Category: Asia

Chinese Culture Festival 2025 to be held June to September to unveil millennia-old Chinese culture through fusion of art and literature  
The CCF is now in its second edition. The opening programme, “Dongpo: Life in Poems” by the China Oriental Performing Arts Group, is directed by internationally acclaimed choreographer and visual artist Shen Wei. The production is an innovative work that integrates traditional Chinese poetic culture with contemporary artistic language and arts appreciation concepts. It blends modern dance with various traditional Chinese culture elements, such as poetry writing, traditional Chinese painting, calligraphy, seal engraving and guqin, which delicately deconstructs the thoughts and emotions in the poetic works by Su Dongpo, a literary master in the Song dynasty, thereby initiating an artistic dialogue spanning thousands of years. The programme is sponsored by the Agricultural Bank of China Limited Hong Kong Branch.
 
As a core part of the CCF, this year’s Chinese Opera Festival (COF) features six quality programmes covering Peking opera, Yuediao opera, Qinqiang opera, Yue opera, Cantonese opera and Kunqu opera. The COF will start off with the China National Peking Opera Company’s new historical Peking opera, “Cession for Consolidation of the Song Regime”. Set during the late Five Dynasties and Ten-Kingdoms period, it tells the story of Qian Chu, the King of Wuyue, honouring the rightful rule of the Song reign by voluntarily submitting his territory. The production conveys the profound themes of valuing people, pursuing peace and stability, and strengthening the communal spirit of Chinese national identity. Furthermore, there will be fantastic shows from a number of renowned art groups and artists, including the Henan Provincial Yue Diao Art Protection and Inheritance Center, the Xi’an Performing Arts Group’s Youth Experimental Troupe of Qinqiang Opera, the Xiaobaihua Yue Opera Troupe of Shaoxing and the Zhejiang Jingkun Art Center (Kun Opera Troupe). The performances will feature winners of the China Theatre Plum Blossom Award such as renowned Peking opera artists Yu Kuizhi and Li Shengsu, Yuediao opera inheritor Shen Xiaomei, Qinqiang artists Dou Fengqin, Tan Jianxun, Qu Qiaozhe, Wang Xincang, Qi Aiyun and Zhang Tao, as well as acclaimed Yue opera performers Wu Fenghua, Wu Suying and Chen Fei.
 
The COF this year also features classic plays inspired by the “Romance of Three Kingdoms”, one of the four great classic novels of Chinese literature. With virtuoso Yuen Siu-fai as artistic director, the Cantonese opera plays “Zhou Yu Thrice Humiliated” and “The Battle at Changbanpo” bring together some of the finest local Cantonese opera talent across three generations to perform. The Peking opera classic “A Meeting of Heroes, Invoking the East Wind and The Huarong Pass”, the Yuediao epic historical drama “Jiang Wei Surrenders” and Qinqiang classic piece “Returning to Jingzhou” will also be staged, bringing opera fans back to the Three Kingdoms era of fierce rivalry. The COF will also present an array of free extension activities such as meet-the-artists sessions, masterclasses, talks, a backstage tour, a demonstration performance and an exhibition so that interested parties can gain a deeper understanding of Chinese opera culture.
 
More on literary and art, “the City under the Moon – Dance Drama ‘Azure After the Rain’” by the Shanghai Dance Theatre highlights the resilient spirit and sentiments of the famous Song dynasty poetess, Li Qingzhao, and her contributions to the inheritance of Chinese literary classics from a contemporary perspective. By blending music, dance and stage art, the dance drama creates the aesthetics of the Song dynasty and its life of the literati, and resonates with today’s audiences through traditional Chinese culture. The original Chinese dance drama, “A Dream of Red Mansions”, by the Jiangsu Centre for the Performing Arts is another production that upholds principles and innovation. Its plot centres around the love triangle between Jia Baoyu, Lin Daiyu and Xue Baochai, and restructures the storylines from the perspective of the 12 Beauties of Jinling, paying homage to fine traditional Chinese culture while rekindling the national classic with views from the young generation. The programme is jointly presented by the LCSD and the Bauhinia Culture Group. These two programmes are also programmes of the “Chinese Performing Arts Hong Kong Season” Series.
 
China was the first country in the world to grow and produce tea. In 2022, “traditional Chinese tea-making techniques and related customs” was inscribed onto the UNESCO Representative List of the Intangible Cultural Heritage of Humanity. This year’s CCF features a “Tea Culture” series, with the “Tan Dun WE-Festival”, curated by Hong Kong’s Ambassador for Cultural Promotion, internationally renowned composer and conductor, Tan Dun, as one of the pre-festival programmes. In addition to the Tan Dun | “Tea: A Mirror of Soul” by the Hong Kong Philharmonic Orchestra, there are also performances of dialogues between traditional and modern percussion, as well as ancient Dunhuang music and dances, which include “Xiangxi Tujia Women’s Daliuzi & Hong Kong Women’s Percussion Ensemble” (the world premiere of “TEA-liuzi”) and “Lost Tang Dynasty Music and Dance Manuscripts: ‘The Vanishing Mogao Caves’”. These performances enable music lovers to appreciate the charm of tea, while telling the good story of China’s intangible cultural heritage in the new era. The “Tea Culture” series also includes other stage performance, exhibitions, talks and demonstrations.
 
The City in Focus of this year’s CCF is Xi’an, a capital of 13 ancient dynasties with profound cultural heritage. It has preserved a large number of precious historical and cultural relics from the Qin, Han, Tang and other dynasties. The CCF brings to Hong Kong a representative opera genre of the region, Qinqiang, with the Xi’an Performing Arts Group’s Youth Experimental Troupe of Qinqiang Opera presenting the classic piece “Zhou Ren on the Way Home”, which conveys the spirit of loyalty and righteousness with its wide vocal range and resounding tones. Other programmes include “The Hong Kong Jockey Club Series: The Great Unity – Civilisation of the Qin and Han Dynasties in Shaanxi Province” exhibition jointly organised by the Hong Kong Museum of History and the Shaanxi Cultural Heritage Promotion Center, showcasing invaluable archaeological relics; the Acrobatic Ballet “Swan Lake” by the Xi’an Acrobatic Troupe jointly presented by the LCSD and the Bauhinia Culture Group; and “Xi’an Guyue” music exhibitions by the Music Office of the LCSD, which all reveal Xi’an’s culture to the audience and foster cultural exchange.
 
This year’s CCF continues to collaborate with the China Federation of Literary and Art Circles Hong Kong Member Association to organise a number of stage performances, including the stage play in Cantonese “Tea-horse Road‧Ballad of the Fallen Dragon” under the “Tea Culture” series; “Ancient Styles‧Modern Chants Classical Literature x Contemporary Dance”; “Melodies of Chinese Poetry” concert; “Taisheng and Huayin Lao Qiang: Big Uncle, Second Uncle are All His Uncles” concert, and “Classics Revisited – Highlights of Peking Opera and Kunqu”. All these demonstrate the power of unity of the local cultural sector, as well as their solid competence and boundless creativity in promoting Chinese culture. The “Legacy and Vision: Conversations with Chinese Cultural Masters” lecture series also returns, featuring top experts from various culture and artistic fields to share their insights. Meanwhile, outstanding local works recognised by the China National Arts Fund will be staged in the CCF, such as the Cantonese Music Assembly’s “Cantonese Rhyme, Poetic Homeland – Sentiment of Chinese Music in the Greater Bay Area by Ricky Yeung Wai-kit & Sha Jingshan” recital, Hong Kong Gaudeamus Dunhuang Ensemble’s Museum Series: “The Sounds from Cultural Relics” and Miranda Chin Dance Company’s “Hé The Rite of Spring”.
 
The CCF promotes high-quality provincial and local stage productions. Among them is the “Ancient Chinese Puppetry with Timeless Charm” by the Quanzhou Marionette Show Inheritance and Protection Center from Fujian Province, in which performers move delicate puppets around by controlling strings in their skilful hands to perform classic short plays. In the “Concert by Shanghai Xuhui Chiangqiao Jiangnan Silk and Bamboo Ensemble”, the representative inheritors of Jiangnan silk and bamboo music from Shanghai, along with talented young Shanghainese musicians, will perform classical string and wind pieces. Other programmes include the opening programme of the International Arts Carnival 2025 – Kungfu Drama “Soul of Shaolin” by the Henan Provincial Shaolin Wushu Center; the “Innovative Music-making Journey to China: MO x e-Orch” concert by the Music Office; the “Silk Road Resonance” by the Hong Kong Music Lover Chinese Orchestra and Xinjiang Art Theater Traditional Orchestra Ensemble; the Hong Kong Chinese Orchestra’s 49th Orchestral Season Opening Concert “Silken Notes of the Pipa”; the Hong Kong Dance Company’s 2025/26 Dance Season Opening Programme Grand Dance Poem “A Dance of Celestial Rhythms”, and more.
 
Apart from stage performances, the CCF will also present a number of film programmes. “Tracing Qin and Han Through Cinema” features eight representative local works set in the Qin and Han dynasties, including “The Great Conqueror’s Concubine” (1994) (4K Digitised Version), which was directed by Stephen Shin, as the opening film, while “Cantonese Opera Films: The Legend of Guan Gong” features five selected Cantonese opera films, including the rarely screened colour film “General Kwan Escorts His Sisters-in-Law on a Thousand Mile Journey” (1957). The “Chinese Opera Film Shows” of the COF will present a series of “Three Kingdoms” themed Chinese opera films from the 1950s to 1980s. The Hong Kong premiere of director Yonfan’s latest documentary, “Crossing Years” (2024) will be held, capturing renowned Chinese artist Huang Yongyu’s conversation with Yon about his life before Chinese New Year’s Eve in 2012.
 
For the dates and venues of the above-mentioned programmes, please see the Annex. Tickets will be available at URBTIX (www.urbtix.hk 
     To offer the public with more opportunities to enjoy distinctive Chinese cultural programmes, in addition to the above-mentioned performing arts events, this year’s CCF will continue to launch various free exhibitions and activities. They include the “Mystery of Chinese Writing” Roving Exhibition, “Genesis and Spirit – Intangible Cultural Heritage Exhibition on Jiangxi’s Ganzhou “Hakka” Culture” (tentative title), “Amazing Oracle Bone Script” Exhibition, “The Power of Chinese Characters” Exhibition, “Tea Culture” series’ “The History and Art of Tea” Exhibition, and more. The LCSD will hold the “Encountering Chinese Culture” Carnival presenting stage performances at the Sha Tin Town Hall and the New Town Plaza on June 22 (Sunday), as well as the library-on-wheels, intangible cultural heritage booths and performances, etc. In addition to the spectacular lantern displays of different themes, the Mid-Autumn Lantern Carnival 2025 to be held in September and October will also arrange a wide range of activities. Details of the above activities will be announced later.
 
To enhance participation of students in the CCF, this year’s “Chinese Culture for All: A Special Performance Series” will include activities tailor-made for students in different art forms, such as dance, Chinese opera, stage plays, music, multi-arts and film screenings, etc, together with the “Chinese Opera En Route to Campus” to encourage students’ participation and enhance their interest in Chinese culture.
 
Renowned Hong Kong composer Chris Babida is commissioned to compose original theme music for the CCF. The composition features dizi and erhu as the main instruments accompanying Chinese percussion, and is infused with a mix of Western and pop music styles, giving a contemporary flavour to the traditional Chinese music. The work exemplifies the diversity of Hong Kong, a melting pot where East meets West. The theme music will be featured as the background music for the trailer of the CCF, which can be viewed on the CCF website.
 
The CCF, presented by the Culture, Sports and Tourism Bureau and organised by the Chinese Culture Promotion Office under the LCSD, aims to promote Chinese culture and enhance the public’s national identity and cultural confidence. It also aims to attract top-notch artists and arts groups from both the Mainland and other parts of the world for exchanges in Chinese arts and culture. For more information about programmes and activities of the CCF 2025, please visit the above-mentioned CCF website.
Issued at HKT 18:45