennedy Center. So the Democratic senators asked to rent the 144-seat Justice Hall and didn’t tell the Kennedy Center what they needed it for. The invitation-only event will be called Love Is Love and will feature queer-themed songs and readings. The participants include Tony winners John Cameron Mitchell, Lisa Kron, and Brandon Uranowitz, as well as Andrew Lippa, Beth Malone, Jelani Remy, Hennessy Winkler, Alexis Michelle, Dylan Toms, Javier Muñoz, Kathryn Gallagher, and Brandi Chavonne Massey.The Gay Men’s Chorus of Washington, D.C. (whose previously planned concert had been cancelled at the Kennedy Center), will also perform. The title of the concert is a Pride slogan, and Hamilton creator Lin-Manuel Miranda quoted it in a 2016 Tony Awards acceptance speech.Seller produced the event, after being invited to participate from Senator John Hickenlooper of Colorado. As Seller told the Times: “This is our way of reoccupying the Kennedy Center. This is a form of saying, ‘We are here, we exist, and you can’t ignore us.’ This is a protest, and a political act.” Seller previously pulled a planned engagement of Hamilton from the Kennedy Center as protest against the Trump Administration. Seth Rudetsky and his husband, James Wesley Jackson, are directing the event. They previously helped organize a Broadway Rallies for Kamala event during the 2024 election.Said Rudetsky to Playbill: “I am honored that Jeffrey Seller reached out to me and my husband James to help put this concert together after Jeffrey was contacted by the Senator’s office. We decided together that we wanted to create concert of joy and pride! The gay community has been always integral to the arts and should be welcome in every artistic venue! I am so excited to be in the company of so many amazing queer artists who will be performing songs from the Broadway canon that celebrate PRIDE! Stay tuned for photos and videos of fabulous harmonies and belting!”Deadline: Democratic Senators To Host Kennedy Center Pride Concert To Protest Trump TakeoverFive Democratic senators will host an invitation-only Pride concert at the Kennedy Center Monday as a protest against President Donald Trump’s takeover of the Washington D.C. arts institution.The 90-minute concert, which is expected to feature Broadway performers as well as The Gay Men’s Chorus of Washington D.C., is set for Monday night, The New York Times reports.Organized by John Hickenlooper, D-Colo., the group of Senators – Hickenlooper, Tammy Baldwin of Wisconsin, Jacky Rosen of Nevada, Brian Schatz of Hawaii and Elizabeth Warren of Massachusetts – have rented the Justice Forum, a 144-seat theater located in the Reach expansion of the Kennedy Center, using a privilege available to all members of Congress.“What’s happening in the world is deeply concerning, but even in our darkest hours, we must continue to seek out the light,” Hickenlooper said in a statement. “The L.G.B.T.Q. community has long embodied this resilience, maintaining joy and creativity in the face of adversity.”Colorado Today Podcast: June 24, 2025Last night, Colorado’s U.S. Senator John Hickenlooper led a little guerrilla theater. It was supposed to be a sort of takeover of a venue that’s already been taken over by President Donald Trump. The venue was the Kennedy Center in Washington, where Hickenlooper and a handful of other Democrats put on a night to celebrate LGBTQ pride.
…If you’re wondering why Hickenlooper specifically organized this, I’m not surprised that he decided to do it. You know, he’s a performer, banjo player, and you know, enjoys music. So I can understand why he turned to the arts and celebrated not just for pride, but to try and ensure that the arts unites the country.KKTV Colorado Springs: 11 News at 6am
A group of U.S. Senators, including Colorado’s John Hickenlooper, came together and hosted a pride celebration in a musical performance titled “Love is Love.”Now, that performance was held last night at the Kennedy Center’s Justice Forum and produced by acclaimed Broadway producer Jeffrey Seller.The press release from Hickenlooper’s team said the performance reminds us that our fight for equality and democracy isn’t over. It’s happening right now, all across the world. Queerty: Dems hosted a private Pride bash at the Kennedy Center as a giant F.U. to Tr*mpWhen President Tr*mp took over the running of the Kennedy Center in February, he promised no more “woke” productions. He installed gay chum Richard Grenell as the art center’s acting President.Since then, not only have performers and productions pulled their appearances at the venue, but the center also canceled all of its planned Pride Month events.That was until last night!In a rebuke of the President’s takeover of the venue, five Democratic Senators hosted a private, invite-only Pride Month event. They didn’t tell the Kennedy Center in advance the exact nature of the private booking.The New York Times reported yesterday that the 90-minute show was booked at the 144-seat Justice Forum. It was organized by Senator John Hickenlooper (D-CO). His co-hosts included Tammy Baldwin (WI), Jacky Rosen (NV), Brian Schatz (HI) and Elizabeth Warren (MA).
…Hickenlooper reshared the New York Times story to X, saying, “Let’s do this,” with a pride flag emoji.LGBTQ Nation: Gay MAGA official scorns “Hamilton” creators for Kennedy Center boycott: They “cosplay as victims”As the Daily Beast notes, Grenell’s statement came the same day as an invite-only Pride concert produced by Seller and staged by Democratic Senators John Hickenlooper (D-CO), Tammy Baldwin (D-WI), Jacky Rosen (D-NV), Elizabeth Warren (D-MA), and Brian Schatz (D-HI) at one of the Kennedy Center’s theaters. According to the outlet, Miranda does not seem to have been involved in the event in any way. While the New York Times reported on the concert Monday, the paper was also not involved in its production, as Grenell suggested. While Grenell claimed in his Monday statement that “No one has been cancelled by the Kennedy Center” and that “we welcome everyone who wants to celebrate the arts, including our compatriots on the other side of the political aisle,” under his leadership, several Pride events and performances have, in fact, been canceled.According to the Times, Hickenlooper invited Seller to produce Monday’s concert, which Seller said was meant “to celebrate gay characters, gay culture, gay music and gay pride.”“This is our way of reoccupying the Kennedy Center,” Seller told the paper. “This is a form of saying, ‘We are here, we exist and you can’t ignore us.’ This is a protest, and a political act.”Daily Beast: Kennedy Center President Melts Down at ‘Hamilton’ Duo in Social Media TiradeHickenlooper said in an X post that “this is about standing up for freedom. It’s about standing up for self-expression. At the core of it all, it’s about standing up for love.”BroadwayWorld: Photos: Senators Host LOVE IS LOVE Pride Celebration at the Kennedy CenterOn June 23rd U.S. Senators John Hickenlooper, Tammy Baldwin, Elizabeth Warren, Jacky Rosen, and Brian Schatz hosted a Pride celebration and musical performance titled Love is Love, which was produced by acclaimed Broadway producer Jeffrey Seller, at the Kennedy Center’s Justice Forum.
…Senator Hickenlooper opened the program, which featured an evening of live performances and monologues celebrating LGBTQ culture and resilience.The Hill: 5 Democratic senators protest Trump Kennedy Center takeover with gay pride concertA group of five Democratic senators reportedly protested President Trump’s unprecedented overhaul of the Kennedy Center by hosting a gay pride concert.The performance, dubbed “Love is Love” and first reported by The New York Times, was held Monday night at a theater inside the Washington performing arts institution and included pro-LGBTQ songs and monologues. Sen. John Hickenlooper (Colo.) — one of the five Democrats behind the event — said in a statement, “What’s happening in the world is deeply concerning, but even in our darkest hours, we must continue to seek out the light.”The Monday concert, which came during Pride Month, aimed to “honor the role that the freedom of expression and the theatrical arts play in continuing to expand LGBTQ rights in America,” Hickenlooper said.The musical performance was also hosted by Sens. Tammy Baldwin (Wis.), Elizabeth Warren (Mass.), Brian Schatz (Hawaii) and Jacky Rosen (Nev.).Colorado Pols: Hickenlooper Master Trolls Trump’s Censored Kennedy CenterAs Colorado Public Radio’s Caitlyn Kim reports, Washington is abuzz this morning after a group of Democratic U.S. Senators led by Colorado’s Sen. John Hickenlooper pulled off a protest concert inside the Kennedy Center for the Performing Arts, which was taken over by the Trump administration soon after taking power, after Donald Trump personally objected to the content featured there during previous administrations:
…Of course, none of this would be happening were it not for Trump’s takeover and ideological remake of the Center’s event schedule that Grenell himself presided over. There’s no amount of carping after the fact that can overcome the much bigger impression made by pulling off this protest concert inside the arts complex that Trump wants to micromanage like the infamous Carter White House tennis courts.These are the moments history remembers after repressive eras end, and this one belongs to Sen. John Hickenlooper of Colorado.

MIL OSI USA News –

June 27, 2025
MIL-OSI United Kingdom: UK-Argentina Bicentenary celebration
Source: United Kingdom – Executive Government & Departments
World news story

UK-Argentina Bicentenary celebration

English

Español de América Latina

Authorities from both countries commemorated 200 years of diplomatic relations yesterday with a musical evening at the Colon Theatre.
Ambassador Hayes delivering her speech at Teatro Colón.

The British Embassy in Argentina yesterday celebrated 200 years of diplomatic relations between both countries with a musical evening at the Colon Theatre. The event was attended by high-level authorities from the national government, businesspeople, members of the diplomatic corps, artists, scientists and civil society representatives.

The gathering also represented Ambassador Kirsty Hayes’s formal farewell after four years as Head of Mission in Buenos Aires, and served as a prelude to the performance of the British opera Billy Budd which the theatre will be staging from next Tuesday, with a cast that includes artists from Argentina, the UK and other countries.

Among the most prominent guests were the ministers of Justice, Mariano Cúneo Libarona; and Deregulation, Federico Sturzenegger; the former Chief of Staff Nicolás Posse and the former chancellor Diana Mondino; Secretaries for Foreign Affairs, Eduardo Bustamante; Mining, Luis Lucero; Finance, Pablo Quirno and the Fight against Drug Trafficking, Martín Verrier; the Head of the President’s Advisory Council, Demian Reidel; deputies Lucila Crexell, Fernando Iglesias, María Fernanda Araujo, Marcela Campagnoli and Pilar Ramírez; businessmen Gustavo Weiss, Jaime Campos, and Juan Martín Bulgheroni; the president of Conicet, Daniel Salamone; CABA’s Ministers for Economic Development, Hernán Lombardi, and for Infrastructure Pablo Bereciartúa; the Chief of the Armed Forces Joint Staff, Air Chief Marshal Xavier Isaac; the Navy Chief of Staff, Admiral Carlos María Allievi; and the Army Chief of Staff, General Carlos Alberto Presti, among others.

On 2 February 1825, the UK and the United Provinces of the River Plate signed a Treaty of Friendship, Commerce and Navigation which established diplomatic relations between both countries. It was also the first act of recognition by a leading European power of the independence of the country that would later become known as the Argentine Republic. For this reason, the British Embassy will be celebrating the Bicentenary of diplomatic relations throughout the year with a number of commemorative events like yesterday’s gala at the Colon Theatre’s Golden Room.

During her speech, Ambassador Hayes said:

Over these 200 years we have experienced times of closeness and times of distance, but our common history has always been marked by respect, mutual admiration and, above all, by the will to build bridges”.

She then spoke about her departure from Argentina:

Tonight also has a very personal significance for me, as it is my last public event as British Ambassador to Argentina. I must confess that saying goodbye to this country is not easy. I am taking with me unforgettable memories, strong friendships and immense gratitude for the warm welcome I received in every one of the 24 provinces.

With Argentine scientist Diego Golombek as host, the event gave guests the opportunity to enjoy the Prologue of Billy Budd, sung by British tenor Toby Spence and interpreted on the piano by the musical director of the production, Erik Nielsen. As well as an extract from the opera “Darwin in Patagonia”, and an adaptation of the symphony “¡Viva la libertad!” (Long Live Freedom!) composed by Lalo Schifrin and Rod Schejtman. Before the end, Schejtman himself gave an impromptu live performance in honour of Ambassador Hayes, combining the musical notes randomly selected by the Ambassador herself, by Minister Cúneo Libarona representing the Argentine government, and by Julio Aro, president of the No Me Olvides Foundation, whose mission is related to preserving the memory of those who fell in the 1982 conflict.

The main sponsor of the event was the GREAT campaign – the UK’s country brand – whose motto is an invitation to “See Things Differently”, and the private sponsors was Standard Chartered.

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Published 26 June 2025
MIL OSI United Kingdom –
June 27, 2025
MIL-OSI Russia: Iran’s Guardian Council approves bill to suspend cooperation with IAEA

Translation. Region: Russian Federal

Source: People’s Republic of China in Russian – People’s Republic of China in Russian –

Source: People’s Republic of China – State Council News

TEHRAN, June 26 (Xinhua) — Iran’s Guardian Council on Thursday approved a bill already ratified by parliament to suspend the country’s cooperation with the International Atomic Energy Agency (IAEA).

A bill calling on the Iranian government to stop cooperating with the IAEA has been reviewed by the council and found to be in line with religious precepts, laws and the country’s constitution, council spokesman Hadi Tahan Nazif told state-run IRIB TV on Thursday.

“Given the violation of Iran’s state sovereignty by the United States and Israel, their encroachment on the country’s territorial integrity, as well as attacks on peaceful nuclear facilities and threats to national interests, the Iranian administration is obliged to suspend all cooperation with the IAEA until respect for the country’s national sovereignty and territorial integrity is fully guaranteed, and the safety of Iranian nuclear centers and scientists is ensured,” he said. –0–

MIL OSI Russia News –

June 27, 2025
MIL-OSI Africa: Netflix gives African film a platform – but the cultural price is high

Source: The Conversation – Africa – By Wunpini Fatimata Mohammed, Assistant Professor of Communication, Cornell University

Netflix began its Africa operations in South Africa in 2016. When the US streaming giant announced it was setting up shop in Nigeria in 2020, many west African film-makers, writers, artists and media audiences were jubilant.

Finally, west Africa’s creativity and brilliance would be formally recognised on the world stage. Netflix Naija’s purpose was to produce local content for Netflix just like Netflix South Africa and later Netflix Kenya.

Read more: Netflix Naija: creative freedom in Nigeria’s emerging digital space?

Some film-makers have been wary of US cultural imperialism happening through the market dominance of Netflix and other US streamers. Others have rushed to the streamer to sign deals that will gain their films and TV shows a global audience.

Netflix’s interest in African stories comes with a colonial power dynamic that research and scholarship has not fully explored. As a scholar of media and communication, I recently examined the effect US streamers are having on the stories being told in films in Nigeria and Ghana.

In my study, I argue that despite the growing global interest in African pop culture, African creative workers need to be careful about interest from global conglomerates. We can’t talk about African cinemas going global without paying attention to how Hollywood’s colonial relationship with Africa has shaped and influenced what African filmmakers believe will sell globally.

Read more: Black Panther, Wakanda Forever and the problem with Hollywood – an African perspective

What price is being paid to appeal to global audiences? Film-makers might focus so much on the western gaze that they lose focus on telling African stories authentically and respectfully.

In my study, I analyse various films including the Ghanaian film Azali and the Nigerian movie Lionheart to argue that that’s exactly what’s happening.

Dancing to the tune of the west

Despite the existence of thriving African film and TV industries before the advent of streaming technologies, we are seeing a replication of what I call the everydayness of colonialism in the area of media representations of the continent.

Here, African filmmakers and producers find themselves jumping through hoops to tell stories that are “fit” to be streamed to Netflix’s millions of American, European and global subscribers. Global cosmopolitan audiences are prioritised over African audiences.

Read more: Woman King is set in Benin but filmed in South Africa – in the process it erases real people’s struggles

African audiences at home and in the diaspora are the reason we have vibrant film industries such as Nollywood to begin with.

This displacement of African audiences happens both in representation and in access.

Most African movie audiences do not have access to Netflix and other streaming platforms due to the digital divide and the cost of subscribing. So the target audience shifts to the elite, both African and global, who can afford to stream.

Azali and Lionheart

Ghana and Nigeria’s film industries were developed by artists who wanted to reflect their societies to their communities. I found that with Netflix’s arrival, there is a danger of disrupting and undoing this important work.

The intervention of US streamers has led to the development of glossier versions of Africa. They are universal enough to be consumed by anyone, anywhere in the world, even if it means sacrificing the integrity of stories to achieve this global appeal.

In Azali, for example, I found that the film sacrificed authentic language and geographical accuracy to tell a story for a western audience.

Azali explores the themes of child marriage, child-trafficking and rural-urban migration in Ghana. Here, a film about the Dagbamba was set in the town of Zebilla, where Dagbanli is not the dominant language. The film cast non-Dagbanli speakers in major roles to speak a language they neither understood nor had any proficiency in. If Dagbamba had been centred as the primary audience of the movie, this cultural indignity might not have happened.

Lionheart, though star-studded, departed from traditional Nollywood narrative conventions. The film tells the story of a wealthy Nigerian family and the quest of a young woman to take control of the family business. The movie had high production values and told a story that would be considered universally relatable. However, it was disqualified in its bid for an Oscar nomination in the Best International Feature Film category because of its majority English dialogue. Despite appealing to Netflix in the area of production quality and storyline, African film-makers were still punished by the Academy.

Nigeria and Ghana’s film industries have traditionally told a wide variety of African stories. Netflix’s arrival is reducing African stories to stories about the elite and for the global cosmopolitan elite.

Stories about the majority of Africans are being erased. Africa becomes a backdrop to tell stories about the elite class.

In my study, I argue that narrative construction is an important part of identity and that when external factors begin to determine how African stories are told, it distorts the image of Africa for Africans and raises questions of cultural sovereignty.

Moving forward

It is refreshing to see African cultures appreciated on a global scale. But this shouldn’t erase narratives about the African masses and working communities.

There are film-makers that are resisting the Netflix canon. Nigerian actress and producer Funke Akindele shows that this is possible in A Tribe Called Judah. Her film set a new box office record in Nigeria by avoiding direct to Netflix/streamer distribution and staying true to African audiences. The film tells the story of how a single mother and her five sons navigate poverty in Lagos. It was later licensed to stream on Amazon Prime Video after it made history at the box office in Nigeria.

Other film-makers like Omoni Oboli, whose approach centres the Nigerian masses, has turned to YouTube. She tells Nigerian stories while resisting the exploitation that can often come with signing a Netflix deal.

Read more: The unique strategy Netflix deployed to reach 90 million worldwide subscribers

These projects offer an alternative. As Netflix expands, African creative workers and cultural policymakers must protect the narrative integrity of African stories and resist the economic exploitation of African film-makers. Productions can capture the nuances of African stories while representing African languages and cultures with respect and dignity – without selling out to western values.

– Netflix gives African film a platform – but the cultural price is high
– https://theconversation.com/netflix-gives-african-film-a-platform-but-the-cultural-price-is-high-259252

MIL OSI Africa –

June 27, 2025
MIL-OSI Africa: Detty December started as a Nigerian cultural moment. Now it’s spreading across the continent – and minting money
Source: The Conversation – Africa – By Nnamdi O. Madichie, Professor of Marketing & Entrepreneurship, University of Kigali

Every December in Nigeria and Ghana a giant party takes place, unfolding in a whirlwind of concerts, festivals, weddings, art shows, dress-ups, meet-ups and travel. Locals and diaspora west Africans returning from overseas come together to create Detty December, a festive event stretching from mid-December to the new year.

Detty is a playful term for “dirty” in the regional Pidgin language and “Detty December” is a term commonly believed to have been coined by Afropop star Mr Eazi in 2016. It means letting loose and indulging in some fun and revelry.

Major events headlined by local and international music stars punctuate Detty December. In Nigeria events range from Flytime Fest in Lagos to Carnival Calabar, which showcases cultural heritage. In Ghana, festivals like AfroFuture and Afro Nation attract global celebrities and influencers as well as returning citizens.

But this isn’t just a holiday fling. Propelled by youthful energy and cultural innovation, it’s an economic phenomenon. And it represents a shift in Africa’s urban landscape and its relationship with the rest of the world.

Detty December now stands as a pillar of Africa’s creative economy, which has built on the global popularity of music from the continent, from Afrobeats to amapiano.

As marketing and entrepreneurship lecturers with an eye on the creative industries, we’ve researched Detty December and believe it’s a cultural tourism phenomenon with the potential to spread across the continent. In fact, it’s already begun to do so.

Nigeria: the economic power of Detty December

Despite infrastructure challenges, places like Lagos are new cultural epicentres. During Detty December the city becomes a carnival of reunions and celebrations. “I Just Got Backs” (IJGBs) return, music spills from every bar and events pop up daily.

Once simply a cultural moment, Detty December has rapidly become a powerful economic engine. It makes a big impact on hospitality, entertainment, tourism and local businesses.

In Lagos alone, the 2024 festivities generated an estimated US$71.6 million in state revenue. Hotels contributed US$44 million and short-term rentals added US$30 million.

Nationally, the impact is even more staggering. Detty December injected over US$220 million into Nigeria’s economy in 2023.

A major driver of this growth is tourism. An estimated 1.2 million visitors flocked to Lagos in December 2024. Nearly 90% of these were diaspora Nigerians.

Afrobeats star Wizkid’s Made in Lagos concert alone pulled in nearly US$650,000 in ticket sales. New song releases on Fridays have become features of the season.

Beyond direct spending, Detty December creates temporary and permanent jobs and bolsters small businesses.

Ghana: December in GH

The government of neighbouring Ghana has recognised this potential, strategically branding its festive season December in GH. This initiative leverages cultural tourism for substantial economic gain. The country even takes measures like visa-on-arrival in December to encourage visitors.

This builds on cultural tourism successes like the 2019 Year of Return campaign. In 2023, December in GH reportedly attracted about 115,000 participants.

Even in a challenging economic climate, Detty December continues to thrive. This indicates a desire for cultural connection and a much-needed escape, especially among the continent’s youth and its global diaspora communities.

South Africa: Ke Dezemba

From Flytime in Lagos and AfroNation in Accra to Alte Sounds in Kigali and the vibrant December nightlife in Mombasa or Johannesburg’s rooftop party events, African cities have become seasonal epicentres for cultural consumption.

“Ke Dezemba” is a term used in South Africa to describe the festive season. It’s a vibrant and celebratory term that’s often associated with summer holidays, braaiing (barbecuing) and social gatherings. It could become the branding of the country’s own Detty December.

South Africa’s global profile has been raised during its 2025 presidency of the G20. Adopting its own version of Detty December could continue to amplify Brand South Africa. It could show off the country’s vibrancy, creativity, hospitality and potential for investment.

Aligning cultural celebration with global visibility could reframe a season of revelry into a strategic cultural and economic asset. For South Africa, this could inject capital into the tourism sector, boosting hospitality, transport and ancillary services.

Read more: Culture can build a better world: four key issues on Africa’s G20 agenda

Beyond direct tourism, the spotlight on South African art and culture during this period could make a lasting impact on the creative economy, fostering growth and job creation.

Physical celebration could be digitally amplified to make a lasting impression.

A notable example is Spotify’s unveiling of its Detty December hub. The music streaming service intends celebrating the festive season across west Africa and South Africa with playlists of party tracks.

Spotify’s Phiona Okumu explains:

Detty December is a special time for our users in west Africa, and Ke Dezemba symbolises South Africa’s spirit of celebration.

How to make it work

The lessons from west African cities suggest that cultural economies thrive with:
- flexible governance
- inclusive participation
- engaged diasporas
- innovative business models.
For Nigeria’s Detty December model to be sustainable it would require strategic policy support, urban planning integration and investment in creative infrastructure.

A group of diasporans in Ghana at the AfroFuture festival. Fquasie/Wikimedia Commons, CC BY-SA

Funding models such as memberships and sponsorships are crucial for the longevity of music festivals. Policy support and infrastructure investment are necessary to unlock the full potential of the creative sector.

Cultural tourism, powerfully embodied by Detty December, is emerging as a viable economic strategy for African cities. This signals a broader recognition of culture’s economic power. It offers a compelling canvas for economic development and nation branding.

– Detty December started as a Nigerian cultural moment. Now it’s spreading across the continent – and minting money
– https://theconversation.com/detty-december-started-as-a-nigerian-cultural-moment-now-its-spreading-across-the-continent-and-minting-money-258949

MIL OSI Africa –
June 27, 2025
MIL-OSI Analysis: Netflix gives African film a platform – but the cultural price is high

Source: The Conversation – Africa – By Wunpini Fatimata Mohammed, Assistant Professor of Communication, Cornell University

Netflix began its Africa operations in South Africa in 2016. When the US streaming giant announced it was setting up shop in Nigeria in 2020, many west African film-makers, writers, artists and media audiences were jubilant.

Finally, west Africa’s creativity and brilliance would be formally recognised on the world stage. Netflix Naija’s purpose was to produce local content for Netflix just like Netflix South Africa and later Netflix Kenya.

Read more:
Netflix Naija: creative freedom in Nigeria’s emerging digital space?

Some film-makers have been wary of US cultural imperialism happening through the market dominance of Netflix and other US streamers. Others have rushed to the streamer to sign deals that will gain their films and TV shows a global audience.

Netflix’s interest in African stories comes with a colonial power dynamic that research and scholarship has not fully explored. As a scholar of media and communication, I recently examined the effect US streamers are having on the stories being told in films in Nigeria and Ghana.

In my study, I argue that despite the growing global interest in African pop culture, African creative workers need to be careful about interest from global conglomerates. We can’t talk about African cinemas going global without paying attention to how Hollywood’s colonial relationship with Africa has shaped and influenced what African filmmakers believe will sell globally.

Read more:
Black Panther, Wakanda Forever and the problem with Hollywood – an African perspective

What price is being paid to appeal to global audiences? Film-makers might focus so much on the western gaze that they lose focus on telling African stories authentically and respectfully.

In my study, I analyse various films including the Ghanaian film Azali and the Nigerian movie Lionheart to argue that that’s exactly what’s happening.

Dancing to the tune of the west

Despite the existence of thriving African film and TV industries before the advent of streaming technologies, we are seeing a replication of what I call the everydayness of colonialism in the area of media representations of the continent.

Here, African filmmakers and producers find themselves jumping through hoops to tell stories that are “fit” to be streamed to Netflix’s millions of American, European and global subscribers. Global cosmopolitan audiences are prioritised over African audiences.

Read more:
Woman King is set in Benin but filmed in South Africa – in the process it erases real people’s struggles

African audiences at home and in the diaspora are the reason we have vibrant film industries such as Nollywood to begin with.

This displacement of African audiences happens both in representation and in access.

Most African movie audiences do not have access to Netflix and other streaming platforms due to the digital divide and the cost of subscribing. So the target audience shifts to the elite, both African and global, who can afford to stream.

Azali and Lionheart

Ghana and Nigeria’s film industries were developed by artists who wanted to reflect their societies to their communities. I found that with Netflix’s arrival, there is a danger of disrupting and undoing this important work.

The intervention of US streamers has led to the development of glossier versions of Africa. They are universal enough to be consumed by anyone, anywhere in the world, even if it means sacrificing the integrity of stories to achieve this global appeal.

In Azali, for example, I found that the film sacrificed authentic language and geographical accuracy to tell a story for a western audience.

Azali explores the themes of child marriage, child-trafficking and rural-urban migration in Ghana. Here, a film about the Dagbamba was set in the town of Zebilla, where Dagbanli is not the dominant language. The film cast non-Dagbanli speakers in major roles to speak a language they neither understood nor had any proficiency in. If Dagbamba had been centred as the primary audience of the movie, this cultural indignity might not have happened.

Lionheart, though star-studded, departed from traditional Nollywood narrative conventions. The film tells the story of a wealthy Nigerian family and the quest of a young woman to take control of the family business. The movie had high production values and told a story that would be considered universally relatable. However, it was disqualified in its bid for an Oscar nomination in the Best International Feature Film category because of its majority English dialogue. Despite appealing to Netflix in the area of production quality and storyline, African film-makers were still punished by the Academy.

Nigeria and Ghana’s film industries have traditionally told a wide variety of African stories. Netflix’s arrival is reducing African stories to stories about the elite and for the global cosmopolitan elite.

Stories about the majority of Africans are being erased. Africa becomes a backdrop to tell stories about the elite class.

In my study, I argue that narrative construction is an important part of identity and that when external factors begin to determine how African stories are told, it distorts the image of Africa for Africans and raises questions of cultural sovereignty.

Moving forward

It is refreshing to see African cultures appreciated on a global scale. But this shouldn’t erase narratives about the African masses and working communities.

There are film-makers that are resisting the Netflix canon. Nigerian actress and producer Funke Akindele shows that this is possible in A Tribe Called Judah. Her film set a new box office record in Nigeria by avoiding direct to Netflix/streamer distribution and staying true to African audiences. The film tells the story of how a single mother and her five sons navigate poverty in Lagos. It was later licensed to stream on Amazon Prime Video after it made history at the box office in Nigeria.

Other film-makers like Omoni Oboli, whose approach centres the Nigerian masses, has turned to YouTube. She tells Nigerian stories while resisting the exploitation that can often come with signing a Netflix deal.

Read more:
The unique strategy Netflix deployed to reach 90 million worldwide subscribers

These projects offer an alternative. As Netflix expands, African creative workers and cultural policymakers must protect the narrative integrity of African stories and resist the economic exploitation of African film-makers. Productions can capture the nuances of African stories while representing African languages and cultures with respect and dignity – without selling out to western values.

Wunpini Fatimata Mohammed does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

– ref. Netflix gives African film a platform – but the cultural price is high – https://theconversation.com/netflix-gives-african-film-a-platform-but-the-cultural-price-is-high-259252

MIL OSI Analysis –

June 27, 2025
MIL-OSI Analysis: Netflix gives African film a platform – but the cultural price is high

Source: The Conversation – Africa – By Wunpini Fatimata Mohammed, Assistant Professor of Communication, Cornell University

Netflix began its Africa operations in South Africa in 2016. When the US streaming giant announced it was setting up shop in Nigeria in 2020, many west African film-makers, writers, artists and media audiences were jubilant.

Finally, west Africa’s creativity and brilliance would be formally recognised on the world stage. Netflix Naija’s purpose was to produce local content for Netflix just like Netflix South Africa and later Netflix Kenya.

Read more:
Netflix Naija: creative freedom in Nigeria’s emerging digital space?

Some film-makers have been wary of US cultural imperialism happening through the market dominance of Netflix and other US streamers. Others have rushed to the streamer to sign deals that will gain their films and TV shows a global audience.

Netflix’s interest in African stories comes with a colonial power dynamic that research and scholarship has not fully explored. As a scholar of media and communication, I recently examined the effect US streamers are having on the stories being told in films in Nigeria and Ghana.

In my study, I argue that despite the growing global interest in African pop culture, African creative workers need to be careful about interest from global conglomerates. We can’t talk about African cinemas going global without paying attention to how Hollywood’s colonial relationship with Africa has shaped and influenced what African filmmakers believe will sell globally.

Read more:
Black Panther, Wakanda Forever and the problem with Hollywood – an African perspective

What price is being paid to appeal to global audiences? Film-makers might focus so much on the western gaze that they lose focus on telling African stories authentically and respectfully.

In my study, I analyse various films including the Ghanaian film Azali and the Nigerian movie Lionheart to argue that that’s exactly what’s happening.

Dancing to the tune of the west

Despite the existence of thriving African film and TV industries before the advent of streaming technologies, we are seeing a replication of what I call the everydayness of colonialism in the area of media representations of the continent.

Here, African filmmakers and producers find themselves jumping through hoops to tell stories that are “fit” to be streamed to Netflix’s millions of American, European and global subscribers. Global cosmopolitan audiences are prioritised over African audiences.

Read more:
Woman King is set in Benin but filmed in South Africa – in the process it erases real people’s struggles

African audiences at home and in the diaspora are the reason we have vibrant film industries such as Nollywood to begin with.

This displacement of African audiences happens both in representation and in access.

Most African movie audiences do not have access to Netflix and other streaming platforms due to the digital divide and the cost of subscribing. So the target audience shifts to the elite, both African and global, who can afford to stream.

Azali and Lionheart

Ghana and Nigeria’s film industries were developed by artists who wanted to reflect their societies to their communities. I found that with Netflix’s arrival, there is a danger of disrupting and undoing this important work.

The intervention of US streamers has led to the development of glossier versions of Africa. They are universal enough to be consumed by anyone, anywhere in the world, even if it means sacrificing the integrity of stories to achieve this global appeal.

In Azali, for example, I found that the film sacrificed authentic language and geographical accuracy to tell a story for a western audience.

Azali explores the themes of child marriage, child-trafficking and rural-urban migration in Ghana. Here, a film about the Dagbamba was set in the town of Zebilla, where Dagbanli is not the dominant language. The film cast non-Dagbanli speakers in major roles to speak a language they neither understood nor had any proficiency in. If Dagbamba had been centred as the primary audience of the movie, this cultural indignity might not have happened.

Lionheart, though star-studded, departed from traditional Nollywood narrative conventions. The film tells the story of a wealthy Nigerian family and the quest of a young woman to take control of the family business. The movie had high production values and told a story that would be considered universally relatable. However, it was disqualified in its bid for an Oscar nomination in the Best International Feature Film category because of its majority English dialogue. Despite appealing to Netflix in the area of production quality and storyline, African film-makers were still punished by the Academy.

Nigeria and Ghana’s film industries have traditionally told a wide variety of African stories. Netflix’s arrival is reducing African stories to stories about the elite and for the global cosmopolitan elite.

Stories about the majority of Africans are being erased. Africa becomes a backdrop to tell stories about the elite class.

In my study, I argue that narrative construction is an important part of identity and that when external factors begin to determine how African stories are told, it distorts the image of Africa for Africans and raises questions of cultural sovereignty.

Moving forward

It is refreshing to see African cultures appreciated on a global scale. But this shouldn’t erase narratives about the African masses and working communities.

There are film-makers that are resisting the Netflix canon. Nigerian actress and producer Funke Akindele shows that this is possible in A Tribe Called Judah. Her film set a new box office record in Nigeria by avoiding direct to Netflix/streamer distribution and staying true to African audiences. The film tells the story of how a single mother and her five sons navigate poverty in Lagos. It was later licensed to stream on Amazon Prime Video after it made history at the box office in Nigeria.

Other film-makers like Omoni Oboli, whose approach centres the Nigerian masses, has turned to YouTube. She tells Nigerian stories while resisting the exploitation that can often come with signing a Netflix deal.

Read more:
The unique strategy Netflix deployed to reach 90 million worldwide subscribers

These projects offer an alternative. As Netflix expands, African creative workers and cultural policymakers must protect the narrative integrity of African stories and resist the economic exploitation of African film-makers. Productions can capture the nuances of African stories while representing African languages and cultures with respect and dignity – without selling out to western values.

Wunpini Fatimata Mohammed does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

– ref. Netflix gives African film a platform – but the cultural price is high – https://theconversation.com/netflix-gives-african-film-a-platform-but-the-cultural-price-is-high-259252

MIL OSI Analysis –

June 27, 2025
MIL-OSI Analysis: Detty December started as a Nigerian cultural moment. Now it’s spreading across the continent – and minting money
Source: The Conversation – Africa – By Nnamdi O. Madichie, Professor of Marketing & Entrepreneurship, University of Kigali

Festivals like Carnival Calabar in Nigeria abound throughout the year-end parties across west Africa and beyond. Akintomiwaao/Wikimedia Commons, CC BY-SA

Every December in Nigeria and Ghana a giant party takes place, unfolding in a whirlwind of concerts, festivals, weddings, art shows, dress-ups, meet-ups and travel. Locals and diaspora west Africans returning from overseas come together to create Detty December, a festive event stretching from mid-December to the new year.

Detty is a playful term for “dirty” in the regional Pidgin language and “Detty December” is a term commonly believed to have been coined by Afropop star Mr Eazi in 2016. It means letting loose and indulging in some fun and revelry.

Major events headlined by local and international music stars punctuate Detty December. In Nigeria events range from Flytime Fest in Lagos to Carnival Calabar, which showcases cultural heritage. In Ghana, festivals like AfroFuture and Afro Nation attract global celebrities and influencers as well as returning citizens.

But this isn’t just a holiday fling. Propelled by youthful energy and cultural innovation, it’s an economic phenomenon. And it represents a shift in Africa’s urban landscape and its relationship with the rest of the world.

Detty December now stands as a pillar of Africa’s creative economy, which has built on the global popularity of music from the continent, from Afrobeats to amapiano.

As marketing and entrepreneurship lecturers with an eye on the creative industries, we’ve researched Detty December and believe it’s a cultural tourism phenomenon with the potential to spread across the continent. In fact, it’s already begun to do so.

Nigeria: the economic power of Detty December

Despite infrastructure challenges, places like Lagos are new cultural epicentres. During Detty December the city becomes a carnival of reunions and celebrations. “I Just Got Backs” (IJGBs) return, music spills from every bar and events pop up daily.

Once simply a cultural moment, Detty December has rapidly become a powerful economic engine. It makes a big impact on hospitality, entertainment, tourism and local businesses.

In Lagos alone, the 2024 festivities generated an estimated US$71.6 million in state revenue. Hotels contributed US$44 million and short-term rentals added US$30 million.

Nationally, the impact is even more staggering. Detty December injected over US$220 million into Nigeria’s economy in 2023.

A major driver of this growth is tourism. An estimated 1.2 million visitors flocked to Lagos in December 2024. Nearly 90% of these were diaspora Nigerians.

Afrobeats star Wizkid’s Made in Lagos concert alone pulled in nearly US$650,000 in ticket sales. New song releases on Fridays have become features of the season.

Beyond direct spending, Detty December creates temporary and permanent jobs and bolsters small businesses.

Ghana: December in GH

The government of neighbouring Ghana has recognised this potential, strategically branding its festive season December in GH. This initiative leverages cultural tourism for substantial economic gain. The country even takes measures like visa-on-arrival in December to encourage visitors.

This builds on cultural tourism successes like the 2019 Year of Return campaign. In 2023, December in GH reportedly attracted about 115,000 participants.

Even in a challenging economic climate, Detty December continues to thrive. This indicates a desire for cultural connection and a much-needed escape, especially among the continent’s youth and its global diaspora communities.

South Africa: Ke Dezemba

From Flytime in Lagos and AfroNation in Accra to Alte Sounds in Kigali and the vibrant December nightlife in Mombasa or Johannesburg’s rooftop party events, African cities have become seasonal epicentres for cultural consumption.

“Ke Dezemba” is a term used in South Africa to describe the festive season. It’s a vibrant and celebratory term that’s often associated with summer holidays, braaiing (barbecuing) and social gatherings. It could become the branding of the country’s own Detty December.

South Africa’s global profile has been raised during its 2025 presidency of the G20. Adopting its own version of Detty December could continue to amplify Brand South Africa. It could show off the country’s vibrancy, creativity, hospitality and potential for investment.

Aligning cultural celebration with global visibility could reframe a season of revelry into a strategic cultural and economic asset. For South Africa, this could inject capital into the tourism sector, boosting hospitality, transport and ancillary services.

Read more:
Culture can build a better world: four key issues on Africa’s G20 agenda

Beyond direct tourism, the spotlight on South African art and culture during this period could make a lasting impact on the creative economy, fostering growth and job creation.

Physical celebration could be digitally amplified to make a lasting impression.

A notable example is Spotify’s unveiling of its Detty December hub. The music streaming service intends celebrating the festive season across west Africa and South Africa with playlists of party tracks.

Spotify’s Phiona Okumu explains:

Detty December is a special time for our users in west Africa, and Ke Dezemba symbolises South Africa’s spirit of celebration.

How to make it work

The lessons from west African cities suggest that cultural economies thrive with:
- flexible governance
- inclusive participation
- engaged diasporas
- innovative business models.
For Nigeria’s Detty December model to be sustainable it would require strategic policy support, urban planning integration and investment in creative infrastructure.

A group of diasporans in Ghana at the AfroFuture festival.
Fquasie/Wikimedia Commons, CC BY-SA

Funding models such as memberships and sponsorships are crucial for the longevity of music festivals. Policy support and infrastructure investment are necessary to unlock the full potential of the creative sector.

Cultural tourism, powerfully embodied by Detty December, is emerging as a viable economic strategy for African cities. This signals a broader recognition of culture’s economic power. It offers a compelling canvas for economic development and nation branding.

The authors do not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and have disclosed no relevant affiliations beyond their academic appointment.

– ref. Detty December started as a Nigerian cultural moment. Now it’s spreading across the continent – and minting money – https://theconversation.com/detty-december-started-as-a-nigerian-cultural-moment-now-its-spreading-across-the-continent-and-minting-money-258949
MIL OSI Analysis –
June 27, 2025
MIL-OSI Analysis: Detty December started as a Nigerian cultural moment. Now it’s spreading across the continent – and minting money
Source: The Conversation – Africa – By Nnamdi O. Madichie, Professor of Marketing & Entrepreneurship, University of Kigali

Festivals like Carnival Calabar in Nigeria abound throughout the year-end parties across west Africa and beyond. Akintomiwaao/Wikimedia Commons, CC BY-SA

Every December in Nigeria and Ghana a giant party takes place, unfolding in a whirlwind of concerts, festivals, weddings, art shows, dress-ups, meet-ups and travel. Locals and diaspora west Africans returning from overseas come together to create Detty December, a festive event stretching from mid-December to the new year.

Detty is a playful term for “dirty” in the regional Pidgin language and “Detty December” is a term commonly believed to have been coined by Afropop star Mr Eazi in 2016. It means letting loose and indulging in some fun and revelry.

Major events headlined by local and international music stars punctuate Detty December. In Nigeria events range from Flytime Fest in Lagos to Carnival Calabar, which showcases cultural heritage. In Ghana, festivals like AfroFuture and Afro Nation attract global celebrities and influencers as well as returning citizens.

But this isn’t just a holiday fling. Propelled by youthful energy and cultural innovation, it’s an economic phenomenon. And it represents a shift in Africa’s urban landscape and its relationship with the rest of the world.

Detty December now stands as a pillar of Africa’s creative economy, which has built on the global popularity of music from the continent, from Afrobeats to amapiano.

As marketing and entrepreneurship lecturers with an eye on the creative industries, we’ve researched Detty December and believe it’s a cultural tourism phenomenon with the potential to spread across the continent. In fact, it’s already begun to do so.

Nigeria: the economic power of Detty December

Despite infrastructure challenges, places like Lagos are new cultural epicentres. During Detty December the city becomes a carnival of reunions and celebrations. “I Just Got Backs” (IJGBs) return, music spills from every bar and events pop up daily.

Once simply a cultural moment, Detty December has rapidly become a powerful economic engine. It makes a big impact on hospitality, entertainment, tourism and local businesses.

In Lagos alone, the 2024 festivities generated an estimated US$71.6 million in state revenue. Hotels contributed US$44 million and short-term rentals added US$30 million.

Nationally, the impact is even more staggering. Detty December injected over US$220 million into Nigeria’s economy in 2023.

A major driver of this growth is tourism. An estimated 1.2 million visitors flocked to Lagos in December 2024. Nearly 90% of these were diaspora Nigerians.

Afrobeats star Wizkid’s Made in Lagos concert alone pulled in nearly US$650,000 in ticket sales. New song releases on Fridays have become features of the season.

Beyond direct spending, Detty December creates temporary and permanent jobs and bolsters small businesses.

Ghana: December in GH

The government of neighbouring Ghana has recognised this potential, strategically branding its festive season December in GH. This initiative leverages cultural tourism for substantial economic gain. The country even takes measures like visa-on-arrival in December to encourage visitors.

This builds on cultural tourism successes like the 2019 Year of Return campaign. In 2023, December in GH reportedly attracted about 115,000 participants.

Even in a challenging economic climate, Detty December continues to thrive. This indicates a desire for cultural connection and a much-needed escape, especially among the continent’s youth and its global diaspora communities.

South Africa: Ke Dezemba

From Flytime in Lagos and AfroNation in Accra to Alte Sounds in Kigali and the vibrant December nightlife in Mombasa or Johannesburg’s rooftop party events, African cities have become seasonal epicentres for cultural consumption.

“Ke Dezemba” is a term used in South Africa to describe the festive season. It’s a vibrant and celebratory term that’s often associated with summer holidays, braaiing (barbecuing) and social gatherings. It could become the branding of the country’s own Detty December.

South Africa’s global profile has been raised during its 2025 presidency of the G20. Adopting its own version of Detty December could continue to amplify Brand South Africa. It could show off the country’s vibrancy, creativity, hospitality and potential for investment.

Aligning cultural celebration with global visibility could reframe a season of revelry into a strategic cultural and economic asset. For South Africa, this could inject capital into the tourism sector, boosting hospitality, transport and ancillary services.

Read more:
Culture can build a better world: four key issues on Africa’s G20 agenda

Beyond direct tourism, the spotlight on South African art and culture during this period could make a lasting impact on the creative economy, fostering growth and job creation.

Physical celebration could be digitally amplified to make a lasting impression.

A notable example is Spotify’s unveiling of its Detty December hub. The music streaming service intends celebrating the festive season across west Africa and South Africa with playlists of party tracks.

Spotify’s Phiona Okumu explains:

Detty December is a special time for our users in west Africa, and Ke Dezemba symbolises South Africa’s spirit of celebration.

How to make it work

The lessons from west African cities suggest that cultural economies thrive with:
- flexible governance
- inclusive participation
- engaged diasporas
- innovative business models.
For Nigeria’s Detty December model to be sustainable it would require strategic policy support, urban planning integration and investment in creative infrastructure.

A group of diasporans in Ghana at the AfroFuture festival.
Fquasie/Wikimedia Commons, CC BY-SA

Funding models such as memberships and sponsorships are crucial for the longevity of music festivals. Policy support and infrastructure investment are necessary to unlock the full potential of the creative sector.

Cultural tourism, powerfully embodied by Detty December, is emerging as a viable economic strategy for African cities. This signals a broader recognition of culture’s economic power. It offers a compelling canvas for economic development and nation branding.

The authors do not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and have disclosed no relevant affiliations beyond their academic appointment.

– ref. Detty December started as a Nigerian cultural moment. Now it’s spreading across the continent – and minting money – https://theconversation.com/detty-december-started-as-a-nigerian-cultural-moment-now-its-spreading-across-the-continent-and-minting-money-258949
MIL OSI Analysis –
June 27, 2025
MIL-OSI Canada: The Government of Canada announces funding for the Festival International de Jazz de Montréal as it celebrates its 45th anniversary this summer

Source: Government of Canada News

MONTRÉAL, June 26, 2025

The Honourable Steven Guilbeault, Minister of Canadian Identity and Culture and Minister responsible for Official Languages, today announced funding for the 45th edition of the Festival International de Jazz de Montréal.

Totalling $700,000, the funding will enable the Festival International de Jazz de Montréal—one of the world’s largest musical events—to once again present a lineup full of exciting discoveries, showcasing both established and emerging talented artists.

Through its impressive lineup of shows—most of them free and presented in the Quartier des spectacles—the Festival International de Jazz de Montréal attracts more than 1.2 million participants each year for unique performances.

The federal government is proud to support our country’s cultural scene, which makes Canada strong and our communities vibrant, and to help our artists and culture shine at home and internationally.

MIL OSI Canada News –

June 27, 2025
MIL-OSI: LIS Technologies Inc. Announces Top Sponsorship of the East Tennessee Economic Council’s Nuclear Opportunities Workshop 2025 Conference
Source: GlobeNewswire (MIL-OSI)

Chief Technology Officer Dr Viktor Chikan is scheduled to participate in a panel discussion alongside other leading enrichment executives.

Oak Ridge, Tennessee, June 26, 2025 (GLOBE NEWSWIRE) — LIS Technologies Inc. (“LIST” or “the Company”), a proprietary developer of advanced laser technology and the only USA-origin and patented laser uranium enrichment company, today announced that it is the Nuclear Luminary sponsor of the upcoming Nuclear Opportunuties Workshop (NOW) 2025 Conference, to be held at the Knoxville Convention Center, on July 22-23, 2025.

CTO Dr Viktor Chikan will take part in a panel discussion titled, “Nuclear Fuels – Enrichment and Fabrication,” which is scheduled to take place at 1:15pm on Tuesday, July 22^nd, 2025.

Figure 1 – LIS Technologies Inc. Announces Top Sponsorship of the East Tennessee Economic Council’s Nuclear Opportunities Workshop 2025 Conference.

“Following a successful and informative experience at the NOW 2024 conference, I’m pleased that Viktor is returning for this year’s conference and join a panel focused on strengthening America’s nuclear-fuel supply chain,” said Christo Liebenberg, CEO and Co-Founder of LIS Technologies Inc. “Establishing our headquarters in Tennessee has shown us the depth of nuclear talent within the state, and I look forward to Viktor updating attendees on LIST’s progress in revitalizing the nation’s only patented laser-uranium-enrichment process to support the existing nuclear energy industry and help usher in the next generation of advanced nuclear reactors.”

About LIS Technologies Inc.

LIS Technologies Inc. (LIST) is a USA based, proprietary developer of a patented advanced laser technology, making use of infrared lasers to selectively excite the molecules of desired isotopes to separate them from other isotopes. The Laser Isotope Separation Technology (L.I.S.T) has a huge range of applications, including being the only USA-origin (and patented) laser uranium enrichment company, and several major advantages over traditional methods such as gas diffusion, centrifuges, and prior art laser enrichment. The LIST proprietary laser-based process is more energy-efficient and has the potential to be deployed with highly competitive capital and operational costs. L.I.S.T is optimized for LEU (Low Enriched Uranium) for existing civilian nuclear power plants, High-Assay LEU (HALEU) for the next generation of Small Modular Reactors (SMR) and Microreactors, the production of stable isotopes for medical and scientific research, and applications in quantum computing manufacturing for semiconductor technologies. The Company employs a world class nuclear technical team working alongside leading nuclear entrepreneurs and industry professionals, possessing strong relationships with government and private nuclear industries.

In Dec 2024, LIS Technologies Inc. was selected as one of six domestic companies to participate in the Low-Enriched Uranium (LEU) Enrichment Acquisition Program. This initiative allocates up to $3.4 billion overall, with contracts lasting for up to 10 years. Each awardee is slated to receive a minimum contract of $2 million.

For more information please visit: LaserIsTech.com

For further information, please contact:
Email: info@laseristech.com
Telephone: 800-388-5492
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Forward Looking Statements

This news release contains “forward-looking statements” within the meaning of Section 21E of the Securities Exchange Act of 1934, as amended, and the Private Securities Litigation Reform Act of 1995. In this context, forward-looking statements mean statements related to future events, which may impact our expected future business and financial performance, and often contain words such as “expects”, “anticipates”, “intends”, “plans”, “believes”, “will”, “should”, “could”, “would” or “may” and other words of similar meaning. These forward-looking statements are based on information available to us as of the date of this news release and represent management’s current views and assumptions. Forward-looking statements are not guarantees of future performance, events or results and involve known and unknown risks, uncertainties and other factors, which may be beyond our control. For LIS Technologies Inc., particular risks and uncertainties that could cause our actual future results to differ materially from those expressed in our forward-looking statements include but are not limited to the following which are, and will be, exacerbated by any worsening of global business and economic environment: (i) risks related to the development of new or advanced technology, including difficulties with design and testing, cost overruns, development of competitive technology, loss of key individuals and uncertainty of success of patent filing, (ii) our ability to obtain contracts and funding to be able to continue operations and (iii) risks related to uncertainty regarding our ability to commercially deploy a competitive laser enrichment technology, (iv) risks related to the impact of government regulation and policies including by the DOE and the U.S. Nuclear Regulatory Commission; and other risks and uncertainties discussed in this and our other filings with the SEC. Only after successful completion of our Phase 2 Pilot Plant demonstration will LIS Technologies be able to make realistic economic predictions for a Commercial Facility. Readers are cautioned not to place undue reliance on these forward-looking statements, which apply only as of the date of this news release. These factors may not constitute all factors that could cause actual results to differ from those discussed in any forward-looking statement. Accordingly, forward-looking statements should not be relied upon as a predictor of actual results. We do not undertake to update our forward-looking statements to reflect events or circumstances that may arise after the date of this news release, except as required by law.

Attachment
- LIS Technologies Inc.
The MIL Network –
June 27, 2025
MIL-OSI: Rising Demand for Drones for Commercial & Military Applications Becoming a Booming Revenue Opportunity

Source: GlobeNewswire (MIL-OSI)

PALM BEACH, Fla., June 26, 2025 (GLOBE NEWSWIRE) — FN Media Group News Commentary – Unmanned Aerial Vehicle (UAV) imagery service providers have been offering innovative opportunities for businesses in the construction & agriculture industries and widening their potential application base to enable predictive and actuation capabilities. These capabilities offer significant advantages, such as quality improvements, risk mitigation, and cost reduction, thereby providing a competitive advantage to adopters. Drones and their sensors provide companies with significant data, multiplying applications and capabilities within their business processes. Analyzing the obtained information improves predictive/preventive maintenance and operational intelligence. Companies increasingly adopt data management platforms to process and analyze information for detecting and classifying notable events and creating reports. A report from Grand View Research said that the global drone data services market size is anticipated to grow at a CAGR of 39.0% through 2030. The market growth is attributed to the increasing need for drone information analysis amongst businesses worldwide to perform various critical tasks remotely, such as automated mapping, cadastral surveying, corridor surveying, volumetric calculations, and LiDAR mapping. Active Companies in the markets today include ZenaTech, Inc. (NASDAQ: ZENA), Ondas Holdings Inc. (NASDAQ: ONDS), AeroVironment, Inc. (NASDAQ: AVAV), AIRO Group Holdings, Inc. (NASDAQ: AIRO), EHang Holdings Limited (NASDAQ: EH).

The Grand View Research report said: “Drone data service providers are expected to gain prominence by empowering companies globally to utilize UAV imagery better. This can be achieved by converting it into actionable information in simple 3D models, Digital Elevation Models (DEMs), and orthomosaic maps. An increasing number of companies are now seeking to enter the UAV software space and develop software to provide aerial imagery analysis and mapping solutions for the commercial sector. Businesses worldwide are increasingly using drones across a wide range of industries. Farmers are utilizing maps generated with drone software to identify areas of damage & crop variation, diagnose the potential causes for damages, such as pests, equipment malfunctioning, and irrigation problems, and prescribe solutions such as variable-rate nitrogen applications. The 3D modeling & DEM segment is expected to grow at the fastest CAGR of 40.5% during the forecast period. The advancements in drone technology have enabled the collection of high-resolution aerial data, which can be processed to create detailed and precise 3D models and DEMs. It has significantly enhanced the accuracy and efficiency of data analysis and decision-making processes in industries that rely on geospatial information.”

ZenaTech (NASDAQ:ZENA) Signs Offer to Acquire North Carolina Land Surveying Company to Expand State Operations and Government Customers – ZenaTech, Inc. (FSE: 49Q) (BMV: ZENA) (“ZenaTech”), a technology company specializing in AI (Artificial Intelligence) drone, Drone as a Service (DaaS), enterprise SaaS, announces it has signed an offer to acquire a well-established North Carolina-based land surveying company with a strong government customer base. The proposed acquisition expands operations in the state when combined with a previously announced proposed land survey acquisition with operations in North Carolina. With over three decades of success serving government agencies, municipal governments, construction companies, and real estate developers, this strategic acquisition would significantly advance the company’s regional market penetration as well as growth in the US Southeast.

“This proposed acquisition aligns with our strategy to build a robust, scalable, national Drone as a Service business while empowering strong regional and local hubs and recurring revenue opportunities,” said Shaun Passley, Ph.D., ZenaTech CEO. “We plan to embed AI-powered drone technology into critical land survey workflows providing unparalleled speed and precision. Land surveys are a first step to innovating multiple legacy businesses and inefficient processes with our DaaS model and our drones.”

The land survey company offers comprehensive services include boundary surveys, topographic and site planning surveys, ALTA (American Land Title Association) / ACSM (American Congress on Surveying and Mapping) surveys, construction staking, and other essential survey solutions for permitting, financing, and construction across city, county, and commercial sectors.

ZenaTech’s Drone as a Service (DaaS) business model offers both business and government customers reduced costs and convenience to utilize drones to streamline legacy processes and manual tasks such as inspections, surveying, maintenance, precision agriculture and inventory management ─ there is no need to purchase drone hardware and software, find a drone pilot, manage maintenance and operation, or acquire regulatory approvals. The model also offers scalability to use more often or less often based on business needs and utilizes ZenaDrone’s multifunction AI autonomous drones.

The company has closed five acquisitions across the US to date as part of its DaaS business model and strategy and has announced it plans to complete 20 more acquisitions in the next 12 months. Continued… Read this full release by visiting: https://www.financialnewsmedia.com/news-zena/

Other recent developments in the markets include:

Ondas Holdings Inc. (NASDAQ: ONDS), a leading provider of private industrial wireless networks and commercial drone and automated data solutions, recently announced that its subsidiary, American Robotics Inc., has entered into a strategic partnership with Mistral Inc. (“Mistral”), a Maryland-based business development and defense contracting firm. The agreement focuses on joint marketing, sales, and integration of the Optimus drone system and Iron Drone Raider into the United States defense and homeland security markets.

Under the agreement, Mistral will support American Robotics’ business development by opening sales channels through its well-established relationships with U.S. governmental buyers, including federal, state, local law enforcement, military, and homeland security entities. The initial term of the agreement is three years, with an automatic renewal option and a structured success fee model based on realized sales.

AeroVironment, Inc. (NASDAQ: AVAV) (“AeroVironment” or the “Company”) recently reported financial results for the fiscal fourth quarter and year ended April 30, 2025.

Fourth Quarter and Fiscal Year Highlights Were: Record fourth quarter revenue of $275.1 million and fiscal year revenue of $820.6, up 40% and 14% year-over-year, respectively; Fourth quarter and fiscal year net income of $16.7 million and $43.6 million, respectively and record fourth quarter and fiscal year non-GAAP adjusted EBITDA of $61.6 million and $146.4 million, respectively; and Record fiscal year bookings of $1.2 billion

“AeroVironment finished out fiscal year 2025 with a remarkable fourth quarter, which included record revenue, significantly higher profits and a robust backlog nearly double that from fiscal year 2024,” said Wahid Nawabi, AeroVironment chairman, president and chief executive officer. “The investments we’ve consistently made in our multi-generational Uncrewed Systems and Loitering Munition Systems products coupled with our strong execution, continue to pay off, as evidenced by significantly higher demand and key strategic wins leading to a record $1.2 billion in total bookings throughout this fiscal year.”

Nawabi continued, “Our acquisition of BlueHalo further advances our leadership position within the defense-technology sector by adding a complementary portfolio of innovative products and capabilities aligned to our customers’ highest priorities. With integrated solutions across every domain of modern warfare, enhanced innovation and domestic manufacturing scale, we believe we are well positioned to meet the rising demand across the globe and drive strong growth and value creation in fiscal year 2026 and beyond.”

AIRO Group Holdings, Inc. (NASDAQ: AIRO) recently announced that Company executives, including Executive Chairman and Co-Founder Dr. Chirinjeev Kathuria and CEO and Co-Founder Joe Burns, attended the 55th edition of the Paris Air Show, which took place from June 16 to June 22, 2025, in Paris, France.

Shares of AIRO common stock began trading on the Nasdaq Global Market under the ticker symbol “AIRO” on June 13, 2025. AIRO’s market debut comes amid strong historical financial performance for the Company and underscores its commitment to an integrated portfolio of cutting-edge technologies, including the development of fully autonomous AI-enabled surveillance drones, eVTOL hybrid and electric cargo aircraft, advanced avionics systems and comprehensive flight operations training solutions. In 2024, AIRO achieved over $86 million in revenue, reflecting growth of more than 100% from the previous year. This increase is attributed to an increase in drone shipments and support revenue driven by market entry strategies to target NATO member countries.

“The strength of AIRO lies in its diversified yet complementary portfolio of products and services, all centered around a unified aerospace and defense ecosystem,” said Executive Chairman, Dr. Chirinjeev Kathuria. “AIRO’s complementary business segments, with strategic locations in the US, Canada, and Europe, provide unparalleled access for our global client base. With significant year-over-year revenue and EBITDA growth, we believe our offerings are essential for both current and future operational landscapes.”

EHang Holdings Limited (NASDAQ: EH), the world’s leading Urban Air Mobility (“UAM”) technology platform company, recently announced the expansion of its strategic partnership with Gotion High-Tech Co., Ltd. (“Gotion”), a leading innovator in power battery solutions. Building on a power system framework agreement signed in December 2023, this enhanced collaboration marks a significant step forward in powering the electric vertical take-off and landing (“eVTOL”) aircraft. Under the upgraded partnership, the two companies will jointly advance the development of power systems for EHang’s flagship EH216 series of pilotless eVTOL aircraft, with plans to extend their collaboration to future aircraft models. By leveraging cutting-edge battery technologies, the partnership aims to accelerate the advancement of a safe, intelligent, and sustainable low-altitude transportation ecosystem and contribute to the high-quality development of the low-altitude economy.

As part of the agreement, Gotion will deliver a customized battery solution tailored to the EH216 series. At the core of the solution is Gotion’s newly developed 46-series cylindrical battery cell, which offers high energy density and robust power output. The next-generation battery system is expected to significantly enhance the EH216 series aircraft in flight range, thrust performance, and operational safety — further improving the aircraft’s efficiency across a variety of use cases and strengthening its readiness for future scaled commercial deployment.

About FN Media Group:

At FN Media Group, via our top-rated online news portal at www.financialnewsmedia.com, we are one of the very few select firms providing top tier one syndicated news distribution, targeted ticker tag press releases and stock market news coverage for today’s emerging companies. #tickertagpressreleases #pressreleases

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DISCLAIMER: FN Media Group LLC (FNM), which owns and operates FinancialNewsMedia.com and MarketNewsUpdates.com, is a third party publisher and news dissemination service provider, which disseminates electronic information through multiple online media channels. FNM is NOT affiliated in any manner with any company mentioned herein. FNM and its affiliated companies are a news dissemination solutions provider and are NOT a registered broker/dealer/analyst/adviser, holds no investment licenses and may NOT sell, offer to sell or offer to buy any security. FNM’s market updates, news alerts and corporate profiles are NOT a solicitation or recommendation to buy, sell or hold securities. The material in this release is intended to be strictly informational and is NEVER to be construed or interpreted as research material. All readers are strongly urged to perform research and due diligence on their own and consult a licensed financial professional before considering any level of investing in stocks. All material included herein is republished content and details which were previously disseminated by the companies mentioned in this release. FNM is not liable for any investment decisions by its readers or subscribers. Investors are cautioned that they may lose all or a portion of their investment when investing in stocks. For current services performed FNM has been compensated fifty one hundred dollars for news coverage of the current press releases issued by ZenaTech, Inc. by the Company. FNM HOLDS NO SHARES OF ANY COMPANY NAMED IN THIS RELEASE.

This release contains “forward-looking statements” within the meaning of Section 27A of the Securities Act of 1933, as amended, and Section 21E the Securities Exchange Act of 1934, as amended and such forward-looking statements are made pursuant to the safe harbor provisions of the Private Securities Litigation Reform Act of 1995. “Forward-looking statements” describe future expectations, plans, results, or strategies and are generally preceded by words such as “may”, “future”, “plan” or “planned”, “will” or “should”, “expected,” “anticipates”, “draft”, “eventually” or “projected”. You are cautioned that such statements are subject to a multitude of risks and uncertainties that could cause future circumstances, events, or results to differ materially from those projected in the forward-looking statements, including the risks that actual results may differ materially from those projected in the forward-looking statements as a result of various factors, and other risks identified in a company’s annual report on Form 10-K or 10-KSB and other filings made by such company with the Securities and Exchange Commission. You should consider these factors in evaluating the forward-looking statements included herein, and not place undue reliance on such statements. The forward-looking statements in this release are made as of the date hereof and FNM undertakes no obligation to update such statements.

Contact Information:

Media Contact email: editor@financialnewsmedia.com – +1(561)325-8757

SOURCE: FN Media Group

The MIL Network –

June 27, 2025
MIL-OSI: Rising Demand for Drones for Commercial & Military Applications Becoming a Booming Revenue Opportunity

Source: GlobeNewswire (MIL-OSI)

PALM BEACH, Fla., June 26, 2025 (GLOBE NEWSWIRE) — FN Media Group News Commentary – Unmanned Aerial Vehicle (UAV) imagery service providers have been offering innovative opportunities for businesses in the construction & agriculture industries and widening their potential application base to enable predictive and actuation capabilities. These capabilities offer significant advantages, such as quality improvements, risk mitigation, and cost reduction, thereby providing a competitive advantage to adopters. Drones and their sensors provide companies with significant data, multiplying applications and capabilities within their business processes. Analyzing the obtained information improves predictive/preventive maintenance and operational intelligence. Companies increasingly adopt data management platforms to process and analyze information for detecting and classifying notable events and creating reports. A report from Grand View Research said that the global drone data services market size is anticipated to grow at a CAGR of 39.0% through 2030. The market growth is attributed to the increasing need for drone information analysis amongst businesses worldwide to perform various critical tasks remotely, such as automated mapping, cadastral surveying, corridor surveying, volumetric calculations, and LiDAR mapping. Active Companies in the markets today include ZenaTech, Inc. (NASDAQ: ZENA), Ondas Holdings Inc. (NASDAQ: ONDS), AeroVironment, Inc. (NASDAQ: AVAV), AIRO Group Holdings, Inc. (NASDAQ: AIRO), EHang Holdings Limited (NASDAQ: EH).

The Grand View Research report said: “Drone data service providers are expected to gain prominence by empowering companies globally to utilize UAV imagery better. This can be achieved by converting it into actionable information in simple 3D models, Digital Elevation Models (DEMs), and orthomosaic maps. An increasing number of companies are now seeking to enter the UAV software space and develop software to provide aerial imagery analysis and mapping solutions for the commercial sector. Businesses worldwide are increasingly using drones across a wide range of industries. Farmers are utilizing maps generated with drone software to identify areas of damage & crop variation, diagnose the potential causes for damages, such as pests, equipment malfunctioning, and irrigation problems, and prescribe solutions such as variable-rate nitrogen applications. The 3D modeling & DEM segment is expected to grow at the fastest CAGR of 40.5% during the forecast period. The advancements in drone technology have enabled the collection of high-resolution aerial data, which can be processed to create detailed and precise 3D models and DEMs. It has significantly enhanced the accuracy and efficiency of data analysis and decision-making processes in industries that rely on geospatial information.”

ZenaTech (NASDAQ:ZENA) Signs Offer to Acquire North Carolina Land Surveying Company to Expand State Operations and Government Customers – ZenaTech, Inc. (FSE: 49Q) (BMV: ZENA) (“ZenaTech”), a technology company specializing in AI (Artificial Intelligence) drone, Drone as a Service (DaaS), enterprise SaaS, announces it has signed an offer to acquire a well-established North Carolina-based land surveying company with a strong government customer base. The proposed acquisition expands operations in the state when combined with a previously announced proposed land survey acquisition with operations in North Carolina. With over three decades of success serving government agencies, municipal governments, construction companies, and real estate developers, this strategic acquisition would significantly advance the company’s regional market penetration as well as growth in the US Southeast.

“This proposed acquisition aligns with our strategy to build a robust, scalable, national Drone as a Service business while empowering strong regional and local hubs and recurring revenue opportunities,” said Shaun Passley, Ph.D., ZenaTech CEO. “We plan to embed AI-powered drone technology into critical land survey workflows providing unparalleled speed and precision. Land surveys are a first step to innovating multiple legacy businesses and inefficient processes with our DaaS model and our drones.”

The land survey company offers comprehensive services include boundary surveys, topographic and site planning surveys, ALTA (American Land Title Association) / ACSM (American Congress on Surveying and Mapping) surveys, construction staking, and other essential survey solutions for permitting, financing, and construction across city, county, and commercial sectors.

ZenaTech’s Drone as a Service (DaaS) business model offers both business and government customers reduced costs and convenience to utilize drones to streamline legacy processes and manual tasks such as inspections, surveying, maintenance, precision agriculture and inventory management ─ there is no need to purchase drone hardware and software, find a drone pilot, manage maintenance and operation, or acquire regulatory approvals. The model also offers scalability to use more often or less often based on business needs and utilizes ZenaDrone’s multifunction AI autonomous drones.

The company has closed five acquisitions across the US to date as part of its DaaS business model and strategy and has announced it plans to complete 20 more acquisitions in the next 12 months. Continued… Read this full release by visiting: https://www.financialnewsmedia.com/news-zena/

Other recent developments in the markets include:

Ondas Holdings Inc. (NASDAQ: ONDS), a leading provider of private industrial wireless networks and commercial drone and automated data solutions, recently announced that its subsidiary, American Robotics Inc., has entered into a strategic partnership with Mistral Inc. (“Mistral”), a Maryland-based business development and defense contracting firm. The agreement focuses on joint marketing, sales, and integration of the Optimus drone system and Iron Drone Raider into the United States defense and homeland security markets.

Under the agreement, Mistral will support American Robotics’ business development by opening sales channels through its well-established relationships with U.S. governmental buyers, including federal, state, local law enforcement, military, and homeland security entities. The initial term of the agreement is three years, with an automatic renewal option and a structured success fee model based on realized sales.

AeroVironment, Inc. (NASDAQ: AVAV) (“AeroVironment” or the “Company”) recently reported financial results for the fiscal fourth quarter and year ended April 30, 2025.

Fourth Quarter and Fiscal Year Highlights Were: Record fourth quarter revenue of $275.1 million and fiscal year revenue of $820.6, up 40% and 14% year-over-year, respectively; Fourth quarter and fiscal year net income of $16.7 million and $43.6 million, respectively and record fourth quarter and fiscal year non-GAAP adjusted EBITDA of $61.6 million and $146.4 million, respectively; and Record fiscal year bookings of $1.2 billion

“AeroVironment finished out fiscal year 2025 with a remarkable fourth quarter, which included record revenue, significantly higher profits and a robust backlog nearly double that from fiscal year 2024,” said Wahid Nawabi, AeroVironment chairman, president and chief executive officer. “The investments we’ve consistently made in our multi-generational Uncrewed Systems and Loitering Munition Systems products coupled with our strong execution, continue to pay off, as evidenced by significantly higher demand and key strategic wins leading to a record $1.2 billion in total bookings throughout this fiscal year.”

Nawabi continued, “Our acquisition of BlueHalo further advances our leadership position within the defense-technology sector by adding a complementary portfolio of innovative products and capabilities aligned to our customers’ highest priorities. With integrated solutions across every domain of modern warfare, enhanced innovation and domestic manufacturing scale, we believe we are well positioned to meet the rising demand across the globe and drive strong growth and value creation in fiscal year 2026 and beyond.”

AIRO Group Holdings, Inc. (NASDAQ: AIRO) recently announced that Company executives, including Executive Chairman and Co-Founder Dr. Chirinjeev Kathuria and CEO and Co-Founder Joe Burns, attended the 55th edition of the Paris Air Show, which took place from June 16 to June 22, 2025, in Paris, France.

Shares of AIRO common stock began trading on the Nasdaq Global Market under the ticker symbol “AIRO” on June 13, 2025. AIRO’s market debut comes amid strong historical financial performance for the Company and underscores its commitment to an integrated portfolio of cutting-edge technologies, including the development of fully autonomous AI-enabled surveillance drones, eVTOL hybrid and electric cargo aircraft, advanced avionics systems and comprehensive flight operations training solutions. In 2024, AIRO achieved over $86 million in revenue, reflecting growth of more than 100% from the previous year. This increase is attributed to an increase in drone shipments and support revenue driven by market entry strategies to target NATO member countries.

“The strength of AIRO lies in its diversified yet complementary portfolio of products and services, all centered around a unified aerospace and defense ecosystem,” said Executive Chairman, Dr. Chirinjeev Kathuria. “AIRO’s complementary business segments, with strategic locations in the US, Canada, and Europe, provide unparalleled access for our global client base. With significant year-over-year revenue and EBITDA growth, we believe our offerings are essential for both current and future operational landscapes.”

EHang Holdings Limited (NASDAQ: EH), the world’s leading Urban Air Mobility (“UAM”) technology platform company, recently announced the expansion of its strategic partnership with Gotion High-Tech Co., Ltd. (“Gotion”), a leading innovator in power battery solutions. Building on a power system framework agreement signed in December 2023, this enhanced collaboration marks a significant step forward in powering the electric vertical take-off and landing (“eVTOL”) aircraft. Under the upgraded partnership, the two companies will jointly advance the development of power systems for EHang’s flagship EH216 series of pilotless eVTOL aircraft, with plans to extend their collaboration to future aircraft models. By leveraging cutting-edge battery technologies, the partnership aims to accelerate the advancement of a safe, intelligent, and sustainable low-altitude transportation ecosystem and contribute to the high-quality development of the low-altitude economy.

As part of the agreement, Gotion will deliver a customized battery solution tailored to the EH216 series. At the core of the solution is Gotion’s newly developed 46-series cylindrical battery cell, which offers high energy density and robust power output. The next-generation battery system is expected to significantly enhance the EH216 series aircraft in flight range, thrust performance, and operational safety — further improving the aircraft’s efficiency across a variety of use cases and strengthening its readiness for future scaled commercial deployment.

About FN Media Group:

At FN Media Group, via our top-rated online news portal at www.financialnewsmedia.com, we are one of the very few select firms providing top tier one syndicated news distribution, targeted ticker tag press releases and stock market news coverage for today’s emerging companies. #tickertagpressreleases #pressreleases

Follow us on Facebook to receive the latest news updates: https://www.facebook.com/financialnewsmedia

Follow us on Twitter for real time Market News: https://twitter.com/FNMgroup

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DISCLAIMER: FN Media Group LLC (FNM), which owns and operates FinancialNewsMedia.com and MarketNewsUpdates.com, is a third party publisher and news dissemination service provider, which disseminates electronic information through multiple online media channels. FNM is NOT affiliated in any manner with any company mentioned herein. FNM and its affiliated companies are a news dissemination solutions provider and are NOT a registered broker/dealer/analyst/adviser, holds no investment licenses and may NOT sell, offer to sell or offer to buy any security. FNM’s market updates, news alerts and corporate profiles are NOT a solicitation or recommendation to buy, sell or hold securities. The material in this release is intended to be strictly informational and is NEVER to be construed or interpreted as research material. All readers are strongly urged to perform research and due diligence on their own and consult a licensed financial professional before considering any level of investing in stocks. All material included herein is republished content and details which were previously disseminated by the companies mentioned in this release. FNM is not liable for any investment decisions by its readers or subscribers. Investors are cautioned that they may lose all or a portion of their investment when investing in stocks. For current services performed FNM has been compensated fifty one hundred dollars for news coverage of the current press releases issued by ZenaTech, Inc. by the Company. FNM HOLDS NO SHARES OF ANY COMPANY NAMED IN THIS RELEASE.

This release contains “forward-looking statements” within the meaning of Section 27A of the Securities Act of 1933, as amended, and Section 21E the Securities Exchange Act of 1934, as amended and such forward-looking statements are made pursuant to the safe harbor provisions of the Private Securities Litigation Reform Act of 1995. “Forward-looking statements” describe future expectations, plans, results, or strategies and are generally preceded by words such as “may”, “future”, “plan” or “planned”, “will” or “should”, “expected,” “anticipates”, “draft”, “eventually” or “projected”. You are cautioned that such statements are subject to a multitude of risks and uncertainties that could cause future circumstances, events, or results to differ materially from those projected in the forward-looking statements, including the risks that actual results may differ materially from those projected in the forward-looking statements as a result of various factors, and other risks identified in a company’s annual report on Form 10-K or 10-KSB and other filings made by such company with the Securities and Exchange Commission. You should consider these factors in evaluating the forward-looking statements included herein, and not place undue reliance on such statements. The forward-looking statements in this release are made as of the date hereof and FNM undertakes no obligation to update such statements.

Contact Information:

Media Contact email: editor@financialnewsmedia.com – +1(561)325-8757

SOURCE: FN Media Group

The MIL Network –

June 27, 2025
MIL-OSI: Lingokids Partners with Animaj to Launch Pocoyo Content on Its App

Source: GlobeNewswire (MIL-OSI)

LOS ANGELES, June 26, 2025 (GLOBE NEWSWIRE) — Lingokids, the #1 interactive app for children ages 2–8, has announced a new partnership with Animaj, the next-generation media company behind the globally beloved preschool brand Pocoyo. Through this collaboration, Pocoyo and his friends are now featured in a dedicated content hub within the Lingokids app, combining entertainment and learning for young children.

Narrated in English by the acclaimed British actor Stephen Fry, Pocoyo is an iconic Hispanic brand with broad international appeal. This partnership marks only the second time Lingokids has partnered with an external intellectual property, further expanding its mission to offer families engaging, guilt-free screen time.

Lingokids users can now enjoy original Pocoyo episodes and exclusive interactive games developed by the Lingokids team. Additional content will be added in the coming months, all designed to support key developmental areas such as vocabulary, creativity, numeracy, problem-solving, and emotional intelligence.

“Lingokids and Animaj both believe that learning should be fun,” said Cristóbal Viedma, Founder and CEO of Lingokids. “By welcoming Pocoyo into the Lingokids universe, we’re offering families even more meaningful and playful experiences that support children’s growth.”

All Pocoyo games within the app are built around Lingokids’ Playlearning™ methodology—an approach that blends educational outcomes with active, engaging play. The content is personalized to each child’s age and developmental stage, creating an immersive and safe learning environment.

“We’re thrilled to bring Pocoyo to Lingokids,” added Lise Cosentino, Head of Brand Management and Communications at Animaj. “Their Playlearning™ philosophy aligns beautifully with our values, and we’re excited for families to discover the exclusive new games featuring our characters.”

This launch follows Lingokids’ successful collaboration with Moonbug Entertainment and further establishes the brand’s commitment to enriching its platform with high-quality, third-party children’s content that is both fun and educational.

Animaj recently raised $85 million to fuel its mission of transforming iconic children’s IPs into global, multi-format franchises using its proprietary AI-driven production pipeline.

About Animaj
Animaj is a next-generation media company that revitalizes iconic kids’ IPs into global franchises using an AI-driven, digital-first approach. Reaching 242 million unique monthly viewers on YouTube, Animaj commands the fifth-largest digital kids’ audience globally (source: Tubular Labs).

About Lingokids
Lingokids is the EdTech and media company behind the world’s #1 interactive learning app for kids ages 2–8. With over 165 million downloads worldwide, the app features thousands of games, videos, and songs that support academic and life skills development in a safe, ad-free environment. Learn more at www.lingokids.com.

A photo accompanying this announcement is available at https://www.globenewswire.com/NewsRoom/AttachmentNg/30c628fe-05de-41d6-91d2-3f1330765432

The MIL Network –

June 27, 2025
MIL-OSI: BTCC Exchange Maintains 135% Total Reserve Ratio in June 2025 Proof-of-Reserves Report Amid Market Volatility
Source: GlobeNewswire (MIL-OSI)

VILNIUS, Lithuania, June 26, 2025 (GLOBE NEWSWIRE) — BTCC, one of the world’s longest-operating cryptocurrency exchanges, releases its June 2025 roof-of-Reserves (PoR) report, demonstrating a strong 135% total reserve ratio as of June 15, 2025. The report reinforces BTCC’s commitment to transparency and user asset security during a period of heightened market volatility.

The comprehensive June PoR report reveals robust reserve ratios across all major cryptocurrencies:
- Bitcoin (BTC): 131%
- Ethereum (ETH): 133%
- Ripple (XRP): 161%
- Tether (USDT): 120%
- USD Coin (USDC): 134%
- Cardano (ADA): 116%
These figures significantly exceed the industry standard of 100%, providing users with enhanced security and confidence in their cryptocurrency holdings.

“Despite the impact of global macroeconomic events in June causing significant fluctuations in crypto market sentiment, overall market confidence continues to recover,” said Alex Hung, Head of Operations at BTCC Exchange.

“In terms of asset security, BTCC has always adhered to the principle of steady operation. Currently, our overall reserve ratio is at 135%, consistently higher than the industry benchmark of 100%, which fully safeguards user asset security.”

This latest PoR report continues BTCC’s monthly transparency initiative, following strong performances in previous months, with May 2025 showing a 152% total reserve ratio and April 2025 demonstrating a 161% asset backing ratio.

BTCC’s commitment to transparency and user protection comes as the exchange celebrates its 14th anniversary this year, marking over a decade of trusted service in the cryptocurrency industry. As part of the anniversary celebrations, BTCC has launched its first-ever user badge program, offering users the opportunity to earn the “14 Years of Momentum” badge and claim exclusive rewards.

The complete June 2025 PoR report and detailed verification instructions are available on BTCC’s official website, underscoring the exchange’s commitment to upholding the highest standards of transparency and user asset protection.

About BTCC

Founded in 2011, BTCC is one of the world’s longest-serving cryptocurrency exchanges, offering secure and user-friendly trading services to millions of users globally. With a commitment to security, innovation, and community building, BTCC continues to be a trusted platform in the evolving cryptocurrency landscape.

Website: https://www.btcc.com/en-US

X: https://x.com/BTCCexchange

Contact: press@btcc.com

A photo accompanying this announcement is available at https://www.globenewswire.com/NewsRoom/AttachmentNg/40b6a0a7-8af4-4b95-b37f-b8ccffc7e856

The MIL Network –
June 27, 2025
MIL-OSI Russia: The documentary film “Xi Jinping: Guarding Chinese Cultural Values” premiered in leading Italian media

Translation. Region: Russian Federal

Source: People’s Republic of China in Russian – People’s Republic of China in Russian –

Source: People’s Republic of China – State Council News

ROME, June 26 (Xinhua) — A documentary film titled “Xi Jinping: Guarding China’s Cultural Treasures” produced by China Media Group (CMG) was screened in Rome on Wednesday as part of the celebrations of the 55th anniversary of the establishment of diplomatic ties between China and Italy.

Starting from June 25, the program will be broadcast by more than 30 leading Italian media outlets, including Alma TV, Donna TV, Travel TV, Lazio TV, Lombardia City TV, Roma Corona TV, Milan Pavia TV and the Milano Finanza website, among others.

“Xi Jinping: Guarding China’s Cultural Heritage” features vivid stories that reflect Chinese President Xi Jinping’s deep concern for the inheritance and development of culture. It presents his profound reflection that “our country will only prosper if our culture prospers, and our nation will only be strong if our culture is strong,” as well as his deep attachment to cultural heritage and commitment to maintaining historical continuity. The program explains to an international audience the essence of Xi Jinping’s thoughts on culture and the solid cultural foundation that underpins his governance philosophy.

The documentary was filmed in places where Xi Jinping worked or inspected, such as Zhengding in Hebei Province, Xiamen in Fujian Province, Hangzhou in Zhejiang Province and Dunhuang in Gansu Province. Through a variety of storytelling forms, including video footage and in-depth interviews, the film vividly presents China’s practical efforts in the new era to trace the origins of civilization and protect cultural heritage, highlighting the profound, comprehensive, inclusive and ever-evolving nature of Chinese culture. –0–

MIL OSI Russia News –

June 27, 2025
MIL-OSI Analysis: Using TikTok could be making you more politically polarized, new study finds

Source: The Conversation – USA – By Zicheng Cheng, Assistant Professor of Mass Communications, University of Arizona

Are you in an echo chamber on TikTok? LeoPatrizi/E+ via Getty Images

People on TikTok tend to follow accounts that align with their own political beliefs, meaning the platform is creating political echo chambers among its users. These findings, from a study my collaborators, Yanlin Li and Homero Gil de Zúñiga, and I published in the academic journal New Media & Society, show that people mostly hear from voices they already agree with.

We analyzed the structure of different political networks on TikTok and found that right-leaning communities are more isolated from other political groups and from mainstream news outlets. Looking at their internal structures, the right-leaning communities are more tightly connected than their left-leaning counterparts. In other words, conservative TikTok users tend to stick together. They rarely follow accounts with opposing views or mainstream media accounts. Liberal users, on the other hand, are more likely to follow a mix of accounts, including those they might disagree with.

Our study is based on a massive dataset of over 16 million TikTok videos from more than 160,000 public accounts between 2019 and 2023. We saw a spike of political TikTok videos during the 2020 U.S. presidential election. More importantly, people aren’t just passively watching political content; they’re actively creating political content themselves.

Some people are more outspoken about politics than others. We found that users with stronger political leanings and those who get more likes and comments on their videos are more motivated to keep posting. This shows the power of partisanship, but also the power of TikTok’s social rewards system. Engagement signals – likes, shares, comments – are like a fuel, encouraging users to create even more.

Why it matters

People are turning to TikTok not just for a good laugh. A recent Pew Research Center survey shows that almost 40% of U.S. adults under 30 regularly get news on TikTok. The question becomes what kind of news are they watching, and what does that mean for how they engage with politics.

The content on TikTok often comes from creators and influencers or digital-native media sources. The quality of this news content remains uncertain. Without access to balanced, fact-based information, people may struggle to make informed political decisions.

TikTok is not unique; social media generally fosters polarization.

Amid the debates over banning TikTok, our study highlights how TikTok can be a double-edged sword in political communication. It’s encouraging to see people participate in politics through TikTok when that’s their medium of choice. However, if a user’s network is closed and homogeneous and their expression serves as in-group validation, it may further solidify the political echo chamber.

When people are exposed to one-sided messages, it can increase hostility toward outgroups. In the long run, relying on TikTok as a source for political information might deepen people’s political views and contribute to greater polarization.

What other research is being done

Echo chambers have been widely studied on platforms like Twitter and Facebook, but similar research on TikTok is in its infancy. TikTok is drawing scrutiny, particularly its role in news production, political messaging and social movements.

TikTok has its unique format, algorithmic curation and entertainment-driven design. I believe that its function as a tool for political communication calls for closer examination.

What’s next

In 2024, the Biden/Harris and Trump campaigns joined TikTok to reach young voters. My research team is now analyzing how these political communication dynamics may have shifted during the 2024 election. Future research could use experiments to explore whether these campaign videos significantly influence voters’ perceptions and behaviors.

The Research Brief is a short take on interesting academic work.

Zicheng Cheng does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

– ref. Using TikTok could be making you more politically polarized, new study finds – https://theconversation.com/using-tiktok-could-be-making-you-more-politically-polarized-new-study-finds-258791

MIL OSI Analysis –

June 27, 2025
MIL-OSI China: Documentary “Xi Jinping’s Cultural Story” premieres on major Italian media

Source: People’s Republic of China – State Council News

In celebration of the 55th anniversary of the establishment of diplomatic ties between China and Italy, a launch event for the documentary “Xi Jinping’s Cultural Story,” produced by China Media Group, was held in Rome on Wednesday.

Starting from June 25, the program will be broadcast across more than 30 mainstream Italian media outlets, including Alma TV, Donna TV, Travel TV, Lazio TV, Lombardia City TV, Roma Corona TV, Milan Pavia TV, and the website of Milano Finanza, among others.

“Xi Jinping’s Cultural Story” features vivid stories that reflect Chinese President Xi Jinping’s deep concern for the inheritance and development of culture. It showcases his profound reflections on the idea that “our country will thrive only if our culture thrives, and our nation will be strong only if our culture is strong,” as well as his deep affection for cultural heritage and his dedication to preserving historical continuity. The program explains to international audiences the essence of Xi Jinping Thought on Culture and the solid cultural foundation underpinning his philosophy of governance.

The documentary includes on-site visits to places where Xi has worked or conducted inspections, such as Zhengding in Hebei Province, Xiamen in Fujian Province, Hangzhou in Zhejiang Province, and Dunhuang in Gansu Province. Through a variety of narrative forms — including video footage and in-depth interviews — it vividly presents China’s practical efforts in the new era to trace the origins of civilization and protect cultural heritage, highlighting the profound, far-reaching, inclusive and ever-evolving nature of Chinese culture.

MIL OSI China News –

June 27, 2025
MIL-OSI: Reliance Global Group Highlights Strong Q1 Results from Spetner Associates
Source: GlobeNewswire (MIL-OSI)

LAKEWOOD, NJ, June 26, 2025 (GLOBE NEWSWIRE) — Reliance Global Group, Inc. (Nasdaq: RELI) (“Reliance,” “we,” “us,” “our” or the “Company”) today highlighted the strong preliminary unaudited financial results of Spetner Associates, Inc. (“Spetner”) for the first quarter ended March 31, 2025. As previously announced, Reliance has entered into a definitive agreement to acquire Spetner, and the transaction continues to advance toward closing.

Spetner’s Q1 2025 Financial Highlights (Unaudited):
- Revenue increased by more than 95% year-over-year to approximately $5.16 million, compared with $2.64 million in Q1 2024.
- Operating income margin grew by 29% year-over-year to 74% from 46% in Q1 2024.
- Net income grew by 220% to approximately $2.98 million, more than triple the approximately $0.9 million reported for Q1 2024.
- Cash flows from operating activities increased by 112% to $2.6 million, more than double the $1.2 million generated in Q1 2024.
Ezra Beyman, CEO of Reliance Global Group, commented, “We’re thrilled with Spetner’s impressive first quarter results, illustrating full alignment with our strategy of acquiring and integrating high-performing cash-generating synergistic insurance distribution platforms. Combined with Reliance’s scalable operating model and technology-driven platform, the combined organization will be well positioned to generate consistent significant profits, returns and cash flows.”

About Reliance Global Group, Inc.

Reliance Global Group, Inc. (NASDAQ: RELI) is an InsurTech pioneer, leveraging artificial intelligence (AI), and cloud-based technologies, to transform and improve efficiencies in the insurance agency/brokerage industry. The Company’s business-to-business InsurTech platform, RELI Exchange, provides independent insurance agencies an entire suite of business development tools, enabling them to effectively compete with large-scale national insurance agencies, whilst reducing back-office cost and burden. The Company’s business-to-consumer platform, 5minuteinsure.com, utilizes AI and data mining, to provide competitive online insurance quotes within minutes to everyday consumers seeking to purchase auto, home, and life insurance. In addition, the Company operates its own portfolio of select retail “brick and mortar” insurance agencies which are leaders and pioneers in their respective regions throughout the United States, offering a wide variety of insurance products. Further information about the Company can be found at https://www.relianceglobalgroup.com.

Forward-Looking Statements

This press release contains “forward-looking statements” within the meaning of the Private Securities Litigation Reform Act of 1995. You can identify these statements by terminology such as “may,” “should,” “could,” “would,” “will,” “expect,” “anticipate,” “intend,” “plan,” “believe,” “estimate,” “continue,” “potential,” and similar expressions. Forward-looking statements in this press release include, without limitation, statements regarding:
- Our expectation that the acquisition of Spetner Associates, Inc. will close as planned or at all and continue to advance toward completion, including obtaining any necessary regulatory or shareholder approvals;
- Our objective to acquire and integrate high-performing, cash-generating synergistic insurance distribution platforms that align with our scalable, technology-driven model to drive shareholder value;
- Our intention to pursue disciplined, accretive growth opportunities across the InsurTech and insurance agency sectors; and
- Other statements regarding our plans, strategies, expectations and intentions concerning future operations, financial performance, and service offerings of either us, Spetner or the potentially combined company thereof.
These forward-looking statements are based on a number of assumptions, including the assumptions that: the LOI will not be terminated prior to execution of definitive purchase agreements; due diligence and documentation negotiations will proceed without material adverse findings; the Fortman sale and the Spetner acquisition will both close as expected; our revenue and EBITDA projections for Spetner are attainable; integration risks will be managed successfully; and there will be no material adverse changes in market, economic or regulatory conditions affecting our businesses. There can be no assurance that any of these assumptions will prove correct.

There are numerous risks and uncertainties that may cause actual results or performance to differ materially from those expressed or implied by these forward-looking statements. These include, among others: the risk that the Fortman buyer may withdraw or renegotiate the terms of the LOI; delays or failure to complete either the Fortman sale or the Spetner acquisition; unanticipated liabilities or integration challenges in connection with Spetner; our inability to realize the projected revenue or EBITDA benefits; competition in the InsurTech and agency brokerage industry; changes in insurance regulation or Nasdaq listing requirements; general economic or financial market conditions; and the other risks and uncertainties described in the “Risk Factors” section of our Registration Statement on Form S-1 and our periodic reports filed with the Securities and Exchange Commission.

You should carefully review our Annual Report on Form 10-K for the year ended December 31, 2024, as amended, and the other reports we have filed or will file with the SEC for a more complete discussion of risks and uncertainties. tExcept as required by law, Reliance Global Group, Inc. disclaims any obligation to update or revise any forward-looking statements, whether as a result of new information, future events or otherwise.

Contact:
Crescendo Communications, LLC
Tel: +1 (212) 671-1020
Email: RELI@crescendo-ir.com

The MIL Network –
June 27, 2025
MIL-OSI: VERB’s MARKET.live Tapped to Produce Walmart Livestream for Popular Wellness Brand BelliWelli

Source: GlobeNewswire (MIL-OSI)

LAS VEGAS, June 26, 2025 (GLOBE NEWSWIRE) — Verb Technology Company, Inc. (Nasdaq: VERB) (“VERB” or the “Company”), Transforming the Landscape of Social Commerce, Social Telehealth and Social Crowdfunding with MARKET.live; VANITYPrescribed; GoodGirlRx; and the GO FUND YOURSELF TV Show, today announced its MARKET.live division will produce and host a high-profile Walmart livestream shopping event for gut-health brand BelliWelli.

The exclusive livestream will air on Walmart.com on Tuesday, July 1, 2025, at 4:00 PM PT, marking BelliWelli’s debut on the platform. The event will be broadcast live from MARKET.live Studios in Los Alamitos, California, utilizing MARKET’s full-service technical production team to deliver a premium livestream shopping experience.

Katie Wilson, Founder and CEO of BelliWelli, tapped MARKET.live to work with TalkShop Live who has traditionally produced Walmart livestream shopping events. Ms. Wilson will appear live from the MARKET.live studios for the event.

“We’ve worked with the MARKET.live team before and they always bring the energy, creativity, and technical excellence we need to execute big moments,” said Katie Wilson. “I couldn’t be more excited to bring our Walmart audience along for this exclusive launch — especially with a surprise mystery flavor!”

“We’re thrilled to support BelliWelli’s Walmart launch by producing the top-tier livestream experience our MARKET.live studio team delivers,” said Rory J. Cutaia, CEO of VERB. “This event with Walmart and BelliWelli is just part of the unprecedented ongoing growth our business is currently experiencing and reinforces our position as the go-to destination for brands looking to scale through interactive video social commerce.”

The event is part of a growing trend in retail, as major brands and retailers turn to livestream shopping to increase engagement and conversion rates, creating a more dynamic and personalized customer experience.

About VERB

Verb Technology Company, Inc. (Nasdaq: VERB), is transforming the landscape of social commerce, social telehealth and social crowdfunding with MARKET.live, LyveCom, VANITYPrescribed, GoodGirlRx, and the GO FUND YOURSELF TV Show. The Company operates multiple business units, each of which leverages the Company’s social commerce technology and video marketing expertise.

MARKET.live, together with recently acquired AI social commerce technology innovator LyveCom, is a multi-vendor, livestream social shopping platform that allows brands and merchants to deliver a true omnichannel livestream shopping experience across their own websites, apps, and social platforms. Advanced AI capabilities power real-time user-generated-content creation, automated video content repurposing for high conversion video ads, and AI-powered virtual live shopping hosts that are virtually indistinguishable from human hosts, capable of real-time audience engagement. Brands utilize the Company’s proprietary AI model trained on tens of thousands of video commerce interactions to automate content creation and intelligent tools designed to optimize merchandising strategies and increase conversion rates.

GO FUND YOURSELF TV Show is a revolutionary interactive social crowd funding platform for public and private companies seeking broad-based exposure for their crowd-funded Regulation CF and Regulation A offerings. The platform combines a ground-breaking interactive national TV show with MARKET.live’s back-end capabilities allowing viewers to tap, scan or click on their screen to facilitate an investment, in real time, as they watch companies presenting before the show’s panel of “Titans”. Presenting companies that sell consumer products are able to offer their products directly to viewers during the show in real time through shoppable onscreen icons.

VANITYPrescribed.com and GoodGirlRx.com are telehealth portals, intended to redefine telehealth by offering a seamless, digital-first experience that empowers individuals to take control of their healthcare needs. They were designed and developed to disrupt the traditional healthcare model by providing tailored healthcare solutions at affordable, fixed prices – without hidden fees, membership costs, or inflated pharmaceutical markups. GoodGirlRx.com, a partnership with Savannah Chrisley, a well-known lifestyle personality and advocate for health and wellness, offers customers access to convenient, no-hassle telehealth services and pharmaceuticals, including the new weight-loss drugs, with fixed pricing regardless of dosage, breaking away from the industry’s traditional model of excessive pricing and pharmaceutical gatekeeping.

The Company is headquartered in Las Vegas, NV and operates full-service production and creator studios in the Los Angeles, California vicinity.

For more information, please visit: www.verb.tech

Follow VERB here:
Facebook: https://www.facebook.com/VerbTechCo
X: https://twitter.com/VerbTech_Co
LinkedIn: https://www.linkedin.com/company/verb-tech
YouTube: https://www.youtube.com/channel/UC0eCb_fwQlwEG3ywHDJ4_KQ
Sign up for E-mail Alerts here: https://ir.verb.tech/news-events/email-alerts

FORWARD-LOOKING STATEMENTS
Statements contained in this press release that are not statements of historical fact are forward-looking statements as defined in Section 27A of the Securities Act of 1933, as amended, and Section 21E of the Securities Exchange Act of 1934, as amended. In some cases, these forward-looking statements can be identified by words such as “anticipate,” “designed,” “expect,” “may,” “will,” “should” and other comparable terms. Forward-looking statements include statements regarding VERB’s intentions, beliefs, projections, outlook, analyses or current expectations and the other risk factors and other cautionary statements included in VERB’s Annual Report on Form 10-K for the year ended December 31, 2024, and its subsequent filings with the Securities and Exchange Commission, including subsequent periodic reports on Quarterly Reports on Form 10-Q and Current Reports on Form 8-K. All forward-looking statements made in this press release speak only as of the date of this press release and are based on management’s assumptions and estimates as of such date. Except as required by law, VERB undertakes no obligation to update or revise forward-looking statements to reflect new information, future events, changed conditions or otherwise after the date of this press release.

Investor Relations Contact: investors@verb.tech
Media Contact: info@verb.tech

The MIL Network –

June 27, 2025
MIL-OSI: Cerence AI Powers In-Car Experience in Premier German Automaker’s New Electric Sedan

Source: GlobeNewswire (MIL-OSI)

BURLINGTON, Mass., June 26, 2025 (GLOBE NEWSWIRE) — Cerence Inc. (NASDAQ: CRNC) (“Cerence AI”), a global leader pioneering conversational AI-powered user experiences, today announced that its core technologies are supporting new agentic and generative AI capabilities in the next-generation of MBUX, rolling out first in the all-new and all-electric Mercedes-Benz CLA. Building on Cerence AI and Mercedes-Benz’s long-term collaboration, this first deployment of the fourth generation of MBUX, supporting advanced conversational capabilities within MBUX Virtual Assistant – as well as the first launch of the automaker’s MB.OS – marks an important milestone in the companies’ shared mission to deliver innovative, intelligent user experiences to Mercedes-Benz drivers.

Cerence AI and Mercedes-Benz are long-time partners on the MBUX infotainment system. For this program, Cerence AI collaborated closely with Mercedes-Benz global development network to develop the MBUX Virtual Assistant. Cerence’s AI solutions, including speech signal enhancement, cloud-based neural speech recognition, natural language understanding, and embedded neural text-to-speech, serve as the core input and output mechanisms across 25 languages, enabling seamless interaction across the platform’s agentic architecture. This includes the automaker’s new “living” avatar, which takes the form of the Mercedes-Benz star. In addition, Cerence AI enables MBUX to deliver more natural and empathetic interactions. Based on different facets of the user’s voice, the system has the capacity to respond in varying emotional speaking styles leveraging Cerence neural TTS.

“We greatly value our ongoing partnership with Mercedes-Benz and are proud of our joint effort to integrate our AI solutions, transforming the in-car experience for drivers and passengers around the world,” said Christian Mentz, Chief Revenue Officer, Cerence AI. “This project underscores our unique ability to meet automakers where they are – in this case, partnering closely with Mercedes-Benz to enhance customer choice for their drivers, leveraging the Cerence AI stack that supports the integration of a variety of services and agents.”

“As we continue to advance MBUX and the Virtual Assistant, we continue our collaboration with Cerence AI to leverage their ongoing innovation in core voice interaction technologies to bring enhanced intelligence and seamless interaction to our drivers,” said Andreas Biehl, Senior Manager Virtual Assistant & Infotainment Experience at Mercedes-Benz.

To learn more about Cerence AI, visit www.cerence.ai, and follow the company on LinkedIn.

About Cerence Inc.
Cerence Inc. (NASDAQ: CRNC) is a global industry leader in creating intuitive, seamless, AI-powered experiences across automotive and transportation. Leveraging decades of innovation and expertise in voice, generative AI, and large language models, Cerence powers integrated experiences that create safer, more connected, and more enjoyable journeys for drivers and passengers alike. With more than 500 million cars shipped with Cerence technology, the company partners with leading automakers, transportation OEMs, and technology companies to advance the next generation of user experiences. Cerence is headquartered in Burlington, Massachusetts, with operations globally and a worldwide team dedicated to pushing the boundaries of AI innovation. For more information, visit www.cerence.ai.

Contact Information
Kate Hickman | Tel: 339-215-4583 | Email: kate.hickman@cerence.com

The MIL Network –

June 27, 2025
MIL-OSI: Cerence AI Powers In-Car Experience in Premier German Automaker’s New Electric Sedan

Source: GlobeNewswire (MIL-OSI)

BURLINGTON, Mass., June 26, 2025 (GLOBE NEWSWIRE) — Cerence Inc. (NASDAQ: CRNC) (“Cerence AI”), a global leader pioneering conversational AI-powered user experiences, today announced that its core technologies are supporting new agentic and generative AI capabilities in the next-generation of MBUX, rolling out first in the all-new and all-electric Mercedes-Benz CLA. Building on Cerence AI and Mercedes-Benz’s long-term collaboration, this first deployment of the fourth generation of MBUX, supporting advanced conversational capabilities within MBUX Virtual Assistant – as well as the first launch of the automaker’s MB.OS – marks an important milestone in the companies’ shared mission to deliver innovative, intelligent user experiences to Mercedes-Benz drivers.

Cerence AI and Mercedes-Benz are long-time partners on the MBUX infotainment system. For this program, Cerence AI collaborated closely with Mercedes-Benz global development network to develop the MBUX Virtual Assistant. Cerence’s AI solutions, including speech signal enhancement, cloud-based neural speech recognition, natural language understanding, and embedded neural text-to-speech, serve as the core input and output mechanisms across 25 languages, enabling seamless interaction across the platform’s agentic architecture. This includes the automaker’s new “living” avatar, which takes the form of the Mercedes-Benz star. In addition, Cerence AI enables MBUX to deliver more natural and empathetic interactions. Based on different facets of the user’s voice, the system has the capacity to respond in varying emotional speaking styles leveraging Cerence neural TTS.

“We greatly value our ongoing partnership with Mercedes-Benz and are proud of our joint effort to integrate our AI solutions, transforming the in-car experience for drivers and passengers around the world,” said Christian Mentz, Chief Revenue Officer, Cerence AI. “This project underscores our unique ability to meet automakers where they are – in this case, partnering closely with Mercedes-Benz to enhance customer choice for their drivers, leveraging the Cerence AI stack that supports the integration of a variety of services and agents.”

“As we continue to advance MBUX and the Virtual Assistant, we continue our collaboration with Cerence AI to leverage their ongoing innovation in core voice interaction technologies to bring enhanced intelligence and seamless interaction to our drivers,” said Andreas Biehl, Senior Manager Virtual Assistant & Infotainment Experience at Mercedes-Benz.

To learn more about Cerence AI, visit www.cerence.ai, and follow the company on LinkedIn.

About Cerence Inc.
Cerence Inc. (NASDAQ: CRNC) is a global industry leader in creating intuitive, seamless, AI-powered experiences across automotive and transportation. Leveraging decades of innovation and expertise in voice, generative AI, and large language models, Cerence powers integrated experiences that create safer, more connected, and more enjoyable journeys for drivers and passengers alike. With more than 500 million cars shipped with Cerence technology, the company partners with leading automakers, transportation OEMs, and technology companies to advance the next generation of user experiences. Cerence is headquartered in Burlington, Massachusetts, with operations globally and a worldwide team dedicated to pushing the boundaries of AI innovation. For more information, visit www.cerence.ai.

Contact Information
Kate Hickman | Tel: 339-215-4583 | Email: kate.hickman@cerence.com

The MIL Network –

June 27, 2025

MIL-OSI: GraniteShares Announces Weekly Distributions For YieldBOOST ETFs

Source: GlobeNewswire (MIL-OSI)

New York, June 26, 2025 (GLOBE NEWSWIRE) — GraniteShares, a leading innovator in exchange-traded funds (ETFs), is pleased to announce the weekly distribution amounts for YieldBOOST ETFs. Designed with the goal of providing investors with enhanced income opportunities, the YieldBOOST suite of ETFs employs an options strategy to generate current income while offering indirect exposure to major equities, indices, and Bitcoin.

The following table outlines the weekly distribution amounts for each YieldBOOST ETF:

Ticker	Fund Name	Ex-Date	Payment Date	Distribution Per Share	Return of Capital Contribution
TSYY	GraniteShares YieldBOOST TSLA ETF	6/27/2025	7/1/2025	0.29982	100.00%
TQQY	GraniteShares YieldBOOST QQQ ETF	6/27/2025	7/1/2025	0.18079	97.65%
YSPY	GraniteShares YieldBOOST SPY ETF	6/27/2025	7/1/2025	0.19173	0.00%
XBTY	GraniteShares YieldBOOST Bitcoin ETF	6/27/2025	7/1/2025	0.50366	81.68%
NVYY	GraniteShares YieldBOOST NVDA ETF	6/27/2025	7/1/2025	0.58972	0.00%

Distributions are determined based on the underlying strategy of each ETF and may vary over time. Investors are encouraged to review fund details and consult with financial professionals regarding their investment choices. Distributions are not guaranteed and may include a return of capital.

GraniteShares remains committed to delivering innovative investment solutions that aim to empower investors to optimize income generation and portfolio diversification (diversification does not limit risk). For additional details regarding the YieldBOOST ETFs, including performance, holdings, and strategy, please visit www.graniteshares.com.

About GraniteShares:

GraniteShares is a global investment firm dedicated to creating and managing ETFs. Headquartered in New York City, GraniteShares offers a diverse range of investment solutions across U.S., U.K., German, French, and Italian stock exchanges. With a focus on high-conviction investing, the firm is a market leader in leveraged single-stock ETFs and other alternative investment products. As of June 25, 2025, GraniteShares manages $9.0 billion in assets.

For more information about the GraniteShares YieldBOOST, please visit: https://graniteshares.com/institutional/us/en-us/

Media Contact:
GraniteShares Inc.
Attn: Media Relations
222 Broadway, 21st Floor
New York, NY 10038
844-476-8747
info@graniteshares.com

The ex-date (or ex-dividend date) for an ETF is the critical trading day on which investors who purchase shares will no longer be entitled to receive the forthcoming dividend distribution, marking the cutoff point that determines dividend eligibility for shareholders.

The record date for an ETF is the specific day, typically one business day after the ex-dividend date, when the fund company takes a snapshot of its shareholder registry to determine which investors are officially entitled to receive the upcoming dividend distribution.

The payable date for an ETF is the specific calendar day when the fund administrator actually distributes the declared dividend payments to all eligible shareholders who owned shares on the record date, completing the dividend distribution process.

Distribution per share for an ETF is the precise monetary amount paid out to investors for each share they own, representing income from dividends, interest, capital gains or return of capital collected by the fund and subsequently distributed to shareholders according to their ownership stake.

The distribution rate for an ETF is a critical performance metric that expresses the annualized percentage return derived from all distributions (including dividends, interest, and capital gains) paid to shareholders over a specified period relative to the fund’s current market price, providing investors with a standardized measure to evaluate income-generating potential across different investment vehicles.

Return of Capital (ROC). The ROC percentage indicates how much the distribution reflects an investor’s initial investment. The figures shown for each Fund in the table above are estimates based on the latest 19a1 forms and may later be determined to be taxable net investment income, short-term gains, long-term gains (to the extent permitted by law), or return of capital. Actual amounts and sources for tax reporting will depend upon the Fund’s investment activities during the remainder of the fiscal year and may be subject to changes based on tax regulations. Your broker will send you a Form 1099-DIV for the calendar year to tell you how to report these distributions for federal income tax purposes.

An options contract is a standardized financial agreement that grants the holder the right, but not the obligation, to buy or sell a specified quantity of an underlying asset, such as a stock, at a predetermined price (known as the strike price) on or before a defined expiration date, enabling investors to hedge risk, generate income or express directional views on market movements.

A put option is a standardized financial contract that grants the holder the right, but not the obligation, to sell a specified quantity of an underlying asset, such as a stock, at a predetermined price (known as the strike price) on or before a defined expiration date, typically used to hedge against potential declines in asset value or to express a bearish market outlook.

Disclaimer:

Performance data quoted represents past performance and is no guarantee of future results. Current performance may be lower or higher than the performance data quoted. Investment return and principal value will fluctuate so that an investor’s shares, when redeemed, may be worth more or less than original cost. Returns less than one year are not annualized. Returns for the fund would have been lower if the management fee had not been waived. NAV prices are used to calculate market price performance prior to the date when the Fund first traded on the NASDAQ. Market performance is determined using the bid/ask midpoint at 4:00pm Eastern time, when the NAV is typically calculated. Market performance does not represent the returns you would receive if you traded shares at other times. For the fund’s most recent month end performance, please call 1(844) 476-8747, or visit graniteshares.com.

For standardized performance of GraniteShares YieldBOOST ETFs, please visit:

Investors should consider the investment objectives, risks, charges and expenses carefully before investing. For a prospectus or summary prospectus with this and other information about the Funds, please call (844) 476 8747 or visit https://graniteshares.com/media/etodfmyu/graniteshares-etf-trust-prospectus-yb.pdf. Read the prospectus or summary prospectus carefully before investing.

The funds are newly launched and come with risks associated with having a limited operating history.

An investment in the Fund involves risk, including the possible loss of principal. The Fund is non-diversified and includes risks associated with the Fund concentrating its investments in a particular industry, sector, or geographic region, which can result in increased volatility. The use of derivatives such as option contracts and swaps are subject to market risks that may cause their price to fluctuate over time. Additional risks include Risk of the Underlying ETF, Derivatives Risk, Affiliate Fund Risk, Counterparty Risk, Price Participation Risk, Distribution Risk, NAV Erosion Risk, Put Writing Strategy Risk, and Option Market Liquidity Risk. These and other risks can be found in the prospectus.

Distributions not guaranteed. Fund does not directly invest in underlying stock. underlying stock. This product involves significant risk. Please go through the disclosures before investing. For important risk disclosures and more, learn more at https://graniteshares.com/institutional/us/enus/

There is no guarantee that the Fund’s investment strategy will be properly implemented, and an investor may lose some or all of its investment.

An Investment in the Funds is not an investment in their Underlying ETF.

– The Fund’s strategy will cap its potential gain if the Underlying ETF’s share increases in value.

– The Fund’s strategy is subject to all potential losses if the Underlying ETF’s share decline, which may not be offset by the income received by the Fund,

– The Fund does not invest directly in the Underlying ETF,

– Fund shareholders are not entitled to any distribution paid by Underlying ETF.

Shares are bought and sold at market price (not NAV) and are not individually redeemed from the ETF. There can be no guarantee that an active trading market for ETF shares will develop or be maintained. Buying or selling ETF shares on an exchange may require the payment of brokerage commissions and frequent trading may incur costs that detract significantly from investment returns.

This information is not an offer to sell or a solicitation of an offer to buy shares of any Funds to any person in any jurisdiction in which an offer, solicitation, purchase, or sale would be unlawful under the securities laws of such jurisdiction. Please consult your tax advisor about the tax consequences of an investment in Fund shares, including the possible application of foreign, state, and local tax laws. You could lose money by investing in the ETFs. There can be no assurance that the investment objective of the Funds will be achieved. None of the Funds should be relied upon as a complete investment program.

The ETF Funds are distributed by ALPS Distributors, Inc. GraniteShares is not affiliated with ALPS. ALPS Distributors, Inc, provides marketing services to the Exchange-Traded Grantor Trusts. The Sponsor of the Trust is GraniteShares LLC.

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The MIL Network –

June 27, 2025

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