Category: Entertainment

  • MIL-OSI: Bitcoin Solaris Enters Final Weeks of Presale Amid Growing Investor Interest

    Source: GlobeNewswire (MIL-OSI)

    TALLINN, Estonia, July 03, 2025 (GLOBE NEWSWIRE) — Bitcoin Solaris (BTC-S), a next-generation blockchain project, today announced it has entered the final four weeks of its limited presale, with over $6 million raised and more than 13,650 users participating. This milestone marks a key moment for the BTC-S ecosystem, which aims to redefine accessibility in crypto through mobile mining, smart contract integration, and energy-efficient consensus design.

    The token is currently priced at $10, with the next phase set to increase to $11 and an official launch price of $20. A 6% bonus remains available for eligible presale participants.

    BTC-S Builds the Future

    Bitcoin Solaris (BTC-S) flips the script. With its dual-layer blockchain design, a hybrid consensus that blends Proof-of-Work with Delegated Proof-of-Stake, and energy-efficient infrastructure, BTC-S is designed from the ground up to support scalability, mobile-first mining, and lightning-fast smart contract performance. The system achieves 10,000 TPS with finality in 2 seconds, positioning it as one of the fastest decentralized platforms in development today.

    BTC-S: Wealth-Building Meets Modern Infrastructure

    Let’s talk about what truly makes Bitcoin Solaris a potential wealth-creation engine. Unlike traditional cryptocurrencies that require expensive equipment and deep technical skills, BTC-S makes mining accessible to everyone through the upcoming Solaris Nova app.

    Using a refined adaptive algorithm and smart validator rotation, mining is optimized for smartphones. And that’s not speculation. It’s already live in testing and supports efficient participation with minimal energy use. Whether you’re in a big city or a rural area, mobile mining with BTC-S is designed to be truly inclusive. You can even preview your potential earnings using their mining calculator.

    But that’s just the beginning. BTC-S is also pushing boundaries with smart contract support and a growing set of DeFi functionalities. It’s not just a coin. It’s an ecosystem with room to build.

    From Mobile to Mainnet BTC-S Powers a New Financial Era

    Core highlights include:

    • Dual-consensus model with validator rotation for security and decentralization
    • Cross-chain bridge development for asset interoperability
    • Smart contracts optimized for DeFi scalability
    • Ongoing audits from Cyberscope and Freshcoins
    • Full integration with the Solaris Nova App for on-the-go mining and governance

    And let’s not forget the excitement brewing in the crypto influencer space. The team behind BTC-S has been getting attention from prominent channels. A full review by Crypto Show dives into what’s making Bitcoin Solaris one of the most talked-about launches of the year.

    The Presale: A Window That’s Closing Fast

    Investors love numbers. Here are a few worth paying attention to.

    • Current price: $10
    • Next phase: $11
    • Launch price: $20
    • Bonus: 6%
    • Over $6 million raised, and more than 13,650 users have joined

    And this isn’t one of those endless presales that drag on for a year. The entire event is capped at just 90 days. That means only around 4 weeks remain to get in before BTC-S goes live and enters the next phase. With this kind of momentum, it’s no wonder some are calling it the shortest presale in crypto history.

    To receive your tokens on launch day, Bitcoin Solaris recommends using Trust Wallet or Metamask for smooth and secure delivery. These platforms ensure seamless distribution without requiring a connection during the presale phase.

    You can track everything directly from the main platform at bitcoinsolaris.com.

    BTC-S Tokenomics: Designed for Scarcity and Growth

    If you’re wondering what makes BTC-S truly different from Bitcoin, it starts with distribution. While Bitcoin mining now rewards whales, Bitcoin Solaris designed its tokenomics to favor longevity and fair access. The entire structure is focused on real utility, scarcity, and growth.

    BTC-S follows a fixed-supply model with a maximum of 21 million tokens. The breakdown is worth a glance and can be found on their official tokenomics page, but here’s a quick preview:

    • 66.66% reserved for mining, distributed over 90 years
    • 20% allocated to the presale
    • The rest is dedicated to liquidity, community, marketing, and development

    This long-term vision isn’t just fluff. It’s embedded into how BTC-S operates. Fair, structured, and driven by actual participation.

    In addition, Holders can now enjoy daily mini-games from Bitcoin Solaris, unlocking new chances to earn every day. Explore how it works here.

    Final Thoughts: Trump Lit the Spark, But BTC-S Carries the Torch

    Trump’s Bitcoin comments are the kind of headlines that draw eyes. But Bitcoin Solaris is offering something stronger than soundbites. It’s offering architecture, access, and opportunity. For those who missed Bitcoin’s early years and feel like they arrived too late, BTC-S may just be that rare second chance.

    And it’s not just a theory. It’s live. It’s active. And it’s fast approaching a launch that could redefine what early adoption means in this cycle.

    For more information on Bitcoin Solaris:
    Website: https://www.bitcoinsolaris.com/
    Telegram: https://t.me/Bitcoinsolaris
    X: https://x.com/BitcoinSolaris

    Media Contact:
    Xander Levine
    press@bitcoinsolaris.com
    Press Kit: Available upon request

    Disclaimer: This content is provided by Bitcoin Solaris. The statements, views, and opinions expressed in this content are solely those of the content provider and do not necessarily reflect the views of this media platform or its publisher. We do not endorse, verify, or guarantee the accuracy, completeness, or reliability of any information presented. We do not guarantee any claims, statements, or promises made in this article. This content is for informational purposes only and should not be considered financial, investment, or trading advice.Investing in crypto and mining-related opportunities involves significant risks, including the potential loss of capital. It is possible to lose all your capital. These products may not be suitable for everyone, and you should ensure that you understand the risks involved. Seek independent advice if necessary. Speculate only with funds that you can afford to lose. Readers are strongly encouraged to conduct their own research and consult with a qualified financial advisor before making any investment decisions. However, due to the inherently speculative nature of the blockchain sector—including cryptocurrency, NFTs, and mining—complete accuracy cannot always be guaranteed.Neither the media platform nor the publisher shall be held responsible for any fraudulent activities, misrepresentations, or financial losses arising from the content of this press release. In the event of any legal claims or charges against this article, we accept no liability or responsibility.Globenewswire does not endorse any content on this page.

    Legal Disclaimer: This media platform provides the content of this article on an “as-is” basis, without any warranties or representations of any kind, express or implied. We assume no responsibility for any inaccuracies, errors, or omissions. We do not assume any responsibility or liability for the accuracy, content, images, videos, licenses, completeness, legality, or reliability of the information presented herein. Any concerns, complaints, or copyright issues related to this article should be directed to the content provider mentioned above.

    Photos accompanying this announcement are available at:

    https://www.globenewswire.com/NewsRoom/AttachmentNg/da8fa6b1-e655-42f5-83da-3af586f5d9cb

    https://www.globenewswire.com/NewsRoom/AttachmentNg/dd0f3d3c-9319-4033-8368-a75d65eece20

    https://www.globenewswire.com/NewsRoom/AttachmentNg/504dc2bd-4ef4-4350-866d-d8419a416555

    https://www.globenewswire.com/NewsRoom/AttachmentNg/16b32510-defe-48a8-b5c0-6d8d782d5622

    The MIL Network

  • MIL-OSI: Gate Launches xStocks Trading Section, Bridging Crypto Finance and Global Capital Markets

    Source: GlobeNewswire (MIL-OSI)

    PANAMA CITY, July 03, 2025 (GLOBE NEWSWIRE) — In July 2025, Gate, a global leading digital asset trading platform, officially launched its xStocks trading section, covering both spot and futures markets. The initial listings include 8 popular tokenized stocks, such as COINX, NVDAX, CRCLX, AAPLX, METAX, HOODX, TSLAX, and GOOGLX, enabling global users to trade tokenized stocks directly with crypto assets like USDT. Gate Alpha has also rolled out support for xStocks, listing MSTRx, CRCLx, SPYx, NVDAx, TSLAx, and AAPLx, further expanding users’ access to on-chain assets and strategic trading options.

    This initiative not only diversifies investment channels for crypto users but also marks a new phase in the convergence of crypto finance and traditional markets. Gate is now the first platform to launch a futures market for tokenized stocks, establishing a fully closed-loop trading infrastructure at the intersection of digital and traditional finance.

    Removing Barriers: Connecting Global Users to Wall Street
    Gate’s xStocks trading section adopts a compliant, asset-backed tokenization model. All tokens are fully collateralized and represent publicly traded U.S. stocks. These tokens are freely transferable and compatible across multiple blockchains and ecosystems.

    Unlike traditional brokers that require regional accounts, complex KYC, and fiat settlement, Gate’s tokenized stocks services are globally accessible and require no KYC, allowing users to invest using USDT and other crypto assets. This borderless trading model significantly lowers entry barriers for global participants, offering a seamless path for cross-border capital movement and global portfolio allocation.

    The platform also supports 24/7 trading, fractional investment, and on-chain liquidity, breaking down traditional time and regulatory constraints, and delivering a highly flexible, decentralized investment experience that links TradFi and DeFi.

    World-First Futures Market for Tokenized Stocks, Redefining Derivatives Boundaries
    As the first platform globally to launch the futures market for tokenized stocks, Gate enables users to apply leverage and execute two-way strategies on U.S. stocks, all under a USDT pricing system, empowering more dynamic risk and return management.

    The trading infrastructure has been fully optimized for this launch, with upgrades to matching engines, pricing models, and risk control systems. Tailored to the liquidity profiles of U.S. stocks and the behavioral patterns of crypto-native traders, the system delivers high responsiveness, strong compatibility, and robust user experience across both spot and futures markets.

    A Strategic Leap Toward the Next-Generation Crypto Exchange
    Gate’s expansion into tokenized stocks represents a key milestone in its long-term strategy of bridging traditional and future finance. By building crypto-native infrastructure for traditional assets, Gate is redefining how users access and interact with global capital markets.

    Dr. Han, Founder and CEO of Gate, stated: “Our mission isn’t just to add a new asset class, but to transform the relationship between users and assets. We aim to create a truly global, borderless investment platform that empowers everyone to access financial opportunities worldwide.”

    In 2025, Gate completed a major brand upgrade and transitioned to the unified domain Gate.com, marking a new chapter in its global strategy. The platform currently ranks Top 2 globally in spot trading volume, with continued strength in derivatives, liquidity depth, and user activity, reinforcing its position as a leader in global crypto financial infrastructure.

    As the digital transformation of global finance accelerates, Gate’s launch of tokenized stocks offers a model for the industry and demonstrates a pioneering approach to integrating decentralized infrastructure with traditional capital markets, propelling the platform toward its vision as the next-generation crypto exchange.

    About Gate
    Gate, founded in 2013 by Dr. Han, is one of the world’s earliest cryptocurrency exchanges. The platform serves over 30 million users with 3,600+ digital assets and pioneered the industry’s first 100% proof-of-reserves. Beyond core trading services, Gate’s ecosystem includes Gate Wallet, Gate Ventures, and other innovative solutions, while its global partnerships extend to top-tier sports brands like Oracle Red Bull Racing in F1 and Inter.

    For more information, please visit: Website | X | Telegram | LinkedIn | Instagram | YouTube

    Media Contact:
    Loyo at loyo@gate.com

    Disclaimer:
    This content does not constitute an offer, solicitation, or recommendation. You should always seek independent professional advice before making investment decisions. Gate may restrict or prohibit certain services in specific jurisdictions. For more information, please read the User Agreement via https://www.gate.com/user-agreement.

    This content is provided by Gate. The statements, views, and opinions expressed in this content are solely those of the content provider and do not necessarily reflect the views of this media platform or its publisher. We do not endorse, verify, or guarantee the accuracy, completeness, or reliability of any information presented. We do not guarantee any claims, statements, or promises made in this article. This content is for informational purposes only and should not be considered financial, investment, or trading advice.Investing in crypto and mining-related opportunities involves significant risks, including the potential loss of capital. It is possible to lose all your capital. These products may not be suitable for everyone, and you should ensure that you understand the risks involved. Seek independent advice if necessary. Speculate only with funds that you can afford to lose. Readers are strongly encouraged to conduct their own research and consult with a qualified financial advisor before making any investment decisions. However, due to the inherently speculative nature of the blockchain sector—including cryptocurrency, NFTs, and mining—complete accuracy cannot always be guaranteed.Neither the media platform nor the publisher shall be held responsible for any fraudulent activities, misrepresentations, or financial losses arising from the content of this press release. In the event of any legal claims or charges against this article, we accept no liability or responsibility. Globenewswire does not endorse any content on this page.

    Legal Disclaimer: This media platform provides the content of this article on an “as-is” basis, without any warranties or representations of any kind, express or implied. We assume no responsibility for any inaccuracies, errors, or omissions. We do not assume any responsibility or liability for the accuracy, content, images, videos, licenses, completeness, legality, or reliability of the information presented herein. Any concerns, complaints, or copyright issues related to this article should be directed to the content provider mentioned above.

    A photo accompanying this announcement is available at https://www.globenewswire.com/NewsRoom/AttachmentNg/77167a8f-f56c-4c37-b465-3c8a89ac8047

    The MIL Network

  • MIL-OSI: Same Day Personal Loans Guaranteed Approval – Radcred Introduces Instant Loan Funding Option For US Borrowers In Emergencies.

    Source: GlobeNewswire (MIL-OSI)

    Glandale, California, July 03, 2025 (GLOBE NEWSWIRE) — Unexpected expenses often demand cash faster than traditional lenders can respond. RadCred’s same day personal loans guaranteed approval give U.S. consumers a practical option when time and credit scores are in short supply. Using a streamlined digital process and no credit check loans guaranteed approval, the platform reviews income and repayment ability rather than a borrower’s FICO score. That approach opens the door to urgent loans for bad credit, personal loans, no credit check, and even bad credit personal loans guaranteed approval $5,000. RadCred aims to deliver reliable funding within hours of application helping households navigate financial surprises with greater confidence.

    What Are Same-Day Loans?

    Same-day personal loans are short-term credit products structured to move from application to disbursement in a single business day. Approval is largely automated, and funds usually arrive via ACH within hours, making the loans suitable for emergency car repairs, medical bills, or time-sensitive household costs. RadCred enhances the model with no credit check loans guaranteed approval, relying on pay-stub and bank-deposit verification instead of hard inquiries. Because the decision hinges on present cash flow, borrowers with prior delinquencies can still qualify for bad credit loans guaranteed approval

    The result is an emergency loan bad credit guaranteed approval option that mirrors the speed of same day payday loans while offering the predictability of fixed monthly payments and clear personal loans no credit check terms.

    Why U.S. Borrowers Are Turning to Same-Day Loans for Quick Financial Relief 

    Rising living costs, volatile gig-economy earnings, and limited savings buffers have pushed many Americans to seek same day loans that bypass conventional underwriting. Surveys by the Federal Reserve show nearly four in ten adults would struggle to cover a $400 surprise expense amplifying demand for no credit check loans guaranteed approval that can bridge pay-cycle gaps. For households with spotty credit files, urgent loans for bad credit fill a market void left by banks’ tighter score thresholds. 

    Compared with credit-card cash advances, personal loans no credit check often feature clearer repayment schedules and lower fee ceilings. When medical deductibles or repair invoices arrive unexpectedly, an emergency loan bad credit guaranteed approval can prevent late fees, service shut-offs, or missed rent. 

    How Same-Day Loans Help Borrowers with Bad Credit: RadCred’s Guaranteed Approval Solution 

    Borrowers with sub-600 scores often meet sudden costs but lack access to mainstream credit. RadCred’s same day loans guaranteed approval address this gap by weighting affordability over history. Applicants supply recent pay statements, benefit letters, or gig-platform deposits; automated underwriting then matches them to bad credit loans guaranteed approval products sized to documented income. Because payment dates align with pay cycles, the risk of delinquency is lower than with rollover-style advances, supporting responsible use of personal loans for bad credit

    In urgent scenarios hospital copays, appliance replacement, or travel to assist family an emergency loan bad credit guaranteed approval can arrive the same afternoon, avoiding high-overdraft fees. For smaller cash shortfalls, RadCred also facilitates same day payday loans that settle in one lump sum on the next payday. 

    How Online Lending Platforms Are Fueling the Growth of Same-Day Loans 

    Cloud-based verification tools, open-banking APIs, and real-time payments infrastructure allow online lenders to approve and deliver same-day personal loans far faster than branch-based institutions. Algorithms reviewing income streams enable no credit check loans guaranteed approval with minimal paperwork. 

    Platforms such as RadCred aggregate multiple funding sources, letting borrowers compare bad credit personal loans guaranteed approval $5,000 in minutes. Because identity and income checks occur behind encrypted connections, applicants upload fewer documents yet receive clearer personal loans no credit check offers. For consumers facing an emergency loan bad credit guaranteed approval scenario, that end-to-end digitization reduces both time-to-cash and privacy risk key factors propelling online-originated same-day lending volumes.

    Why Same Day Loans Are More Popular Than Ever: Key Trends and Insights By Radcred

    Several macro forces underpin the surge in same-day personal loans. First, payroll volatility especially among contract and service workers creates intermittent income cliffs that demand rapid liquidity. Second, traditional bank branches continue to close, reducing local credit availability and nudging consumers online for no credit check loans guaranteed approval. Third, fintech competition lowers origination costs, enabling lenders to approve guaranteed approval payday loans at scale. 

    Regulatory data also show younger adults favor mobile borrowing over credit-card cash advances, citing transparent fee structures on bad credit personal loans guaranteed approval $5,000. Meanwhile, inflationary pressures raise the median emergency expense, elevating demand for urgent loans for bad credit that exceed typical payday-loan limits but still settle within 24 hours. 

    Finally, real-time payment rails such as RTP® and FedNow® shorten funding cycles, making quick disbursement a consumer expectation rather than a premium service. Collectively, these trends position same-day lending and RadCred’s digital marketplace as pivotal in the evolving U.S. short-term credit ecosystem.

    Key Features of RadCred’s Same-Day Personal Loans 

    • Soft-Pull Underwriting: Applications trigger only a soft inquiry, preserving scores while delivering no credit check loans guaranteed approval results in minutes.
    • Same-Day ACH Funding: Once documents are e-signed, partnered lenders initiate disbursement so borrowers often receive cash before the next business morning.
    • Flexible Amounts: From $300 micro-advances to bad credit personal loans guaranteed approval $5,000, loan sizes scale to verified income, giving users right-sized solutions.
    • Fixed APR & Term Choices: Customers may select shorter payoff windows for lower interest cost or longer terms for budget-friendly installments—useful for any emergency loan bad credit guaranteed approval need.
    • Integrated Repayment Reminders: Automated email/SMS alerts help prevent missed payments, supporting credit-rebuilding goals while using same day payday loans responsibly.
    • Data Security & Compliance: AES-256 encryption, SOC-2–audited servers, and state-licensed lenders protect applicant data and ensure adherence to fair-lending statutes.

    How to Get Same-Day Guaranteed Approval Loans From RadCred 

    1. Visit RadCred.com and select the same-day loans guaranteed approval application.
    2. Enter basic details—name, address, SSN (for soft inquiry), employer, and monthly income.
    3. Upload proof (pay stub or bank-deposit screenshot). This step replaces a hard pull, enabling personal loans no credit check decisions.
    4. Review offers from RadCred’s lender network. Each card shows APR, finance charge, and payoff date—ideal when comparing emergency loan bad credit guaranteed approval choices.
    5. E-sign electronically. Lenders then send a final disclosure and initiate ACH. For most urgent loans for bad credit submitted before 11 a.m. ET, funds post same day; later submissions fund next morning.
    6. Repay automatically via scheduled withdrawals, or prepay anytime without penalty.

    Eligibility for Same-Day Loans 

    • Must be a U.S. resident aged 18 or older.
    • Provide verifiable monthly income of at least $1,000.
    • Maintain an active checking account for deposits and debits.
    • Supply a working email and mobile phone for verification.
    • No minimum FICO score

    RadCred’s same-day personal loans guaranteed approval rely on real-time cash-flow analysis, extending access to applicants who may not qualify for bank credit.

    Conclusion

    RadCred’s expanded suite of same-day personal loans and same-day payday loans offers a credible lifeline when traditional credit falls short. By centering decisions on earnings rather than history, the company delivers emergency loan bad credit guaranteed approval options up to $5,000, empowering borrowers to manage surprises without enduring hard inquiries or protracted waits. Transparent pricing, encrypted processing, and licensed-lender oversight further distinguish RadCred’s marketplace positioning it as a practical, responsible choice for immediate cash-flow needs in today’s unpredictable economy.

    Disclaimer 

    All loan offers originate from independent, state-licensed lenders within RadCred’s network. Approval is contingent on meeting age, residency, income, bank-account, and regulatory requirements; therefore, “guaranteed” refers to high but not universal approval odds. Applications use soft inquiries only; late or missed payments may still be reported. Loan amounts, APRs, fees, and funding speed vary by state and lender. Funds typically deposit same day, but bank processing may delay availability. Borrow responsibly only borrow what you can comfortably repay.

    FAQ 

    Q1: How fast can I get a loan?
    If you apply before 11 a.m. ET and meet income criteria, many same-day personal loans guaranteed approval fund within hours; later submissions usually post next business morning.

    Q2: What is the maximum loan amount?
    RadCred’s network currently offers up to $5,000 for bad credit personal loans guaranteed approval $5,000; first-time borrowers may receive smaller limits based on income.

    Q3: Does applying affect my credit score?
    No. RadCred performs only soft pulls. However, lenders may report late payments, which could impact credit.

    Q4: Are there any hidden fees?
    No. Every offer details APR, origination or late fees, and total repayment cost before you accept, ensuring transparency for guaranteed approval payday loans or installment products.

    The MIL Network

  • MIL-OSI: PBK Miner announces progress on its AI cloud mining infrastructure after raising $80 million in Series B funding

    Source: GlobeNewswire (MIL-OSI)

    Carshalton, UK, July 03, 2025 (GLOBE NEWSWIRE) — Founded in 2019, PBK Miner, a UK cloud mining platform, announced the successful completion of its Series B financing, receiving $80 million to support the integration of artificial intelligence technology into its cloud mining business. This round of financing was participated by several investment institutions with expertise in the fields of blockchain and sustainable technology.

    PBKMiner said the newly raised funds will be used to enhance its global network of renewable energy data centers and develop artificial intelligence mining systems designed to improve operational efficiency. These systems are designed to dynamically manage computing resources, predict optimal mining intervals, and reduce overall energy consumption, thereby increasing block verification success rates and operational stability.

    PBKMiner currently operates more than 100 data centers in multiple countries. These facilities are powered by renewable energy such as wind and solar, in line with the company’s environmentally sustainable mining strategy. The platform reportedly serves 8.5 million users in 183+ countries and regions.

    Cloud Mining Overview

    Cloud mining allows users to access cryptocurrency mining capabilities by renting computing power from a service provider, without having to purchase and maintain physical hardware. This model provides an alternative to traditional mining, which usually requires significant capital investment and technical expertise.

    Newbie-friendly: No technical skills required. New users get an instant $10 sign-up bonus.

    In the fast-moving world of cryptocurrency, ease of use and sustainable profitability are essential. PBKMiner’s cloud mining service is an attractive option for beginners looking for a reliable source of passive income.

    PBKMiner supports a variety of digital assets, including BTC, ETH, DOGE, USDT, USDC, LTC, XRP, SOL and BCH, etc. The mining business is fully managed by PBKMiner, including hardware maintenance and infrastructure operations.

    Integration of artificial intelligence

    PBKMiner integrates artificial intelligence into the cloud mining framework, aiming to optimize resource allocation and performance in real time. This approach is expected to reduce electricity consumption in renewable energy centers and increase system responsiveness.

    The company has said it plans to expand its green data center footprint in Europe, North America, and Asia. The centers are expected to use wind and hydroelectric power to provide low-cost and sustainable mining capacity.

    PBKMiner now offers flexible smart cloud mining plans:

    • 2-day strategy: return rate +6.7%
    • 5-day strategy: return rate +6.19%
    • 15-day strategy: return rate +20.9%
    • 30-day strategy: return rate +55.7%

    These performance figures are not speculation, but are based on real usage data from millions of users. This is due to PBKMiner’s AI-driven profit optimization engine and result-oriented cloud mining model.

    One of the most attractive aspects of AI cloud mining plans is the ultra-low investment threshold and flexible contract period. For example, a 2-day cloud mining strategy starts at only $100.

    How to start AI cloud mining with PBKMiner

    1.Register: Sign up now and get a $10 welcome bonus, plus a $0.60 daily login bonus.

    1. Choose a contract: Select a mining plan that fits your budget and financial goals. All available plans support AI cloud mining.
    2. Start earning: Once your contract is activated, PBKMiner’s intelligent platform will take care of the rest – ensuring seamless and efficient mining operations to maximize your profits.

    About PBKMiner

    Founded in 2019, PBKMiner represents a new generation of AI-driven cloud mining technology, based on data, performance, and trust. The platform supports cloud mining of XRP, BTC, ETH, LTC, DOGE, and SOL. With a rapidly growing global user base, PBKMiner will stand out as one of the most promising cryptocurrency investment opportunities in 2025, especially for investors who seek sustainable long-term returns rather than speculative gains.

    For full details and participation options please visit: https://pbkminer.com

    Disclaimer: The information provided in this press release does not constitute an investment solicitation, nor does it constitute investment advice, financial advice, or a trading recommendation. Cryptocurrency mining and staking involve risks and may result in the loss of funds. It is strongly recommended that you perform due diligence before investing or trading in cryptocurrencies and securities, including consulting a professional financial advisor.

    Media Contact:

    Alison Evans

    PBK Miner

    info@pbkminer.com

    https://pbkminer.com

    Disclaimer: The information provided in this press release does not constitute an investment solicitation, nor does it constitute investment advice, financial advice, or trading recommendations. Cryptocurrency mining and staking involve risks and the possibility of losing funds. It is strongly recommended that you perform due diligence before investing or trading in cryptocurrencies and securities, including consulting a professional financial advisor.

    The MIL Network

  • MIL-OSI: NIRI and Investor Relations Profession Recognized at Nasdaq and NYSE with Historic Dual Closing Bell Ceremonies

    Source: GlobeNewswire (MIL-OSI)

    PHILADELPHIA, July 03, 2025 (GLOBE NEWSWIRE) — NIRI: The Association for Investor Relations, together with The Philadelphia Chapter of NIRI marked a milestone for the investor relations (IR) profession by ringing the closing bells at both the Nasdaq and New York Stock Exchange on Monday, June 30, 2025. The simultaneous ceremonies celebrated the strategic role of investor relations professionals in progressing communications, confidence, and connection between companies and capital markets.

    “NIRI sets the standard for excellence in the field and is proud to represent more than 1,500 member companies and over 12 trillion dollars in market capitalization,” said Matthew D. Brusch, NIRI President and CEO, and co-bell ringer at the NYSE. “These ceremonies spotlighted the progress achieved in advancing the investor relations profession and recognition of the impact and value the NIRI community and IR brings to the capital markets.”

    This momentous and coordinated celebration was made possible with the leadership of our exchange hosts, Nasdaq’s Garrett Low, Senior Managing Director, Capital Access Platforms and NYSE’s Andrew Bjorkman, CETF, Director, Regional Head of Mid-Atlantic & Northwest and NIRI Philadelphia Board Vice President.

    Lisa M. Caperelli, NIRI Board Director and Vice President of Sponsorships for NIRI Philadelphia, rang the closing bell at Nasdaq MarketSite in Times Square, and commented, “As IR professionals, we are the bridge between companies and the investment community — translating strategy into story, numbers into narrative, and volatility into vision. This day was a powerful celebration of the strategic value the investor relations profession delivers to shareholders.”

    Nahla A. Azmy, President of NIRI Philadelphia, and co-bell ringer at the New York Stock Exchange, added, “It was an honor to represent NIRI Philadelphia and to share this historic bell closing event with our national colleagues. I am grateful to Nasdaq and NYSE for providing us the opportunity to showcase the energy and excellence that define our strong and resilient IR community.”

    Highlights from the Bell Ceremonies below:

    Bell Footage:

    Nasdaq:

    https://www.nasdaq.com/videos/niri-association-investor-relations-rings-nasdaq-stock-market-closing-bell

    NYSE:

    NIRI The Association for Investor Relations Rings The Closing Bell®

    Media Coverage:

    https://www.dropbox.com/scl/fo/3eh0w3l5d24f82v6b6spt/AMmfXrxLOaY2iHMziBwY_HA/25-6-30%20Close%20NET?rlkey=7a57pvfnugi78f7alui5q9zfo&subfolder_nav_tracking=1&st=9zxx6hxq&dl=0

    Photos and videos courtesy of NYSE Group and Nasdaq. They do not recommend or endorse any investments, investment strategies, companies, products or services.

    About the NIRI Philadelphia Chapter

    NIRI Philadelphia, formed in 1971, is a professional association of investor relations officers, communicators, consultants and providers serving organizations in the Greater Philadelphia area. NIRI Philadelphia includes members from a variety of industries and market cap sizes who are responsible for communications between their organizations, the investing public, and the financial community. NIRI Philadelphia’s goal is to provide its members the resources needed to be strategic leaders in their organizations.

    About NIRI: The Association for Investor Relations
     
    Founded in 1969, NIRI is the professional association of corporate officers and investor relations consultants responsible for communication among corporate management, shareholders, securities analysts, and other financial community constituents. NIRI is the largest professional investor relations association in the world with members representing over 1,500 publicly held companies and $12 trillion in stock market capitalization.

    A video accompanying this announcement is available at https://www.globenewswire.com/NewsRoom/AttachmentNg/1568f348-2944-4b1d-a7de-bcc72f4f0a16

    Photos accompanying this announcement are available at

    https://www.globenewswire.com/NewsRoom/AttachmentNg/ae437ae4-808d-4461-aac1-7c2e2fc83b50

    https://www.globenewswire.com/NewsRoom/AttachmentNg/36cdfcd1-5120-4925-9b92-87a52d341b52

    https://www.globenewswire.com/NewsRoom/AttachmentNg/385f28fc-f413-4018-9b55-bad2bee19e3c

    https://www.globenewswire.com/NewsRoom/AttachmentNg/cb664f3a-625e-4214-ac78-4dddf5cf9053

    https://www.globenewswire.com/NewsRoom/AttachmentNg/7c2aba6f-70fa-4cdf-8608-586a30202a42

    https://www.globenewswire.com/NewsRoom/AttachmentNg/d2f9a484-87d5-479f-90e9-dfb57c1a9d3d

    https://www.globenewswire.com/NewsRoom/AttachmentNg/2a59a70b-00eb-4e48-b06b-1766cd294d3b

    https://www.globenewswire.com/NewsRoom/AttachmentNg/119296ca-df8c-4cc1-87b4-2a5c0e38e936

    https://www.globenewswire.com/NewsRoom/AttachmentNg/d83861f2-e97e-45da-8483-5bdefc480989

    The MIL Network

  • MIL-OSI United Kingdom: Martyn Oliver’s speech at the Festival of Education

    Source: United Kingdom – Executive Government & Departments

    Speech

    Martyn Oliver’s speech at the Festival of Education

    Sir Martyn Oliver, Ofsted’s Chief Inspector, spoke at the 2025 Festival of Education.

    Optimism, inclusion and Ian Dury

    Good morning, everybody. I’m delighted to be here at the festival of education; to be here in the beautiful grounds of Wellington school; here in the sunshine.

    And that’s apt because I’m hoping in the time we have together this morning we can let a little sunshine in. We can talk a bit about optimism. I want us to think about why we do what we do as educators, as people who work in this field: in many cases, as people who have dedicated their working lives to improving the life chances and prospects of a younger generation.

    I thought I’d open my speech this morning with a cliché. And I thought I’d try and find out who coined that cliché and how far back it goes. But there is no clarity about who first said, ‘school days are the best days of your life’. So, as we all do, I asked AI for the answer – and I know a lot of the discussions over the next couple of days are going to be dominated by the march of AI.

    The AI summary told me that ‘the phrase doesn’t have a clear single origin or a specific person who first said it’. It went on: “one early reference comes from a 1910 song titled School Days by Will D. Cobb and Gus Edwards which includes the line school days, school days, dear old golden rule days. While not an exact match it captures the nostalgic view of school days as a cherished time.”

    So, no answer then.

    Like all cliches, this one has survived because it works – because it’s true, at least for many of us (though not all, and I’ll return to this later). It alludes to the idea of a more carefree time, of friendships built in the playground, of growing confidence, moments of satisfaction, of joy – reasons to be cheerful to quote Ian Dury. That’s why we say it.

    I’m starting with that cliché because I want to strike an optimistic note this morning – which is not always a natural position for people in our profession to adopt. Things are always tough in education; there are always challenges to overcome. There are new expectations put on all of us – and it’s not lost on me that you’re waiting to read about Ofsted’s revised inspection model in September. There’s never enough money to go around. Doing ‘more with less’ is another cliché – as old as it is tiresome – but still a reality that we need to accommodate.

    But even so, I still believe there are plenty of reasons to be cheerful and reasons to be optimistic. And those reasons are rooted in schools. These transformative institutions that have shaped lives for centuries and will, I hope, shape them for centuries to come.

    However hard bitten and cynical we may have become over the years, most of us can look back to our school days and agree that they were, at least some of the happiest days of our lives.

    Schooling shapes lives

    I want to talk a little bit about what school meant for me.

    I’ll do my best to do this without the aid of rose-tinted spectacles. I shan’t be skipping through the daisies of my mind as it were. There’s a lot that wasn’t great about my school days. The quality of teaching and the quality of the curriculum I was taught was not good enough – and I think that was something that an awful lot of schools in the 1970s and 80s had in common. Standards were not high, and aspiration was not always encouraged.

    But, as with many of us, I had stand-out, individual teachers – people who I really connected with and who helped shape my life. People like my art teacher, Mrs Scarsbrick – she had a wonderful skill for painting and drawing landscapes. I remember that watercolour paintings of trees was her particular talent, whilst I was already increasingly focusing on portraiture, which I later went on to study.

    Then Mr Senior, the English teacher who inspired me from the first lesson at the beginning of secondary school. That very first lesson in September started with a brand new, hardback book: Steinbeck’s Of Mice and Men. We spent the first 10 minutes being instructed on how to loosen the binding and prevent cracking the spine. I also remember being devastated when he took a secondment to the USA when I was in Year 4/5 (Year 10/11 now): I took GCSEs in their first year of use and can recall even now that some teachers were totally lost in the new specification – so losing my trusted English tutor at this crucial time was especially difficult.

    And there was Mr Ashton, the PE teacher who arranged for me to go training 3 lunchtimes a week – running the well-known, and often well-hated, cross-country course with his staff, as I was a budding cross-country runner. 

    Each of these experiences recall relationships. Relationships with teachers – teachers who went above and beyond, teachers who I placed trust in and who I knew had my best interests at heart. They didn’t just inspire in art, English and PE, they inspired my interest in education, in teaching itself.

    And school had another function for me. It was the place I built friendships.

    I was extremely ill from the age of 2 to 12 (the crucial years to get the best start in life) and whilst my school attendance was good, the powerful drug I was on had clear side effects for me which affected my concentration. The drug relied on sedation – ideal in helping me be well, but not at all good for educational purposes! 

    I undoubtedly would have had an EHCP had such things existed then. Instead, I had a few stand-out teachers who cared for me as an individual and I had an army of excellent friends. The benefit of living on a new housing estate meant that many families moved onto the estate at the same time and I had dozens of peers who lived on the same street, let alone the same estate, who I could rely upon to help me.

    Generational shifts

    A lot has changed over the years in our schools. The quality of education has most definitely changed for the better. There are lots of reasons for that – including better training and development for teachers – the greater professionalisation of the sector in general. And you would expect me to make an argument that the introduction of Ofsted 30-odd years ago had a real impact in improving consistency in education and driving improvements.

    But alongside rising standards, schools have also changed to fit the needs and expectations of each generation. They’ve evolved alongside society. They have adapted to new qualifications, crafted new curriculums, embraced new subjects. Perhaps more than anything else, schools have responded to the advance of new technology.

    In my school days technology in the classroom was generally limited to that moment when the teacher would wheel out the big telly to play us a video – hugely exciting at the time of course. (The debate then was Betamax or VHS, what’s the equivalent debate now? Is it perhaps, generative or predictive AI?)

    But as computers made their way into schools, there was a more profound change. And that became seismic when the computers were no longer confined to the corners of classrooms and moved into our pockets. Their influence is everywhere and drives the debates and disagreements over the place of technology in learning.

    Artificial intelligence

    Right now, that debate is focused on artificial intelligence. It dominates the discourse in the media, and at events like this one. It’s a big topic of conversation at Ofsted and within government more widely.

    We’ve recently published a piece of research commissioned by the DfE which looks at early AI adopters in education. The research found that AI is beginning to have real benefits in terms of staff workload – particularly in areas like lesson planning; and that leaders are clear that they are prioritising safe, ethical and responsible uses of AI. So no robot teachers yet!

    It seems that there is always a commentator keen to tell us how AI will either transform learning or destroy it; how it presents an existential challenge to the traditional approach to education that we’ve all grown up with.

    But I would mount a defence of the traditional approach. Right now, many children live much of their lives online. Socially, they are never ‘off’ and always in touch with their friends. And they increasingly receive life lessons from influencers or AI– generated summaries. I would argue that the place of learning, real learning, classroom learning – with human interactions – has never been more important.

    Young people are growing up in an increasingly curated world in which their favoured influencers or corporate algorithms can have a disproportionate impression on their views and opinions. It’s more important than ever that young people are able to lift their eyes from the screen and connect with their teachers, in person.

    They need broad, balanced, considered and above all challenging information to help them learn and to help them grow. Being an art teacher, it was never lost on me that drawing makes you look harder at the world around you, it greatly increases your attention. It seems to me that many technologies now do the exact opposite and actively seek to give short-term, instant gratification.

    Not far short of 4 hundred years ago, John Milton wrote that he couldn’t ‘praise a cloistered and fugitive virtue, unexercised and unbreathed, that never sallies out and sees her adversary.’ He was arguing in favour of freedom of speech – ironically one of the great supposed touchstones for today’s keyboard warriors. Except, of course, they generally mean freedom of speech only for those that agree with them. In fact, in Areopagitica, Milton highlights the idea that true virtue is developed through experience and engagement with challenges, not through avoidance or seclusion.

    In a way there’s something cloistered about living one’s life in a curated online environment. You may be able to find ‘the best that has been thought or said’ if you go looking for it. But who’s guiding you through it? Where’s the human connection? And of course, where’s the protection?

    Community, relationships and learning

    Schools have never just been places of learning. They were, and are places of safety, even refuge. Places of community and connection. Places of friendship and humanity. They are citadels of childhood: communities within communities looking after their own and helping children develop into well-rounded adults – capable of looking after others in turn.

    Human relationships lie at the heart of every school’s success. And I’ve said ‘schools’ today, as they are the great universal service. But of course, those relationships begin for many in nurseries and continue on into further or higher education. Human connection is what makes education tick. And that is particularly true for more vulnerable children – those who need a little more attention paid to their wellbeing, alongside their education.

    Of course, schools have statutory roles to play. Safeguarding is an absolutely fundamental part of what we look at on inspection. Its principles are described over nearly 200 pages of guidance in Keeping Children Safe in Education. Safeguarding is something that all of us involved in education prioritise perhaps above everything else – and it’s a human process, not paperwork. People working together to safeguard children. Nothing infuriates me more than glib commentary about schools falling short on inspection because of duff paperwork – or schools pulling the wool over inspectors’ eyes because their paperwork is on point.

    Any of us here who have worked in schools understand that safeguarding starts with relationships. Good teachers, good head teachers know their pupils. They know which children are having a tough time in their life. They know which children are experiencing vulnerability for one reason or another. Perhaps it’s part of their life story – they are a child in care, or a child with special educational needs, or a child growing up in poverty. But really great teachers understand too that children will experience short-term difficulties – because childhood is full of challenges. Well-being issues, mental health issues, family issues, financial issues. It’s the ebb and flow of growing up for so many children and the really great schools get that.

    When I was head teacher of a secondary school with 2,200 pupils, those personal relationships were clearly difficult, but I always made it my priority to support those who needed us most, no matter how busy I might be – and that always involved working with parents and carers, as well as the pupil. I also understood, from my own personal experience, that children form relationships with those they trust – their art, English or PE teacher, in my case.

    Schools provide a safe, protective environment. To continue with my ‘citadels of childhood’ metaphor: they have walls, and they have watchers on those walls. But it’s within the walls where lives are changed. Where sparks of interest are fanned into flames and children can discover talents, they weren’t aware of, and passions that take them by surprise. They are taught the knowledge and skills that they need for life – but also the subjects that bring them joy.

    Cynics sometimes decry the norms of education. Exams are ‘gradgrindian’ in their eyes, the 3 R’s are no longer preparing children for the ‘jobs of tomorrow’. And Ofsted are accused of being enforcers for this ‘out-of-date’, ‘joyless’ system – forcing schools to jump through these hoops.

    Well let me tell you how it looks from where I’m standing. For Ofsted, teaching a full, rich range of subjects isn’t just a nice to have, it’s fundamental to a great education. Music and art and sports aren’t add-ons to the core curriculum, they are some of the most important subjects to study, in terms of developing a child’s awareness of the world around them. And in a more macro sense, feeding into the cultural evolution of our country and pushing civilization on.

    It often surprises people when I say that I started out as an art teacher, in 1995. Art was my passion then and it’s still my passion now. When I have the time I love to paint. I find that it forces me to slow down and deeply observe the world around me. But I too feel that temptation to pick up my smartphone and check my emails far too often, breaking the observational trance-like state. I can only imagine how difficult and tempting this is for children.

    Opening doors

    Of course, learning about art means learning about perspective.

    That’s a good thing in the context of mental health and well-being – such hot topics, sadly, at the moment. But if you think about the influence of art on human history – its central role in the Renaissance, or the influence of perspective on the Age of Discovery – art has been a driver of exploration, of invention and pushing back the frontiers of human knowledge.

    It is also no surprise to an art historian that there is expression in breaking the established rules – that’s the essence of original creativity. So 500 years after the rules of perspective were established, the Cubists proved this point. Life evolves as we move with the times. Another favourite quote of mine is from Lampedusa’s, Il Gattopardo, “if we want things to stay as they are, things will have to change”. It’s quite a common refrain that children should be taught ‘creativity’ – but creativity relies upon a deep understanding of knowledge and facts; it comes from pushing at the limits of knowledge, and first you need to be taught where those limits are.

    Every subject we teach our children opens doors for them. So, the rounded classroom experience: a broad and rich curriculum, structured carefully by expert teachers and taught within a safe and welcoming environment, is fundamental to the intellectual growth of individuals and the development of society. Matthew Arnold’s quote still holds. ‘The best that has been thought and said’ still matters. And while an AI-enabled search engine can find the raw material, I wouldn’t want to entrust the teaching to the same machine – at least not without the art and skill of the teacher as a guide and storyteller.

    The classroom experience is based on human relationships and a sense of belonging. I spoke about the first priority for schools being the safety of children. Well, children feel safe when they know somebody cares. When they know that their teachers will show up and keep showing up day after day to make sure they’ve learned what they were taught yesterday and are ready to learn something new today. We can’t outsource human contact. Teachers are, and must always remain, the heart of education.

    And education is an exercise of the heart as much as it is of the head. It’s about support and care, as well as instruction. They go hand in hand. Which brings me on to inclusion.

    Inclusion

    As you’ll all be aware Ofsted will publish the full details of our revised education inspection framework in early September. We’re taking time to analyse and consider all of the feedback we were given in the public consultation this spring. There will be some changes from the proposals we published back in February. But I don’t think I’m jumping the gun to say that inclusion will remain a central tenet – perhaps the central tenet in our new approach.

    And I hope the reason for that is obvious. It’s my north star. Inclusion is both my guiding principle and the fire in my belly. That was true as a teacher, as a head of sixth form, as a head teacher, as a multi-academy trust leader. It’s true now for me as His Majesty’s Chief Inspector.

    Those of you who have spent far more time than is healthy listening to or reading about the things that I’ve said since taking on the job, will have heard me talk about vulnerable and disadvantaged children. Asserting repeatedly that if schools get it right for the most vulnerable and disadvantaged among their pupils, they will get it right for all of their pupils.

    I use that phrase time and time again because I happen to believe that it’s true. And I have been challenged on my assertion now and then. But I have never seen or heard of a school that looks after the interests of disadvantaged and vulnerable children perfectly well but lets down those pupils who aren’t grappling with some of life’s more obvious challenges.

    That’s because those schools get it. They know their children and they understand that the secret of success lies in the relationships that bind the school community together.

    A school that truly understands the needs of its pupils will do right by its most vulnerable children, by its most gifted students and by all those children in-between.

    As always when we at Ofsted talk about a concept – like inclusion – it sparks debate and it energises the commentators and consultants to try and unpick what we mean.

    It’s really about relationships. It’s about belonging and thriving. It doesn’t mean being soft on behaviour or attendance. It doesn’t mean taking a dim view of head teachers who find the need to suspend or exclude a child, either in the pupil’s best interests or the interests of their classmates.

    When we talk about schools as places where children can feel safe, to grow, develop and express themselves we mustn’t forget how stabilising it is to understand the rules and to know they will be applied consistently and fairly. In the words of that 1910 song again: “School days – dear old golden rule days.”

    No – inclusion is about making sure that all pupils feel that they belong – no matter their personal talents or aptitudes, or the barriers and obstacles they need to overcome to feel that sense of belonging.

    And it is about putting disadvantaged and vulnerable children at the heart of what you do – as they will be at the heart of what we do as an inspectorate.

    And just as the term ‘inclusion’ can be a little hard to pin down, it’s also not easy to define what we mean by vulnerable. I think we all instinctively have a better understanding of disadvantage. There are clearer definitions. I’m sure everybody here who works in a school will be aware of how many of their children attract pupil premium for example. I’m sure many of you could reel off names.

    The concept of vulnerability is a little looser. Statutory responsibilities point us to formal designations: children with SEND, children who are looked after by the state. It’s absolutely right that we all maintain a laser-like focus on those children. But what about others who are experiencing vulnerability?

    I recently met with groups of young carers. Listening to their experiences and perspectives was both interesting and humbling. They feel a bit forgotten. All too often they are not included in our headline definitions of vulnerable children. And yet they are vulnerable. They don’t have the care structures that so many of us took for granted during our own childhoods. Instead, they themselves are the care structures for the adults in their lives. That has a huge impact on the way they view themselves, the way they view their potential and the way they think about their future.

    This week we published a piece of work that we commissioned from the National Children’s Bureau. We asked the NCB to consider how we might better define vulnerability in the context of our work.

    Their report is entitled ‘from trait to state’ and the definition of vulnerability that it puts forward leans into the idea that children move into and out of various degrees of vulnerability throughout their childhood.

    This describes vulnerability less as an immutable trait and more of a fluid state. It’s an interesting, and a logical concept, speaking to the importance of relationships that I’ve addressed in my comments today. Of course, it doesn’t detract from the responsibility that we all have to the children with SEND, those in care and children supported through pupil premium funding.

    But I think this definition gives us more latitude to think about how life impacts on the well-being of children in different ways, at different times. And how we best address vulnerability within the safe and nurturing communities that we create.

    I remember a particularly vulnerable cohort of SEND students who my SENDCO was desperately worried about leaving school at 16. So, she worked with their families and offered a uniquely bespoke post-16 course which gave this group the time and support that they needed to prepare for the transition to further education and employment. My wonderful SENDCO knew the children and worked to influence the entire school’s post-16 provision to meet their needs…it wasn’t a case of insisting that those children meet the needs of the school!

    Aspiration and optimism

    Education should be aspirational. And it should be aspirational for every child. Not everyone can ace their exams and get into Oxbridge. Not everyone will want to. Not everyone will turn a passion for music into a career as a concert pianist. But everyone can aim to learn a little more, develop a new skill and improve themselves one step at a time.

    That is as true for children with SEND as it is for those without; it’s as true for the poorest children as it is for the wealthiest. That’s not to deny the existence of barriers, but rather to flag a determination to overcome them.

    And if we are aspirational for all children, it stands to reason that we should be aspirational for all schools. I nodded earlier to the influence of Ofsted over the last 3 decades. I do believe that inspection helps schools look at where and how they can improve. It doesn’t make the improvement happen – that’s down to brilliant teachers and brilliant leaders working within their school community. But done right inspection can provide some pointers in the right direction.

    I’ve repeatedly said that I want inspection to feel done with not done to. That’s not just a nice touchy-feely sentiment. I want inspection to mirror what goes on in the places we inspect. Education at its best is done with, not done to. The best schools – the citadels of childhood – are places of belonging, rooted in human relationships and a sense of shared endeavour. They are optimistic places.

    Optimism isn’t easy. Particularly at our age…and especially if we read the papers!

    But children are optimistic. It’s a natural state of mind when you’re young, with your life stretching ahead of you, enjoying the best years of your life.

    It’s so much easier to be pessimistic and cynical as you get older. Because they are learned behaviours. But they should never be taught ones.

    That’s on all of us.

    Thank you for all you do for children and learners – and thank you for listening.

    Updates to this page

    Published 3 July 2025

    MIL OSI United Kingdom

  • MIL-OSI United Kingdom: Managing healthcare easy as online banking with revamped NHS App

    Source: United Kingdom – Government Statements

    Press release

    Managing healthcare easy as online banking with revamped NHS App

    NHS App to become complete digital front door to NHS, where patients book appointments, manage medicines, and view data

    • PM sets out how 10 Year Health Plan will bring NHS into 21st century to meet the needs of patients around the country
    • Patients to make self-referrals via App, connect with a clinician, link-up wearable tech, and gain free access to health apps
    • Plan for Change will rebuild NHS and see ground-breaking Single Patient Record finally in one place – viewable on App from 2028

    Patients will be able to access a range of healthcare services and advice at the touch of a button, Prime Minister Keir Starmer has set out today, as the Government’s Plan for Change drives forward fundamental reform to the NHS to make it easier and fairer for everyone to access the care they need.

    Launching the 10 Year Health Plan today – the government’s roadmap to rebuilding the health service to make it fit for the future – the PM set out how the App will act as a digital front door to the health service, overhauling how people get advice, manage appointments and interact with services to make their healthcare more convenient and more personalised.

    For the first time, patients will be able to book, move and cancel all their appointments on the App – ending the 8am scramble for a GP – and the App will use artificial intelligence to provide instant advice for patients who need non-urgent care, available 24/7.

    Through the plan, which has been published in Parliament today, patients will have quicker, better access to the right care. They will be able to self-refer on the App to mental health talking therapies, musculoskeletal services, podiatry, and audiology – freeing up GPs and new Neighbourhood Health Services to focus on providing direct care while dramatically slashing waiting lists for these services – delivering on the government’s Plan for Change promise to cut waiting lists.

    Accessing healthcare will be quicker than ever thanks to expanded features on the app. People will be able to manage their medicines and book vaccines from their phone, connect with a clinician for a remote consultation, and even leave a question for a specialist to answer without making an appointment. Patients simply being able to book an appointment digitally rather than today’s convoluted process will save the NHS £200 million over 3 years.

    For parents, the new App will deliver a 21st century alternative to the ‘red book’, ensuring that their children’s medical records are available to them in their pocket, so they do not have to carry their red books to every appointment. It will also provide advice and support throughout childhood, offering guidance on weaning and healthy habits. Over time, it will record feeding times, monitor sleep, and use AI analytics to understand the best way to care for children when they are unwell.

    The changes will build on the progress Government has already made to increase the number of hospitals allowing patients to view appointment information on the app. Almost 12 million fewer paper letters have been sent by hospitals since July 2024. Forecasts for this year show the use of in-app notifications for planned care will prevent the need for 15.7 million SMS messages.

    Prime Minister Keir Starmer said:

    For far too long, the NHS has been stuck in the past, reliant on letters, lengthy phone queues and even fax machines.

    But that doesn’t match the reality of our daily lives, where everything from shopping and banking to entertainment and travel can be sorted with the touch of a button from our phones.

    To rebuild our NHS, we have to make sure it reflects the society it serves. That’s why our 10 Year Health Plan will bring it into the digital age by opening up fairer and more convenient access to healthcare. Through our new App – a digital front door for your care – parents will be able to keep track of their children’s health through an online ‘red book’ fit for the 21st century, and we will put a stop to patients having to endlessly repeat their medical history thanks to a single patient record.

    Our Plan for Change promised to make our NHS fit for the future and that’s what we are getting on with delivering – fixing the foundations of our health service and making sure it will be there to look after us for decades to come.

    This is one major arm of the technological innovation at the heart of the 10 Year Health Plan launched today, which also includes introducing the single patient record, rolling out AI scribes to take notes for clinicians, using Generative AI to create the first draft of care plans, and introducing single sign-on for NHS software.

    The government’s 10 Year Health Plan sets out the fundamental reforms we will deliver to address the challenges facing the health service in the face of inherited underinvestment and neglect and the evolving needs of a modern society.

    Speaking at the launch of the plan today, the PM set out how the plan will deliver three key shifts to make the NHS fit for the future: hospital to community; analogue to digital; and sickness to prevention. Through fundamental reforms to rewire the NHS around these shifts, the plan will deliver the government’s pledge to cut waiting lists, improve healthcare for everyone wherever they live, and ensure the NHS is equipped to look after us for decades to come.

    This historic transformation will fundamentally change the future of healthcare, and it will be underpinned by a new Single Patient Record. This will finally bring together all of a patient’s medical records into one place, so patients do not have to repeat their medical history to each clinician they see. The Single Patient Record will make sure patients get seamless care no matter who they are being treated by in the NHS.

    Two-thirds of outpatient appointments – which currently cost in total £14 billion a year – will be replaced by automated information, digital advice, direct input from specialists and patient-initiated follow ups via the NHS App.

    Health and Social Care Secretary Wes Streeting said:

    The NHS App will become a doctor in your pocket, bringing our health service into the 21st century.

    Patients who can afford to pay for private healthcare can get instant advice, remote consultations with a doctor, and choose where and when their appointments will be. Our reforms will bring those services to every patient, regardless of their ability to pay.

    The 10 Year Health Plan will keep every patient fully informed of their healthcare and make using the NHS as easy and convenient as doing your banking or shopping online. It will deliver a fundamental shift in the way people access their care – from analogue to digital.

    A new Single Patient Record will bring an end to the frustration of repeating your medical history to different doctors. Instead, health and care professionals will have your record in one, handy place, so they can give you the best possible care.

    Through our Plan for Change, this Government is shifting care to digital and delivering an NHS which is truly fit for the future.

    The Government will make the Single Patient Record possible through new legislation that places a duty on every health and care provider to make the information they record about a patient, available in the Single Patient Record. 

    We will also legislate to give patients access to their record by default. From 2028, patients will be able to view it, securely, on the NHS App. Over time, that data will include not only medical records, but a personalised account of health risk, drawing from lifestyle, demographic and genomic data – helping catch problems early before they develop, and prevent people from poor health.

    The Single Patient Record is designed as National Critical Infrastructure. This means it will be built and maintained to meet the highest levels of security, equivalent to those used for the UK’s most vital systems, such as energy and transport networks. Health and care professionals treating and caring for a patient will have secure access to their record; patients can control who else they share it with and will have a robust audit trail of who has accessed their record.

    Sir Jim Mackey, Chief Executive at NHS England, said:

    The NHS App will be at the heart of the tech transformation we’re planning for the NHS to give people much more ownership of their healthcare – all from wherever they are at the tap of a screen. 

    Millions of us already have the app downloaded on our phones and the improvements we’re introducing as part of the 10 Year Health Plan, from booking appointments and speaking to clinicians online to seeing all your medical records in one place, will make the NHS App the digital front door to the NHS.

    A My Health tool will include real-time data from wearables, biometric sensors, or smart devices and will connect to relevant NHS data too – whether that is the results of recent tests at home or in a neighbourhood health centre. Wearables will be able to feed vital data into the App such as step count, heart rate and sleep quality, to provide tailored, personal health advice. The single patient record will have robust security controls.

    And a new My NHS GP tool will harness AI to direct people to the most appropriate and timely care they need. In some cases, it will advise on self-care – and help direct patients to well-evidenced consumer healthcare products. In others, it might direct to a community pharmacy, a neighbourhood health centre or to emergency care.

    Over the course of the plan, the features set to be developed through the NHS App will include the ability to:

    • My NHS GP – book a remote or face-to-face appointment, and receive personalised health advice using new AI tool
    • My Specialist – self-refer when clinically appropriate and leave a question for a specialist to answer
    • My Consult – connect with a clinician for a remote consultation
    • My Medicines – manage repeat prescriptions for delivery/collection and receive reminders
    • My Care – book and manage appointments, enrol in a clinical trial and access Single Patient Record
    • My Companion – get information about a health condition or procedure, and ask AI or a clinician a question
    • My Choices – find nearest pharmacy, the best providers, and leave feedback on services
    • My Vaccines – see when vaccines are up-to-date and book appointments to get them organised, and find travel vaccine info
    • My Health – bring data like blood pressure, heart rate, glucose levels together, and include real-time date from wearables or smart devices
    • My Children – a digitised red book, where parents can get advice and support for parents throughout childhood
    • My Carer – securely prove you are a carer, book appointments and talk to your loved one’s care team

    Caroline Abrahams, Charity Director at Age UK said: 

    It’s clear that technology is set to transform many aspects of our lives for the better over the next decade, including the delivery of healthcare and how we interact with the NHS.  

    The potential of the NHS App for example, is truly exciting, but we must also ensure that no one is left behind, including the many millions of older people who are not online and who often want and need to use more traditional means of communication, such as telephone and face to face.  

    The Government’s commitment to a digitally inclusive approach is really important in building public trust. It is also essential for the NHS’s promise of being equally accessible to continue to hold true in our increasingly digital world. The voluntary sector can certainly help by supporting people who are not digital natives and at Age UK we look forward to playing our part in this way.

    Julian David, CEO, techUK said: 

    We welcome today’s announcement as a landmark moment in the digital transformation of the NHS. The enhanced NHS App marks a bold step forward in putting citizens at the centre of their care, empowering patients with the same ease, accessibility, and control we expect from modern digital services. 

    Ongoing and meaningful engagement with the tech sector will be essential to delivering this transformation at scale. techUK will continue to work with government, NHS bodies, and our members to ensure this transformation is inclusive, secure, and future-ready.

    Boosting the App will not only benefit those managing their healthcare digitally but will also free up capacity in traditional healthcare routes and provide more access to care and appointments – freeing up phone lines so calls are answered on time and freeing up GPs’ capacity to offer face-to-face appointments.

    The government will aim to empower and upskill everyone to feel confident using the NHS App so that they can benefit from the additional access to services and the greater convenience the App will bring.

    The government will continue a partnership with libraries and other community organisations to set people up on the App, with show-and-tells to teach them how to use it and reap the benefits – this will be alongside ongoing work across government to improve access to technology and boost confidence among groups that have previously struggled.

    Children’s Commissioner Dame Rachel de Souza said: 

    The foundations for a healthy life are laid in childhood, so an ambition of creating the healthiest generation of children yet is an important step towards tackling the deep inequalities in their healthcare. 

    I have long called for a child’s ‘red book’ to be digitised, so this is a really welcome move. Taken with plans currently going through Parliament to develop a unique childhood identifier, will vastly improve how we protect and care for the most vulnerable children, with fewer in danger of falling through gaps in services. 

    Children tell me that when they need additional support, they want it in one place, so creating neighbourhood services that bring different professionals under one roof will make a practical difference in their lives, as will increasing access to GPs and dentists.

    Andrew Davies, Executive Director of Digital Health, Association of British HealthTech Industries (ABHI), said:  

    This transformation of the NHS App is an important milestone for healthcare delivery. A single, secure platform to access a range of services, digital tools and therapeutics, and connect devices will enable patients to more effectively engage with their care.  

    This plan showcases how HealthTech can drive a more efficient, personalised and accessible NHS, which in turn will free up time for clinicians to focus on care where it is needed most. Our members look forward to working with the NHS and Government to ensure these digital tools are implemented successfully and deliver meaningful benefits for patients across the country.

    Rachel Power, Chief Executive, the Patients Association said: 

    We welcome the government’s ambition to expand the NHS App as a central part of the 10 Year Health Plan. It could deliver the fundamental change patients have asked for in their interactions with the NHS, including the ability to manage their appointments, self-refer to vital services, and, in three years’ time, be able to view their health records through the Single Patient Record.  

    Our work with patients shows that those using the app often feel more in control and more satisfied with their care. But with nearly one in four still facing barriers to digital access, we must ensure that innovation doesn’t come at the cost of inclusion. If the NHS App is to become the digital front door, there must always be a real-world, accessible front door as well, with face-to-face or telephone options in place for those who need or want them. True progress means making the system work for everyone.

    Professor Habib Naqvi, chief executive of the NHS Race and Health Observatory, said: 

    We need a more focused and systematic approach to tackling health inequalities and addressing unacceptable variation in healthcare amongst our communities. A key enabler for this endeavour is digital tools. The transformation of the NHS App has the potential to lead to a more efficient, agile, and technologically enabled NHS – an NHS that will deliver care quicker and closer to where people live. The App will empower people and transform the way the public receives healthcare and engages with NHS services. The Observatory will help ensure this shift, in the way healthcare is provided, benefits all communities equitable.

    Jacob Lant, Chief Executive of National Voices said: 

    Technology is moving at a blistering pace, and quite simply the NHS has failed to keep up. So, the increased emphasis on the App and other digital services is welcome, especially where it can help the NHS meet expectations that have become common place in other sectors.  

    Critically the Plan recognises there will always be patients with more complex needs and commits to using the resource freed up by digital innovations to continue offering more traditional forms of access to those who need it.” 

    Richard Stubbs, Chair of the Health Innovation Network said:  

    It is right that the 10 Year Health Plan will establish the digital and data foundations of the NHS to realise the potential of health innovation in empowering patients, better supporting the NHS workforce and driving economic growth in every community.  

    The Health Innovation welcomes the focus on AI, expansion of the NHS App and the commitment to a single patient record, all of which will involve innovation partnerships to deliver change to local services, that will have a national impact. 

    The 15 health innovation networks across England, look ahead to operationalising these plans and working with our partners to find, test and implement at scale innovations that improve patient outcomes, increased NHS productivity and reduce waiting lists, while delivering economic growth. If we get this right we will not only greatly increase outcomes and satisfaction for our patients, but we will also boost our essential life sciences sector and, as our Defining the Size of the Health Innovation Prize report found, add up to £278bn a year to the UK economy.

    Updates to this page

    Published 3 July 2025

    MIL OSI United Kingdom

  • MIL-OSI United Kingdom: ARU initiatives recognised for real-world impact

    Source: Anglia Ruskin University

    The exceptional real-world impact of Anglia Ruskin University (ARU) researchers, teams and projects has been recognised by the national Alliance Awards 2025.

    ARU has three shortlisted nominees for this year’s Alliance Awards, organised by University Alliance, with each making significant contributions to the wider community.

    Dr Mirna Guha, Deputy Head of ARU’s School of Humanities and Social Sciences, and Senior Lecturer in Sociology, is nominated for the Research and Innovation Impact Award for improving domestic abuse and sexual violence (DASV) services across England.

    Dr Guha is helping to address the shortage of specialist support provided by and for women from minority backgrounds by leading initiatives to promote racially diverse leadership within support services. She also advises Peterborough Women’s Aid on the Dahlia Project, an intervention which emerged from her research.

    ARU’s Trusted Adult Scheme (TAS) is shortlisted for the Local Impact Award, which is supported by UCAS. TAS is a collaboration between ARU, Cambridgeshire County Council and the Cambridgeshire and Peterborough Integrated Care System (NHS) and helps young people in Cambridgeshire and Peterborough by providing safe spaces, mentorship, and guidance.

    Children and young people aged 14-19, with social workers, are referred to TAS, which offers on-campus activities such as music recording, street art and gym access.

    ARU’s Social Work team is shortlisted for the Teaching Innovation Award for its innovative and inclusive teaching methods for apprenticeship students.

    Teaching begins with reflective wellbeing check-ins, to help improve compassionate resilience, and the sessions have been carefully designed to embrace inclusive teaching for neurodivergent and disabled students on the BA (Hons) Social Worker Degree Apprenticeship course.

    University Alliance represents professional and technical universities in the UK and the shortlists for each award were selected by an independent panel of expert judges from across the higher education and research sector.

    “This year we have renewed the categories for the Alliance Awards – and the response has been phenomenal.

    “We have received over 250 nominations across nine categories, and I continue to be awe-inspired by the range, the depth and the quality of the many individuals and teams across the Alliance.

    “The judges’ shortlisting to decide the nominees was incredibly competitive and close, with some categories receiving over 25 nominations. This attests to the sky-high standard of work that goes on across Alliance Universities.”

    Vanessa Wilson, CEO of University Alliance

    The winners will be announced at the Alliance Awards 2025 ceremony on 18 September, hosted by the University of Hertfordshire.

    MIL OSI United Kingdom

  • MIL-OSI United Kingdom: Annual Diwali event to change due to crowd safety concerns

    Source: City of Leicester

    LEICESTER’S Golden Mile will continue to be the focus for Diwali Day celebrations, but with major changes to the annual event due to crowd safety fears.

    Serious concerns about public safety at the popular event have been raised by the Diwali safety advisory group due to the massive crowd numbers the event has attracted in recent years.

    The group – which includes event and safety experts from the city council, representatives from Leicestershire Police, NHS Leicester, Leicestershire and Rutland ICB, East Midlands Ambulance Service, Leicestershire Fire and Rescue and crowd security providers – has warned that the current location is no longer fit for purpose, and urgent action needs to be taken.

    Several meetings have since been held by the safety advisory group to consider a range of options, including relocating the popular event to Abbey Park or the city centre, extending it onto Belgrave Circle or moving it onto Melton Road.

    Following council engagement with Belgrave businesses and local community representatives, the decision has now been taken to enable Diwali Day celebrations on Belgrave Road, where it has been held for more than 40 years.

    However, major changes to the popular event will be required to ensure it can be held safely.

    Belgrave Road will be closed to all traffic for the evening of Diwali Day to allow families and friends to celebrate safely together and enjoy the atmosphere, shops and restaurants of the Golden Mile.

    Festive illuminations featuring more than 6,000 lights will continue to be installed along Belgrave Road during Diwali. The popular Wheel of Light will also return.

    There will be no stage entertainment or firework display at this year’s event. And Cossington Street Recreation Ground will no longer feature as part of the festivities.

    These measures need to be taken to avoid potentially dangerous crowd massing that has been observed at the event in the last two years.

    The city council has committed to continue to work with the safety advisory group and local community representatives to see whether any further enhancements can be made that will not compromise public safety.

    The new approach was agreed at a meeting last night between the City Mayor Peter Soulsby, Cllr Vi Dempster, asst city mayor for culture, representatives from the Leicester Hindu Festival Council and Belgrave Business Association, and members of the local Jain and Sikh communities. Local ward councillors, council officers and safety advisory group members also attended.

    Graham Callister, the city council’s head of festivals, events and cultural policy said: “Diwali has been a real highlight of the city’s festival calendar and attracts thousands of people who come from far and wide to join in the celebrations on the Golden Mile.

    “However, we are now being advised by our emergency service partners and event security providers that we have reached the point where the growing crowds and sheer volume of people attending is causing significant concern about public safety.

    “Scaling back on event infrastructure and activity means there will be the additional space needed – and more importantly less congestion – to safely welcome the crowds that want to celebrate on Belgrave Road.”

    Cllr Vi Dempster said: “Unfortunately, Leicester’s annual Diwali festival has become a victim of its own success. We’re being strongly advised by our emergency service partners and crowd control experts that it cannot continue safely in its current format due to the unrestricted and growing crowd numbers that it attracts, and that’s a warning we must take extremely seriously.

    “We are absolutely determined that Diwali continues to be part of the city’s festive calendar. We also understand the depth of feeling to see it continue on the Golden Mile where it began over 40 years ago. To do that, we must ensure that it can take place safely. That must be paramount.”

    Over the last two years, record crowds have turned out for the city’s Diwali celebrations on Belgrave Road and Cossington Street recreation ground. Last year’s event saw estimated crowds of up to 50,000 people attending.

    MIL OSI United Kingdom

  • MIL-OSI Banking: Samsung TV Plus Expands Content Lineup with B4U Channels, Bringing Blockbuster Movies and Music to Indian Audiences

    Source: Samsung

     
    Samsung TV Plus, India’s leading free ad-supported streaming television (FAST) service, has announced the addition of four popular B4U channels – B4U Movies, B4U Music, B4U Kadak and B4U Bhojpuri to its dynamic content lineup. This partnership further strengthens the robust catalogue of Samsung TV Plus, now boasting over 125+ FAST channels, and brings a fresh wave of premium entertainment to Indian viewers.
     
    “Our mission is to deliver unmatched access and exceptional value to both our audiences and advertisers on the Samsung TV Plus platform. By introducing new FAST Channels from the house of B4U, we aim to enhance access to the latest from the world of entertainment. This collaboration with B4U underscores our dedication to this vision,” said Kunal Mehta, Head of Partnerships, Samsung TV Plus India.
     
    B4U Network, a pioneer in the Indian broadcasting landscape with a global footprint in over 100+ countries, is renowned for its rich library of Hindi movies, chart-topping music, and vibrant regional content. For more than two decades, B4U has captivated audiences across generations and geographies, making it a household name in entertainment.
     
    Johnson Jain, Chief Revenue Officer, B4U said, “Connected TV (CTV) has emerged as a significant force in the Indian media landscape, revolutionizing how audiences consume content. In line with this, our approach has pivoted on reaching a broader and more diverse audience base. We are delighted to announce our collaboration with Samsung TV Plus, bringing our curated set of channels to their platform. Through this partnership, we aim to engage viewers with high-quality entertainment — featuring top-tier movies and the best in music — delivered seamlessly on a premium CTV experience”
     
    This partnership reinforces the positioning of Samsung TV Plus, as one of India’s fastest-growing free content destinations providing curated entertainment for the evolving preferences of India’s digital-first viewers. With the integration of B4U’s acclaimed channels, Samsung TV Plus continues to redefine home entertainment, offering Indian consumers unparalleled access to blockbuster movies, trending music, and regional favourites, all for free.

    MIL OSI Global Banks

  • Trump visits Iowa to kick off America’s 250th anniversary, reassure farmers on trade

    Source: Government of India

    Source: Government of India (4)

    President Donald Trump travels to Iowa on Thursday to kick off celebrations marking America’s 250th anniversary next year and to tout recent trade and legislative actions to heartland voters who helped propel his return to the White House.

    Trump will deliver a campaign-style speech at the Iowa State Fairgrounds in Des Moines, a familiar stop for presidential candidates in the early primary state. Trump won Iowa’s 2024 Republican caucuses by a historically large margin and carried the state by 13 percentage points in the general election.

    His latest visit comes ahead of a Friday deadline he set for Congress to pass his sweeping tax and spending legislation, a cornerstone of his second-term domestic agenda that touches everything from immigration to energy policy.

    In remarks mixing patriotism and policy, Trump will aim to reassure Iowa’s voters that his administration is defending their interests and delivering tangible results, according to a person with knowledge of the speech.

    Trump’s trade policies have whipsawed agricultural communities in Iowa, creating economic uncertainty and testing loyalties. Iowa farmers have been hit hard, especially with China’s retaliatory tariffs slashing soybean exports and prices.

    In a Truth Social post on Tuesday announcing his trip, Trump called Iowa “one of my favorite places in the world.”

    “I’ll also tell you some of the GREAT things I’ve already done on Trade, especially as it relates to Farmers. You are going to be very happy with what I say,” Trump said.

    At recent Republican town halls in Iowa, tensions flared as farmers and constituents pressed congressional leaders, including Republican Senator Chuck Grassley, to push back against Trump’s retaliatory tariffs.

    Some Republicans also worry that deep cuts to the Medicaid health program in their sweeping tax bill will hurt the party’s prospects in the 2026 midterm elections.

    Trump has made several memorable trips to the Iowa State Fairgrounds. In 2015, the reality TV star and presidential candidate gave children rides on his personal helicopter as he aimed to overshadow Democratic rival Hillary Clinton.

    In 2023, Trump’s private jet buzzed low over the crowds in another flashy power move, stealing the spotlight from primary rival Ron DeSantis as he campaigned on the ground below.

    (Reuters)

  • MIL-OSI Asia-Pac: Summer library festival set

    Source: Hong Kong Information Services

    The Hong Kong Public Libraries will launch the Summer Library Festival 2025 under the theme “Summer Footprints – Stories of Local Culture” in July and August, the Leisure & Cultural Services Department announced today.

     

    Through activities including workshops, online programme, exhibitions, etc, the festival aims to deepen the public’s understanding of the life and traditional culture of the city, and raise their interest in reading.

     

    Parents and children may join workshops at public libraries in various districts, where they can learn more about the life and culture of Hong Kong, such as the Cheung Chau Jiao Festival, street food and the love for giant pandas through making handicrafts.

     

    They can also participate in STEAM (science, technology, engineering, arts and mathematics) workshops to make mini neon signs and distinctive music boxes, while learning about the science behind them. 

     

    For teenaged and adult readers, they can opt for taking part in the landscape painting with Hong Kong characteristics workshops to learn about drawing and painting the city’s beautiful scenery with coffee and pencils, or the transportation 3D origami workshops to make paper crafts of Hong Kong’s public transport icons.

     

    Furthermore, children can join storytelling workshops to learn about the significance of traditional festivals and make related handicrafts.

     

    The Summer Library Festival 2025 also includes a four-episode online programme with the theme “From the Dining Table to the Writing Desk”, exhibitions on the history of Hong Kong in the War of Resistance against Japanese Aggression and intangible cultural heritage, different handicraft and traditional Chinese painting and calligraphy workshops, as well as large-scale calligraphy performances featuring the history and culture of the Qin and Han dynasties.

     

    All activities are free of charge. Seat reservations are required for some of the programmes.

    MIL OSI Asia Pacific News

  • MIL-OSI: MEXC Ventures Champions India Blockchain Tour 2025, Ignites Web3 Innovation Across 8 Cities

    Source: GlobeNewswire (MIL-OSI)

    VICTORIA, Seychelles, July 03, 2025 (GLOBE NEWSWIRE) — MEXC Ventures, the investment arm of the global cryptocurrency exchange MEXC, as the title sponsor of the 4th edition India Blockchain Tour (IBT) 2025, has partnered with organizer Octaloop (one of India’s earliest and most active crypto-native communities) to launch a six-month Web3 innovation roadshow spanning eight cities. The tour’s inaugural event took place successfully on June 28 in Hyderabad, drawing over 1,000 developers, founders, investors, and policy experts to engage in discussions focused on real-world applications of blockchain technology in governance, AI, and inclusive finance.

    As a key supporter of this tour, MEXC Ventures is committed to collaborating with industry stakeholders to accelerate the growth of India’s Web3 ecosystem.

    At the Hyderabad stop, Jayesh Ranjan, Special Chief Secretary of Telangana, attended the event and shared the government’s open attitude and policy direction toward blockchain technology, citing its applications in agriculture traceability and vehicle registration. He noted that platforms like IBT create valuable opportunities for collaboration between public systems and emerging technologies, further highlighting the importance that Indian local governments place on decentralized technologies.

    IBT 2025 is not just an eight-city tour, but a platform dedicated to building deep connections between India’s local Web3 innovators and the global Web3 community, fostering substantive exchanges and long-term collaboration. MEXC Ventures will leverage its global investment and project incubation expertise at each stop to empower high-potential teams to accelerate their growth.

    Octaloop Founder Anupam Varshney emphasized that India is poised to lead Web3 innovation on the global stage. He stated:

    “India doesn’t need to catch up – it’s ready to lead.IBT 2025 will amplify India’s Web3 voice, connect global projects with local innovators, and showcase our rapidly growing ecosystem to the world.”

    MEXC Ventures expressed strong confidence in India’s Web3 ecosystem. Petra Zhu, Head of South Asia Markets, stated:

    “We’re proud to kick off IBT 2025 in Hyderabad with MEXC Ventures as the title sponsor. India stands at the forefront of South Asia’s Web3 momentum, and MEXC Ventures is fully committed to supporting its long-term development.”

    She added:

    “We are actively looking to identify and empower the next generation of standout projects from India—visionary teams building real impact. We believe this region has the potential to shape the next wave of global crypto innovation, and MEXC Ventures is here to help turn that potential into reality.”

    The tour will next cover seven additional major innovation hubs across India, including Ahmedabad (July 26), Kolkata (August 16), and more. For the full schedule and participation details, please visit here.

    About Octaloop
    Founded in 2020, Octaloop began as grassroots crypto meet-ups in Delhi cafés in 2026 and has grown into India’s leading Web3 events and community-building platform. With initiatives like the India Blockchain Tour and Metamorphosis, Octaloop bridges global blockchain innovation with India’s home-grown talent.

    About MEXC Ventures
    MEXC Ventures is a comprehensive fund under MEXC dedicated to driving innovation in the cryptocurrency sector through investments in L1/L2 ecosystems, strategic investments, M&A and incubation. Upholding the principle of “Empowering Growth Through Synergy,” MEXC Ventures is committed to supporting innovative ideas and active builders in crypto. MEXC Ventures is an investor and supporter of TON and Aptos, looking forward to staying at the forefront of TON and Aptos’ innovations and actively engaging with builders to drive ecosystem growth.

    For more information, visit: MEXC Ventures Website

    A photo accompanying this announcement is available at https://www.globenewswire.com/NewsRoom/AttachmentNg/6a190510-7a13-429e-80b7-6ac21c1153ab

    CONTACT: For media inquiries, please contact MEXC PR team: media@mexc.com

    The MIL Network

  • MIL-OSI: MEXC Ventures Champions India Blockchain Tour 2025, Ignites Web3 Innovation Across 8 Cities

    Source: GlobeNewswire (MIL-OSI)

    VICTORIA, Seychelles, July 03, 2025 (GLOBE NEWSWIRE) — MEXC Ventures, the investment arm of the global cryptocurrency exchange MEXC, as the title sponsor of the 4th edition India Blockchain Tour (IBT) 2025, has partnered with organizer Octaloop (one of India’s earliest and most active crypto-native communities) to launch a six-month Web3 innovation roadshow spanning eight cities. The tour’s inaugural event took place successfully on June 28 in Hyderabad, drawing over 1,000 developers, founders, investors, and policy experts to engage in discussions focused on real-world applications of blockchain technology in governance, AI, and inclusive finance.

    As a key supporter of this tour, MEXC Ventures is committed to collaborating with industry stakeholders to accelerate the growth of India’s Web3 ecosystem.

    At the Hyderabad stop, Jayesh Ranjan, Special Chief Secretary of Telangana, attended the event and shared the government’s open attitude and policy direction toward blockchain technology, citing its applications in agriculture traceability and vehicle registration. He noted that platforms like IBT create valuable opportunities for collaboration between public systems and emerging technologies, further highlighting the importance that Indian local governments place on decentralized technologies.

    IBT 2025 is not just an eight-city tour, but a platform dedicated to building deep connections between India’s local Web3 innovators and the global Web3 community, fostering substantive exchanges and long-term collaboration. MEXC Ventures will leverage its global investment and project incubation expertise at each stop to empower high-potential teams to accelerate their growth.

    Octaloop Founder Anupam Varshney emphasized that India is poised to lead Web3 innovation on the global stage. He stated:

    “India doesn’t need to catch up – it’s ready to lead.IBT 2025 will amplify India’s Web3 voice, connect global projects with local innovators, and showcase our rapidly growing ecosystem to the world.”

    MEXC Ventures expressed strong confidence in India’s Web3 ecosystem. Petra Zhu, Head of South Asia Markets, stated:

    “We’re proud to kick off IBT 2025 in Hyderabad with MEXC Ventures as the title sponsor. India stands at the forefront of South Asia’s Web3 momentum, and MEXC Ventures is fully committed to supporting its long-term development.”

    She added:

    “We are actively looking to identify and empower the next generation of standout projects from India—visionary teams building real impact. We believe this region has the potential to shape the next wave of global crypto innovation, and MEXC Ventures is here to help turn that potential into reality.”

    The tour will next cover seven additional major innovation hubs across India, including Ahmedabad (July 26), Kolkata (August 16), and more. For the full schedule and participation details, please visit here.

    About Octaloop
    Founded in 2020, Octaloop began as grassroots crypto meet-ups in Delhi cafés in 2026 and has grown into India’s leading Web3 events and community-building platform. With initiatives like the India Blockchain Tour and Metamorphosis, Octaloop bridges global blockchain innovation with India’s home-grown talent.

    About MEXC Ventures
    MEXC Ventures is a comprehensive fund under MEXC dedicated to driving innovation in the cryptocurrency sector through investments in L1/L2 ecosystems, strategic investments, M&A and incubation. Upholding the principle of “Empowering Growth Through Synergy,” MEXC Ventures is committed to supporting innovative ideas and active builders in crypto. MEXC Ventures is an investor and supporter of TON and Aptos, looking forward to staying at the forefront of TON and Aptos’ innovations and actively engaging with builders to drive ecosystem growth.

    For more information, visit: MEXC Ventures Website

    A photo accompanying this announcement is available at https://www.globenewswire.com/NewsRoom/AttachmentNg/6a190510-7a13-429e-80b7-6ac21c1153ab

    CONTACT: For media inquiries, please contact MEXC PR team: media@mexc.com

    The MIL Network

  • MIL-OSI Submissions: How do we define Canadian content? Debates will shape how creatives make a living

    Source: The Conversation – Canada – By Daphne Rena Idiz, Postdoctoral fellow, Department of Arts, Culture and Media, University of Toronto

    What should count as Canadian content (CanCon) in the era of streaming and generative AI (GenAI)?

    That’s the biggest unknown at the heart of the Canadian Radio-television and Telecommunications Commission’s recent (CRTC) public hearing, held in Gatineau, Que., from May 14 to 27.

    The debate is about how Canada’s current points-based CanCon system remains effective in the context of global streaming giants and generative AI. Shows qualify as CanCon by assigning value to roles like director, screenwriter and lead actors being Canadian.

    The outcome will shape who gets to tell Canadian stories and what those stories are, and also which ones count as Canadian under the law. This, in turn, will determine who in the film and television industries can access funding, tax credits and visibility on streaming services.

    It will also determine which Canadian productions big streamers like Netflix will invest in under their Online Streaming Act obligations.

    The federal government’s recent announcement that it’s rescinding the Digital Services Tax reveals the limits of Canada’s leverage over Big Tech, underscoring the significance of CanCon rules as parameters around how streaming giants contribute meaningfully to the country’s creative industries.

    CanCon: Who gets to decide?

    The CRTC’s existing approach to defining CanCon relies on the citizenship of key creative personnel.

    The National Film Board argued that this misses the “cultural elements” of Canadian storytelling. These include cultural expression, narrative themes and connection to Canadian audiences. That is, a production might technically count as CanCon by hiring Canadians, without feeling particularly “Canadian.”

    It’s worth noting there are varied global regulatory frameworks for defining film nationality. The Writers Guild of Canada supports the CRTC’s view that cultural elements shouldn’t be part of CanCon certification, and argues that attempting to further codify cultural criteria risks reducing Canadian identity to superficial symbols like maple leaves or hockey sticks, and could exclude entire genres like sci-fi or fantasy.

    ‘Canadianness’ too broad to regulate?

    The Writers Guild of Canada argues that while Canadians should expect to see cultural elements in programming, the concept of “Canadianness” is too broad and subjective to be effectively regulated.

    Cultural elements are regulated by the 1991 Broadcasting Act as amended by the 2023 Online Streaming Act. Broadcasters and streamers must reflect Canadian stories, identities and cultural expressions.




    Read more:
    How the Online Streaming Act will support Canadian content


    The acts empower broadcasters and streamers to decide which Canadian stories and content will be developed, produced and distributed through commissioning and licensing powers. This implicitly limits the CRTC’s role to setting rules about which creatives are at the table.

    The Writer’s Guild advocates broadening the pool of Canadian key creatives to modernize the CanCon system. It trusts the combined perspectives of a broader pool to make creative decisions about Canadian identity in meaningful ways. Accordingly, it supports the CRTC’s intent to add the showrunner role to the point system since showrunners are the “the chief custodian of the creative vision of a series.

    Battle over Canadian IP

    Streaming introduces more players with financial stakes, complicating who controls content and who profits from it. A seismic shift is happening in how intellectual property (IP) is handled.

    CRTC has proposed that the updated CanCon definition include Canadian IP ownership as a mandatory element to enable Canadian companies and workers to retain some control over their own IP, and thereby earn sustainable income. For example, in a streaming drama, Canadian screenwriters who retain ownership of the IP could earn ongoing revenue through licensing deals, international sales and royalties each time the series is distributed.

    However, the Motion Picture Association-Canada (MPA-Canada), representing industry titans like Netflix, Amazon and Disney, is pushing back against requirements that mandate the sharing of territory or IP.

    Without IP rights, Canadian talent and the industry as a whole may be reduced to becoming service providers for global companies.

    Fair remuneration, IP rights needed

    Our own research highlights how this type of contractual arrangement increases the power asymmetries between producers, distributors and streaming services. We emphasize the critical importance of fair remuneration and IP rights for creators.

    Intervenors shared a range of preferences from 100 per cent Canadian IP ownership to none at all. One hundred per cent Canadian IP ownership means Canadian creators like a producer of a streaming series would control the rights to the content. They would receive the majority of profits from licensing, distribution and future adaptations.

    Even 51 per cent ownership could give them a controlling stake, but would likely require sharing revenue and decision-making with the streaming service.

    AI and CanCon

    And then, of course, there’s the question of how generative AI should be considered within the updated CanCon definition. The Writers Guild of Canada has drawn a firm line in the sand: AI-generated material should not qualify as Canadian content.

    The guild argues that since current AI tools don’t possess identity, nationality or cultural context, their output cannot advance the goals of the Broadcasting Act, centred on promoting Canadian voices and stories.

    The Alliance of Canadian Cinema, Television and Radio Artists (ACTRA) raised a different concern around AI. AI, ACTRA argued, “should not take over the jobs of the creators in the ecosystem that we’re in and we should not treat AI-generated performers as if they are a Canadian actor.”

    Depending on how the CRTC addresses AI, this could mean that streaming content featuring AI-generated scripts, characters, or performances — even if developed by a Canadian creator or set in Canada — would not qualify as CanCon.

    The WGC notes that it has already negotiated restrictions on AI use in screenwriting through its agreement with the Canadian Media Producers Association. These guardrails are being held up as the “emerging industry standard.”

    Follow the money

    Another contested point is how streamers should pay into CanCon: through direct investment or through more traditional modes of financing. Under the Online Streaming Act, streamers are required to pay five per cent of their annual revenues to certain Canadian funds.

    This model echoes previous requirements used to manage decision-making at media broadcasters, some at the much more substantial level of 30 per cent.

    But no payments have been made yet, and streamers are appealing this requirement. Streamers prefer investing directly into Canadian content, taking a risk on its commercial potential to benefit from resulting successes.

    Research in the European Union and Canada highlight how different stakeholders benefit from different forms of financial obligations, suggesting the industry may be best served by a policy mix.

    As Canada rewrites its broadcasting rules, defining Canadian content is a courtroom drama unfolding in real time — and the verdict will have serious ramifications.

    MaryElizabeth Luka receives research project funding from peer-adjudicated grants from the Social Sciences and Humanities Research Council and internal grants at University of Toronto, such as the Creative Labour Critical Futures Cluster of Scholarly Prominence.

    Daphne Rena Idiz does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

    ref. How do we define Canadian content? Debates will shape how creatives make a living – https://theconversation.com/how-do-we-define-canadian-content-debates-will-shape-how-creatives-make-a-living-258013

    MIL OSI

  • MIL-OSI Submissions: Virgin by Lorde is a layered work of performance art – her smartest references explained

    Source: The Conversation – UK – By Lillian Hingley, Postdoctoral Researcher in English Literature, University of Oxford

    With her latest album, Virgin, Lorde is stretching the concept of the virgin beyond the common definition. Some may consider the album’s title and its cover art – an X-ray of Lorde’s pelvis showing an IUD – to be contradictory.

    But while Lorde could still be using contraception for purposes beyond birth control, its presence shows that the album doesn’t shy away from discussions of sexual activities and the risk of pregnancy (two themes that are clearly discussed in the track Clearblue).

    As she also shows with her approach to gender in the album’s opening song, Hammer (“Some days, I’m a woman, some days, I’m a man”), Lorde is testing and muddying common dualisms.

    The scientific perspective offered by the album art forces the viewer to look through Lorde’s body, but we are also looking beyond her reproductive organs. Certainly, Lorde sometimes conceptualises virginity as something that can only be given once, as she explains on David.


    Looking for something good? Cut through the noise with a carefully curated selection of the latest releases, live events and exhibitions, straight to your inbox every fortnight, on Fridays. Sign up here.


    In Hammer, her quip “don’t know if it’s love or if it’s ovulation” is a comedic musing on whether an experience is profoundly transcendental or just the product of hormones. But what strikes me is the fact that her concepts and themes are not static or singular.

    This album is exploring the idea of being made, or even remade, through experience. In If She Could See Me Now, Lorde recounts how painful moments “made me a woman”.

    Like French philosopher Simone de Beauvoir’s phrase “one is not born, but rather becomes, a woman”, Lorde is exploring how her body is being changed by what she has been through. As she sings in What Was That?: “I try to let whatever has to pass through me pass through.”

    Again, while she on the one hand describes something moving through her body, she’s also describing an attempt to move through something that has happened to her – turning a passive experience into one of acceptance and action. Here we might think of another notion of virginity: a substance before it is processed. Virginity is part of the experience of being changed, or reborn, into something else.

    This is not to say that Virgin is uninterested in the body. Lorde’s discussion of her eating disorder in Broken Glass is a case in point.

    Lorde as performance artist

    The visuals accompanying Virgin emphasise Lorde’s status as a performance artist. The crescendo of the What Was That video is a spontaneous public performance of Virgin’s first single.

    The music video for What Was That.

    When Lorde released the second single, Man of the Year, she posted on her website:

    TRYING TO MAKE IT SOUND LIKE A FONTANA, LIKE PAINTING BITTEN BY A MAN, LIKE THE NEW YORK EARTH ROOM. THE SOUND OF MY REBIRTH.

    The simile here, or the idea of making music sound “like” visual art, emphasises the tactility of Lorde’s work. Each artistic piece referenced here is concerned with physically intervening into the conventional art gallery set-up.

    Italian artist Lucio Fontana’s Spacial Concept series (1960) included slashed canvases a disruption of the body of the artwork with yonic – in other words, vulva-like – imagery (indeed, it challenges how “damaged” artworks are usually hidden from audiences, waiting to be restored).

    Similarly, American artist Jasper Johns’ Painting Bitten by a Man (1961) is an encaustic painting (derived from the Greek word for “burned in”), which shows off the markings of someone who has bitten into the canvas.

    The video for Man of the Year.

    The music video for Man of the Year is filmed in a room that is filled with dirt. This is a clear nod to American sculptor Walter de Maria’s New York Earth Room (1977). The piece also fills a white room in New York with this unexpected material: earth inside a building, where mushrooms can grow.

    The video for Man of the Year may also be referencing another artwork. Lorde is shown using duct tape to bind her breasts. While this points to Lorde’s exploration of her body and gender identity, the material also recalls Italian artist Maurizio Cattelan’s duct-taped banana artwork, Comedian.

    Offering phallic imagery to Fontana’s yonic imagery, Cattelan’s piece mirrors Lorde’s concern with ontology, or definition. What makes something art?

    Prometheus (Un)bound?

    But just as Lorde is binding herself in new ways, she is unbinding herself in others. In If She Could See Me Now, Lorde declares: “I’m going back to the clay.”

    Here that the album recalls the Prometheus myth: the ancient Greek story that Prometheus fashioned humans out of mud (or clay) and gave his creations fire.

    The closing track, David, offers another ancient allusion, this time about David and Goliath. David – who, as a harpist, is a musician like Lorde – kills the giant man with stones. This reference furthers the song’s discussion of the problem of treating a man, a lover, like a god.

    In David Lorde explores similar themes to Mary Shelley.

    This subtle reference to the killing of Goliath adds another layer to the euphemism for male testicles explored in Shapeshifter: “Do you have the stones?”. Perhaps Virgin is doing what Mary Shelley’s Frankenstein (1818) did with the Prometheus tale: both exploring what happens when a man tries to create and determine the fate of another being, whether nature or nurture make a person, and how a new body can be refashioned from old ones.

    After listening to the entire album, I was struck by how Lorde is exploring different facets of another question: who, exactly, is Lorde? Especially now that she is embracing who she is beyond the yoke of other people – or the demons – that have shaped her? Virgin shows that Lorde now wants to return “to the clay”, or to remake who she is, now that she is unbound by Prometheus.

    This article features references to books that have been included for editorial reasons, and may contain links to bookshop.org. If you click on one of the links and go on to buy something from bookshop.org The Conversation UK may earn a commission.

    Lillian Hingley does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

    ref. Virgin by Lorde is a layered work of performance art – her smartest references explained – https://theconversation.com/virgin-by-lorde-is-a-layered-work-of-performance-art-her-smartest-references-explained-260181

    MIL OSI

  • MIL-OSI Submissions: Jurassic World Rebirth has everything a Jurassic film should – except the wonder

    Source: The Conversation – UK – By Barry Langford, Professor of Film Studies, Royal Holloway University of London

    Stephen Spielberg’s original Jurassic Park film (1993) instilled awe and trepidation in his characters and audience alike. As his protagonists wrestled with the unintended consequences and ethical dilemmas of reanimating extinct apex predators, viewers marvelled at the novel use of CGI. At a keystroke it seemed to consign the hand-crafted stop-motion wonders of dinosaur films past to the archive.

    Alongside pulse-pounding action set pieces delivered with trademark Spielberg panache, that first film flamboyantly inaugurated a new era in fantasy effects. And it solicited delight and wonder from its audience. On opening day in New York the dinosaurs’ first appearance prompted a spontaneous ovation: I was there and clapped too.

    Thirty-two years, six Jurassic iterations and countless monstrous digital apparitions later, that initial wow factor is a distant memory. By Jurassic World: Rebirth (set nearly 35 years after the original film) dinosaurs are treated by their human prey as barely more than inconvenient obstacles. They’re dangerous, of course, but certainly not wondrous.


    Looking for something good? Cut through the noise with a carefully curated selection of the latest releases, live events and exhibitions, straight to your inbox every fortnight, on Fridays. Sign up here.


    Palaeontologist Dr Henry Loomis’s (Jonathan Bailey) delight in coming face-to-face with his objects of study is a pale echo of the giddy euphoria that overtook Sam Neill and Laura Dern’s characters all those years ago.

    In fact, early in the film we’re told that the public have since lost all interest in dinosaurs. Wildlife parks and museum displays are closing and the animals themselves have mostly died off outside their quarantined tropical habitat.

    As this has information has little bearing for the plot, it’s hard not to sense some ironic commentary from screenwriter David Koepp (returning to the franchise for the first time since 1997) on the exhaustion of the Jurassic Park model. Always incipiently reflexive – as a blockbuster set in a theme park – by this stage in the game, the franchise machinery is inescapably visible.

    Almost as ironic is a plot line promoting the open-source sharing of intellectual property for the benefit of the whole world rather than exploitative corporations. I doubt NBCUniversal-Comcast would agree.

    The Jurassic World Rebirth trailer.

    The Jurassic franchise

    The Jurassic Park format is among the most unforgivingly rigid of any current film franchise.

    Each instalment (bar to some extent the last, the convoluted 2022 Jurassic World: Dominion, whose characters and story the new release completely ignores) places humans in perilous proximity to genetically rejuvenated sauropods. And generally does so in a remote, photogenic tropical location with minimal contact with the outside world. (Will the franchise ever run out of uncharted Caribbean islands where demented bio-engineers have wreaked evolutionary havoc?)

    The human characters in this new film are the usual pick-and-mix of daredevil adventurers, amoral corporate types and idealistic palaeontologists. And there are the mandatory school-age children too – important to keep the interest of younger viewers. The real stars of course, are the primeval leviathans who grow larger and more fearsome – though not more interesting – with each new episode of the franchise.

    How this human-dino jeopardy comes about tends not to matter very much. Jurassic World: Rebirth produces one of the least interesting MacGuffins in movie history (meaning something that drives the plot and which the charcters care about but the audience does not). Blood drawn from each of the three largest dinosaur species in the aforesaid remote tropical island will produce a serum to cure human heart disease (dinosaur hearts are huge, you see, so … never mind).

    This feeble contrivance suffices for sneery Big Pharma suit Martin (Rupert Friend) to hire freebooters Zora (Scarlett Johansson) and Duncan (Mahershala Ali) for his expedition. Along the way they encounter a marooned family (dad, two teens, one winsome but plucky grade-schooler) who subsequently have their own largely self-contained adventures before reuniting for the big climax.

    Franchise filmmaking is generally an auteur-free zone. Welsh blockbuster specialist Gareth Edwards is no Spielberg (though he pays homage at several point, notably in a waterborne first act studded with Jaws references). But he handles the action with unremarkable competence.

    In truth, Jurassic World: Rebirth suggests that the intellectual property so expensively vested in the franchise would benefit from some genetic modification.

    Barry Langford does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

    ref. Jurassic World Rebirth has everything a Jurassic film should – except the wonder – https://theconversation.com/jurassic-world-rebirth-has-everything-a-jurassic-film-should-except-the-wonder-260227

    MIL OSI

  • MIL-OSI Analysis: Virgin by Lorde is a layered work of performance art – her smartest references explained

    Source: The Conversation – UK – By Lillian Hingley, Postdoctoral Researcher in English Literature, University of Oxford

    With her latest album, Virgin, Lorde is stretching the concept of the virgin beyond the common definition. Some may consider the album’s title and its cover art – an X-ray of Lorde’s pelvis showing an IUD – to be contradictory.

    But while Lorde could still be using contraception for purposes beyond birth control, its presence shows that the album doesn’t shy away from discussions of sexual activities and the risk of pregnancy (two themes that are clearly discussed in the track Clearblue).

    As she also shows with her approach to gender in the album’s opening song, Hammer (“Some days, I’m a woman, some days, I’m a man”), Lorde is testing and muddying common dualisms.

    The scientific perspective offered by the album art forces the viewer to look through Lorde’s body, but we are also looking beyond her reproductive organs. Certainly, Lorde sometimes conceptualises virginity as something that can only be given once, as she explains on David.


    Looking for something good? Cut through the noise with a carefully curated selection of the latest releases, live events and exhibitions, straight to your inbox every fortnight, on Fridays. Sign up here.


    In Hammer, her quip “don’t know if it’s love or if it’s ovulation” is a comedic musing on whether an experience is profoundly transcendental or just the product of hormones. But what strikes me is the fact that her concepts and themes are not static or singular.

    This album is exploring the idea of being made, or even remade, through experience. In If She Could See Me Now, Lorde recounts how painful moments “made me a woman”.

    Like French philosopher Simone de Beauvoir’s phrase “one is not born, but rather becomes, a woman”, Lorde is exploring how her body is being changed by what she has been through. As she sings in What Was That?: “I try to let whatever has to pass through me pass through.”

    Again, while she on the one hand describes something moving through her body, she’s also describing an attempt to move through something that has happened to her – turning a passive experience into one of acceptance and action. Here we might think of another notion of virginity: a substance before it is processed. Virginity is part of the experience of being changed, or reborn, into something else.

    This is not to say that Virgin is uninterested in the body. Lorde’s discussion of her eating disorder in Broken Glass is a case in point.

    Lorde as performance artist

    The visuals accompanying Virgin emphasise Lorde’s status as a performance artist. The crescendo of the What Was That video is a spontaneous public performance of Virgin’s first single.

    The music video for What Was That.

    When Lorde released the second single, Man of the Year, she posted on her website:

    TRYING TO MAKE IT SOUND LIKE A FONTANA, LIKE PAINTING BITTEN BY A MAN, LIKE THE NEW YORK EARTH ROOM. THE SOUND OF MY REBIRTH.

    The simile here, or the idea of making music sound “like” visual art, emphasises the tactility of Lorde’s work. Each artistic piece referenced here is concerned with physically intervening into the conventional art gallery set-up.

    Italian artist Lucio Fontana’s Spacial Concept series (1960) included slashed canvases a disruption of the body of the artwork with yonic – in other words, vulva-like – imagery (indeed, it challenges how “damaged” artworks are usually hidden from audiences, waiting to be restored).

    Similarly, American artist Jasper Johns’ Painting Bitten by a Man (1961) is an encaustic painting (derived from the Greek word for “burned in”), which shows off the markings of someone who has bitten into the canvas.

    The video for Man of the Year.

    The music video for Man of the Year is filmed in a room that is filled with dirt. This is a clear nod to American sculptor Walter de Maria’s New York Earth Room (1977). The piece also fills a white room in New York with this unexpected material: earth inside a building, where mushrooms can grow.

    The video for Man of the Year may also be referencing another artwork. Lorde is shown using duct tape to bind her breasts. While this points to Lorde’s exploration of her body and gender identity, the material also recalls Italian artist Maurizio Cattelan’s duct-taped banana artwork, Comedian.

    Offering phallic imagery to Fontana’s yonic imagery, Cattelan’s piece mirrors Lorde’s concern with ontology, or definition. What makes something art?

    Prometheus (Un)bound?

    But just as Lorde is binding herself in new ways, she is unbinding herself in others. In If She Could See Me Now, Lorde declares: “I’m going back to the clay.”

    Here that the album recalls the Prometheus myth: the ancient Greek story that Prometheus fashioned humans out of mud (or clay) and gave his creations fire.

    The closing track, David, offers another ancient allusion, this time about David and Goliath. David – who, as a harpist, is a musician like Lorde – kills the giant man with stones. This reference furthers the song’s discussion of the problem of treating a man, a lover, like a god.

    In David Lorde explores similar themes to Mary Shelley.

    This subtle reference to the killing of Goliath adds another layer to the euphemism for male testicles explored in Shapeshifter: “Do you have the stones?”. Perhaps Virgin is doing what Mary Shelley’s Frankenstein (1818) did with the Prometheus tale: both exploring what happens when a man tries to create and determine the fate of another being, whether nature or nurture make a person, and how a new body can be refashioned from old ones.

    After listening to the entire album, I was struck by how Lorde is exploring different facets of another question: who, exactly, is Lorde? Especially now that she is embracing who she is beyond the yoke of other people – or the demons – that have shaped her? Virgin shows that Lorde now wants to return “to the clay”, or to remake who she is, now that she is unbound by Prometheus.

    This article features references to books that have been included for editorial reasons, and may contain links to bookshop.org. If you click on one of the links and go on to buy something from bookshop.org The Conversation UK may earn a commission.

    Lillian Hingley does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

    ref. Virgin by Lorde is a layered work of performance art – her smartest references explained – https://theconversation.com/virgin-by-lorde-is-a-layered-work-of-performance-art-her-smartest-references-explained-260181

    MIL OSI Analysis

  • MIL-OSI Analysis: Jurassic World Rebirth has everything a Jurassic film should – except the wonder

    Source: The Conversation – UK – By Barry Langford, Professor of Film Studies, Royal Holloway University of London

    Stephen Spielberg’s original Jurassic Park film (1993) instilled awe and trepidation in his characters and audience alike. As his protagonists wrestled with the unintended consequences and ethical dilemmas of reanimating extinct apex predators, viewers marvelled at the novel use of CGI. At a keystroke it seemed to consign the hand-crafted stop-motion wonders of dinosaur films past to the archive.

    Alongside pulse-pounding action set pieces delivered with trademark Spielberg panache, that first film flamboyantly inaugurated a new era in fantasy effects. And it solicited delight and wonder from its audience. On opening day in New York the dinosaurs’ first appearance prompted a spontaneous ovation: I was there and clapped too.

    Thirty-two years, six Jurassic iterations and countless monstrous digital apparitions later, that initial wow factor is a distant memory. By Jurassic World: Rebirth (set nearly 35 years after the original film) dinosaurs are treated by their human prey as barely more than inconvenient obstacles. They’re dangerous, of course, but certainly not wondrous.


    Looking for something good? Cut through the noise with a carefully curated selection of the latest releases, live events and exhibitions, straight to your inbox every fortnight, on Fridays. Sign up here.


    Palaeontologist Dr Henry Loomis’s (Jonathan Bailey) delight in coming face-to-face with his objects of study is a pale echo of the giddy euphoria that overtook Sam Neill and Laura Dern’s characters all those years ago.

    In fact, early in the film we’re told that the public have since lost all interest in dinosaurs. Wildlife parks and museum displays are closing and the animals themselves have mostly died off outside their quarantined tropical habitat.

    As this has information has little bearing for the plot, it’s hard not to sense some ironic commentary from screenwriter David Koepp (returning to the franchise for the first time since 1997) on the exhaustion of the Jurassic Park model. Always incipiently reflexive – as a blockbuster set in a theme park – by this stage in the game, the franchise machinery is inescapably visible.

    Almost as ironic is a plot line promoting the open-source sharing of intellectual property for the benefit of the whole world rather than exploitative corporations. I doubt NBCUniversal-Comcast would agree.

    The Jurassic World Rebirth trailer.

    The Jurassic franchise

    The Jurassic Park format is among the most unforgivingly rigid of any current film franchise.

    Each instalment (bar to some extent the last, the convoluted 2022 Jurassic World: Dominion, whose characters and story the new release completely ignores) places humans in perilous proximity to genetically rejuvenated sauropods. And generally does so in a remote, photogenic tropical location with minimal contact with the outside world. (Will the franchise ever run out of uncharted Caribbean islands where demented bio-engineers have wreaked evolutionary havoc?)

    The human characters in this new film are the usual pick-and-mix of daredevil adventurers, amoral corporate types and idealistic palaeontologists. And there are the mandatory school-age children too – important to keep the interest of younger viewers. The real stars of course, are the primeval leviathans who grow larger and more fearsome – though not more interesting – with each new episode of the franchise.

    How this human-dino jeopardy comes about tends not to matter very much. Jurassic World: Rebirth produces one of the least interesting MacGuffins in movie history (meaning something that drives the plot and which the charcters care about but the audience does not). Blood drawn from each of the three largest dinosaur species in the aforesaid remote tropical island will produce a serum to cure human heart disease (dinosaur hearts are huge, you see, so … never mind).

    This feeble contrivance suffices for sneery Big Pharma suit Martin (Rupert Friend) to hire freebooters Zora (Scarlett Johansson) and Duncan (Mahershala Ali) for his expedition. Along the way they encounter a marooned family (dad, two teens, one winsome but plucky grade-schooler) who subsequently have their own largely self-contained adventures before reuniting for the big climax.

    Franchise filmmaking is generally an auteur-free zone. Welsh blockbuster specialist Gareth Edwards is no Spielberg (though he pays homage at several point, notably in a waterborne first act studded with Jaws references). But he handles the action with unremarkable competence.

    In truth, Jurassic World: Rebirth suggests that the intellectual property so expensively vested in the franchise would benefit from some genetic modification.

    Barry Langford does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

    ref. Jurassic World Rebirth has everything a Jurassic film should – except the wonder – https://theconversation.com/jurassic-world-rebirth-has-everything-a-jurassic-film-should-except-the-wonder-260227

    MIL OSI Analysis

  • MIL-OSI Global: How do we define Canadian content? Debates will shape how creatives make a living

    Source: The Conversation – Canada – By Daphne Rena Idiz, Postdoctoral fellow, Department of Arts, Culture and Media, University of Toronto

    What should count as Canadian content (CanCon) in the era of streaming and generative AI (GenAI)?

    That’s the biggest unknown at the heart of the Canadian Radio-television and Telecommunications Commission’s recent (CRTC) public hearing, held in Gatineau, Que., from May 14 to 27.

    The debate is about how Canada’s current points-based CanCon system remains effective in the context of global streaming giants and generative AI. Shows qualify as CanCon by assigning value to roles like director, screenwriter and lead actors being Canadian.

    The outcome will shape who gets to tell Canadian stories and what those stories are, and also which ones count as Canadian under the law. This, in turn, will determine who in the film and television industries can access funding, tax credits and visibility on streaming services.

    It will also determine which Canadian productions big streamers like Netflix will invest in under their Online Streaming Act obligations.

    The federal government’s recent announcement that it’s rescinding the Digital Services Tax reveals the limits of Canada’s leverage over Big Tech, underscoring the significance of CanCon rules as parameters around how streaming giants contribute meaningfully to the country’s creative industries.

    CanCon: Who gets to decide?

    The CRTC’s existing approach to defining CanCon relies on the citizenship of key creative personnel.

    The National Film Board argued that this misses the “cultural elements” of Canadian storytelling. These include cultural expression, narrative themes and connection to Canadian audiences. That is, a production might technically count as CanCon by hiring Canadians, without feeling particularly “Canadian.”

    It’s worth noting there are varied global regulatory frameworks for defining film nationality. The Writers Guild of Canada supports the CRTC’s view that cultural elements shouldn’t be part of CanCon certification, and argues that attempting to further codify cultural criteria risks reducing Canadian identity to superficial symbols like maple leaves or hockey sticks, and could exclude entire genres like sci-fi or fantasy.

    ‘Canadianness’ too broad to regulate?

    The Writers Guild of Canada argues that while Canadians should expect to see cultural elements in programming, the concept of “Canadianness” is too broad and subjective to be effectively regulated.

    Cultural elements are regulated by the 1991 Broadcasting Act as amended by the 2023 Online Streaming Act. Broadcasters and streamers must reflect Canadian stories, identities and cultural expressions.




    Read more:
    How the Online Streaming Act will support Canadian content


    The acts empower broadcasters and streamers to decide which Canadian stories and content will be developed, produced and distributed through commissioning and licensing powers. This implicitly limits the CRTC’s role to setting rules about which creatives are at the table.

    The Writer’s Guild advocates broadening the pool of Canadian key creatives to modernize the CanCon system. It trusts the combined perspectives of a broader pool to make creative decisions about Canadian identity in meaningful ways. Accordingly, it supports the CRTC’s intent to add the showrunner role to the point system since showrunners are the “the chief custodian of the creative vision of a series.

    Battle over Canadian IP

    Streaming introduces more players with financial stakes, complicating who controls content and who profits from it. A seismic shift is happening in how intellectual property (IP) is handled.

    CRTC has proposed that the updated CanCon definition include Canadian IP ownership as a mandatory element to enable Canadian companies and workers to retain some control over their own IP, and thereby earn sustainable income. For example, in a streaming drama, Canadian screenwriters who retain ownership of the IP could earn ongoing revenue through licensing deals, international sales and royalties each time the series is distributed.

    However, the Motion Picture Association-Canada (MPA-Canada), representing industry titans like Netflix, Amazon and Disney, is pushing back against requirements that mandate the sharing of territory or IP.

    Without IP rights, Canadian talent and the industry as a whole may be reduced to becoming service providers for global companies.

    Fair remuneration, IP rights needed

    Our own research highlights how this type of contractual arrangement increases the power asymmetries between producers, distributors and streaming services. We emphasize the critical importance of fair remuneration and IP rights for creators.

    Intervenors shared a range of preferences from 100 per cent Canadian IP ownership to none at all. One hundred per cent Canadian IP ownership means Canadian creators like a producer of a streaming series would control the rights to the content. They would receive the majority of profits from licensing, distribution and future adaptations.

    Even 51 per cent ownership could give them a controlling stake, but would likely require sharing revenue and decision-making with the streaming service.

    AI and CanCon

    And then, of course, there’s the question of how generative AI should be considered within the updated CanCon definition. The Writers Guild of Canada has drawn a firm line in the sand: AI-generated material should not qualify as Canadian content.

    The guild argues that since current AI tools don’t possess identity, nationality or cultural context, their output cannot advance the goals of the Broadcasting Act, centred on promoting Canadian voices and stories.

    The Alliance of Canadian Cinema, Television and Radio Artists (ACTRA) raised a different concern around AI. AI, ACTRA argued, “should not take over the jobs of the creators in the ecosystem that we’re in and we should not treat AI-generated performers as if they are a Canadian actor.”

    Depending on how the CRTC addresses AI, this could mean that streaming content featuring AI-generated scripts, characters, or performances — even if developed by a Canadian creator or set in Canada — would not qualify as CanCon.

    The WGC notes that it has already negotiated restrictions on AI use in screenwriting through its agreement with the Canadian Media Producers Association. These guardrails are being held up as the “emerging industry standard.”

    Follow the money

    Another contested point is how streamers should pay into CanCon: through direct investment or through more traditional modes of financing. Under the Online Streaming Act, streamers are required to pay five per cent of their annual revenues to certain Canadian funds.

    This model echoes previous requirements used to manage decision-making at media broadcasters, some at the much more substantial level of 30 per cent.

    But no payments have been made yet, and streamers are appealing this requirement. Streamers prefer investing directly into Canadian content, taking a risk on its commercial potential to benefit from resulting successes.

    Research in the European Union and Canada highlight how different stakeholders benefit from different forms of financial obligations, suggesting the industry may be best served by a policy mix.

    As Canada rewrites its broadcasting rules, defining Canadian content is a courtroom drama unfolding in real time — and the verdict will have serious ramifications.

    MaryElizabeth Luka receives research project funding from peer-adjudicated grants from the Social Sciences and Humanities Research Council and internal grants at University of Toronto, such as the Creative Labour Critical Futures Cluster of Scholarly Prominence.

    Daphne Rena Idiz does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

    ref. How do we define Canadian content? Debates will shape how creatives make a living – https://theconversation.com/how-do-we-define-canadian-content-debates-will-shape-how-creatives-make-a-living-258013

    MIL OSI – Global Reports

  • MIL-OSI Global: AI is advancing even faster than sci-fi visionaries like Neal Stephenson imagined

    Source: The Conversation – USA – By Rizwan Virk, Faculty Associate, PhD Candidate in Human and Social Dimensions of Science and Technology, Arizona State University

    In Stephenson’s novel ‘The Diamond Age,’ a device called the Young Lady’s Illustrated Primer offers emotional, social and intellectual support. Christopher Michel/Wikimedia Commons, CC BY-SA

    Every time I read about another advance in AI technology, I feel like another figment of science fiction moves closer to reality.

    Lately, I’ve been noticing eerie parallels to Neal Stephenson’s 1995 novel “The Diamond Age: Or, A Young Lady’s Illustrated Primer.”

    “The Diamond Age” depicted a post-cyberpunk sectarian future, in which society is fragmented into tribes, called phyles. In this future world, sophisticated nanotechnology is ubiquitous, and a new type of AI is introduced.

    Though inspired by MIT nanotech pioneer Eric Drexler and Nobel Prize winner Richard Feynman, the advanced nanotechnology depicted in the novel still remains out of reach. However, the AI that’s portrayed, particularly a teaching device called the Young Lady’s Illustrated Primer, isn’t only right in front of us; it also raises serious issues about the role of AI in labor, learning and human behavior.

    In Stephenson’s novel, the Primer looks like a hardcover book, but each of its “pages” is really a screen display that can show animations and text, and it responds to its user in real time via AI. The book also has an audio component, which voices the characters and narrates stories being told by the device.

    It was originally created for the young daughter of an aristocrat, but it accidentally falls into the hands of a girl named Nell who’s living on the streets of a futuristic Shanghai. The Primer provides Nell personalized emotional, social and intellectual support during her journey to adulthood, serving alternatively as an AI companion, a storyteller, a teacher and a surrogate parent.

    The AI is able to weave fairy tales that help a younger Nell cope with past traumas, such as her abusive home and life on the streets. It educates her on everything from math to cryptography to martial arts. In a techno-futuristic homage to George Bernard Shaw’s 1913 play “Pygmalion,” the Primer goes so far as to teach Nell the proper social etiquette to be able to blend into neo-Victorian society, one of the prominent tribes in Stephenson’s balkanized world.

    No need for ‘ractors’

    Three recent developments in AI – in video games, wearable technology and education – reveal that building something like the Primer should no longer be considered the purview of science fiction.

    In May 2025, the hit video game “Fortnite” introduced an AI version of Darth Vader, who speaks with the voice of the late James Earl Jones.

    The estate of James Earl Jones gave Epic Games permission to use the late actor’s voice for an AI Darth Vader.
    Jim Spellman/WireImage via Getty Images

    While it was popular among fans of the game, the Screen Actors Guild lodged a labor complaint with Epic Games, the creator of “Fortnite.” Even though Epic had received permission from the late actor’s estate, the Screen Actors Guild pointed out that actors could have been hired to voice the character, and the company – in refusing to alert the union and negotiate terms – violated existing labor agreements.

    In “The Diamond Age,” while the Primer uses AI to generate the fairy tales that train Nell, for the voices of these archetypal characters, Stephenson concocted a low-tech solution: The characters are played by a network of what he termed “ractors” – real actors working in a studio who are contracted to perform and interact in real time with users.

    The Darth Vader “Fortnite” character shows that a Primer built today wouldn’t need to use actors at all. It could rely almost entirely on AI voice generation and have real-time conversations, showing that today’s technology already exceeds Stephenson’s normally far-sighted vision.

    Recording and guiding in real time

    Synthesizing James Earl Jones’ voice in “Fortnite” wasn’t the only recent AI development heralding the arrival of Primer-like technology.

    I recently witnessed a demonstration of wearable AI that records all of the wearer’s conversations. Their words are then sent to a server so they can be analyzed by AI, providing both summaries and suggestions to the user about future behavior.

    Several startups are making these “always on” AI wearables. In an April 29, 2025, essay titled “I Recorded Everything I Said for Three Months. AI Has Replaced My Memory,” Wall Street Journal technology columnist Joanna Stern describes the experience of using this technology. She concedes that the assistants created useful summaries of her conversations and meetings, along with helpful to-do lists. However, they also recalled “every dumb, private and cringeworthy thing that came out of my mouth.”

    AI wearable devices that continuously record the conversations of their users have recently hit the market.

    These devices also create privacy issues. The people whom the user interacts with don’t always know they are being recorded, even as their words are also sent to a server for the AI to process them. To Stern, the technology’s potential for mass surveillance becomes readily apparent, presenting a “slightly terrifying glimpse of the future.”

    Relying on AI engines such as ChatGPT, Claude and Google’s Gemini, the wearables work only with words, not images. Behavioral suggestions occur only after the fact. However, a key function of the Primer – coaching users in real time in the middle of any situation or social interaction – is the next logical step as the technology advances.

    Education or social engineering?

    In “The Diamond Age,” the Primer doesn’t simply weave interactive fairy tales for Nell. It also assumes the responsibility of educating her on everything from her ABCs when younger to the intricacies of cryptography and politics as she gets older.

    It’s no secret that AI tools, such as ChatGPT, are now being widely used by both teachers and students.

    Several recent studies have shown that AI may be more effective than humans at teaching computer science. One survey found that 85% of students said ChatGPT was more effective than a human tutor. And at least one college, Morehouse College in Atlanta, is introducing an AI teaching assistant for professors.

    There are certainly advantages to AI tutors: Tutoring and college tuition can be exorbitantly expensive, and the technology can offer better access to education to people of all income levels.

    Pulling together these latest AI advances – interactive avatars, behavioral guides, tutors – it’s easy to envision how an AI device like the Young Lady’s Illustrated Primer could be created in the near future. A young person might have a personalized AI character that accompanies them at all times. It can teach them about the world and offer up suggestions for how to act in certain situations. The AI could be tailored to a child’s personality, concocting stories that include AI versions of their favorite TV and movie characters.

    But “The Diamond Age” offers a warning, too.

    Toward the end of the novel, a version of the Primer is handed out to hundreds of thousands of young Chinese girls who, like Nell, didn’t have access to education or mentors. This leads to the education of the masses. But it also opens the door to large-scale social engineering, creating an army of Primer-raised martial arts experts, whom the AI then directs to act on behalf of “Princess Nell,” Nell’s fairy tale name.

    It’s easy to see how this sort of large-scale social engineering could be used to target certain ideologies, crush dissent or build loyalty to a particular regime. The AI’s behavior could also be subject to the whims of the companies or individuals that created it. A ubiquitous, always-on, friendly AI could become the ultimate monitoring and reporting device. Think of a kinder, gentler face for Big Brother that people have trusted since childhood.

    While large-scale deployment of a Primer-like AI could certainly make young people smarter and more efficient, it could also hamper one of the most important parts of education: teaching people to think for themselves.

    Rizwan Virk owns shares of investments funds which own stock in various private AI companies such as Open AI and X.ai. He owns public stock in Google and Microsoft. Virk has family members who work for a wearable AI company.

    ref. AI is advancing even faster than sci-fi visionaries like Neal Stephenson imagined – https://theconversation.com/ai-is-advancing-even-faster-than-sci-fi-visionaries-like-neal-stephenson-imagined-257509

    MIL OSI – Global Reports

  • MIL-OSI Global: Legal wrangling over estate of Jimmy Buffett turns his widow’s huge inheritance into a cautionary tale

    Source: The Conversation – USA – By Reid Kress Weisbord, Distinguished Professor of Law and Judge Norma Shapiro Scholar, Rutgers University – Newark

    Musician Jimmy Buffett and his wife, Jane Slagsvol, attend a Lincoln Center for the Performing Arts event in 2018 in New York. Evan Agostini/Invision via AP

    Lawyers often tell their clients that everyone should have a will that clearly states who should inherit their assets after they die. But even having a will is not necessarily enough to avoid a costly and contentious legal dispute.

    Consider what happened after Jimmy Buffett died of skin cancer at the age of 76 in 2023. The singer and entrepreneurial founder of the Margaritaville brand ordered in his will that his fortune be placed in a trust after his death. To manage the trust, Buffett named two co-trustees: his widow, Jane Slagsvol, and Richard Mozenter, an accountant who had served as the singer’s financial adviser for more than three decades.

    In dueling petitions filed in Los Angeles and Palm Beach, Florida, in June 2025, however, Slagsvol – identified as Jane Buffett in her legal filing – and Mozenter are both seeking to remove each other as a trustee.

    The outcome of this litigation will determine who gets to administer Buffett’s US$275 million estate.

    As law professors who specialize in trusts and estates, we teach graduate courses about the transfer of property during life and at death. We believe that the Buffett dispute offers a valuable lesson for anyone with an estate, large or small. And choosing the right person to manage the assets you leave behind can be just as important as selecting who will inherit your property.

    Buffett’s business empire

    Buffett’s estate includes valuable intellectual property from his hit songs, including “It’s 5 O’Clock Somewhere,” “Oldest Surfer on the Beach” and “Cheeseburger in Paradise.” Buffett’s albums have sold more than 20 million copies worldwide and continue to generate some $20 million annually in royalties. Buffett also owned a yacht, real estate, airplanes, fancy watches and valuable securities.

    In addition, he owned a 20% stake in Margaritaville Holdings LLC, a brand management company he and Slagsvol founded in the 1990s. Margaritaville owns 30 restaurants and 20 hotels, along with vacation clubs, casinos and cruise ships. It also sells branded merchandise.

    According to Slagsvol’s petition, Buffett’s trust was set up to benefit his widow. Slagsvol, who married Buffett in 1977, is one of two trustees of that trust, which is required to have at least one “independent trustee” in addition to her “at all times.” That requirement is stated expressly in Buffett’s trust declaration.

    Slagsvol receives all income earned by the trust – an estate-planning technique for giving away property managed by a trustee on behalf of the trust beneficiaries – for the rest of her life. She can also receive additional trust funds for her health care, living expenses and “any other purpose” that the independent trustee – Mozenter, as of July 2025 – deems to be in Slagsvol’s best interests.

    The estate plan also created separate trusts for their three children: Savannah, Sarah “Delaney” and Cameron Buffett, who are in their 30s and 40s. Each child reportedly received $2 million upon Jimmy’s death. When Slagsvol dies, she can decide who will receive any remaining assets from among Buffett’s descendants and charities.

    The structure of Buffett’s plan is popular among wealthy married couples. It provides lifelong support for the surviving spouse while ensuring that their kids and grandchildren can inherit the remainder of their estate – even if that spouse remarries. This type of trust typically cannot be changed by the surviving spouse without court approval.

    If you’re fortunate enough to reach your golden years with a sizable nest egg, it helps your loved ones if you can draft a detailed will. You might also want to consider establishing a trust.
    Maskot/Getty Images

    Dueling trustee removal petitions

    Slagsvol is trying to remove Mozenter as the trust’s independent trustee.

    She claims he refused to comply with her requests for financial information, failed to cooperate with her as her co-trustee, and hired a trust attorney who pressured her to resign as trustee. Slagsvol also raised numerous questions about the trust’s income projections and compensation paid to Mozenter for his services.

    Mozenter’s petition, filed in Florida, is not available to the public. According to media coverage of this dispute, he seeks to remove Slagsvol as trustee. He claims that, during his decades-long role as Buffett’s financial adviser, the musician “expressed concerns about his wife’s ability to manage and control his assets after his death.”

    That led Buffett to establish a trust, Mozenter asserted, “in a manner that precluded Jane from having actual control” over it.

    Estate planning lessons

    We believe that the public can learn two important estate planning lessons from this dispute.

    First, anyone planning to leave an estate, whether modest or vast, needs to choose the right people to manage the transfer of their property after their death.

    That might mean picking a professional executor or trustee who is not related to you. A professional may be more likely to remain neutral should any disputes arise within the family, but hiring one can saddle the estate with costly fees.

    An alternative is to choose a relative or trusted friend who is willing to do this for free. About 56% of wills name an adult child or grandchild as executor, according to a recent study. Some estates, like Buffett’s trust, name both a professional and a family member. An important consideration is whether the people asked to manage the estate will get along with each other – and with anyone else who is slated to inherit from the estate.

    The second lesson is, whether you choose a professional, a loved one or a friend to manage your estate, make clear what circumstances would warrant their removal. Courts are reluctant to remove a handpicked trustee without proof of negligence, fraud or disloyalty. But trustees can be removed when a breakdown in cooperation interferes with their ability to administer the estate or trust.

    Some trusts anticipate such conflicts by allowing beneficiaries to replace a professional trustee with another professional trustee. That can resolve some disputes while avoiding the cost of seeking court approval.

    Preventing disputes from erupting in the first place can help people avert the costly and embarrassing kind of litigation now ensnaring Jimmy Buffett’s estate.

    The authors do not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and have disclosed no relevant affiliations beyond their academic appointment.

    ref. Legal wrangling over estate of Jimmy Buffett turns his widow’s huge inheritance into a cautionary tale – https://theconversation.com/legal-wrangling-over-estate-of-jimmy-buffett-turns-his-widows-huge-inheritance-into-a-cautionary-tale-259116

    MIL OSI – Global Reports

  • MIL-OSI Global: Hurricane forecasters are losing 3 key satellites ahead of peak storm season − a meteorologist explains why it matters

    Source: The Conversation – USA – By Chris Vagasky, Meteorologist and Research Program Manager, University of Wisconsin-Madison

    Many coastal communities rely on satellite data to understand the risks as hurricanes head their way.
    Ricardo Arduengo/AFP via Getty Images

    About 600 miles off the west coast of Africa, large clusters of thunderstorms begin organizing into tropical storms every hurricane season. They aren’t yet in range of Hurricane Hunter flights, so forecasters at the National Hurricane Center rely on weather satellites to peer down on these storms and beam back information about their location, structure and intensity.

    The satellite data helps meteorologists create weather forecasts that keep planes and ships safe and prepare countries for a potential hurricane landfall.

    Now, meteorologists are about to lose access to three of those satellites.

    On June 25, 2025, the Trump administration issued a service change notice announcing that the Defense Meteorological Satellite Program, DMSP, and the Navy’s Fleet Numerical Meteorology and Oceanography Center would terminate data collection, processing and distribution of all DMSP data no later than June 30. The data termination was postponed until July 31 following a request from the head of NASA’s Earth Science Division.

    How hurricanes form. NOAA

    I am a meteorologist who studies lightning in hurricanes and helps train other meteorologists to monitor and forecast tropical cyclones. Here is how meteorologists use the DMSP data and why they are concerned about it going dark.

    Looking inside the clouds

    At its most basic, a weather satellite is a high-resolution digital camera in space that takes pictures of clouds in the atmosphere.

    These are the satellite images you see on most TV weather broadcasts. They let meteorologists see the location and some details of a hurricane’s structure, but only during daylight hours.

    Hurricane Flossie spins off the Mexican coast on July 1, 2025. Images show the top of the hurricane from space as day turns to night. NOAA GOES

    Meteorologists can use infrared satellite data, similar to a thermal imaging camera, at all hours of the day to find the coldest cloud-top temperatures, highlighting areas where the highest wind speeds and rainfall rates are found.

    But while visible and infrared satellite imagery are valuable tools for hurricane forecasters, they provide only a basic picture of the storm. It’s like a doctor diagnosing a patient after a visual exam and checking their temperature.

    Infrared bands show more detail of Hurricane Flossie’s structure on July 1, 2025. NOAA GOES

    For more accurate diagnoses, meteorologists rely on the DMSP satellites.

    The three satellites orbit Earth 14 times per day with special sensor microwave imager/sounder instruments, or SSMIS. These let meteorologists look inside the clouds, similar to how an MRI in a hospital looks inside a human body. With these instruments, meteorologists can pinpoint the storm’s low-pressure center and identify signs of intensification.

    Precisely locating the center of a hurricane improves forecasts of the storm’s future track. This lets meteorologists produce more accurate hurricane watches, warnings and evacuations.

    Hurricane track forecasts have improved by up to 75% since 1990. However, forecasting rapid intensification is still difficult, so the ability of DMPS data to identify signs of intensification is important.

    About 80% of major hurricanes – those with wind speeds of at least 111 mph (179 kilometers per hour) – rapidly intensify at some point, ramping up the risks they pose to people and property on land. Finding out when storms are about to undergo intensification allows meteorologists to warn the public about these dangerous hurricanes.

    Where are the defense satellites going?

    NOAA’s Office of Satellite and Product Operations described the reason for turning off the flow of data as a need to mitigate “a significant cybersecurity risk.”

    The three satellites have already operated for longer than planned.

    The DMSP satellites were launched between 1999 and 2009 and were designed to last for five years. They have now been operating for more than 15 years. The United States Space Force recently concluded that the DMSP satellites would reach the end of their lives between 2023 and 2026, so the data would likely have gone dark soon.

    Are there replacements for the DMSP satellites?

    Three other satellites in orbit – NOAA-20, NOAA-21 and Suomi NPP – have a microwave instrument known as the advanced technology microwave sounder.

    The advanced technology microwave sounder, or ATMS, can provide data similar to the special sensor microwave imager/sounder, or SSMIS, but at a lower resolution. It provides a more washed-out view that is less useful than the SSMIS for pinpointing a storm’s location or estimating its intensity.

    Images of Hurricane Erick off the coast of Mexico, viewed from NOAA-20’s ATMS (left) and DMPS SSMIS (right) on June 18 show the difference in resolution and the higher detail provided by the SSMIS data.
    U.S. Naval Research Laboratory, via Michael Lowry

    The U.S. Space Force began using data from a new defense meteorology satellite, ML-1A, in late April 2025.

    ML-1A is a microwave satellite that will help replace some of the DMSP satellites’ capabilities. However, the government hasn’t announced whether the ML-1A data will be available to forecasters, including those at the National Hurricane Center.

    Why are satellite replacements last minute?

    Satellite programs are planned over many years, even decades, and are very expensive. The current geostationary satellite program launched its first satellite in 2016 with plans to operate until 2038. Development of the planned successor for GOES-R began in 2019.

    Similarly, plans for replacing the DMSP satellites have been underway since the early 2000s.

    Scientists prepare a GOES-R satellite for packing aboard a rocket in 2016.
    NASA/Charles Babir

    Delays in developing the satellite instruments and funding cuts caused the National Polar-orbiting Operational Environmental Satellite System and Defense Weather Satellite System to be canceled in 2010 and 2012 before any of their satellites could be launched.

    The 2026 NOAA budget request includes an increase in funding for the next-generation geostationary satellite program, so it can be restructured to reuse spare parts from existing geostationary satellites. The budget also terminates contracts for ocean color, atmospheric composition and advanced lightning mapper instruments.

    A busy season remains

    The 2025 Atlantic hurricane season, which runs from June 1 to Nov. 30, is forecast to be above average, with six to 10 hurricanes. The most active part of the season runs from the middle of August to the middle of October, after the DMSP satellite data is set to be turned off.

    Hurricane forecasters will continue to use all available tools, including satellite, radar, weather balloon and dropsonde data, to monitor the tropics and issue hurricane forecasts. But the loss of satellite data, along with other cuts to data, funding and staffing, could ultimately put more lives at risk.

    Chris Vagasky is a member of the American Meteorological Society and the National Weather Association.

    ref. Hurricane forecasters are losing 3 key satellites ahead of peak storm season − a meteorologist explains why it matters – https://theconversation.com/hurricane-forecasters-are-losing-3-key-satellites-ahead-of-peak-storm-season-a-meteorologist-explains-why-it-matters-260190

    MIL OSI – Global Reports

  • MIL-OSI Submissions: Bali to Biarritz: Surf spot overcrowding and the fight to protect the essence of catching a wave

    Source: The Conversation – France – By Jérémy Lemarié, Maître de conférences à l’Université de Reims Champagne-Ardenne, Université de Reims Champagne-Ardenne (URCA)

    Invented in Hawaii, surfing gained popularity in the United States and Australia in the 1950s before becoming a global phenomenon. Now practiced in more than 150 countries, its spread has been driven by media and tourism. Surf tourism involves travelling to destinations to catch waves, either with a surfboard or through activities such as body surfing or bodyboarding. Tourists range from seasoned surfers to beginners eager to learn.

    The allure of California

    For many, surf tourism evokes exotic imagery shaped by California production companies. Columbia Pictures in 1959 and Paramount Pictures in 1961 introduced surfing to the middle class, showcasing the sport as a gateway to summer adventure and escape. However, it was the 1966 movie The Endless Summer, directed and produced by Bruce Brown, that became a box office success. The film follows two Californians travelling the globe in search of the perfect wave, which they ultimately find in South Africa. Beneath the seemingly lighthearted portrayal of a “surf safari”, it carries undertones of colonial ambition.

    In the film, the Californians tell people in Africa that waves are untapped resources ready to be named and conquered. This sense of Western cultural dominance over populations in poorer countries has permeated surf tourism. Since the 1970s, French surfers have flocked to Morocco for its long-breaking waves, Australians have flocked to Indonesia and Californians to Mexico. The expansion of surfing to Africa, Asia and Latin America was enabled by easier international travel and economic disparities between visitors and hosts.

    Surfing’s impact on local communities

    Indonesia, for instance, became a surfing hotspot after Australian surfers started to explore the waves of Bali and the Mentawai Islands in the 1970s. Once remote regions with modest living standards, these areas saw tourism infrastructure mushroom to meet demand. Today, destinations such as Uluwatu in Bali and Padang Padang in Sumatra attract surfers of all skill levels.

    Similarly, Morocco has experienced a surge in surf tourism, with spots such as Taghazout drawing European visitors in search of affordable waves and sunshine. While this has boosted local economies, it has also raised concerns about environmental degradation and the strain of tourism on previously untouched areas.

    The challenges of overtourism in coastal areas

    Although surfing is often seen as an activity in harmony with nature, mass tourism has created tensions between local surfers and visitors. Overtourism refers to the negative impact of excessive tourist numbers on natural environments and local communities.

    One response to overtourism is localism – where local surfers assert ownership of waves, sometimes discouraging or even intimidating outsiders. This has been particularly pronounced in economically dependent surf destinations. For example, in Hawaii during the 1970s and 1980s, local surfers protested against the influx of professional Australian surfers and international competitions. Today, localism persists globally, from Maroubra in Sydney to Boucau-Tarnos in France’s Nouvelle-Aquitaine region. These places are not systematically off-limits to beginners, but major conflicts can arise during peak tourist seasons.

    Surf schools, while crucial for teaching newcomers, also exacerbate crowding. During high seasons, beaches such as Côte des Basques in Biarritz become overcrowded, straining relations between experienced surfers, instructors and novices. Beginners, often unaware of surf etiquette and safety rules, contribute to frustrations among seasoned surfers.


    A weekly e-mail in English featuring expertise from scholars and researchers. It provides an introduction to the diversity of research coming out of the continent and considers some of the key issues facing European countries. Get the newsletter!

    The role of public authorities

    In response to these challenges, public initiatives have emerged to promote sustainable surf tourism. For instance, the Costa Rican government has established marine protected areas and regulated tourism activities to preserve a part of the coastal environment. Local authorities have also begun capping the number of surf schools and making access to the practice more difficult.

    In southwestern France, municipalities use public service delegations (DSP), temporary occupation authorisations (AOT) and other tools to regulate surf schools operating on public beaches. Environmental awareness programmes have been launched to educate tourists on responsible behaviour toward beaches and oceans.

    Gaps in regulation

    Despite these measures, many coastal regions face insufficient action to address the environmental and social challenges posed by surf tourism. In Fiji, a 2010 decree deregulated the surf tourism industry, eliminating traditional indigenous rights to coastal and reef areas. This allowed unregulated development of tourism infrastructure, often ignoring long-term ecological impacts.

    Similar issues are seen in Morocco, where lax regulations allow foreign investors to exploit coastal land for hotel development, often providing little benefit to local communities.

    Yet, there are success stories. In Santa Cruz, California, the initiative Save Our Shores mobilises citizens and tourists to protect beaches through anti-pollution campaigns and regular cleanups.

    Surf tourism has brought significant economic benefits to many coastal regions. However, it has also introduced social and environmental challenges, including localism, overcrowding and ecological strain. Managing these issues requires a collaborative approach, with governments, local stakeholders and tourists working together to preserve the sport’s connection to nature.


    This article was published as part of the 2024 Fête de la Science, of which The Conversation France was a partner. The year’s theme, “Oceans of Knowledge,” explored the wonders of the marine world.

    Jérémy Lemarié is a member of the Fulbright network, as the recipient of the “Chercheuses et Chercheurs” grant from the Franco-American Commission in 2022-2023.

    ref. Bali to Biarritz: Surf spot overcrowding and the fight to protect the essence of catching a wave – https://theconversation.com/bali-to-biarritz-surf-spot-overcrowding-and-the-fight-to-protect-the-essence-of-catching-a-wave-244550

    MIL OSI

  • MIL-OSI Submissions: Bali to Biarritz: Surf spot overcrowding and the fight to protect the essence of catching a wave

    Source: The Conversation – France – By Jérémy Lemarié, Maître de conférences à l’Université de Reims Champagne-Ardenne, Université de Reims Champagne-Ardenne (URCA)

    Invented in Hawaii, surfing gained popularity in the United States and Australia in the 1950s before becoming a global phenomenon. Now practiced in more than 150 countries, its spread has been driven by media and tourism. Surf tourism involves travelling to destinations to catch waves, either with a surfboard or through activities such as body surfing or bodyboarding. Tourists range from seasoned surfers to beginners eager to learn.

    The allure of California

    For many, surf tourism evokes exotic imagery shaped by California production companies. Columbia Pictures in 1959 and Paramount Pictures in 1961 introduced surfing to the middle class, showcasing the sport as a gateway to summer adventure and escape. However, it was the 1966 movie The Endless Summer, directed and produced by Bruce Brown, that became a box office success. The film follows two Californians travelling the globe in search of the perfect wave, which they ultimately find in South Africa. Beneath the seemingly lighthearted portrayal of a “surf safari”, it carries undertones of colonial ambition.

    In the film, the Californians tell people in Africa that waves are untapped resources ready to be named and conquered. This sense of Western cultural dominance over populations in poorer countries has permeated surf tourism. Since the 1970s, French surfers have flocked to Morocco for its long-breaking waves, Australians have flocked to Indonesia and Californians to Mexico. The expansion of surfing to Africa, Asia and Latin America was enabled by easier international travel and economic disparities between visitors and hosts.

    Surfing’s impact on local communities

    Indonesia, for instance, became a surfing hotspot after Australian surfers started to explore the waves of Bali and the Mentawai Islands in the 1970s. Once remote regions with modest living standards, these areas saw tourism infrastructure mushroom to meet demand. Today, destinations such as Uluwatu in Bali and Padang Padang in Sumatra attract surfers of all skill levels.

    Similarly, Morocco has experienced a surge in surf tourism, with spots such as Taghazout drawing European visitors in search of affordable waves and sunshine. While this has boosted local economies, it has also raised concerns about environmental degradation and the strain of tourism on previously untouched areas.

    The challenges of overtourism in coastal areas

    Although surfing is often seen as an activity in harmony with nature, mass tourism has created tensions between local surfers and visitors. Overtourism refers to the negative impact of excessive tourist numbers on natural environments and local communities.

    One response to overtourism is localism – where local surfers assert ownership of waves, sometimes discouraging or even intimidating outsiders. This has been particularly pronounced in economically dependent surf destinations. For example, in Hawaii during the 1970s and 1980s, local surfers protested against the influx of professional Australian surfers and international competitions. Today, localism persists globally, from Maroubra in Sydney to Boucau-Tarnos in France’s Nouvelle-Aquitaine region. These places are not systematically off-limits to beginners, but major conflicts can arise during peak tourist seasons.

    Surf schools, while crucial for teaching newcomers, also exacerbate crowding. During high seasons, beaches such as Côte des Basques in Biarritz become overcrowded, straining relations between experienced surfers, instructors and novices. Beginners, often unaware of surf etiquette and safety rules, contribute to frustrations among seasoned surfers.


    A weekly e-mail in English featuring expertise from scholars and researchers. It provides an introduction to the diversity of research coming out of the continent and considers some of the key issues facing European countries. Get the newsletter!

    The role of public authorities

    In response to these challenges, public initiatives have emerged to promote sustainable surf tourism. For instance, the Costa Rican government has established marine protected areas and regulated tourism activities to preserve a part of the coastal environment. Local authorities have also begun capping the number of surf schools and making access to the practice more difficult.

    In southwestern France, municipalities use public service delegations (DSP), temporary occupation authorisations (AOT) and other tools to regulate surf schools operating on public beaches. Environmental awareness programmes have been launched to educate tourists on responsible behaviour toward beaches and oceans.

    Gaps in regulation

    Despite these measures, many coastal regions face insufficient action to address the environmental and social challenges posed by surf tourism. In Fiji, a 2010 decree deregulated the surf tourism industry, eliminating traditional indigenous rights to coastal and reef areas. This allowed unregulated development of tourism infrastructure, often ignoring long-term ecological impacts.

    Similar issues are seen in Morocco, where lax regulations allow foreign investors to exploit coastal land for hotel development, often providing little benefit to local communities.

    Yet, there are success stories. In Santa Cruz, California, the initiative Save Our Shores mobilises citizens and tourists to protect beaches through anti-pollution campaigns and regular cleanups.

    Surf tourism has brought significant economic benefits to many coastal regions. However, it has also introduced social and environmental challenges, including localism, overcrowding and ecological strain. Managing these issues requires a collaborative approach, with governments, local stakeholders and tourists working together to preserve the sport’s connection to nature.


    This article was published as part of the 2024 Fête de la Science, of which The Conversation France was a partner. The year’s theme, “Oceans of Knowledge,” explored the wonders of the marine world.

    Jérémy Lemarié is a member of the Fulbright network, as the recipient of the “Chercheuses et Chercheurs” grant from the Franco-American Commission in 2022-2023.

    ref. Bali to Biarritz: Surf spot overcrowding and the fight to protect the essence of catching a wave – https://theconversation.com/bali-to-biarritz-surf-spot-overcrowding-and-the-fight-to-protect-the-essence-of-catching-a-wave-244550

    MIL OSI

  • MIL-OSI Submissions: Bali to Biarritz: Surf spot overcrowding and the fight to protect the essence of catching a wave

    Source: The Conversation – France – By Jérémy Lemarié, Maître de conférences à l’Université de Reims Champagne-Ardenne, Université de Reims Champagne-Ardenne (URCA)

    Invented in Hawaii, surfing gained popularity in the United States and Australia in the 1950s before becoming a global phenomenon. Now practiced in more than 150 countries, its spread has been driven by media and tourism. Surf tourism involves travelling to destinations to catch waves, either with a surfboard or through activities such as body surfing or bodyboarding. Tourists range from seasoned surfers to beginners eager to learn.

    The allure of California

    For many, surf tourism evokes exotic imagery shaped by California production companies. Columbia Pictures in 1959 and Paramount Pictures in 1961 introduced surfing to the middle class, showcasing the sport as a gateway to summer adventure and escape. However, it was the 1966 movie The Endless Summer, directed and produced by Bruce Brown, that became a box office success. The film follows two Californians travelling the globe in search of the perfect wave, which they ultimately find in South Africa. Beneath the seemingly lighthearted portrayal of a “surf safari”, it carries undertones of colonial ambition.

    In the film, the Californians tell people in Africa that waves are untapped resources ready to be named and conquered. This sense of Western cultural dominance over populations in poorer countries has permeated surf tourism. Since the 1970s, French surfers have flocked to Morocco for its long-breaking waves, Australians have flocked to Indonesia and Californians to Mexico. The expansion of surfing to Africa, Asia and Latin America was enabled by easier international travel and economic disparities between visitors and hosts.

    Surfing’s impact on local communities

    Indonesia, for instance, became a surfing hotspot after Australian surfers started to explore the waves of Bali and the Mentawai Islands in the 1970s. Once remote regions with modest living standards, these areas saw tourism infrastructure mushroom to meet demand. Today, destinations such as Uluwatu in Bali and Padang Padang in Sumatra attract surfers of all skill levels.

    Similarly, Morocco has experienced a surge in surf tourism, with spots such as Taghazout drawing European visitors in search of affordable waves and sunshine. While this has boosted local economies, it has also raised concerns about environmental degradation and the strain of tourism on previously untouched areas.

    The challenges of overtourism in coastal areas

    Although surfing is often seen as an activity in harmony with nature, mass tourism has created tensions between local surfers and visitors. Overtourism refers to the negative impact of excessive tourist numbers on natural environments and local communities.

    One response to overtourism is localism – where local surfers assert ownership of waves, sometimes discouraging or even intimidating outsiders. This has been particularly pronounced in economically dependent surf destinations. For example, in Hawaii during the 1970s and 1980s, local surfers protested against the influx of professional Australian surfers and international competitions. Today, localism persists globally, from Maroubra in Sydney to Boucau-Tarnos in France’s Nouvelle-Aquitaine region. These places are not systematically off-limits to beginners, but major conflicts can arise during peak tourist seasons.

    Surf schools, while crucial for teaching newcomers, also exacerbate crowding. During high seasons, beaches such as Côte des Basques in Biarritz become overcrowded, straining relations between experienced surfers, instructors and novices. Beginners, often unaware of surf etiquette and safety rules, contribute to frustrations among seasoned surfers.


    A weekly e-mail in English featuring expertise from scholars and researchers. It provides an introduction to the diversity of research coming out of the continent and considers some of the key issues facing European countries. Get the newsletter!

    The role of public authorities

    In response to these challenges, public initiatives have emerged to promote sustainable surf tourism. For instance, the Costa Rican government has established marine protected areas and regulated tourism activities to preserve a part of the coastal environment. Local authorities have also begun capping the number of surf schools and making access to the practice more difficult.

    In southwestern France, municipalities use public service delegations (DSP), temporary occupation authorisations (AOT) and other tools to regulate surf schools operating on public beaches. Environmental awareness programmes have been launched to educate tourists on responsible behaviour toward beaches and oceans.

    Gaps in regulation

    Despite these measures, many coastal regions face insufficient action to address the environmental and social challenges posed by surf tourism. In Fiji, a 2010 decree deregulated the surf tourism industry, eliminating traditional indigenous rights to coastal and reef areas. This allowed unregulated development of tourism infrastructure, often ignoring long-term ecological impacts.

    Similar issues are seen in Morocco, where lax regulations allow foreign investors to exploit coastal land for hotel development, often providing little benefit to local communities.

    Yet, there are success stories. In Santa Cruz, California, the initiative Save Our Shores mobilises citizens and tourists to protect beaches through anti-pollution campaigns and regular cleanups.

    Surf tourism has brought significant economic benefits to many coastal regions. However, it has also introduced social and environmental challenges, including localism, overcrowding and ecological strain. Managing these issues requires a collaborative approach, with governments, local stakeholders and tourists working together to preserve the sport’s connection to nature.


    This article was published as part of the 2024 Fête de la Science, of which The Conversation France was a partner. The year’s theme, “Oceans of Knowledge,” explored the wonders of the marine world.

    Jérémy Lemarié is a member of the Fulbright network, as the recipient of the “Chercheuses et Chercheurs” grant from the Franco-American Commission in 2022-2023.

    ref. Bali to Biarritz: Surf spot overcrowding and the fight to protect the essence of catching a wave – https://theconversation.com/bali-to-biarritz-surf-spot-overcrowding-and-the-fight-to-protect-the-essence-of-catching-a-wave-244550

    MIL OSI

  • MIL-OSI Submissions: Bali to Biarritz: Surf spot overcrowding and the fight to protect the essence of catching a wave

    Source: The Conversation – France – By Jérémy Lemarié, Maître de conférences à l’Université de Reims Champagne-Ardenne, Université de Reims Champagne-Ardenne (URCA)

    Invented in Hawaii, surfing gained popularity in the United States and Australia in the 1950s before becoming a global phenomenon. Now practiced in more than 150 countries, its spread has been driven by media and tourism. Surf tourism involves travelling to destinations to catch waves, either with a surfboard or through activities such as body surfing or bodyboarding. Tourists range from seasoned surfers to beginners eager to learn.

    The allure of California

    For many, surf tourism evokes exotic imagery shaped by California production companies. Columbia Pictures in 1959 and Paramount Pictures in 1961 introduced surfing to the middle class, showcasing the sport as a gateway to summer adventure and escape. However, it was the 1966 movie The Endless Summer, directed and produced by Bruce Brown, that became a box office success. The film follows two Californians travelling the globe in search of the perfect wave, which they ultimately find in South Africa. Beneath the seemingly lighthearted portrayal of a “surf safari”, it carries undertones of colonial ambition.

    In the film, the Californians tell people in Africa that waves are untapped resources ready to be named and conquered. This sense of Western cultural dominance over populations in poorer countries has permeated surf tourism. Since the 1970s, French surfers have flocked to Morocco for its long-breaking waves, Australians have flocked to Indonesia and Californians to Mexico. The expansion of surfing to Africa, Asia and Latin America was enabled by easier international travel and economic disparities between visitors and hosts.

    Surfing’s impact on local communities

    Indonesia, for instance, became a surfing hotspot after Australian surfers started to explore the waves of Bali and the Mentawai Islands in the 1970s. Once remote regions with modest living standards, these areas saw tourism infrastructure mushroom to meet demand. Today, destinations such as Uluwatu in Bali and Padang Padang in Sumatra attract surfers of all skill levels.

    Similarly, Morocco has experienced a surge in surf tourism, with spots such as Taghazout drawing European visitors in search of affordable waves and sunshine. While this has boosted local economies, it has also raised concerns about environmental degradation and the strain of tourism on previously untouched areas.

    The challenges of overtourism in coastal areas

    Although surfing is often seen as an activity in harmony with nature, mass tourism has created tensions between local surfers and visitors. Overtourism refers to the negative impact of excessive tourist numbers on natural environments and local communities.

    One response to overtourism is localism – where local surfers assert ownership of waves, sometimes discouraging or even intimidating outsiders. This has been particularly pronounced in economically dependent surf destinations. For example, in Hawaii during the 1970s and 1980s, local surfers protested against the influx of professional Australian surfers and international competitions. Today, localism persists globally, from Maroubra in Sydney to Boucau-Tarnos in France’s Nouvelle-Aquitaine region. These places are not systematically off-limits to beginners, but major conflicts can arise during peak tourist seasons.

    Surf schools, while crucial for teaching newcomers, also exacerbate crowding. During high seasons, beaches such as Côte des Basques in Biarritz become overcrowded, straining relations between experienced surfers, instructors and novices. Beginners, often unaware of surf etiquette and safety rules, contribute to frustrations among seasoned surfers.


    A weekly e-mail in English featuring expertise from scholars and researchers. It provides an introduction to the diversity of research coming out of the continent and considers some of the key issues facing European countries. Get the newsletter!

    The role of public authorities

    In response to these challenges, public initiatives have emerged to promote sustainable surf tourism. For instance, the Costa Rican government has established marine protected areas and regulated tourism activities to preserve a part of the coastal environment. Local authorities have also begun capping the number of surf schools and making access to the practice more difficult.

    In southwestern France, municipalities use public service delegations (DSP), temporary occupation authorisations (AOT) and other tools to regulate surf schools operating on public beaches. Environmental awareness programmes have been launched to educate tourists on responsible behaviour toward beaches and oceans.

    Gaps in regulation

    Despite these measures, many coastal regions face insufficient action to address the environmental and social challenges posed by surf tourism. In Fiji, a 2010 decree deregulated the surf tourism industry, eliminating traditional indigenous rights to coastal and reef areas. This allowed unregulated development of tourism infrastructure, often ignoring long-term ecological impacts.

    Similar issues are seen in Morocco, where lax regulations allow foreign investors to exploit coastal land for hotel development, often providing little benefit to local communities.

    Yet, there are success stories. In Santa Cruz, California, the initiative Save Our Shores mobilises citizens and tourists to protect beaches through anti-pollution campaigns and regular cleanups.

    Surf tourism has brought significant economic benefits to many coastal regions. However, it has also introduced social and environmental challenges, including localism, overcrowding and ecological strain. Managing these issues requires a collaborative approach, with governments, local stakeholders and tourists working together to preserve the sport’s connection to nature.


    This article was published as part of the 2024 Fête de la Science, of which The Conversation France was a partner. The year’s theme, “Oceans of Knowledge,” explored the wonders of the marine world.

    Jérémy Lemarié is a member of the Fulbright network, as the recipient of the “Chercheuses et Chercheurs” grant from the Franco-American Commission in 2022-2023.

    ref. Bali to Biarritz: Surf spot overcrowding and the fight to protect the essence of catching a wave – https://theconversation.com/bali-to-biarritz-surf-spot-overcrowding-and-the-fight-to-protect-the-essence-of-catching-a-wave-244550

    MIL OSI

  • MIL-OSI Submissions: AI is advancing even faster than sci-fi visionaries like Neal Stephenson imagined

    Source: The Conversation – USA (2) – By Rizwan Virk, Faculty Associate, PhD Candidate in Human and Social Dimensions of Science and Technology, Arizona State University

    In Stephenson’s novel ‘The Diamond Age,’ a device called the Young Lady’s Illustrated Primer offers emotional, social and intellectual support. Christopher Michel/Wikimedia Commons, CC BY-SA

    Every time I read about another advance in AI technology, I feel like another figment of science fiction moves closer to reality.

    Lately, I’ve been noticing eerie parallels to Neal Stephenson’s 1995 novel “The Diamond Age: Or, A Young Lady’s Illustrated Primer.”

    “The Diamond Age” depicted a post-cyberpunk sectarian future, in which society is fragmented into tribes, called phyles. In this future world, sophisticated nanotechnology is ubiquitous, and a new type of AI is introduced.

    Though inspired by MIT nanotech pioneer Eric Drexler and Nobel Prize winner Richard Feynman, the advanced nanotechnology depicted in the novel still remains out of reach. However, the AI that’s portrayed, particularly a teaching device called the Young Lady’s Illustrated Primer, isn’t only right in front of us; it also raises serious issues about the role of AI in labor, learning and human behavior.

    In Stephenson’s novel, the Primer looks like a hardcover book, but each of its “pages” is really a screen display that can show animations and text, and it responds to its user in real time via AI. The book also has an audio component, which voices the characters and narrates stories being told by the device.

    It was originally created for the young daughter of an aristocrat, but it accidentally falls into the hands of a girl named Nell who’s living on the streets of a futuristic Shanghai. The Primer provides Nell personalized emotional, social and intellectual support during her journey to adulthood, serving alternatively as an AI companion, a storyteller, a teacher and a surrogate parent.

    The AI is able to weave fairy tales that help a younger Nell cope with past traumas, such as her abusive home and life on the streets. It educates her on everything from math to cryptography to martial arts. In a techno-futuristic homage to George Bernard Shaw’s 1913 play “Pygmalion,” the Primer goes so far as to teach Nell the proper social etiquette to be able to blend into neo-Victorian society, one of the prominent tribes in Stephenson’s balkanized world.

    No need for ‘ractors’

    Three recent developments in AI – in video games, wearable technology and education – reveal that building something like the Primer should no longer be considered the purview of science fiction.

    In May 2025, the hit video game “Fortnite” introduced an AI version of Darth Vader, who speaks with the voice of the late James Earl Jones.

    The estate of James Earl Jones gave Epic Games permission to use the late actor’s voice for an AI Darth Vader.
    Jim Spellman/WireImage via Getty Images

    While it was popular among fans of the game, the Screen Actors Guild lodged a labor complaint with Epic Games, the creator of “Fortnite.” Even though Epic had received permission from the late actor’s estate, the Screen Actors Guild pointed out that actors could have been hired to voice the character, and the company – in refusing to alert the union and negotiate terms – violated existing labor agreements.

    In “The Diamond Age,” while the Primer uses AI to generate the fairy tales that train Nell, for the voices of these archetypal characters, Stephenson concocted a low-tech solution: The characters are played by a network of what he termed “ractors” – real actors working in a studio who are contracted to perform and interact in real time with users.

    The Darth Vader “Fortnite” character shows that a Primer built today wouldn’t need to use actors at all. It could rely almost entirely on AI voice generation and have real-time conversations, showing that today’s technology already exceeds Stephenson’s normally far-sighted vision.

    Recording and guiding in real time

    Synthesizing James Earl Jones’ voice in “Fortnite” wasn’t the only recent AI development heralding the arrival of Primer-like technology.

    I recently witnessed a demonstration of wearable AI that records all of the wearer’s conversations. Their words are then sent to a server so they can be analyzed by AI, providing both summaries and suggestions to the user about future behavior.

    Several startups are making these “always on” AI wearables. In an April 29, 2025, essay titled “I Recorded Everything I Said for Three Months. AI Has Replaced My Memory,” Wall Street Journal technology columnist Joanna Stern describes the experience of using this technology. She concedes that the assistants created useful summaries of her conversations and meetings, along with helpful to-do lists. However, they also recalled “every dumb, private and cringeworthy thing that came out of my mouth.”

    AI wearable devices that continuously record the conversations of their users have recently hit the market.

    These devices also create privacy issues. The people whom the user interacts with don’t always know they are being recorded, even as their words are also sent to a server for the AI to process them. To Stern, the technology’s potential for mass surveillance becomes readily apparent, presenting a “slightly terrifying glimpse of the future.”

    Relying on AI engines such as ChatGPT, Claude and Google’s Gemini, the wearables work only with words, not images. Behavioral suggestions occur only after the fact. However, a key function of the Primer – coaching users in real time in the middle of any situation or social interaction – is the next logical step as the technology advances.

    Education or social engineering?

    In “The Diamond Age,” the Primer doesn’t simply weave interactive fairy tales for Nell. It also assumes the responsibility of educating her on everything from her ABCs when younger to the intricacies of cryptography and politics as she gets older.

    It’s no secret that AI tools, such as ChatGPT, are now being widely used by both teachers and students.

    Several recent studies have shown that AI may be more effective than humans at teaching computer science. One survey found that 85% of students said ChatGPT was more effective than a human tutor. And at least one college, Morehouse College in Atlanta, is introducing an AI teaching assistant for professors.

    There are certainly advantages to AI tutors: Tutoring and college tuition can be exorbitantly expensive, and the technology can offer better access to education to people of all income levels.

    Pulling together these latest AI advances – interactive avatars, behavioral guides, tutors – it’s easy to envision how an AI device like the Young Lady’s Illustrated Primer could be created in the near future. A young person might have a personalized AI character that accompanies them at all times. It can teach them about the world and offer up suggestions for how to act in certain situations. The AI could be tailored to a child’s personality, concocting stories that include AI versions of their favorite TV and movie characters.

    But “The Diamond Age” offers a warning, too.

    Toward the end of the novel, a version of the Primer is handed out to hundreds of thousands of young Chinese girls who, like Nell, didn’t have access to education or mentors. This leads to the education of the masses. But it also opens the door to large-scale social engineering, creating an army of Primer-raised martial arts experts, whom the AI then directs to act on behalf of “Princess Nell,” Nell’s fairy tale name.

    It’s easy to see how this sort of large-scale social engineering could be used to target certain ideologies, crush dissent or build loyalty to a particular regime. The AI’s behavior could also be subject to the whims of the companies or individuals that created it. A ubiquitous, always-on, friendly AI could become the ultimate monitoring and reporting device. Think of a kinder, gentler face for Big Brother that people have trusted since childhood.

    While large-scale deployment of a Primer-like AI could certainly make young people smarter and more efficient, it could also hamper one of the most important parts of education: teaching people to think for themselves.

    Rizwan Virk owns shares of investments funds which own stock in various private AI companies such as Open AI and X.ai. He owns public stock in Google and Microsoft. Virk has family members who work for a wearable AI company.

    ref. AI is advancing even faster than sci-fi visionaries like Neal Stephenson imagined – https://theconversation.com/ai-is-advancing-even-faster-than-sci-fi-visionaries-like-neal-stephenson-imagined-257509

    MIL OSI

  • MIL-OSI Submissions: AI is advancing even faster than sci-fi visionaries like Neal Stephenson imagined

    Source: The Conversation – USA (2) – By Rizwan Virk, Faculty Associate, PhD Candidate in Human and Social Dimensions of Science and Technology, Arizona State University

    In Stephenson’s novel ‘The Diamond Age,’ a device called the Young Lady’s Illustrated Primer offers emotional, social and intellectual support. Christopher Michel/Wikimedia Commons, CC BY-SA

    Every time I read about another advance in AI technology, I feel like another figment of science fiction moves closer to reality.

    Lately, I’ve been noticing eerie parallels to Neal Stephenson’s 1995 novel “The Diamond Age: Or, A Young Lady’s Illustrated Primer.”

    “The Diamond Age” depicted a post-cyberpunk sectarian future, in which society is fragmented into tribes, called phyles. In this future world, sophisticated nanotechnology is ubiquitous, and a new type of AI is introduced.

    Though inspired by MIT nanotech pioneer Eric Drexler and Nobel Prize winner Richard Feynman, the advanced nanotechnology depicted in the novel still remains out of reach. However, the AI that’s portrayed, particularly a teaching device called the Young Lady’s Illustrated Primer, isn’t only right in front of us; it also raises serious issues about the role of AI in labor, learning and human behavior.

    In Stephenson’s novel, the Primer looks like a hardcover book, but each of its “pages” is really a screen display that can show animations and text, and it responds to its user in real time via AI. The book also has an audio component, which voices the characters and narrates stories being told by the device.

    It was originally created for the young daughter of an aristocrat, but it accidentally falls into the hands of a girl named Nell who’s living on the streets of a futuristic Shanghai. The Primer provides Nell personalized emotional, social and intellectual support during her journey to adulthood, serving alternatively as an AI companion, a storyteller, a teacher and a surrogate parent.

    The AI is able to weave fairy tales that help a younger Nell cope with past traumas, such as her abusive home and life on the streets. It educates her on everything from math to cryptography to martial arts. In a techno-futuristic homage to George Bernard Shaw’s 1913 play “Pygmalion,” the Primer goes so far as to teach Nell the proper social etiquette to be able to blend into neo-Victorian society, one of the prominent tribes in Stephenson’s balkanized world.

    No need for ‘ractors’

    Three recent developments in AI – in video games, wearable technology and education – reveal that building something like the Primer should no longer be considered the purview of science fiction.

    In May 2025, the hit video game “Fortnite” introduced an AI version of Darth Vader, who speaks with the voice of the late James Earl Jones.

    The estate of James Earl Jones gave Epic Games permission to use the late actor’s voice for an AI Darth Vader.
    Jim Spellman/WireImage via Getty Images

    While it was popular among fans of the game, the Screen Actors Guild lodged a labor complaint with Epic Games, the creator of “Fortnite.” Even though Epic had received permission from the late actor’s estate, the Screen Actors Guild pointed out that actors could have been hired to voice the character, and the company – in refusing to alert the union and negotiate terms – violated existing labor agreements.

    In “The Diamond Age,” while the Primer uses AI to generate the fairy tales that train Nell, for the voices of these archetypal characters, Stephenson concocted a low-tech solution: The characters are played by a network of what he termed “ractors” – real actors working in a studio who are contracted to perform and interact in real time with users.

    The Darth Vader “Fortnite” character shows that a Primer built today wouldn’t need to use actors at all. It could rely almost entirely on AI voice generation and have real-time conversations, showing that today’s technology already exceeds Stephenson’s normally far-sighted vision.

    Recording and guiding in real time

    Synthesizing James Earl Jones’ voice in “Fortnite” wasn’t the only recent AI development heralding the arrival of Primer-like technology.

    I recently witnessed a demonstration of wearable AI that records all of the wearer’s conversations. Their words are then sent to a server so they can be analyzed by AI, providing both summaries and suggestions to the user about future behavior.

    Several startups are making these “always on” AI wearables. In an April 29, 2025, essay titled “I Recorded Everything I Said for Three Months. AI Has Replaced My Memory,” Wall Street Journal technology columnist Joanna Stern describes the experience of using this technology. She concedes that the assistants created useful summaries of her conversations and meetings, along with helpful to-do lists. However, they also recalled “every dumb, private and cringeworthy thing that came out of my mouth.”

    AI wearable devices that continuously record the conversations of their users have recently hit the market.

    These devices also create privacy issues. The people whom the user interacts with don’t always know they are being recorded, even as their words are also sent to a server for the AI to process them. To Stern, the technology’s potential for mass surveillance becomes readily apparent, presenting a “slightly terrifying glimpse of the future.”

    Relying on AI engines such as ChatGPT, Claude and Google’s Gemini, the wearables work only with words, not images. Behavioral suggestions occur only after the fact. However, a key function of the Primer – coaching users in real time in the middle of any situation or social interaction – is the next logical step as the technology advances.

    Education or social engineering?

    In “The Diamond Age,” the Primer doesn’t simply weave interactive fairy tales for Nell. It also assumes the responsibility of educating her on everything from her ABCs when younger to the intricacies of cryptography and politics as she gets older.

    It’s no secret that AI tools, such as ChatGPT, are now being widely used by both teachers and students.

    Several recent studies have shown that AI may be more effective than humans at teaching computer science. One survey found that 85% of students said ChatGPT was more effective than a human tutor. And at least one college, Morehouse College in Atlanta, is introducing an AI teaching assistant for professors.

    There are certainly advantages to AI tutors: Tutoring and college tuition can be exorbitantly expensive, and the technology can offer better access to education to people of all income levels.

    Pulling together these latest AI advances – interactive avatars, behavioral guides, tutors – it’s easy to envision how an AI device like the Young Lady’s Illustrated Primer could be created in the near future. A young person might have a personalized AI character that accompanies them at all times. It can teach them about the world and offer up suggestions for how to act in certain situations. The AI could be tailored to a child’s personality, concocting stories that include AI versions of their favorite TV and movie characters.

    But “The Diamond Age” offers a warning, too.

    Toward the end of the novel, a version of the Primer is handed out to hundreds of thousands of young Chinese girls who, like Nell, didn’t have access to education or mentors. This leads to the education of the masses. But it also opens the door to large-scale social engineering, creating an army of Primer-raised martial arts experts, whom the AI then directs to act on behalf of “Princess Nell,” Nell’s fairy tale name.

    It’s easy to see how this sort of large-scale social engineering could be used to target certain ideologies, crush dissent or build loyalty to a particular regime. The AI’s behavior could also be subject to the whims of the companies or individuals that created it. A ubiquitous, always-on, friendly AI could become the ultimate monitoring and reporting device. Think of a kinder, gentler face for Big Brother that people have trusted since childhood.

    While large-scale deployment of a Primer-like AI could certainly make young people smarter and more efficient, it could also hamper one of the most important parts of education: teaching people to think for themselves.

    Rizwan Virk owns shares of investments funds which own stock in various private AI companies such as Open AI and X.ai. He owns public stock in Google and Microsoft. Virk has family members who work for a wearable AI company.

    ref. AI is advancing even faster than sci-fi visionaries like Neal Stephenson imagined – https://theconversation.com/ai-is-advancing-even-faster-than-sci-fi-visionaries-like-neal-stephenson-imagined-257509

    MIL OSI

  • MIL-OSI Submissions: Legal wrangling over estate of Jimmy Buffett turns his widow’s huge inheritance into a cautionary tale

    Source: The Conversation – USA (2) – By Reid Kress Weisbord, Distinguished Professor of Law and Judge Norma Shapiro Scholar, Rutgers University – Newark

    Musician Jimmy Buffett and his wife, Jane Slagsvol, attend a Lincoln Center for the Performing Arts event in 2018 in New York. Evan Agostini/Invision via AP

    Lawyers often tell their clients that everyone should have a will that clearly states who should inherit their assets after they die. But even having a will is not necessarily enough to avoid a costly and contentious legal dispute.

    Consider what happened after Jimmy Buffett died of skin cancer at the age of 76 in 2023. The singer and entrepreneurial founder of the Margaritaville brand ordered in his will that his fortune be placed in a trust after his death. To manage the trust, Buffett named two co-trustees: his widow, Jane Slagsvol, and Richard Mozenter, an accountant who had served as the singer’s financial adviser for more than three decades.

    In dueling petitions filed in Los Angeles and Palm Beach, Florida, in June 2025, however, Slagsvol – identified as Jane Buffett in her legal filing – and Mozenter are both seeking to remove each other as a trustee.

    The outcome of this litigation will determine who gets to administer Buffett’s US$275 million estate.

    As law professors who specialize in trusts and estates, we teach graduate courses about the transfer of property during life and at death. We believe that the Buffett dispute offers a valuable lesson for anyone with an estate, large or small. And choosing the right person to manage the assets you leave behind can be just as important as selecting who will inherit your property.

    Buffett’s business empire

    Buffett’s estate includes valuable intellectual property from his hit songs, including “It’s 5 O’Clock Somewhere,” “Oldest Surfer on the Beach” and “Cheeseburger in Paradise.” Buffett’s albums have sold more than 20 million copies worldwide and continue to generate some $20 million annually in royalties. Buffett also owned a yacht, real estate, airplanes, fancy watches and valuable securities.

    In addition, he owned a 20% stake in Margaritaville Holdings LLC, a brand management company he and Slagsvol founded in the 1990s. Margaritaville owns 30 restaurants and 20 hotels, along with vacation clubs, casinos and cruise ships. It also sells branded merchandise.

    According to Slagsvol’s petition, Buffett’s trust was set up to benefit his widow. Slagsvol, who married Buffett in 1977, is one of two trustees of that trust, which is required to have at least one “independent trustee” in addition to her “at all times.” That requirement is stated expressly in Buffett’s trust declaration.

    Slagsvol receives all income earned by the trust – an estate-planning technique for giving away property managed by a trustee on behalf of the trust beneficiaries – for the rest of her life. She can also receive additional trust funds for her health care, living expenses and “any other purpose” that the independent trustee – Mozenter, as of July 2025 – deems to be in Slagsvol’s best interests.

    The estate plan also created separate trusts for their three children: Savannah, Sarah “Delaney” and Cameron Buffett, who are in their 30s and 40s. Each child reportedly received $2 million upon Jimmy’s death. When Slagsvol dies, she can decide who will receive any remaining assets from among Buffett’s descendants and charities.

    The structure of Buffett’s plan is popular among wealthy married couples. It provides lifelong support for the surviving spouse while ensuring that their kids and grandchildren can inherit the remainder of their estate – even if that spouse remarries. This type of trust typically cannot be changed by the surviving spouse without court approval.

    If you’re fortunate enough to reach your golden years with a sizable nest egg, it helps your loved ones if you can draft a detailed will. You might also want to consider establishing a trust.
    Maskot/Getty Images

    Dueling trustee removal petitions

    Slagsvol is trying to remove Mozenter as the trust’s independent trustee.

    She claims he refused to comply with her requests for financial information, failed to cooperate with her as her co-trustee, and hired a trust attorney who pressured her to resign as trustee. Slagsvol also raised numerous questions about the trust’s income projections and compensation paid to Mozenter for his services.

    Mozenter’s petition, filed in Florida, is not available to the public. According to media coverage of this dispute, he seeks to remove Slagsvol as trustee. He claims that, during his decades-long role as Buffett’s financial adviser, the musician “expressed concerns about his wife’s ability to manage and control his assets after his death.”

    That led Buffett to establish a trust, Mozenter asserted, “in a manner that precluded Jane from having actual control” over it.

    Estate planning lessons

    We believe that the public can learn two important estate planning lessons from this dispute.

    First, anyone planning to leave an estate, whether modest or vast, needs to choose the right people to manage the transfer of their property after their death.

    That might mean picking a professional executor or trustee who is not related to you. A professional may be more likely to remain neutral should any disputes arise within the family, but hiring one can saddle the estate with costly fees.

    An alternative is to choose a relative or trusted friend who is willing to do this for free. About 56% of wills name an adult child or grandchild as executor, according to a recent study. Some estates, like Buffett’s trust, name both a professional and a family member. An important consideration is whether the people asked to manage the estate will get along with each other – and with anyone else who is slated to inherit from the estate.

    The second lesson is, whether you choose a professional, a loved one or a friend to manage your estate, make clear what circumstances would warrant their removal. Courts are reluctant to remove a handpicked trustee without proof of negligence, fraud or disloyalty. But trustees can be removed when a breakdown in cooperation interferes with their ability to administer the estate or trust.

    Some trusts anticipate such conflicts by allowing beneficiaries to replace a professional trustee with another professional trustee. That can resolve some disputes while avoiding the cost of seeking court approval.

    Preventing disputes from erupting in the first place can help people avert the costly and embarrassing kind of litigation now ensnaring Jimmy Buffett’s estate.

    The authors do not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and have disclosed no relevant affiliations beyond their academic appointment.

    ref. Legal wrangling over estate of Jimmy Buffett turns his widow’s huge inheritance into a cautionary tale – https://theconversation.com/legal-wrangling-over-estate-of-jimmy-buffett-turns-his-widows-huge-inheritance-into-a-cautionary-tale-259116

    MIL OSI