Category: Entertainment

  • MIL-OSI Security: Shamattawa — Update 2- Shamattawa RCMP searching for missing child

    Source: Royal Canadian Mounted Police

    It is with great sadness that we share the following information on the search for Johnson Redhead.

    Earlier this evening, at 7:45pm, searchers located 6-year-old Johnson deceased. His body was found in a marshy area, approximately 3.5km from the school where he was last seen.

    We extend our deepest condolences to his family, the community of Shamattawa First Nation, and to everyone grieving his loss.


    The search for Johnson Redhead, 6, continues.

    RCMP Police Service Dog Phlex has arrived in the community with his handler and is involved in the search. Two drones are now in the community and being used and a helicopter will be en route as soon as the weather allows. In addition, more officers out of Thompson are also on their way to join the search.

    “This search has not stopped in intensity from the moment we received the report up to the present,” said Sergeant Mark Svaren, Shamattawa RCMP Detachment Commander. “Within minutes of the report, Shamattawa RCMP officers were engaged with the community in the search, and I cannot stress enough how community involvement has been strong and steady from the moment it was realized that Johnson was missing.”


    On September 18, 2024, at approximately 12:30 pm, Shamattawa RCMP received a report that a six-year-old boy was missing. Johnson Redhead had attended the local school and attended the breakfast program until 9:00 am, but did not arrive in class after the program ended.

    A large-scale search was immediately initiated by community members and RCMP. Searchers combed through wooded areas, trails, roads, sheds, and construction equipment looking for the child. RCMP officers obtained video footage from the school in an attempt to ascertain which direction Johnson went or the circumstances surrounding him leaving school property.

    ATVs and vehicles are being used to search as well as searchers covering areas on foot.

    The RCMP Search and Rescue Team as well as the Office of the Fire Commissioner, with several volunteers from Winnipeg Volunteer Search and Rescue (WinSar) are en route to the community via air to assist with the search. The Canadian Rangers have also been engaged and will attend the community to assist with the search.

    If you have information, please call Shamattawa RCMP at 204-565-2351, Crime Stoppers anonymously at 1-800-222-8477, or secure tip online at www.manitobacrimestoppers.com.

    MIL Security OSI

  • MIL-OSI Canada: NFB proud distributor of restored version of Les ordres and other works by renowned filmmaker Michel Brault

    Source: Government of Canada News

    In 1974, Michel Brault’s feature docudrama Les ordres (Orders) was released. Today, highlighting the 50th anniversary of this major work and Cannes award winner, the National Film Board of Canada (NFB) is also pleased to announce that the version of the film restored by Éléphant: mémoire du cinéma québécois will be available for distribution at festivals, film clubs and other venues.

    50th anniversary of a masterpiece of Quebec cinema

    September 24, 2024 – Montreal – National Film Board of Canada (NFB)

    In 1974, Michel Brault’s feature docudrama Les ordres (Orders) was released. Today, highlighting the 50th anniversary of this major work and Cannes award winner, the National Film Board of Canada (NFB) is also pleased to announce that the version of the film restored by Éléphant: mémoire du cinéma québécois will be available for distribution at festivals, film clubs and other venues.

    In fact, the NFB now shares distribution rights with Éléphant on a number of works by Brault—the restored version of not just Les ordres but also Entre la mer et l’eau douce, Quand je serai parti… vous vivrez encore and the documentary series Le son des Français d’Amérique, co-directed with André Gladu.

    The NFB thanks the Brault family for entrusting it with the distribution of these works. In addition, the NFB will continue to conserve and highlight Michel Brault’s seminal, NFB-produced films as well, many of which are available on nfb.ca.

    Quotes

    “Michel Brault is one of Quebec’s greatest creators: a master of cinéma direct, a consummate cameraperson, an outstanding DOP, a director who made his mark in both drama and documentary at the NFB and in the private sector. This new distribution agreement will help the NFB bring his films to more audiences than ever, and especially to new generations. The 50th anniversary of Les ordres reminds us of the importance of such works for our collective memory.” – Suzanne Guèvremont, Government Film Commissioner and NFB Chairperson

    “The Brault family would like to express its gratitude to the NFB and its partners, Éléphant and the Cinémathèque québécoise, for their part in the promotion, conservation and protection of the exceptional legacy left to us by our father. Thank you on behalf of all of Michel’s children and grandchildren.”

    Quick Facts

    Les ordres (Orders)

    Press kit: mediaspace.nfb.ca/epk/orders

    Drawing on the testimonies of some 50 civilians who were detained after the War Measures Act was invoked in Quebec in October 1970, Les ordres (Orders) blurs the line between documentary and drama to tell the story of five fictional characters (three men and two women) from their arrest through to their release. The film won the award for Best Director at the 1975 Cannes Film Festival.

    Special screening for the film’s 50th anniversary

    Taking place Wednesday, September 25, at 6:30 p.m. at Cinéma RGFM Beloeil in Salle 1 Michel-Brault, with the Brault family and special guests in attendance.

    Information and tickets

    A film about Michel Brault

    Drawing on the NFB’s archives and supported by its team, the film Michel Brault – L’instinct de vue, written and directed by Frédérick Pelletier and co-produced by ACPAV and the NFB, is part biopic, part personal essay. It will help remind us all of Brault’s essential place in world cinema, at a time when his work and his creative approach still exert a decisive influence on filmmakers here and abroad.

    About Michel Brault (1928–2013)

    His name appears in the credits of more than 200 productions. By turns cameraman, cinematographer, director and producer, Michel Brault has been involved in four of the 10 best Canadian films of all time, either as the director or the DOP.

    He joined the NFB in 1956 and went on to shoot some 40 short or medium-length films. In addition to Claude Jutra, his main partners were Jacques Giraldeau, Fernand Dansereau, Louis-Georges Carrier, Claude Fournier and Gilles Groulx. He teamed up with the latter in 1958 to make Les Raquetteurs, a film that was to decisively impact the NFB’s French Program, which from then on championed the cinéma direct movement that Brault and his colleagues were credited with founding.

    After a stint in France working with Jean Rouch and Mario Ruspoli, Brault co-directed Pour la suite du monde and L’Acadie, l’Acadie?!? (English title: Acadia Acadia?!?, 1971) with Pierre Perrault.

    Brault’s work as cameraman and DOP was impressive, to say the least, and included Mon oncle Antoine (1971) and Kamouraska (1973), directed by Claude Jutra; Mourir à tue-tête (English title: A Scream from Silence, 1979), directed by Anne-Claire Poirier; Le Temps d’une chasse (1972) and Les Bons débarras (1979), directed by Francis Mankiewicz; Louisiane (1984), directed by Philippe de Broca; Threshold (1981), No Mercy (1986) and Dead Man Out (1989), directed by Dick Pearce; and The Great Land of Small (1986), directed by Vojtěch Jasný.

    Brault directed his first feature-length drama in 1967, Entre la mer et l’eau douce. This was followed by Les ordres (English title: Orders) in 1974, a masterpiece that won him the Best Director award at Cannes and four Canadian Film Awards, today known as the Canadian Screen Awards.

    Between 1974 and 1980, he teamed up with director André Gladu to make a 27-episode documentary series on the traditional music of North America’s French-speaking communities.

    Brault returned to fiction with Les Noces de papier (1989), Montréal vu par… (as co-director, 1991), Shabbat Shalom! (1992), Mon amie Max (1994) and Quand je serai parti… vous vivrez encore (The Long Winter, 1999).

    In 1996, he returned to the documentary format with Ozias Leduc, Painter of the Soul’s Seasons, an hour-long film on the celebrated artist, followed in 2002 by La Manic.

    Brault was honoured time and again in recognition of his contribution to cinema. The many awards he received over the years include the Prix Victor-Morin (Société Saint-Jean-Baptiste de Montréal, 1975), the Molson Prize (Canada Council for the Arts, 1980), the Quebec-Alberta Award (1986), the Prix Albert-Tessier (Les Prix du Québec, 1986), the Governor General’s Award in 1996, and the Order of Quebec (2003).

    – 30 –

    Lily Robert
    Director, Communications and Public Affairs, NFB
    C.: 514-296-8261| l.robert@nfb.ca

    MIL OSI Canada News

  • MIL-OSI USA: Congressman David Scott Introduces Legislation for Inclusive Arts Education

    Source: United States House of Representatives – Congressman David Scott (GA-13)

    WASHINGTONToday, Congressman David Scott (GA-13), was joined by Representatives Mary Gay Scanlon (PA-05), Maxwell Frost (FL-10), and Donald M. Payne Jr. (NJ-10) to introduce the Reimagining Inclusive Arts Education Act. This critical piece of legislation provides professional development grants to arts educators and creative arts therapists to best include students with disabilities.

    “Students, regardless of ability or disability, deserve the right to receive a well-rounded and comprehensive education—one that is inclusive of music and arts,” said Congressman David Scott. “From music to the visual arts, theater and dance, access to arts education has shown to inspire young learners to think critically and build socialization skills with their peers. This is particularly important for students with disabilities who may struggle with finding ways to express themselves. For this reason, the Reimagining Inclusive Arts Education Act will equip arts educators and creative art therapists with the knowledge and skills to make their content accessible for all students to actively participate together.”

    “Art programs in schools can provide important benefits for intellectual development – especially for young people with disabilities,” said Rep. Mary Gay Scanlon. “Unfortunately, many schools lack basic resources and funding to maintain these programs. I’m proud to partner with Reps. Scott, Frost, and Payne on this legislation to help our schools fill the funding gaps, ensure equitable accessibility for students with disabilities, and set up our children for success in the future.”

    “I am proud to cosponsor the Reimagining Inclusive Arts Education Act to help our schools become more inclusive,” said Rep. Donald M. Payne, Jr.  “Students with disabilities need opportunities to express themselves through the arts. This bill would ensure art teachers have resources to make their curriculum more inclusive and provide opportunities to students with disabilities.”

    “As someone who grew up with music as part of my daily life, I know just how critical the arts are to self-expression and its ability to unite our community. Alongside Reps. Scott, Scanlon, and Payne, I’m proud to support the Reimaging Inclusive Arts Education Act to help expand the power of music and arts to ensure that arts education can reach every student who wants it,” said Rep. Maxwell Frost. “This legislation is an inclusive labor of love that will support our schools and help educators put arts, theater, dance, music, and more into the hands of students with disabilities.”

    “The American Music Therapy Association is very pleased to support the Reimagining Inclusive Arts Education Act,” stated Judy Simpson, Director of Government Relations. “This important legislation will support innovative and inclusive creative arts therapies for children with disabilities and will expand unique learning opportunities for students to access education and achieve academic goals.”

    “The National Association for Music Education (NAfME) is a proud supporter of the Reimagining Inclusive Arts Education Act, introduced by Congressman David Scott (GA-13). This legislation is a monumental stride towards creating an inclusive environment where every child, regardless of circumstances, can participate in the transformative power of music. By prioritizing the adaptation of classroom materials and lessons, this bill not only acknowledges the unique needs of children with disabilities but also promotes equity within the classroom. The Reimagining Inclusive Arts Education Act aligns with NAfME’s commitment to advocating for equitable access to music education and supports inclusive practices where the diverse voices of every learner are valued. This legislation is a testament to the belief that music education MUST be accessible to all, including students with disabilities. NAfME urges the 118th Congress to consider and adopt this legislation, which supports an inclusive educational landscape where every student can embrace the joy and significance that music brings to their lives,” said Scott R. Sheehan, NAfME President

    Endorsing Organizations:

    Endorsing Organizations: National Association for Music Educators, Educational Theatre Association, American Music Therapy Association, National Art Education Association, Educational Theatre Association, National Dance Education Organization, Americans for the Arts, National Center for Learning Disabilities, The National Down Syndrome Congress, Council of Administrators of Special Education, Music Teachers National Association, National Media Arts Education Association, Kindermusik International, Hip-Hop Education Center, Percussive Arts Society, J.W. Pepper, JazzSLAM, Kindermusik International, Music Travel Consultants, Georgia Music Educators Association, Michigan Music Educators Association, Montana Music Educators Association, Utah Music Educators Association, Virginia Music Educators Association, Pennsylvania Music Educators Association, Rhode Island Music Educators Association, New York State School Music Association, New Hampshire Music Educators Association, Ohio Music Educators Association, Florida Music Education Association, North Carolina Music Education Association, Oregon Music Education Association, Arts Alliance Illinois, Arts Ed NJ, Arts North Carolina, Ingenuity Inc., TASH, Cure SMA, The Viscardi Center and Henry Viscardi School, Mental Health Association of Central Florida, The Feierabend Association for Music Education, The Lang Lang International Music Foundation,  National Music Council of the United States, Guitars and Ukes in the Classroom, League of American Orchestras, Young Audiences Arts for Learning, Music Will.

    Full text of the bill can be accessed HERE.

    ###

    MIL OSI USA News

  • MIL-OSI Translation: The NFB is proud to distribute the restored print of Michel Brault’s film Les ordres and other works by the filmmaker

    MIL OSI Translation. Canadian French to English –

    Source: Government of Canada – in French

    In 1974, Michel Brault’s feature film Les ordres was released. The National Film Board of Canada would like to mark the 50th anniversary of this masterpiece, which won an award at Cannes, and announces the distribution of the version restored by Éléphant: mémoire du cinéma québécois to festivals, film clubs and other venues.

    The 50th anniversary of this masterpiece of Quebec cinema will also be celebrated.

    September 23, 2024 – Montreal – National Film Board of Canada (NFB)

    In 1974, the feature film The orders, by Michel Brault, was launched. The National Film Board of Canada wishes to highlight the 50th anniversary of this masterpiece, awarded at Cannes, and announces the distribution of the restored version by Elephant: memory of Quebec cinema at festivals, film clubs and other venues.

    The NFB now shares with Elephant the distribution rights to several of Michel Brault’s works, including restored versions of the films Les ordres, Entre la mer et l’eau douce, Quand je serai parti… vous vivrez encore and the documentary series Le son des Français d’Amérique, co-directed with André Gladu.

    The NFB thanks the Brault family for their trust in distributing these works, and continues to preserve and promote Michel Brault’s films produced at the NFB, which are significant for our cinematography and many of which are available on nfb.ca.

    Quotes

    “Michel Brault is one of the greatest creators of Quebec cinema: a master of direct cinema, a virtuoso of the camera, an exceptional director of photography, a notable director in both documentary and fiction, at the NFB and in the private sector. This new distribution agreement allows the NFB to make its films ever more accessible, particularly to new generations. The 50th anniversary of the Ordres reminds us of the importance of such works for our collective memory.” — Suzanne Guèvremont, Government Film Commissioner and Chair of the NFB

    “The Brault family would like to express its gratitude to the NFB and its partners, Éléphant and the Cinémathèque québécoise, for their participation in the promotion, conservation and protection of the exceptional heritage that our father left us. Thank you on behalf of all of Michel’s children and grandchildren.”

    Quick facts

    The orders

    Press kit: spacemedia.onf.ca/epk/les-ordres

    Halfway between fiction and documentary, Les ordres is based on the testimony of around fifty people imprisoned following the application of war measures in October 1970. We follow five characters (three men and two women) constructed from these testimonies, from their arrest to their release. The film won the Best Director award at the Cannes Film Festival in 1975.

    Special screening for the film’s 50th anniversary

    Wednesday, September 25 at 6:30 p.m. at the RGFM Beloeil Cinema in room 1 Michel-Brault, in the presence of the Brault family and guests of honor

    Information and ticketing

    Production underway of a film on Michel Brault

    The movie Michel Brault – The instinct of sight, written and directed by Frédérick Pelletier and co-produced by the ACPAV and the NFB, will be a documentary halfway between a biography and a personal essay, enriched in particular by the support of the NFB archives team. This film will help to reaffirm Michel Brault’s essential place in world cinema, while his work and his ways of doing things still exert a decisive influence on filmmakers here and elsewhere.

    About Michel Brault (1928-2013)

    His name appears in the credits of nearly two hundred productions. In turn cameraman, director of photography, director and producer, Michel Brault has, among other things, participated, either as director or director of photography, in four of the ten best Canadian films of all time.

    In 1956, Michel Brault joined the NFB, where he shot some forty short and medium-length films. In addition to Claude Jutra, his main partners were Jacques Giraldeau, Fernand Dansereau, Louis-Georges Carrier, Claude Fournier and Gilles Groulx. It was with the latter that he co-directed in 1958 The snowshoers, film which would have a decisive influence on the French team of the NFB: the latter would resolutely commit itself to the path of the direct movement, of which Brault, with his colleagues, is now credited with paternity.

    After a stay in France where he filmed with Jean Rouch and Mario Ruspoli, Michel Brault directed with Pierre Perrault For the rest of the world And Acadia, Acadia?!

    Michel Brault’s work as cameraman and director of photography is impressive: My uncle Antoine (1971) and Kamouraska (1973) by Claude Jutra; Die at the top of your lungs (1979) by Anne-Claire Poirier; The time of a hunt (1972) and Good Riddance (1979) by Francis Mankiewicz; Louisiana (1984) by Philippe de Broca; Threshold (1981), No Mercy (1986) and Dead Man Out (1989) by Dick Pearce; The Great Land of Small (1986) by Vojtěch Jasný.

    Michel Brault made his first feature-length fiction film in 1967, with Entre la mer et l’eau douce. He then directed Les ordres (1974), a masterful film that earned him the Best Director award at the Cannes Film Festival and four awards at the Palmarès du film canadien (predecessor of the Canadian Screen Awards).

    From 1974 to 1980, Michel Brault, with the filmmaker André Gladu, undertook the production of a 27-episode documentary series on the traditional music of French-speaking America.

    Then, he returned to fiction with Les noces de papier (1989), Montréal vu par… (co-directed, 1991), Shabbat Shalom! (1992), Mon amie Max (1994) and Quand je suis disparu… vous vivrez encore (1999). Michel Brault returned to documentary in 1996 with Ozias Leduc… like space and time, a one-hour film about the famous painter, then, in 2002, with La Manic.

    Michel Brault has received, for his entire body of work, the Victor-Morin Prize (Société Saint-Jean-Baptiste de Montréal, 1975), the Molson Prize (Canada Council for the Arts, 1980), the Québec-Alberta Prize (1986), the Albert-Tessier Prize (Les Prix du Québec, 1986), the Governor General’s Award (1996) and the National Order of Québec (2003).

    – 30 –

    Lily RobertDirector, Communications and Public Affairs, ONFCell.: 514-296-8261l.robert@nfb.ca

    EDITOR’S NOTE: This article is a translation. Apologies should the grammar and/or sentence structure not be perfect.

    MIL Translation OSI

  • MIL-OSI Canada: Deeply personal NFB docs and animation showcased at the St. John’s International Women’s Film Festival

    Source: Government of Canada News

    Newfoundland filmmaker Tamara Segura’s National Film Board of Canada (NFB) feature documentary Seguridad headlines an impressive selection of women’s cinema from the NFB at the 2024 St. John’s International Women’s Film Festival (SJIWFF), taking place October 22–26.

    Powerful NFB lineup includes Newfoundland director Tamara Segura’s feature Seguridad and Halifax animator Andrea Dorfman’s short Hairy Legs

    September 24, 2024 – Halifax – National Film Board of Canada (NFB)

    Newfoundland filmmaker Tamara Segura’s National Film Board of Canada (NFB) feature documentary Seguridad headlines an impressive selection of women’s cinema from the NFB at the 2024 St. John’s International Women’s Film Festival (SJIWFF), taking place October 22–26.

    Seguridad was just named Best Atlantic Documentary at the Atlantic International Film Festival in Halifax.

    From elsewhere in Atlantic Canada, Halifax filmmaker Andrea Dorfman’s new animated short Hairy Legs will screen at the festival.

    SJIWFF will also be presenting the Atlantic premieres of two feature docs from Toronto directors: Laurie Townshend’s A Mother Apart (Oya Media Group/NFB) and Anishinaabe filmmaker Lisa Jackson’s Wilfred Buck (Door Number 3 Productions/NFB).

    About the films

    Seguridad by Tamara Segura (76 min) | Friday, October 25, at 7 p.m., Majestic Theatre
    Producers: Annette Clarke and Rohan Fernando
    Press kit: mediaspace.nfb.ca/epk/seguridad

    • Once named “Cuba’s youngest soldier” in a publicity stunt, Newfoundland-based filmmakerTamara Segura explores her father’s troubled past and its connection to the Cuban Revolution. She returns to Cuba after four years away, camera in hand, hoping to make amends. But her father’s sudden death forces Segura to confront the past and the role Cuba’s highly militarized system played in his downfall.
    • Tamara Seguragraduated from the prestigious International Film School of San Antonio de los Baños (EICTV). Her films have received awards in Spain, Cuba, Canada and Mexico. Based in Newfoundland since 2012, Segura previously worked with the NFB on such films as Song for Cuba (2014) and Becoming Labrador (2018), and is an instructor at the College of the North Atlantic.

    Hairy Legs by Andrea Dorfman (17 min) | Friday, October 25, at 7 p.m., LSPU Hall
    Producers: Liz Cowie and Rohan Fernando
    Press kit: mediaspace.nfb.ca/epk/hairy-legs

    • Andrea Dorfman’s animated short film documents a 13-year-old girl’s small yet life-changing act of rebellion on the road to womanhood and feminism. Deciding not to shave her legs led the filmmaker to question and ultimately defy society’s expectations. With charm, warmth and humourHairy Legscaptures the universality of girls exploring gender, curiosity and freedom as they evolve from spending exuberant, carefree days on their bicycles to facing and defying stereotypes.
    • Andrea Dorfman has written and directed many award-winning documentaries, features and animated films, including the NFB-produced Flawed(2010), Big Mouth (2012) and feature doc The Girls of Meru (2018). Dorfman’s video collaborations with poet-musician Tanya Davis, How to Be Alone (2010) and How to Be at Home (2020), became YouTube sensations.

    A Mother Apart by Laurie Townshend (89 min) | Wednesday, October 23, at 7 p.m., LSPU Hall
    Producers: Alison Duke and Ngardy Conteh George (Oya Media Group); Justine Pimlott (NFB)
    Press kit: mediaspace.nfb.ca/epk/a-mother-apart

    • How do you raise a child when your own mother abandoned you? In a remarkable story of healing and forgiveness, Jamaican-American poet and LGBTQ+ activist Staceyann Chin, renowned for performances in Def Poetry Slamand hit solo shows like MotherStruck!, radically re-imagines the essential art of mothering. In seeking her elusive mother—a trail that leads to Brooklyn, Montreal, Cologne and, finally, Jamaica—Staceyann and her daughter forge a new sense of home.
    • Laurie Townshendis a Toronto-based filmmaker, writer and educator. Her films centre on the human capacity to transform small acts of courage into quiet revolutions, as seen in the dramatic short The Railpath Hero (2013, TIFF Black Star Series), the unscripted series Human Frequency Streetdocs (2014) and the award-winning short doc Charley (2016).

    Wilfred Buck by Lisa Jackson (92 min) | Saturday, October 26, at 2:30 p.m., Majestic Theatre
    Producers: Lisa Jackson (Door Number 3 Productions), Lauren Grant (Clique Pictures); Alicia Smith (NFB)
    Press kit: mediaspace.nfb.ca/epk/wilfred-buck

    • This hybrid, time-travelling road triptakes us into the stellar life of charismatic Cree Elder, star expert and ceremonial leader Wilfred Buck, adapted from Buck’s rollicking memoir I Have Lived Four Lives. Jackson’s portrait of Buck moves between earth and sky, past and present, bringing to life ancient teachings of Indigenous astronomy and cosmology to tell a story that spans generations
    • Lisa Jacksonis an Anishinaabe (Aamjiwnaang) filmmaker whose work has garnered two Canadian Screen Awards, been nominated for a Webby and screened at top festivals including Sundance, Tribeca, SXSW, London BFI and Hot Docs. Her 2018 NFB VR experience Biidaaban: First Light was viewed by more than 25,000 people, while her film Indictment won Best Doc at imagineNATIVE. Jackson has been honoured with the 2022 Chicken & Egg Award as well as the 2021 DOC Vanguard Award.

    – 30 –

    Stay Connected

    Online Screening Room: nfb.ca
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    Curator’s perspective | Director’s notes

    About the NFB

    Lily Robert
    Director, Communications and Public Affairs, NFB
    C.: 514-296-8261
    l.robert@nfb.ca

    MIL OSI Canada News

  • MIL-OSI USA: News 09/25/2024 Senate Passes Blackburn, Kaine Resolution Designating October as “National Country Music Month”

    US Senate News:

    Source: United States Senator Marsha Blackburn (R-Tenn)

    WASHINGTON, D.C. – U.S. Senator Marsha Blackburn (R-Tenn.) delivered remarks on the Senate floor ahead of the Senate’s passage of her resolution with Senator Tim Kaine (D-Va.) to designate the month of October as “National Country Music Month.”

    This resolution honors the contributions of country music to the story and history of the U.S. and encourages the American people to observe “National Country Music Month” with appropriate ceremonies and activities.

    Click here to download video of Senator Blackburn’s remarks on the Senate floor about her “National Country Music Month” resolution.

    REMARKS AS PREPARED:

    Next Month, Country Music Association Will Add John Anderson, James Burton, and Toby Keith to Country Music Hall of Fame

    “Each year since 1961, the Country Music Association has inducted the legendary performers, songwriters, and artists of this uniquely American musical tradition into the Country Music Hall of Fame.

    In many ways, this distinction is the highest honor in country music—with names like Hank Williams, Chet Atkins, Dolly Parton, and Elvis Presley among its roll of honor.

    Next month, three new names will join this legendary group during the Hall of Fame Medallion Ceremony: John Anderson—a force for traditionalism in country music who achieved twenty Top Ten country singles across a five-decade-long career. James Burton—who is considered one of the greatest guitarists in all of music, performing and recording with the likes of Elvis, Merle Haggard, John Denver, and Emmylou Harris. And the late Toby Kieth—an exceptional storyteller who brought joy to millions around the world through his music, especially to our men and women in uniform.”

    Country Music Reminds Every American of the Importance of Faith, Family, Freedom, Hope, Opportunity, and Patriotism

    “While each artist has their own distinct sound and style, they share a music tradition that reminds every American of the things that truly matter: faith, family, freedom, hope, opportunity, and patriotism.

    To honor this incredible genre, I come to the floor today to call for a unanimous consent vote for my resolution that would designate October 2024 as ‘National Country Music Month.’”

    Blackburn Honors Grand Ole Opry as “Home of American Music”

    “There’s a reason the Grand Ole Opry, the most famous stage in country music, is known as the ‘home of American music.’

    Now is the perfect time for Congress to honor the contributions of country music—and its legendary performers and artists—to the story and history of the United States.”

    Click here to read the resolution, and click here to download photos of Senator Blackburn with songwriters from Nashville Songwriters Association International.

    MIL OSI USA News

  • MIL-OSI Translation: NFB at St. John’s International Women’s Film Festival

    MIL OSI Translation. Canadian French to English –

    Source: Government of Canada – in French 1

    This year’s St. John’s International Women’s Film Festival will be held October 22-26 and will feature the feature documentary Seguridad by Newfoundland National Film Board filmmaker Tamara Segura, as well as an impressive selection of works directed by NFB creators.

    Feature film Seguridad, by Newfoundland director Tamara Segura, and short film Hairy Legs, by Halifax animator Andrea Dorfman, will be presented

    September 24, 2024 – Halifax – National Film Board of Canada (NFB)

    This year, the St. John’s International Women’s Film Festival will be held from October 22 to 26 and will highlight feature-length documentaries Security, from Newfoundland filmmakerNational Film Board Tamara Segura, as well as an impressive selection of works directed by NFB creators.

    Seguridad has just won the award for best Atlantic documentary at the Atlantic International Film Festival in Halifax.

    In St. John’s, the public will also be able to discover the new animated short film Hairy Legs, the work of another Atlantic Canadian filmmaker, Andrea Dorfman, based in Halifax.

    The festival will also present the Atlantic premieres of two feature-length documentaries by Toronto-based women directors: A Mother Apart (Oya Media Group/ONF), by Laurie Townshend, and Wilfred Buck (Door Number 3 Productions/NFB), by Anishinaabe filmmaker Lisa Jackson.

    The movies

    Seguridad, Tamara Segura (76 min) | Friday October 25, 7 p.m., Majestic Theater Production: Annette Clarke and Rohan FernandoPress kit: spacemedia.onf.ca/epk/seguridad

    In Seguridad, Newfoundland filmmaker Tamara Segura, once dubbed “Cuba’s youngest soldier” for a publicity stunt, portrays her troubled relationship with her father, set against the backdrop of the Cuban Revolution. After four years away, she returns to Cuba with her camera in hand, hoping to reconcile with him. But Jorge’s sudden death just days after her arrival pushes her to examine her father’s troubled past and the role Cuba’s heavily militarized regime played in his downfall. Tamara Segura is a graduate of the prestigious International Film and Television School in San Antonio de los Baños. Her films have won awards in Spain, Cuba, Canada and Mexico. Based in Newfoundland since 2012, she previously created the works A song for Cuba(2014) andTo the rhythm of Labrador(2018). She teaches at the College of the North Atlantic.

    Hairy Legs, Andrea Dorfman (17 min) | Friday 25 October, 7pm, LSPU Hall Producer: Liz Cowie and Rohan FernandoPress kit: spacemedia.onf.ca/epk/poil-aux-jambes

    Andrea Dorfman’s animated short film chronicles a 13-year-old girl’s modest but pivotal act of rebellion as she journeys through femininity and toward feminism. When she chooses not to shave her legs, the budding filmmaker is led to question and ultimately defy society’s expectations. Leg Haircaptures with charm, humor, and tenderness the universal dimension of young teenage girls’ exploration of identity and curiosity. Their carefree childhood spent on bicycles with their heads in the clouds is soon followed by a desire to challenge stereotypes. Andrea Dorfman has written and directed numerous award-winning documentaries, feature films, and animated films, includingImperfect(2010),Disjointed mouth(2012) andThe Young Girls of Meru(2018), produced by the NFB. His short films How to Be Alone (2010) andAt home (2020), made in collaboration with poet Tanya Davis, became a sensation on YouTube.

    A Mother Apart, Laurie Townshend (89 min) | Wednesday, October 23, 7 p.m., LSPU HallProduced by: Alison Duke and Ngardy Conteh George (Oya Media Group); Justine Pimlott (NFB)Press Kit: spacemedia.onf.ca/epk/une-mere-a-part

    How do you raise a child when you yourself have been deprived of a mother figure? In this extraordinary tale of forgiveness and healing, the art of motherhood is radically reimagined by poet and LGBTQ activist Staceyann Chin, a central figure in the contemporary Black American spoken word scene. In search of the woman who abandoned her, Staceyann travels from Brooklyn to Montreal to Cologne to Jamaica, and along the way builds a new sense of belonging with her daughter. Filmmaker, writer, and educator Laurie Townshend lives in Toronto. Her films explore the human capacity to transform small acts of courage into quiet revolutions, as evidenced in the dramatic short The Railpath Hero (2013, TIFF, BlackStar Series), the improvised series Human Frequency Streetdocs (2014), and the award-winning short Charley (2016).

    Wilfred Buck, Lisa Jackson (92 min) | Saturday October 26, 2:30 p.m., Majestic Theater Production: Lisa Jackson (Door Number 3 Productions), Lauren Grant (Click Pictures) ; Alicia Smith (NFB)press kit: spacemedia.onf.ca/epk/wilfred-buck

    This hybrid documentary travels back in time to the extraordinary life of charismatic Cree elder Wilfred Buck, a renowned stargazer and ceremonial officiant. It is an adaptation of the protagonist’s exuberant memoir, I Have Lived Four Lives. Lisa Jackson’s portrait moves between earth and sky, past and present, reviving centuries-old teachings of Indigenous astronomy and cosmology to tell a story that unfolds across generations. Winner of two Canadian Screen Awards and nominated for a Webby, Anishinaabe (Aamjiwnaang) filmmaker Lisa Jackson has had her films screened at major festivals including Sundance, Tribeca, SXSW, London BFI and Hot Docs. The VR experienceBiidaaban: First Light, which she created in 2018 for the NFB, has been viewed by over 25,000 people. Her film Indictment won the Best Documentary Award at the imagineNATIVE festival. Lisa Jackson has also been awarded the Chicken Award

    – 30 –

    Stay Connected

    Online viewing space at NFB.caFacebook NFB | NFB Twitter | Instagram NFB | ONF Blog | YouTube NFB | Vimeo NFBCurator’s Perspective | The filmmakers’ words

    The NFB in brief

    Lily RobertDirector, Communications and Public Affairs, ONFCell.: 514-296-8261l.robert@nfb.ca

    EDITOR’S NOTE: This article is a translation. Apologies should the grammar and/or sentence structure not be perfect.

    MIL Translation OSI

  • MIL-OSI Canada: The NFB at the 2024 Festival du nouveau cinéma. Three films selected, including the world premiere of the compelling documentary Les enfants du large by Virginia Tangvald.

    Source: Government of Canada News

    The National Film Board of Canada (NFB) is back at the Festival du nouveau cinéma (FNC) this year with three films, including two in competition. The feature Les enfants du large (Ghosts of the Sea, micro_scope/NFB/Urban Factory), the only documentary in the National Competition section, will screen as a world premiere.

    September 24, 2024 – Montreal – National Film Board of Canada (NFB)

    The National Film Board of Canada (NFB) is back at the Festival du nouveau cinéma (FNC) this year with three films, including two in competition. The feature Les enfants du large (Ghosts of the Sea, micro_scope/NFB/Urban Factory), the only documentary in the National Competition section, will screen as a world premiere. Filmed all over the world, it charts director Virginia Tangvald’s fascinating quest to unravel a family mystery. Tangvald won the Pitch Premières Œuvres session, presented by Netflix at the FNC Forum, when she pitched the film in 2020. Meanwhile, Ehsan Gharib’s animated short Samaa (NFB), which will have its Quebec premiere, explores the transcendent power of music and movement. The festival will also screen the restored version of Michel Brault’s masterful Les ordres to mark the 50th anniversary of this landmark of Quebec cinema. The 53rd FNC takes place in Montreal from October 9 to 20, 2024.

    National Competition

    Les enfants du large (Ghosts of the Sea) by Virginia Tangvald (97 min) – WORLD PREMIERE
    Screenings: Cinéma du Musée, Monday, October 14, at 7 p.m. (original version with English subtitles); Cineplex Odeon Quartier Latin Cinema, Friday, October 18, at 6:30 p.m. (original version with French subtitles)

    A Canada-France co-production produced by micro_scope (Isabelle Couture and Élaine Hébert) with the NFB (Nathalie Cloutier) and Urban Factory (Frédéric Corvez and Maéva Savinien)
    Press kit: mediaspace.nfb.ca/epk/ghosts-of-the-sea

    • While searching for clues about the death of her brother Thomas, who was lost at sea, Virginia Tangvald embarks on a fascinating, cinematic investigation into her family’s dark secrets. Calling into question the idyllic life of her father, legendary sailor Peter Tangvald, her quest dismantles the myth of absolute freedom. At the end of a courageous journey that’s both deeply personal and universal, she finds hope that a toxic cycle has been broken.
    • Born in the Caribbean Sea, Virginia Tangvald grew up in Montreal, where she studied theatre and classical guitar before settling on filmmaking as her art of choice. After graduating from INIS in 2015, she made several short films and videos for Montreal bands. She now lives in Paris. Les enfants du large, a fascinating quest to uncover the dark secrets of her family and her father, the famous adventurer Peter Tangvald, is her first feature documentary.

    Les nouveaux alchimistes Short Film Competition

    Samaa by Ehsan Gharib (2 min 27 s) – QUEBEC PREMIERE
    Screenings in a short-film program: Cinémathèque québécoise, Sunday, October 13, at 6:30 p.m. Thursday, October 17, at 5 p.m.

    Produced by the NFB (Maral Mohammadian)
    Press kit: mediaspace.nfb.ca/epk/samaa

    • A caged bird, yearning to fly, finds release through the transcendent power of music and movement. Revelling in the magic and mechanics of cinema, Ehsan Gharib crafts a striking, hand-painted animated short on the themes of freedom and ecstasy. In Iranian culture, samaa is the meditative practice of achieving a spiritual awakening through rhythm and movement. The film had its world premiere at the Ottawa International Animation Festival.
    • Iranian-born Ehsan Gharib integrates photography, animation and design into his cinema. He created the animation for the award-winning NFB production Oscar(2016), Marie-Josée Saint-Pierre’s portrait of Oscar Peterson, and was part of the animation teams for the feature Jasmine Road (2020) and Disney-produced Disenchanted (2022). His directorial debut, the experimental short Deyzangeroo (2017), won a Golden Dove at DOK Leipzig. In Samaa (2024), he continues to experiment with the interplay between music and animated film.

    Histoire(s) du cinéma section

    Les ordres (Orders) by Michel Brault (1974, 107 min)
    Screenings: Cinémathèque québécoise, Wednesday, October 16, at 7 p.m. (original French version with English subtitles)
    Press kit: mediaspace.nfb.ca/epk/orders

    This masterwork of Quebec cinema celebrates its 50th anniversary this year. The NFB is pleased and proud to be distributing the film to festivals, film clubs and other venues, in a version recently restored by Éléphant: mémoire du cinéma québécois.

    Drawing on the testimonies of some 50 civilians who were detained after the War Measures Act was invoked in Quebec in October 1970, Les ordres (Orders) blurs the line between documentary and drama to tell the story of five fictional characters (three men and two women) from their arrest through to their release. The film won the award for Best Director at the 1975 Cannes Film Festival.

    – 30 –

    Stay Connected

    Online Screening Room: NFB.ca
    NFB Facebook | NFB Twitter | NFB Instagram | NFB Blog | NFB YouTube | NFB Vimeo
    Curator’s perspective | Director’s notes

    About the NFB

    Lily Robert
    Director, Communications and Public Affairs, NFB
    C.: 514-296-8261| l.robert@nfb.ca

    MIL OSI Canada News

  • MIL-OSI Translation: The NFB at the 2024 Festival du nouveau cinéma. Three films selected, including the captivating documentary Les enfants du large by Virginia Tangvald, presented as a world premiere.

    MIL OSI Translation. Canadian French to English –

    Source: Government of Canada – in French 1

    The National Film Board of Canada is back at the Festival du nouveau cinéma (FNC) with three films, two of which are in competition. Virginia Tangvald’s feature film Les enfants du large (micro_scope/NFB/Urban Factory), presenting its world premiere and the only documentary in the National Competition section, is a fascinating family investigation shot in the four corners of the world.

    September 24, 2023 – Montreal – National Film Board of Canada (NFB)

    L’National Film Board of Canada is back at New Cinema Festival (FNC) with three films, two of which are in competition. The feature film Children of the open sea (microscope/NFB/Urban Factory) by Virginia Tangvald, presented in world premiere and the only documentary in the National Competition section, is a fascinating family investigation shot in the four corners of the world. The director had also won the Pitch First Works Award presented by Netflix at the FNC Forum in 2020 for this film. For its part, the animated short film Samaa (NFB) by Ehsan Gharib, screened in its Quebec premiere, explores the transcendent power of music and movement. The restored version of the masterful The orders by Michel Brault will also be presented to mark the 50th anniversary of the release of this masterpiece of Quebec cinema. The 53rd FNC will take place in Montreal from October 9 to 20, 2024.

    National competition

    Virginia Tangvald’s Children of the Sea (97 min) – WORLD PREMIERE Screenings: Cinéma du Musée, Monday, October 14 at 7 p.m. (original version with English subtitles); Cinéma Cineplex Odeon Quartier latin, Friday, October 18 at 6:30 p.m. (original version with French subtitles)

    A Canada-France co-production produced by micro_scope (Isabelle Couture and Élaine Hébert) with the NFB (Nathalie Cloutier) and Urban Factory (Frédéric Corvez and Maéva Savinien)Press kit: espacemedia.onf.ca/epk/les-enfants-du-large

    Following in the footsteps of her brother Thomas, who disappeared at sea, Virginia Tangvald offers a captivating and cinematographically beautiful investigation into the dark secrets of her family. Questioning the legendary idyllic life of her father, the sailor Peter Tangvald, her quest debunks the myth of absolute freedom. At the end of her courageous approach, as intimate as it is universal, emerges the hope of having broken a toxic cycle. Born on the Caribbean Sea, Virginia Tangvald grew up in Montreal, where she studied theater and classical guitar performance before adopting cinema as her chosen art. A graduate of INIS in 2015, she has directed several short fiction films and music videos for Montreal groups. She now lives in Paris. Les enfants du large, a fascinating investigation that seeks to uncover the dark secrets of her family and her father, the famous adventurer Peter Tangvald, is her first feature-length documentary.

    The New Alchemists Competition – Short Film

    Samaa by Ehsan Gharib (2 min 27 s) – QUEBEC PREMIERE Screenings in the short film program: Cinémathèque québécoise, Sunday, October 13 at 6:30 p.m. and Thursday, October 17 at 5 p.m.

    An ONF production (Maral Mohammadian)Press kit: spacemedia.onf.ca/epk/samaa

    A caged bird, yearning to fly, finds freedom through the transcendent power of music and movement. In this striking, hand-painted animated short, Ehsan Gharib celebrates the magic and mechanics of cinema. In Iranian culture, samaa is a meditative practice of achieving spiritual enlightenment through rhythm and movement. The film had its world premiere at the Ottawa International Animation Festival. Iranian-born Ehsan Gharib integrates photography, animation and design into his films. He created the animation for the award-winning NFB productionOscar(2016), a portrait of Oscar Peterson by Marie-Josée Saint-Pierre, and is part of the animation teams of the feature film Jasmine Road (2020) and Disenchanted (2022), produced by Disney. His first directorial effort, the experimental short filmDeyzangeroo(2017), won the Golden Dove at DOK Leipzig. In Samaa, he continues to experiment with the interaction between music and animated cinema.

    History(ies) of cinema

    Michel Brault’s Orders (1974, 107 min)Screening: Cinémathèque québécoise, Wednesday, October 16 at 7 p.m. (original French version with English subtitles)Press kit: spacemedia.onf.ca/epk/les-ordres

    This masterpiece of Quebec cinema celebrates its 50th anniversary this year. The NFB is proud to distribute the restored version by Elephant: memory of Quebec cinema at festivals, film clubs and other venues.

    Halfway between fiction and documentary, Les ordres is based on the testimony of around fifty people imprisoned following the application of war measures in October 1970. We follow five characters (three men and two women) constructed from these testimonies, from their arrest to their release. The film won the Best Director award at the Cannes Film Festival in 1975.

    – 30 –

    Stay Connected

    Online viewing space at NFB.caFacebook NFB | NFB Twitter | Instagram NFB | ONF Blog | YouTube NFB | Vimeo NFBCurator’s Perspective | The filmmakers’ words

    The NFB in brief

    Lily RobertDirector, Communications and Public Affairs, ONFCell.: 514-296-8261l.robert@nfb.ca

    EDITOR’S NOTE: This article is a translation. Apologies should the grammar and/or sentence structure not be perfect.

    MIL Translation OSI

  • MIL-OSI USA: Ahead of 1 October, Rosen Gives Speech on Senate Floor Honoring Victims of Tragic Shooting, Calling on Congress to Ban Bump Stocks

    US Senate News:

    Source: United States Senator Jacky Rosen (D-NV)
    Watch Senator Rosen’s Speech HERE.
    WASHINGTON, D.C. – Today, ahead of what will be seven years since the 1 October shooting in Las Vegas, U.S. Senator Jacky Rosen (D-NV) delivered remarks on the Senate floor to honor the sixty lives lost and highlight how Nevada was forever changed by this senseless violence, the deadliest mass shooting in American history. She also recognized the heroism of Las Vegas’s first responders and urged further action by Congress to prevent gun violence, including banning bump stocks.
    Senator Rosen has been a leader in the fight against gun violence. Following this year’s Supreme Court decision to reverse the Trump-era bump stock ban, Senator Rosen joined bipartisan legislation to permanently ban bump stocks. Last year, she helped introduce the Resources for Victims of Gun Violence Act to provide all victims of gun violence and their loved ones with the resources to help meet medical, legal, financial, and other needs. Senator Rosen also recently helped introduce the Background Check Expansion Act to expand federal background checks to all commercial gun sales, including those made online and at gun shows. She helped pass the historic Bipartisan Safer Communities Act to enhance background checks on firearm purchases for individuals under 21, fund the implementation of red flag laws, combat firearms trafficking, and invest in school safety and mental health programs. 
    Below are Senator Rosen’s floor remarks as delivered:
    Mr. President,
    This year will mark seven years since my community of Las Vegas was forever changed on October 1st, 2017.
    On that night, we experienced a tragedy on a scale far worse than anyone could have ever imagined.
    Ten minutes. Ten minutes is all it took for a gunman to open fire on an unsuspecting crowd at a music festival, killing 58 innocent lives, injuring thousands, and leaving a permanent scar on our state.
    Sadly, in the years since, two more victims of that night’s attack died because of injuries they received during the shooting, bringing the death toll to 60.
    It remains the deadliest mass shooting in American history.
    The families of the victims of that tragedy had their worlds shattered that day, their lives forever changed. 
    Families who didn’t get to celebrate birthdays, anniversaries, holidays. And the families who never got to say goodbye to their loved ones.
    That night also changed the lives in our city. People who were attending or working at the Route 91 Harvest festival, the first responders who ran towards danger to save lives. 
    And in the following days, we saw lines of people, lines of people around entire blocks willing to donate blood, willing to help in any way they could.
    This kind of selflessness embodies the incredible spirit of our community. It showed the country why we’re Vegas Strong.
    And as we remember and as we reflect on this tragedy, we must also commit ourselves to action so that no community has to experience the pain and suffering like we did. 
    The 1 October shooter was able to inflict as much pain and carnage as he did by using bump stocks.
    This dangerous modification allowed his weapon to fire more bullets faster, as a way to inflict the most amount of pain on our city. Over 1,000 bullets, 1,000 bullets in just a matter of minutes.
    And it was in response to this carnage that then-President Donald Trump issued a federal rule banning bump stocks. It helped save lives from these deadly modifications.
    But unfortunately, the Supreme Court overturned this common-sense federal ban, allowing bump stocks to flow into our streets once again.
    This shameful decision, shameful decision by the Supreme Court will put more lives at risk, which is why I joined bipartisan legislation to restore this common-sense federal ban on bump stocks.
    And when members of this chamber tried to pass this bipartisan legislation, extremists in this body, what did they do? They blocked us, and some even had the audacity to say this legislation was trying to solve a “fake problem.” 
    A “fake problem.”
    Mr. President, should we tell the families who lost a loved one at the hand of a firearm using a bump stock on 1 October that it’s a “fake problem?” A fake problem that they’re sad at every holiday, and every meal, and every Thanksgiving table that their loved one is missing? A “fake problem?”
    Their grief is real. Their loss is real, and their loss is forever. This is not a “fake problem.”
    It’s a very real problem, and there are real solutions. But once again, Congress has failed, year after year, to act.
    Las Vegas knows how the real threat, what the real threat of bump stocks are and why we must act. 
    And as we approach the seventh anniversary of this unthinkable tragedy,  I ask all my colleagues in this chamber to remember and to honor the memories of the victims, to honor their families, to honor everyone whose lives were forever changed from the night and the shooting on October 1st, 2017.
    I also ask that we come together, Republicans and Democrats, in a bipartisan way to save lives by just passing common-sense legislation to ban bump stocks. 
    Thank you.

    MIL OSI USA News

  • MIL-OSI USA: Durbin Questions Judicial Nominees In Judiciary Committee Nominations Hearing

    US Senate News:

    Source: United States Senator for Illinois Dick Durbin
    09.25.24
    WASHINGTON – During today’s Senate Judiciary Committee nominations hearing, U.S. Senate Majority Whip Dick Durbin (D-IL), Chair of the Senate Judiciary Committee, questioned Sarah Morgan Davenport, nominated to be a United States District Judge for the District of New Mexico, about her unique background.  Durbin also began his remarks by highlighting the rigorous vetting process nominees undergo to be considered for a judicial nomination.
    “Among our nominees is Ms. Davenport, who graduated from New Mexico State University with a bachelor’s in music and who was a music teacher before going to law school and then [becoming] a prosecutor.  She went from professor to prosecutor.  Can you tell me about your background in music [that lead to your nomination]?” Durbin asked.
    Ms. Davenport replied that she wanted to go down a different career path after serving as a music teacher—which led her to attend law school and pursue a career as a prosecutor.
    Durbin then asked Keli Marie Neary, nominated to be a United States District Judge for the Middle District of Pennsylvania, about a case where she represented the Commonwealth of Pennsylvania in Federal Trade Commission et al., v. Penn State Hersey Medical Center et al.  The Commonwealth, along with the FTC, sued to block a merger of the Penn State Hershey Medical Center with the Pinnacle Health System. 
    “Can you tell us about that case?” Durbin asked.
    Ms. Neary responded, “that was one of two very important cases I worked on during my career that involved health care and providing care to many people across Pennsylvania.  In that particular case, we were working to make sure that no hospital became a monopoly in order to maintain prices in Pennsylvania, to ensure affordable health care in central Pennsylvania.” 
    She continued to say, “The other case I referenced is a case involving two large insurance companies in Pennsylvania and the hospital systems that participated in those insurance companies, and through my work on behalf of the Commonwealth, we were able to garner an agreement that resulted in affordable health care for many Pennsylvanians in the western part of the state.” 
    Durbin then questioned Judge Anthony J. Brindisi, nominated to be a United States District Judge for the Northern District of New York, about his background as a congressman and his service on the bench.
    “Can you compare those legal experiences?” Durbin asked.
    Judge Brindisi responded that the key to being a good congressman is to be a good listener, work in a bipartisan way to get work done, and to sit down with individuals you might disagree with to better understand their ideas on bills.  He continued to say that he took the lessons he learned from Congress to the bench. 
    Durbin then questioned Elizabeth C. Coombe, nominated to be a United States District Judge for the Northern District of New York, about her legal experience, noting that she has tried almost 40 cases to verdict or final decision.
    Ms. Coombe responded that given her experience litigating in both D.C. and New York federal courts, she was exposed to many bench trials and jury trials.  She continued to say, “I love being in the courtroom presenting cases to juries and seeing the power of the jury work its magic… And I think that my experience as a trial lawyer in front of juries will be helpful if I am fortunate enough to be confirmed.  I would bring that practical experience from the courtroom with me.”
    Video of Durbin’s questions in Committee is available here.
    Audio of Durbin’s questions in Committee is available here.
    Footage of Durbin’s questions Committee is available here for TV Stations.
    The hearing continues the Committee’s work filling judicial vacancies with highly qualified, diverse candidates who help ensure the fair and impartial administration of the American justice system.
    Under the leadership of Chair Durbin, the Senate has confirmed 212 judges to lifetime appointments on the federal bench during the Biden-Harris Administration. Following the confirmation of Michelle Court to be U.S. District Judge for the District of California and last week’s executive business meeting, 18 lifetime judges – including four circuit court nominees and 14 district court nominees – are eligible for a vote on the Senate floor.
    -30-

    MIL OSI USA News

  • MIL-OSI USA: NASA Sets Coverage for Agency’s SpaceX Crew-9 Launch, Docking

    Source: NASA

    NASA will provide coverage of the upcoming prelaunch and launch activities for the agency’s SpaceX Crew-9 mission to the International Space Station.
    Liftoff is targeted for 1:17 p.m. EDT, Saturday, Sept. 28, from Space Launch Complex-40 at Cape Canaveral Space Force Station in Florida. This is the first human spaceflight mission to launch from that pad. The targeted docking time is approximately 5:30 p.m. Sunday, Sept. 29.
    Live coverage of the prelaunch news conference, launch, the post-launch news conference, and docking stream on NASA+ and the agency’s website. Learn how to stream NASA content through a variety of additional platforms, including social media.
    The SpaceX Dragon spacecraft will carry NASA astronaut Nick Hague and Roscosmos cosmonaut Aleksandr Gorbunov to the orbiting laboratory for an approximate five-month science mission. This is the ninth crew rotation mission and the 10th human spaceflight mission for NASA to the space station supported by Dragon since 2020 as part of the agency’s Commercial Crew Program.
    The deadline for media accreditation for in-person coverage of this launch has passed. The agency’s media credentialing policy is available online. For questions about media accreditation, please email: ksc-media-accreditat@mail.nasa.gov.
    Media looking for access to NASA live video feeds can subscribe to the agency’s media resources distribution list to receive daily updates and links.
    NASA’s mission coverage is as follows (all times Eastern and subject to change based on real-time operations):
    Friday, Sept. 27
    11:30 a.m. – One-on-one media interviews at NASA’s Kennedy Space Center in Florida with various mission subject matter experts. Sign-up information will be emailed to media accredited to attend this launch.
    1:15 p.m. – NASA’s SpaceX Crew-9 Panel: Space Station 101 with the following participants:

    NASA Associate Administrator Jim Free
    Robyn Gatens, director, NASA’s International Space Station Program, and acting director, NASA’s Commercial Spaceflight Division
    Jennifer Buchli, chief scientist, NASA’s International Space Station Program
    John Posey, Dragon engineer, NASA’s Commercial Crew Program

    Media may ask questions in person and via phone. Limited auditorium space will be available for in-person participation. For the dial-in number and passcode, media should contact the Kennedy newsroom no later than 12:15 p.m. Friday, Sept. 27, at ksc-newsroom@mail.nasa.gov.
    Coverage of the virtual news conference will stream live on NASA+, YouTube, Facebook, and the agency’s website. Members of the public may ask questions online by posting questions to the YouTube, Facebook, and X livestreams using #AskNASA.
    5 p.m. – Prelaunch news conference from Kennedy with the following participants:

    NASA Associate Administrator Jim Free
    Ken Bowersox, associate administrator, NASA’s Space Operations Mission Directorate
    Steve Stich, manager, NASA’s Commercial Crew Program
    Dina Contella, deputy manager, NASA’s International Space Station Program
    Jennifer Buchli, chief scientist, NASA’s International Space Station Program
    William Gerstenmaier, vice president, Build & Flight Reliability, SpaceX
    Brian Cizek, launch weather officer, 45th Weather Squadron, Cape Canaveral Space Force Station

    Coverage of the virtual news conference will stream live on NASA+ and the agency’s website.
    Media may ask questions in person and via phone. Limited auditorium space will be available for in-person participation. For the dial-in number and passcode, media should contact the Kennedy newsroom no later than 4 p.m. Friday, Sept. 27, at ksc-newsroom@mail.nasa.gov.
    Saturday, Sept. 28
    9:10 a.m. – Launch coverage begins on NASA+ and the agency’s website.
    1:17 p.m. – Launch
    Following the conclusion of launch and ascent coverage, NASA will switch to audio only. Continuous coverage resumes on NASA+ at the start of rendezvous and docking and continues through hatch opening and the welcome ceremony. For NASA+ information, schedules, and links to streaming video, visit:

    Home

    3 p.m. – Postlaunch news conference with the following participants:

    NASA Deputy Administrator Pam Melroy
    Ken Bowersox, associate administrator, NASA’s Space Operations Mission Directorate
    Dana Hutcherson, deputy program manager, NASA’s Commercial Crew Program
    Dina Contella, deputy manager, NASA’s International Space Station Program
    Sarah Walker, director, Dragon Mission Management, SpaceX

    The virtual news conference will stream live on NASA+, YouTube, and the agency’s website.
    Media may ask questions in person and via phone. Limited auditorium space will be available for in-person participation. For the dial-in number and passcode, please contact the Kennedy newsroom no later than 2 p.m. Saturday, Sept. 28, at ksc-newsroom@mail.nasa.gov.
    Sunday, Sept. 29
    3:30 p.m. – Arrival coverage begins on NASA+ and the agency’s website.
    5:30 p.m. – Targeted docking to the forward-facing port of the station’s Harmony module
    7:15 p.m. – Hatch opening
    7:40 p.m. – Welcome ceremony
    All times are estimates and could be adjusted based on real-time operations after launch. Follow the space station blog for the most up-to-date operations information.
    Audio Only Coverage
    Audio only of the news conferences and launch coverage will be carried on the NASA “V” circuits, which may be accessed by dialing 321-867-1220, -1240 or -7135. On launch day, “mission audio,” countdown activities without NASA+ launch commentary, will be carried on 321-867-7135.
    Launch audio also will be available on Launch Information Service and Amateur Television System’s VHF radio frequency 146.940 MHz and KSC Amateur Radio Club’s UHF radio frequency 444.925 MHz, FM mode, heard within Brevard County on the Space Coast.
    Live Video Coverage Prior to Launch
    NASA will provide a live video feed of Space Launch Complex-40 approximately six hours prior to the planned liftoff of the Crew-9 mission. Pending unlikely technical issues, the feed will be uninterrupted until the prelaunch broadcast begins on NASA+, approximately four hours prior to launch. Once the feed is live, find it online at:  http://youtube.com/kscnewsroom
    NASA Website Launch Coverage
    Launch day coverage of NASA’s SpaceX Crew-9 mission will be available on the agency’s website. Coverage will include livestreaming and blog updates beginning no earlier than 9:10 a.m. Sept. 28, as the countdown milestones occur. On-demand streaming video and photos of the launch will be available shortly after liftoff.
    For questions about countdown coverage, contact the Kennedy newsroom at 321-867-2468. Follow countdown coverage on the commercial crew or Crew-9 blog.
    Attend Launch Virtually
    Members of the public can register to attend this launch virtually. NASA’s virtual guest program for this mission also includes curated launch resources, notifications about related opportunities or changes, and a stamp for the NASA virtual guest passport following a successful launch.
    Watch, Engage on Social Media
    Let people know you’re following the mission on X, Facebook, and Instagram by using the hashtags #Crew9 and #NASASocial. You can also stay connected by following and tagging these accounts:
    X: @NASA, @NASAKennedy, @NASASocial, @Space_Station, @ISS_Research, @ISS National Lab, @SpaceX, @Commercial_Crew
    Facebook: NASA, NASAKennedy, ISS, ISS National Lab
    Instagram: @NASA, @NASAKennedy, @ISS, @ISSNationalLab, @SpaceX
    Coverage en Espanol
    Did you know NASA has a Spanish section called NASA en Espanol? Make sure to check out NASA en Espanol on X, Instagram, Facebook, and YouTube for more coverage on Crew-9.
    Para obtener información sobre cobertura en español en el Centro Espacial Kennedy o si desea solicitar entrevistas en español, comuníquese con Antonia Jaramillo: 321-501-8425;antonia.jaramillobotero@nasa.gov; o Messod Bendayan: 256-930-1371; messod.c.bendayan@nasa.gov.
    NASA’s Commercial Crew Program has delivered on its goal of safe, reliable, and cost-effective transportation to and from the International Space Station from the United States through a partnership with American private industry. This partnership is changing the arc of human spaceflight history by opening access to low-Earth orbit and the International Space Station to more people, more science, and more commercial opportunities. The space station remains the springboard to NASA’s next great leap in space exploration, including future missions to the Moon and, eventually, to Mars.
    For NASA’s launch blog and more information about the mission, visit:
    https://www.nasa.gov/commercialcrew
    -end-
    Joshua Finch / Jimi RussellHeadquarters, Washington202-358-1100joshua.a.finch@nasa.gov / james.j.russell@nasa.gov
    Steven Siceloff / Danielle Sempsrott / Stephanie PlucinskyKennedy Space Center, Florida321-867-2468steven.p.siceloff@nasa.gov / danielle.c.sempsrott@nasa.gov / stephanie.n.plucinsky@nasa.gov
    Leah CheshierJohnson Space Center, Houston281-483-5111leah.d.cheshier@nasa.gov

    MIL OSI USA News

  • MIL-OSI USA: The Marshall Star for September 25, 2024

    Source: NASA

    By Wayne Smith
    NASA’s Marshall Space Flight Center honored top contractors, subcontractors, teams, and individuals of fiscal year 2024 at the 38th meeting of Marshall’s Small Business Alliance. The awards honor aerospace companies and leaders who have demonstrated support of the center’s small business programs and NASA’s mission of exploration.

    The event took place Sept. 19 at the U.S. Space & Rocket Center’s Davidson Center for Space Exploration in Huntsville. Around 650 participants from industry and government gathered to network, learn about business opportunities, and recognize outstanding achievements in support of NASA’s mission and the small business community. Those attending represented 32 states and 10 nations.
    “The Marshall Small Business Alliance is an outreach tool designed to introduce the business community to the NASA marketplace,” said David Brock, small business specialist for the agency’s Office of Small Business Programs at Marshall. “Those in attendance can gain valuable insight into Marshall’s exciting programs and projects, upcoming procurement opportunities, and get an opportunity to network with Marshall prime contractors.”
    Marshall Director Joseph Pelfrey welcomed attendees, while Jeramie Broadway, deputy director of Marshall’s Office of Strategic Analysis and Communications, provided an update on the center for fiscal year 2025 and beyond.
    Marshall’s Industry & Advocate Awards are presented annually and reflect leadership in business community and sustained achievement in service to NASA’s mission.
    “We are excited about this year’s winners,” Brock said. “Each play a key role in helping NASA achieve successes in support of key programs and projects, including the Human Landing System and Space Launch System rocket. Maintaining and sustaining an experienced and competitive industry base is what makes America strong, and small businesses are at the core of those successes.”

    Marshall manages the Human Landing System and Space Launch System programs.
    This year’s award recipients are:
    Small Business Prime Contractor of the Year
    Media Fusion
    Small Business Subcontractor of the Year
    Zin Technologies
    Large Business Prime Contractor of the Year
    Jacobs
    Mentor-Protégé Agreement of the Year
    Jacobs (mentor) and CodePlus (protégé)
    Procurement Person of the Year
    Joseph Tynes  
    Program Person of the Year
    Patrick McVay
    Small Business Technical Coordinator of the Year
    Leah Fox
    Technical Person of the Year
    David Hood

    NASA civil service employees nominate eligible individuals and organizations for awards. A panel of NASA procurement and technical officials evaluates each nominee’s business practices, innovative processes, adoption of new technologies and their overall contributions to NASA’s mission and the agency’s Small Business Program.
    Award recipients in the following categories become candidates for agency-level Small Business Industry and Advocate Awards:

    Large and Small Business Prime Contractors of the Year
    Small Business Subcontractor of the Year
    Procurement Team or Person
    Technical, Small Business Technical Coordinator/Technical Advisor
    Program Person or Team of the Year

    Learn more about Marshall’s small business initiatives.
    Smith, a Media Fusion employee and the Marshall Star editor, supports the Marshall Office of Communications.
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    By Serena Whitfield
    A new flag is reaching for the Moon outside the Huntsville Operations Support Center at NASA’s Marshall Space Flight Center following a Sept.19 ceremony, marking contributions from center team members toward the launch of NASA’s SpaceX Crew-9 mission.
    The Crew-9 mission to the International Space Station will carry NASA astronaut Nick Hague and Roscosmos cosmonaut Aleksandr Gorbunov. The mission is scheduled to launch Sept. 28 no earlier than 12:17 p.m. CDT.

    Crew-9 will be the first human spaceflight mission to launch from Space Launch Complex-40 at Cape Canaveral Space Force Station. This is the ninth crew rotation mission with SpaceX to the orbiting laboratory under NASA’s Commercial Crew Program (CCP). The crew will spend approximately five months at the station, conducting more than 200 science and research demonstrations before returning in February 2025.
    Once aboard the space station, Hague and Gorbunov will become members of the Expedition 72 crew and perform research, technology demonstrations, and maintenance activities. The pair will join NASA astronauts Don Petitt, Butch Wilmore, Suni Williams, as well as Roscosmos cosmonauts Alexey Ovchinin and Ivan Vagner. Wilmore and Williams, who launched aboard the Starliner spacecraft in June, will fly home with Hague and Gorbunov in February 2025.

    The flag raising has been a tradition for missions supported at Marshall’s Huntsville Operations Support Center (HOSC), as well as a tradition within the CCP to celebrate the successful conclusion of NASA’s Agency Flight Readiness Review prior to launch. The HOSC provides engineering and mission operations support for the space station, the CCP, and Artemis missions, as well as science and technology demonstration missions. The Payload Operations Integration Center within HOSC operates, plans, and coordinates the science experiments onboard the space station 365 days a year, 24 hours a day.
    The CCP support team at Marshall provides crucial programmatic, engineering, and safety and mission assurance expertise for launch vehicles, spacecraft propulsion, and integrated vehicle performance. Marshall’s role within the CCP is to support certification that the spacecraft and launch vehicle are ready for launch. The support team performs engineering expertise, particularly for propulsion, as well as program management, safety and mission assurance, and spacecraft support. 

    The flag-raising ceremony was a joint effort between the Payload and Mission Operations Division (PMOD) and CCP team. Dave Gwaltney, technical assistant, specialty systems, and Commercial Crew Program representative, gave the introductions. He recognized Brady Doepke, structural analyst for liquid propulsion systems, for his significant contributions in preparation for Crew-9 mission success. Gwaltney said Doepke exemplified leadership and innovation through his guidance of Marshall’s CCP engineering team, which resulted in a successful risk assessment of the updated SpaceX turbine wheel fleet leader acceptance criteria.
    Payload and Mission Operations Division Manager Nicole Pelfrey also recognized Thomas “Reid” Lawrence as the division’s Crew-9 honoree.
    “Reid serves dutifully in the HOSC as part of the HOSC’s Data Operations Control Room Operations Engineers,” Pelfrey said. “Reid has a number of technical specialties, including his expertise in the Backup Control Center activation procedures. This expertise has been vital over the past year as JSC has worked through power upgrades. He also diligently ensures our ISS payload users receive their data and is a key engineer for the testing, verification, and operation of our HOSC interfaces that support commercial crew communications.”
    Whitfield is an intern supporting the Marshall Office of Communications.
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    NASA’s Marshall Space Flight Center hosted the Rossi Prize Recognition Dinner at the U.S. Space & Rocket Center in Huntsville on Sept. 18. The dinner was held to recognize the IXPE (Imaging X-ray Polarimetry Explorer) team members honored with the Bruno Rossi Prize, a top prize in high-energy astronomy. From left, Martin Weisskopf, Rossi Prize awardee and NASA emeritus scientist, who served as the principal investigator for IXPE during its development, launch, and commissioning; Paolo Soffitta, Rossi Prize awardee, and the Italian Space Agency’s principal investigator for IXPE; Hashima Hasan, program scientist for IXPE at NASA Headquarters; Andrea Marinucci, IXPE team member and researcher with the Italian Space Agency; and Marshall Director Joseph Pelfrey, who provided welcome remarks at the dinner. “The Bruno Rossi Prize highlights how partnerships and teamwork can push the boundaries of scientific knowledge,” Pelfrey said. “The (IXPE) mission, a groundbreaking collaboration between NASA and the Italian Space Agency, represents over 30 years of dedicated effort and stands as a testament to the innovative work of a truly multinational team.” (NASA/Jennifer Deermer)

    Rossi Prize winners Weisskopf and Soffitta, center seated, are joined by a plush goat, the unofficial mascot of the IXPE mission, and other IXPE team members at the Rossi Prize Recognition Dinner. Read more about the award and the prize winners. (NASA/Jennifer Deermer)
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    By Wayne Smith
    Talk with Shannon Segovia for any length of time and you’ll quickly discover the care and enthusiasm she has for her position as director of the Office of Communications at NASA’s Marshall Space Flight Center. And that care and enthusiasm extends to those she works with across the center to share news about Marshall missions and team members.
    In her role, Segovia oversees a team responsible for media relations and public affairs, digital and social media, stakeholder relations and engagement, internal and employee communications, and executive communications for the center.

    “We manage these activities for the entire center of about 7,000 people, so it is a definitely a very busy job!” said Segovia, a native of Athens, Alabama, who was named as permanent communications director this summer after more than 12 years at Marshall.
    She was the deputy director of communications starting in June 2023 after working as Marshall’s news chief and public affairs team lead starting in 2019. From 2012 to 2019, Segovia was a public affairs officer at the center. Prior to joining NASA, she was the communications manager for the Tennessee Valley Authority’s Sequoyah Nuclear Plant near Chattanooga, Tennessee.
     At Marshall, she said it’s the people who continue to be her biggest motivators.
    “As a public servant, I want the people I serve – the people who follow our channels, listen to the news stories we create, and attend our events – to know why NASA’s missions are important and critical to the world we live in,” Segovia said. “I am so fortunate to have such a brilliant team, and they motivate me daily with their hard work.”
    “I’m also motivated by my husband and family because I want to make them proud. I want my nieces and nephews to have a bright future, and I truly believe the work we are doing at NASA will help them do that.”
    Question: What excites you most about the future of human space exploration, or your NASA work, and your team’s role it?
    Segovia: NASA’s missions depend on public and stakeholder support, and that is what our office does – ensures people know what we are doing at NASA and specifically at Marshall, why it is important, and how our missions are benefiting humanity. From social media posts to events like the South Star music festival to interviews with media outlets and stakeholder tours, we use every channel we can to tell others about the work we are doing at Marshall and NASA. Our office touches every organization at the center, and it is so exciting to have a front seat to everything we are doing to get humans back to the Moon and on to Mars.

    Question: What has been the proudest moment of your career and why?
    Segovia: I helped take a team of 12 Marshall female engineers to The Today Show in 2019 for a segment about International Women’s Day. As a public affairs specialist, one of our job duties is to prepare subject matter experts for interviews, making sure they have messages, talking points, and anything else they need. I have never been more proud to be a woman and to work for Marshall than I was that day, seeing how well these women represented NASA and the extraordinary achievements they have made possible. It also made me even more thankful for the job I have – preparing them to make sure they felt confident and could talk about their work was a wonderful experience. The other moment in my career I will never forget is the Artemis I launch in November 2022. I’ve supported the Space Launch System since I started working at NASA, and seeing that rocket fly was one of the best moments of my career. It was the culmination of so much hard work and sacrifice from so many people and was truly an overwhelming and amazing experience.
    Question: Who or what inspired you to pursue an education/career that led you to NASA and Marshall?
    Segovia: My parents have always been my No. 1 fans, encouragers, and supporters. They instilled in me a strong work ethic and the belief I could do anything I wanted to do if I worked hard. They made education a priority for my brothers and I and would do anything to help us succeed. I am so fortunate to have such a wonderful family. My mom always wanted me to do something in the medical field, but a biology course in college changed my mind quickly on that. I wasn’t sure what I wanted to do but had been at school for two years and needed to declare a major. I liked to write and read but didn’t know how to make a career out of that until I went to a journalism class taught by Ms. Bobbie Hurt at the University of North Alabama, and I was hooked. She became my mentor and really taught me how to be a good writer, which has been the foundation for my entire career. I ended up with a double major in journalism and public relations, and it was one of the best decisions I ever made.
    Question: What advice do you have for employees early in their NASA career or those in new leadership roles?
    Segovia: Find people to whom you can go to for advice, who have your back, and can help you accomplish your goals. I’ve had some amazing mentors, teammates, and bosses who have not only supported me but pushed me to do things I wasn’t sure I could do and helped me even when I messed up. I would not be here without them, and I think it is so important to have those people in your entire career, but especially when you are new. Ask for help when you need it. Time flies, so enjoy the season and job you are in. You will know when it is time to move on, but being present and learning from where you are will help you succeed.
    Question: What do you enjoy doing with your time while away from work?
    Segovia: I love the water – ocean, river, pool, lake – I like being outside and water activities. I love to read and travel, and also to spend time with family and friends. I have three nieces and two nephews, and I like to go to their games and activities. I have a 4-year-old terrier mix named Ted and I enjoy taking him on walks and to the park.
    Smith, a Media Fusion employee and the Marshall Star editor, supports the Marshall Office of Communications.
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    NASA has awarded a total of $1.5 million to two U.S. teams for their novel technology solutions addressing energy distribution, management, and storage as part of the agency’s Watts on the Moon Challenge. The innovations from this challenge aim to support NASA’s Artemis missions, which will establish long-term human presence on the Moon.

    This two-phase competition has challenged U.S. innovators to develop breakthrough power transmission and energy storage technologies that could enable long-duration Moon missions to advance the nation’s lunar exploration goals. The final phase of the challenge concluded with a technology showcase and winners’ announcement ceremony Sept. 20 at Great Lakes Science Center in Cleveland, Ohio, home of the visitor center for NASA’s Glenn Research Center.
    “Congratulations to the finalist teams for developing impactful power solutions in support of NASA’s goal to sustain human presence on the Moon,” said Kim Krome-Sieja, acting program manager for Centennial Challenges at NASA’s Marshall Space Flight Center. “These technologies seek to improve our ability to explore and make discoveries in space and could have implications for improving power systems on Earth.”

    The winning teams are:

    First prize ($1 million): H.E.L.P.S. (High Efficiency Long-Range Power Solution) of Santa Barbara, California
    Second prize ($500,000): Orbital Mining Corporation of Golden, Colorado

    Four teams were invited to refine their hardware and deliver full system prototypes in the final stage of the competition, and three finalist teams completed their technology solutions for demonstration and assessment at Glenn. The technologies were the first power transmission and energy storage prototypes to be tested by NASA in a vacuum chamber mimicking the freezing temperature and absence of pressure found at the permanently shadowed regions of the Lunar South Pole. The simulation required the teams’ power systems to demonstrate operability over six hours of solar daylight and 18 hours of darkness with the user three kilometers (nearly two miles) away from the power source.
    During this competition stage, judges scored the finalists’ solutions based on a Total Effective System Mass (TESM) calculation, which measures the effectiveness of the system relative to its size and weight – or mass – and the total energy provided by the power source. The highest-performing solution was identified based on having the lowest TESM value – imitating the challenges that space missions face when attempting to reduce mass while meeting the mission’s electrical power needs.

    Team H.E.L.P.S. (High Efficiency Long-Range Power Solution) from University of California, Santa Barbara, won the grand prize for their hardware solution, which had the lowest mass and highest efficiency of all competitors. The technology also featured a special cable operating at 800 volts and an innovative use of energy storage batteries on both ends of the transmission system. They also employed a variable radiation shield to switch between conserving heat during cold periods and disposing of excess heat during high power modes. The final 48-hour test proved their system design effectively met the power transmission, energy storage, and thermal challenges in the final phase of competition.
    Orbital Mining Corporation, a space technology startup, received the second prize for its hardware solution that also successfully completed the 48-hour test with high performance. They employed a high-voltage converter system coupled with a low-mass cable and a lithium-ion battery.
    “The energy solutions developed by the challenge teams are poised to address NASA’s space technology priorities,” said Amy Kaminski, program executive for Prizes, Challenges, and Crowdsourcing in NASA’s Space Technology Mission Directorate at NASA Headquarters. “These solutions support NASA’s recently ranked civil space shortfalls, including in the top category of surviving and operating through the lunar night.”

    [embedded content]
    Watch the finale of NASA’s Watts on the Moon challenge, a $5 million, two-phase competition designed to develop breakthrough power transmission and energy storage technologies.

    During the technology showcase and winners’ announcement ceremony, NASA experts, media, and members of the public gathered to see the finalist teams’ technologies and hear perspectives from the teams’ participation in the challenge. After the winners were announced, event attendees were also welcome to meet NASA astronaut Stephen Bowen.
    The Watts on the Moon Challenge is a NASA Centennial Challenge led by Glenn. Marshall manages Centennial Challenges, which are part of the agency’s Prizes, Challenges, and Crowdsourcing program in the Space Technology Mission Directorate. NASA contracted HeroX to support the administration of this challenge.
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    Manufacturing equipment that will be used to build components for NASA’s SLS (Space Launch System) rocket for future Artemis missions is being installed at the agency’s Michoud Assembly Facility.
    The novel tooling will be used to produce the SLS rocket’s advanced exploration upper stage, or EUS, in the factory’s new manufacturing area. The EUS will serve as the upper, or in-space, stage for all Block 1B and Block 2 SLS flights in both crew and cargo configurations.

    In tandem, NASA and Boeing, the SLS lead contractor for the core stage and exploration upper stage, are producing structural test articles and flight hardware structures for the upper stage at Michoud and the agency’s Marshall Space Flight Center. Early manufacturing is already underway at Michoud while preparations for an engine-firing test series for the upper stage are in progress at nearby Stennis Space Center.
    “The newly modified manufacturing space for the exploration upper stage signifies the start of production for the next evolution of SLS Moon rockets at Michoud,” said Hansel Gill, director at Michoud. “With Orion spacecraft manufacturing and SLS core stage assembly in flow at Michoud for the past several years, standing up a new production line and enhanced capability at Michoud for EUS is a significant achievement and a reason for anticipation and enthusiasm for Michoud and the SLS Program.”

    The advanced upper stage for SLS is planned to make its first flight with Artemis IV and replaces the single-engine Interim Cryogenic Propulsion Stage (ICPS) that serves as the in-space stage on the initial SLS Block 1 configuration of the rocket. With its larger liquid hydrogen and liquid oxygen propellant tanks feeding four L3 Harris Technologies- built RL10C-3 engines, the EUS generates nearly four times the thrust of the ICPS, providing unrivaled lift capability to the SLS Block 1B and Block 2 rockets and making a new generation of crewed lunar missions possible.
    This upgraded and more powerful rocket will increase the SLS rocket’s payload to the Moon by 40%, from 27 metric tons (59,525 lbs.) with Block 1 to 38 metric tons (83,776 lbs.) in the crew configuration. Launching crewed missions along with other large payloads enables multiple large-scale objectives to be accomplished in a single mission.

    Through the Artemis campaign, NASA will land the first woman, first person of color, and its first international partner astronaut on the Moon. The rocket is part of NASA’s deep space exploration plans, along with the Orion spacecraft, supporting ground systems, advanced spacesuits and rovers, Gateway in orbit around the Moon, and commercial human landing systems. NASA’s SLS is the only rocket that can send Orion, astronauts, and supplies to the Moon in a single launch.
    NASA’s Marshall Space Flight Center manages the SLS Program and Michoud.
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    Chris Pereira can personally attest to the immense gravitational attraction of black holes. He’s been in love with space ever since he saw a video on the topic in a high school science class.
    But it wasn’t just any science class. It was one specially designed for English learners.

    “I was born and raised in Guatemala,” Pereira said. “I came here at 14 unable to speak any English.”
    Pereira did not know how to navigate the U.S. educational system either, but after that class, he was certain he wanted a career in space.
    Thus began a journey that ultimately landed him at L3Harris Technologies, where he works in the Aerojet Rocketdyne segment as an engineer and operations integrator on the RS-25 engine – used to power the core stage of NASA’s SLS (Space Launch System) rocket that will launch astronauts to the Moon under NASA’s Artemis campaign.
    Pereira’s first step was to stay after class and ask to borrow a copy of the video on black holes. His teacher not only obliged but took him across the street to the local library to get his first library card.
    Pereira quickly recognized that the pathway to his desired career in space was through higher education. It was equally clear, however, that he was not yet on that pathway. English as a Second Language classes, including that science class, did not count toward college admissions. His guidance counselor, meanwhile, was nudging him toward the trades.
    But with the help of teachers and a new guidance counselor, he got himself on the college-bound track.
    “I came to understand there were multiple career pathways to explore my interest in space,” Pereira said. “One was engineering.”
    There was a lot of catching up to do, so Pereira took eight classes per day, including honors courses. He also worked every day after school cleaning a gymnasium from 6 to 11 p.m. to help his family make ends meet.
    Pereira earned his mechanical engineering degree at California State University at Los Angeles while also working as a senior educator at the California Science Center to cover the cost of his college tuition and living expenses.
    Pereira’s first career experience was as an intern in manufacturing engineering at Aerojet Rocketdyne. “I learned that making 100% mission-success engines requires a strong culture of attention to detail, teamwork and solid work ethics.” Pereira said. His first full-fledged engineering job was with Honeywell Aerospace working on aircraft programs.
    Eventually, space came calling – literally. “My mentor at Aerojet Rocketdyne called me up and said, ‘Chris, I have a job for you,’” Pereira said.
    He began his new job working on rocket engine programs including the AR1 and RS-68 but shifted to the RS-25 after NASA awarded Aerojet Rocketdyne a contract for newly manufactured versions of the engine. Initial versions of the SLS are using refurbished engines from the Space Shuttle Program. Evolved versions of the RS-25 recently concluded a critical test series and will debut with the fifth Artemis flight.
    As RS-25’s operations integrator, Pereira is responsible for ensuring that the many pieces of the program – from tracking on-time procurement of supplies and labor loads to coordinating priorities on various in-demand machine centers – come together to deliver a quality product.
    Playing a key role in the nation’s effort to return astronauts to the Moon feels a bit like coming home again, Pereira said. “You develop your first love, work really hard, take different pathways and encounter new passions,” he said. “It’s almost funny how the world and life work out – it’s like I’ve taken a big circle back to my first love.”
    NASA is working to land the first woman, first person of color, and its first international partner astronaut on the Moon under Artemis. SLS is part of NASA’s backbone for deep space exploration, along with the Orion spacecraft, supporting ground systems, advanced spacesuits and rovers, the Gateway in orbit around the Moon, and commercial human landing systems. SLS is the only rocket that can send Orion, astronauts, and supplies to the Moon in a single launch.
    NASA’s Marshall Space Flight Center manages the SLS Program.
    Read other I Am Artemis features.
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    Renee Weber, chief scientist at NASA’s Marshall Space Flight Center, talks during the “Legacy of the Invisible” event in downtown Huntsville on Sept. 20. About 300 people attended the event, which coincided with the 25th anniversary of the launch of the Chandra X-ray Observatory. The celebration featured “No Straight Lines,” a new mural at the corner of Clinton Avenue and Washington Street by local artist Float. The mural honors Huntsville’s rich scientific legacy in astrophysics and highlights the groundbreaking discoveries made possible by Marshall scientists and engineers. Other speakers included Collen Wilson-Hodge, principal investigator of the Fermi Gamma-ray Space Telescope. The event also offered members of the community the opportunity to meet the scientists who worked on some of NASA’s most revolutionary astrophysics missions. Featured exhibits from Marshall included the Apollo Telescope mount, the main science instrument on Skylab; the High Energy Astrophysics Program (HEAO); the BATSE instrument on the Compton Gamma-ray Observatory; Chandra X-ray Observatory; Fermi; IXPE (Imaging X-ray Polarimetry Explorer); and Marshall’s X-Ray and Cryogenic Facility. “I had a really nice time at the event,” Weber said. “It’s always great to see such interest and enthusiasm in our science work from the public.” Wilson-Hodge said the mural is an artistic depiction of the historic event detected with the Fermi Gamma-ray Burst Monitor and the Laser Interferometer Gravitational-wave Observatory on Aug. 17, 2017. “On that day, for the first time ever, we observed both a gamma-ray burst and gravitational waves from two very dense neutron stars merging to form a black hole,” she said. (NASA/Serena Whitfield)

    From left to right, scientists and astrophysicists from Marshall, Cori Fletcher, Michelle Hui, Steven Ehlert, Weber, Colleen Wilson-Hodge, Lisa Gibby, and the artist Float pose for a photo in front of the “No Straight Lines” mural at the corner of Clinton Avenue and Washington Street in Huntsville. (NASA/Serena Whitfield)
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    Astronomers using NASA’s Chandra X-ray Observatory have found a galaxy cluster has two streams of superheated gas crossing one another. This result shows that crossing the streams may lead to the creation of new structure.

    Researchers have discovered an enormous, comet-like tail of hot gas – spanning over 1.6 million light-years long – trailing behind a galaxy within the galaxy cluster called Zwicky 8338 (Z8338 for short). This tail, spawned as the galaxy had some of its gas stripped off by the hot gas it is hurtling through, has split into two streams.
    This is the second pair of tails trailing behind a galaxy in this system. Previously, astronomers discovered a shorter pair of tails from a different galaxy near this latest one. This newer and longer set of tails was only seen because of a deeper observation with Chandra that revealed the fainter X-rays.
    Astronomers now have evidence that these streams trailing behind the speeding galaxies have crossed one another. Z8338 is a chaotic landscape of galaxies, superheated gas, and shock waves (akin to sonic booms created by supersonic jets) in one relatively small region of space. These galaxies are in motion because they were part of two galaxy clusters that collided with each other to create Z8338.
    This new composite image shows this spectacle. X-rays from Chandra (represented in purple) outline the multimillion-degree gas that outweighs all of the galaxies in the cluster. The Chandra data also shows where this gas has been jettisoned behind the moving galaxies. Meanwhile an optical image from the Dark Energy Survey from the Cerro Tololo Inter-American Observatory in Chile shows the individual galaxies peppered throughout the same field of view.
    The original gas tail discovered in Z8338 is about 800,000 light-years long and is seen as vertical in this image. The researchers think the gas in this tail is being stripped away from a large galaxy as it travels through the galaxy cluster. The head of the tail is a cloud of relatively cool gas about 100,000 light-years away from the galaxy it was stripped from. This tail is also separated into two parts.

    The team proposes that the detachment of the tail from the large galaxy may have been caused by the passage of the other, longer tail. Under this scenario, the tail detached from the galaxy because of the crossing of the streams.
    The results give useful information about the detachment and destruction of clouds of cooler gas like those seen in the head of the detached tail. This work shows that the cloud can survive for at least 30 million years after it is detached. During that time, a new generation of stars and planets may form within it.
    The Z8338 galaxy cluster and its jumble of galactic streams are located about 670 million light-years from Earth. A paper describing these results appeared in the Aug. 8, 2023, issue of the Monthly Notices of the Royal Astronomical Society and is available here.
    NASA’s Marshall Space Flight Center manages the Chandra program. The Smithsonian Astrophysical Observatory’s Chandra X-ray Center controls science operations from Cambridge, Massachusetts, and flight operations from Burlington, Massachusetts.
    Read more from NASA’s Chandra X-ray Observatory.
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    What does it take to build a massive spacecraft that will seek to determine if a mysterious moon has the right ingredients for life? Find out in a new video series called “Behind the Spacecraft,” which offers behind-the-scenes glimpses into the roles of five engineers working on NASA’s Europa Clipper mission, from building the spacecraft’s communications systems to putting it through rigorous tests so the orbiter can meet its science goals in space.

    [embedded content]

    With its launch period opening Oct. 10, Europa Clipper is the agency’s first mission dedicated to exploring an ocean world beyond Earth. The spacecraft will travel 1.8 billion miles to the Jupiter system, where it will investigate the gas giant’s moon Europa, which scientists believe contains a global saltwater ocean beneath its icy shell.
    The videos are being released here weekly. The first two are already out.
    Meet the team:

    Dipak Srinivasan, lead communications systems engineer at the Johns Hopkins Applied Physics Laboratory, makes sure the Europa Clipper team can communicate with the spacecraft. Learn more about his work in the video above.
    Sarah Elizabeth McCandless, navigation engineer at NASA’s Jet Propulsion Laboratory, helped plan Europa Clipper’s trajectory, ensuring the spacecraft arrives at Jupiter safely and has a path to fly by Europa dozens of times. Learn more about Sarah’s work here.
    Jenny Kampmeier, a science systems engineer at JPL, acts as an interface between mission scientists and engineers.
    Andres Rivera, a systems engineer at JPL and first-generation American, works on Europa Clipper’s cruise phase — the journey from Earth to Jupiter.
    Valeria Salazar, an integration and test engineer at JPL who spent her childhood in Mexico, helped test the Europa Clipper spacecraft to ensure its launch readiness.

    Europa Clipper experts will answer questions about the mission in a NASA Science Live show airing in English on Oct. 1, and in Spanish on Oct. 3. The broadcasts will appear on NASA+, YouTube, Facebook, and X. The Spanish broadcast will be streamed on the NASA en Español YouTube channel. Viewers can submit questions on social media using the hashtag #askNASA or by leaving a comment in the chat section of the Facebook or YouTube stream.
    Europa Clipper is the largest spacecraft NASA has ever developed for a planetary mission and will fly through the most punishing radiation environment of any planet in the solar system. The spacecraft will orbit Jupiter and, during multiple flybys of Europa, will collect a wealth of scientific data with nine science instruments and an experiment that uses its telecommunications system to gather gravity data.
    Managed by Caltech in Pasadena, California, JPL leads the development of the Europa Clipper mission in partnership with the Johns Hopkins Applied Physics Laboratory (APL) in Laurel, Maryland, for NASA’s Science Mission Directorate. The main spacecraft body was designed by APL in collaboration with JPL and NASA’s Goddard Space Flight Center. The Planetary Missions Program Office at NASA’s Marshall Space Flight Center executes program management of the Europa Clipper mission. NASA’s Launch Services Program, based at Kennedy, manages the launch service for the Europa Clipper spacecraft.
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  • MIL-Evening Report: Netflix’s Monsters is ‘murder porn’ at its worst. It comes at a cost to real victims – and the truth

    Source: The Conversation (Au and NZ) – By Xanthe Mallett, Forensic Criminologist, University of Newcastle

    Netflix

    Are we products of nature or nurture?

    That’s the age-old question at the heart of Ryan Murphy and Ian Brennan’s new Netflix release, Monsters: The Lyle and Erik Menéndez Story. The show focuses on the 1989 murders of José and Kitty Menéndez by their sons Erik and Lyle.

    The prosecution convinced a jury the two brothers were cold-blooded killers, driven by the desire to access their parents’ wealth. The brothers, meanwhile, claim to be victims of physical, emotional and sexual abuse at the hands of their parents – and say the killings were therefore self-defence.

    What’s the truth? Perhaps both.

    Javier Bardem and Chloë Sevigny play the roles of the parents, José and Kitty.
    Netflix

    Creating the image of a ‘monster’

    The case details are well known. In fact, I have taught this case to my own criminology students as an example of the victim-offender overlap, as clearly these brothers existed in a very dysfunctional family.

    On August 20 1989, brothers Lyle (then 21) and Erik (then 18) shot and killed their parents in their Beverly Hills mansion. They faced two trials. The first one in 1993 saw the brothers tried separately and ended in two hung juries and subsequent mistrials.

    In the second trial, which began in 1995, the pair were tried together. In 1996 they were found guilty of first-degree murder and conspiracy to commit murder, and sentenced to life in prison without the possibility of parole.

    Interestingly, the prosecution raised new objections to the admission of a large amount of defence evidence in the second trial, so the judge consequently excluded much of the evidence of abuse.

    This essentially dismantled the brothers’ entire defence, which was predicated on the fact they killed their parents out of fear, after they threatened to expose their father for serious and protracted physical, sexual and emotional abuse.

    In their second trial, Erik and Lyle were found guilty of murdering their parents and sentenced to life without parole.
    Netflix

    The Netflix series has created significant controversy. It documents a version of events leading up to the murders, including detailed histories of both Lyle’s and Erik’s sexual abuse, as well as the crimes themselves and subsequent trials.

    In the series, the brothers are portrayed in a homoerotic and incestuous way. For context, back in 1995 Lyle testified that he sexually offended against Erik, but this was against the background of the alleged sexual abuse from their father.

    Monsters, on the other hand, shows the brothers having an incestuous relationship as adults. The brothers deny this and there’s little evidence to support it.

    While the pair is sometimes painted in a sympathetic light, at other times the viewer is led to question whether greed was their true motive.

    Erik Menéndez has slammed the series, saying it walks back on decades of understanding of the devastating impacts sexual abuse has on male victims.

    I have to agree.

    The brothers didn’t just kill their parents and call it a day. These murders were incredibly brutal. As a criminologist, it looked to me like they were trying to obliterate their parents.

    José was shot in the back of the head, execution-style, while Kitty was shot a total of ten times, including one shot directly to her face. Such crimes are generally not motivated by money; they tend to be driven by something much deeper.

    After their parents’ deaths, the Menéndez brothers appeared to be spending their inheritance extravagantly – a point that later contributed to the prosecutor’s case against them.
    Netflix

    Murder porn at its worst

    This case can be seen through the ghoulish eyes of “murder porn”. The first trial, which was televised in 1993, went viral on TikTok in 2021, engaging a new generation of fans.

    Watching the footage from the 1990s, some of us will remember the legions of screaming girls who welcomed the handsome brothers to court. It was more like a scene from a boyband concert than a brutal double-murder trial.

    Whether you believe the brothers are cold-blooded and opportunistic killers, or victims of serious child abuse, will influence your take on the ongoing interest in the case and the portrayal in Monsters.

    Ari Graynor plays Leslie Abramson, the lawyer who represented Erik in both trials.
    Netflix

    Monsters isn’t the first example of Ryan Murphy and Ian Brennan cheapening real tragedies by turning them into voyeuristic and fictionalised television.

    The first instalment of the same series focused on Jeffrey Dahmer, a serial killer and sex offender who killed 17 men and boys between 1978 and 1991. Dahmer also engaged in necrophilia and cannibalism, so his brutal crimes were rich fodder for Netflix.

    Dahmer’s victims were openly critical, saying the retelling of the offender’s story diminished their loved ones’ suffering and revictimised them by opening old wounds.

    Regardless, Dahmer achieved critical acclaim with 13 nominations at the 2023 Emmy Awards, no doubt spurring the creators’ enthusiasm to further develop the franchise.

    The way forward

    The path to ethical true crime depiction lies in establishing facts and veering away from embellishing or glorifying the criminal or their crimes.

    Ideally, true crime should be victim focused and should achieve a purpose beyond entertainment. We have a lot to learn from criminal history, but these stories should be told in educational ways that respect and honour victims’ lives.

    While the real Menéndez family was dysfunctional, their portrayal in Monsters can only be considered sensational.
    Netflix

    We each have a responsibility to consume ethically produced true crime. Whether it’s TV series, films, podcasts or books, we vote for what we want through our engagement. My maxim is to choose content that reflects how I would want my story told, were I to ever become the focus of a true crime production.

    If you’re curious to hear more about the Menéndez brothers’ story, a new Netflix documentary called The Menéndez Brothers is set for release on October 7. Both Erik and Lyle have contributed to it through phone interviews conducted from prison – and they say there’s much that hasn’t been told.

    Xanthe Mallett does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

    ref. Netflix’s Monsters is ‘murder porn’ at its worst. It comes at a cost to real victims – and the truth – https://theconversation.com/netflixs-monsters-is-murder-porn-at-its-worst-it-comes-at-a-cost-to-real-victims-and-the-truth-239596

    MIL OSI AnalysisEveningReport.nz

  • MIL-OSI Video: 🇧🇦 Bosnia and Herzegovina – Chairman of Presidency Addresses UN General Debate, 79th Session | #UNGA

    Source: United Nations (Video News)

    Denis Bećirović, Chairman of the Presidency of Bosnia and Herzegovina, addresses the General Debate of the 79th Session of the General Assembly of the United Nations (New York, 24 – 30 September 2024).

    World leaders gather to engage in the annual high-level General Debate under the theme, “Unity and diversity for advancing peace, sustainable development, and human dignity, everywhere and for all.” Heads of State and Government and ministers will explore solutions to intertwined global challenges to advance peace, security, and sustainable development.

    The UN General Assembly (UNGA) is the main policy-making organ of the Organization. Comprising all Member States, it provides a unique forum for multilateral discussion of the full spectrum of international issues covered by the Charter of the United Nations. Each of the 193 Member States of the United Nations has an equal vote.

    General debate website: https://gadebate.un.org/

    —————————————-

    مشاهدة هذا الفيديو باللغة العربية على موقع البث الشبكي للأمم المتحدة
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    Screenshot credit: UN Photo/Loey Felipe

    #UNGA #UnitedNations

    https://www.youtube.com/watch?v=5RaB9LSFO-4

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  • MIL-OSI Video: 🇨🇻 Cabo Verde – President Addresses United Nations General Debate, 79th Session | #UNGA

    Source: United Nations (Video News)

    José Maria Pereira Neves, President of the Republic of Cabo Verde, addresses the General Debate of the 79th Session of the General Assembly of the United Nations (New York, 24 – 30 September 2024).

    World leaders gather to engage in the annual high-level General Debate under the theme, “Unity and diversity for advancing peace, sustainable development, and human dignity, everywhere and for all.” Heads of State and Government and ministers will explore solutions to intertwined global challenges to advance peace, security, and sustainable development.

    The UN General Assembly (UNGA) is the main policy-making organ of the Organization. Comprising all Member States, it provides a unique forum for multilateral discussion of the full spectrum of international issues covered by the Charter of the United Nations. Each of the 193 Member States of the United Nations has an equal vote.

    General debate website: https://gadebate.un.org/

    —————————————-

    مشاهدة هذا الفيديو باللغة العربية على موقع البث الشبكي للأمم المتحدة
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    https://www.youtube.com/watch?v=sTokeUDu92I

    MIL OSI Video

  • MIL-OSI Video: 🇫🇷 France – President Addresses United Nations General Debate, 79th Session | #UNGA

    Source: United Nations (Video News)

    Emmanuel Macron, President of the French Republic, addresses the General Debate of the 79th Session of the General Assembly of the United Nations (New York, 24 – 30 September 2024).

    World leaders gather to engage in the annual high-level General Debate under the theme, “Unity and diversity for advancing peace, sustainable development, and human dignity, everywhere and for all.” Heads of State and Government and ministers will explore solutions to intertwined global challenges to advance peace, security, and sustainable development.

    The UN General Assembly (UNGA) is the main policy-making organ of the Organization. Comprising all Member States, it provides a unique forum for multilateral discussion of the full spectrum of international issues covered by the Charter of the United Nations. Each of the 193 Member States of the United Nations has an equal vote.

    General debate website: https://gadebate.un.org/

    —————————————-

    مشاهدة هذا الفيديو باللغة العربية على موقع البث الشبكي للأمم المتحدة
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    Screenshot credit: UN Photo/Laura Jarriel

    #UNGA #UnitedNations

    https://www.youtube.com/watch?v=C7Yc8PaRBPA

    MIL OSI Video

  • MIL-OSI Video: 🇱🇷 Liberia – President Addresses United Nations General Debate, 79th Session | #UNGA

    Source: United Nations (Video News)

    Joseph Nyuma Boakai, President of the Republic of Liberia, addresses the General Debate of the 79th Session of the General Assembly of the United Nations (New York, 24 – 30 September 2024).

    World leaders gather to engage in the annual high-level General Debate under the theme, “Unity and diversity for advancing peace, sustainable development, and human dignity, everywhere and for all.” Heads of State and Government and ministers will explore solutions to intertwined global challenges to advance peace, security, and sustainable development.

    The UN General Assembly (UNGA) is the main policy-making organ of the Organization. Comprising all Member States, it provides a unique forum for multilateral discussion of the full spectrum of international issues covered by the Charter of the United Nations. Each of the 193 Member States of the United Nations has an equal vote.

    General debate website: https://gadebate.un.org/

    —————————————-

    مشاهدة هذا الفيديو باللغة العربية على موقع البث الشبكي للأمم المتحدة
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    Screenshot credit: UN Photo/Laura Jarriel

    #UNGA #UnitedNations

    https://www.youtube.com/watch?v=6gG06GtC2DE

    MIL OSI Video

  • MIL-OSI Video: 🇧🇼 Botswana – President Addresses United Nations General Debate, 79th Session | #UNGA

    Source: United Nations (Video News)

    Mokgweetsi Eric Keabetswe Masisi, President of the Republic of Botswana, addresses the General Debate of the 79th Session of the General Assembly of the United Nations (New York, 24 – 30 September 2024).

    World leaders gather to engage in the annual high-level General Debate under the theme, “Unity and diversity for advancing peace, sustainable development, and human dignity, everywhere and for all.” Heads of State and Government and ministers will explore solutions to intertwined global challenges to advance peace, security, and sustainable development.

    The UN General Assembly (UNGA) is the main policy-making organ of the Organization. Comprising all Member States, it provides a unique forum for multilateral discussion of the full spectrum of international issues covered by the Charter of the United Nations. Each of the 193 Member States of the United Nations has an equal vote.

    General debate website: https://gadebate.un.org/

    —————————————-

    مشاهدة هذا الفيديو باللغة العربية على موقع البث الشبكي للأمم المتحدة
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    #UNGA #UnitedNations

    https://www.youtube.com/watch?v=O0UWm9yTawA

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  • MIL-OSI Video: 🇨🇩 Democratic Republic of the Congo – President Addresses UN General Debate, 79th Session | #UNGA

    Source: United Nations (Video News)

    Félix-Antoine Tshisekedi Tshilombo, President of the Democratic Republic of the Congo, addresses the General Debate of the 79th Session of the General Assembly of the United Nations (New York, 24 – 30 September 2024).

    World leaders gather to engage in the annual high-level General Debate under the theme, “Unity and diversity for advancing peace, sustainable development, and human dignity, everywhere and for all.” Heads of State and Government and ministers will explore solutions to intertwined global challenges to advance peace, security, and sustainable development.

    The UN General Assembly (UNGA) is the main policy-making organ of the Organization. Comprising all Member States, it provides a unique forum for multilateral discussion of the full spectrum of international issues covered by the Charter of the United Nations. Each of the 193 Member States of the United Nations has an equal vote.

    General debate website: https://gadebate.un.org/

    —————————————-

    مشاهدة هذا الفيديو باللغة العربية على موقع البث الشبكي للأمم المتحدة
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    https://webtv.un.org/en/asset/k1r/k1rv7sxaq7

    Screenshot credit: UN Photo/Loey Felipe

    #UNGA #UnitedNations

    https://www.youtube.com/watch?v=fh9XouWEAKI

    MIL OSI Video

  • MIL-OSI Video: 🇭🇳 Honduras – President Addresses United Nations General Debate, 79th Session | #UNGA

    Source: United Nations (Video News)

    Iris Xiomara Castro Sarmiento, President of the Republic of Honduras, addresses the General Debate of the 79th Session of the General Assembly of the United Nations (New York, 24 – 30 September 2024).

    World leaders gather to engage in the annual high-level General Debate under the theme, “Unity and diversity for advancing peace, sustainable development, and human dignity, everywhere and for all.” Heads of State and Government and ministers will explore solutions to intertwined global challenges to advance peace, security, and sustainable development.

    The UN General Assembly (UNGA) is the main policy-making organ of the Organization. Comprising all Member States, it provides a unique forum for multilateral discussion of the full spectrum of international issues covered by the Charter of the United Nations. Each of the 193 Member States of the United Nations has an equal vote.

    General debate website: https://gadebate.un.org/

    —————————————-

    مشاهدة هذا الفيديو باللغة العربية على موقع البث الشبكي للأمم المتحدة
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    https://webtv.un.org/en/asset/k13/k133vvdn94

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    #UNGA #UnitedNations

    https://www.youtube.com/watch?v=KE2ETXD7vps

    MIL OSI Video

  • MIL-OSI Video: 🇬🇼 Guinea-Bissau – President Addresses United Nations General Debate, 79th Session | #UNGA

    Source: United Nations (Video News)

    Úmaro Sissoco Embaló, President of the Republic of Guinea-Bissau, addresses the General Debate of the 79th Session of the General Assembly of the United Nations (New York, 24 – 30 September 2024).

    World leaders gather to engage in the annual high-level General Debate under the theme, “Unity and diversity for advancing peace, sustainable development, and human dignity, everywhere and for all.” Heads of State and Government and ministers will explore solutions to intertwined global challenges to advance peace, security, and sustainable development.

    The UN General Assembly (UNGA) is the main policy-making organ of the Organization. Comprising all Member States, it provides a unique forum for multilateral discussion of the full spectrum of international issues covered by the Charter of the United Nations. Each of the 193 Member States of the United Nations has an equal vote.

    General debate website: https://gadebate.un.org/

    —————————————-

    مشاهدة هذا الفيديو باللغة العربية على موقع البث الشبكي للأمم المتحدة
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    #UNGA #UnitedNations

    https://www.youtube.com/watch?v=f1HQshlGsLc

    MIL OSI Video

  • MIL-OSI Video: 🇷🇴 Romania – President Addresses United Nations General Debate, 79th Session | #UNGA

    Source: United Nations (Video News)

    Klaus Werner Iohannis, President of Romania, addresses the General Debate of the 79th Session of the General Assembly of the UN (New York, 24-30 September 2024).

    World leaders gather to engage in the annual high-level General Debate under the theme, “Unity and diversity for advancing peace, sustainable development, and human dignity, everywhere and for all.” Heads of State and Government and ministers will explore solutions to intertwined global challenges to advance peace, security, and sustainable development.

    The UN General Assembly (UNGA) is the main policy-making organ of the Organization. Comprising all Member States, it provides a unique forum for multilateral discussion of the full spectrum of international issues covered by the Charter of the United Nations. Each of the 193 Member States of the United Nations has an equal vote.

    General debate website: https://gadebate.un.org/

    —————————————-

    مشاهدة هذا الفيديو باللغة العربية على موقع البث الشبكي للأمم المتحدة
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    #UNGA #UnitedNations

    https://www.youtube.com/watch?v=TNKANuQcPFU

    MIL OSI Video

  • MIL-OSI Video: 🇳🇦 Namibia – President Addresses United Nations General Debate, 79th Session | #UNGA

    Source: United Nations (Video News)

    Nangolo Mbumba, President of the Republic of Namibia, addresses the General Debate of the 79th Session of the General Assembly of the UN (New York, 24 -28 and 30 of September 2024).

    World leaders gather to engage in the annual high-level General Debate under the theme, “Unity and diversity for advancing peace, sustainable development, and human dignity, everywhere and for all.” Heads of State and Government and ministers will explore solutions to intertwined global challenges to advance peace, security, and sustainable development.

    The UN General Assembly (UNGA) is the main policy-making organ of the Organization. Comprising all Member States, it provides a unique forum for multilateral discussion of the full spectrum of international issues covered by the Charter of the United Nations. Each of the 193 Member States of the United Nations has an equal vote.

    General debate website: https://gadebate.un.org/

    —————————————-

    مشاهدة هذا الفيديو باللغة العربية على موقع البث الشبكي للأمم المتحدة
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    #UNGA #UnitedNations

    https://www.youtube.com/watch?v=XEVtYmTpe3Y

    MIL OSI Video

  • MIL-OSI Video: 🇩🇴 Dominican Republic – President Addresses United Nations General Debate, 79th Session | #UNGA

    Source: United Nations (Video News)

    Luis Rodolfo Abinader Corona, President of the Dominican Republic, addresses the General Debate of the 79th Session of the General Assembly of the United Nations (New York, 24 – 30 September 2024).

    World leaders gather to engage in the annual high-level General Debate under the theme, “Unity and diversity for advancing peace, sustainable development, and human dignity, everywhere and for all.” Heads of State and Government and ministers will explore solutions to intertwined global challenges to advance peace, security, and sustainable development.

    The UN General Assembly (UNGA) is the main policy-making organ of the Organization. Comprising all Member States, it provides a unique forum for multilateral discussion of the full spectrum of international issues covered by the Charter of the United Nations. Each of the 193 Member States of the United Nations has an equal vote.

    General debate website: https://gadebate.un.org/

    —————————————-

    مشاهدة هذا الفيديو باللغة العربية على موقع البث الشبكي للأمم المتحدة
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    #UNGA #UnitedNations

    https://www.youtube.com/watch?v=M-4vMF4B6Jo

    MIL OSI Video

  • MIL-OSI Video: 🇸🇰 Slovakia – President Addresses United Nations General Debate, 79th Session | #UNGA

    Source: United Nations (Video News)

    Peter Pellegrini, President of the Slovak Republic, addresses the General Debate of the 79th Session of the General Assembly of the United Nations (New York, 24 – 30 September 2024).

    World leaders gather to engage in the annual high-level General Debate under the theme, “Unity and diversity for advancing peace, sustainable development, and human dignity, everywhere and for all.” Heads of State and Government and ministers will explore solutions to intertwined global challenges to advance peace, security, and sustainable development.

    The UN General Assembly (UNGA) is the main policy-making organ of the Organization. Comprising all Member States, it provides a unique forum for multilateral discussion of the full spectrum of international issues covered by the Charter of the United Nations. Each of the 193 Member States of the United Nations has an equal vote.

    General debate website: https://gadebate.un.org/

    —————————————-

    مشاهدة هذا الفيديو باللغة العربية على موقع البث الشبكي للأمم المتحدة
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    #UNGA #UnitedNations

    https://www.youtube.com/watch?v=hXO1vma10ms

    MIL OSI Video

  • MIL-OSI Video: 🇱🇾 Libya – President of the Presidential Council Addresses UN General Debate, 79th Session

    Source: United Nations (Video News)

    Mohamed Younis A Menfi, President of the Presidential Council of the State of Libya, addresses the General Debate of the 79th Session of the General Assembly of the United Nations (New York, 24 – 30 September 2024).

    World leaders gather to engage in the annual high-level General Debate under the theme, “Unity and diversity for advancing peace, sustainable development, and human dignity, everywhere and for all.” Heads of State and Government and ministers will explore solutions to intertwined global challenges to advance peace, security, and sustainable development.

    The UN General Assembly (UNGA) is the main policy-making organ of the Organization. Comprising all Member States, it provides a unique forum for multilateral discussion of the full spectrum of international issues covered by the Charter of the United Nations. Each of the 193 Member States of the United Nations has an equal vote.

    General debate website: https://gadebate.un.org/

    —————————————-

    مشاهدة هذا الفيديو باللغة العربية على موقع البث الشبكي للأمم المتحدة
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    https://webtv.un.org/en/asset/k1x/k1x9xouhhh

    Screenshot credit: UN Photo/Loey Felipe

    #UNGA #UnitedNations

    https://www.youtube.com/watch?v=pfE58wfRLgg

    MIL OSI Video

  • MIL-OSI Video: 🇨🇾 Cyprus – President Addresses United Nations General Debate, 79th Session | #UNGA

    Source: United Nations (Video News)

    Nikos Christodoulides, President of the Republic of Cyprus, addresses the General Debate of the 79th Session of the General Assembly of the United Nations (New York, 24 – 30 September 2024).

    World leaders gather to engage in the annual high-level General Debate under the theme, “Unity and diversity for advancing peace, sustainable development, and human dignity, everywhere and for all.” Heads of State and Government and ministers will explore solutions to intertwined global challenges to advance peace, security, and sustainable development.

    The UN General Assembly (UNGA) is the main policy-making organ of the Organization. Comprising all Member States, it provides a unique forum for multilateral discussion of the full spectrum of international issues covered by the Charter of the United Nations. Each of the 193 Member States of the United Nations has an equal vote.

    General debate website: https://gadebate.un.org/

    —————————————-

    مشاهدة هذا الفيديو باللغة العربية على موقع البث الشبكي للأمم المتحدة
    请在联合国网络电视(UN Web TV)观看中文版视频
    Regardez cette vidéo en français sur UN Web TV
    Vean este video en español en UN Web TV
    Смотрите это видео на русском на UN Web TV
    https://webtv.un.org/en/asset/k1e/k1ed474g8p

    Screenshot credit: UN Photo/Loey Felipe

    #UNGA #UnitedNations

    https://www.youtube.com/watch?v=NcFrhual5UE

    MIL OSI Video

  • MIL-OSI Video: 🇬🇭 Ghana – President Addresses United Nations General Debate, 79th Session | #UNGA

    Source: United Nations (Video News)

    Nana Addo Dankwa Akufo-Addo, President of the Republic of Ghana, addresses the General Debate of the 79th Session of the General Assembly of the United Nations (New York, 24 – 30 September 2024).

    World leaders gather to engage in the annual high-level General Debate under the theme, “Unity and diversity for advancing peace, sustainable development, and human dignity, everywhere and for all.” Heads of State and Government and ministers will explore solutions to intertwined global challenges to advance peace, security, and sustainable development.

    The UN General Assembly (UNGA) is the main policy-making organ of the Organization. Comprising all Member States, it provides a unique forum for multilateral discussion of the full spectrum of international issues covered by the Charter of the United Nations. Each of the 193 Member States of the United Nations has an equal vote.

    General debate website: https://gadebate.un.org/

    —————————————-

    مشاهدة هذا الفيديو باللغة العربية على موقع البث الشبكي للأمم المتحدة
    请在联合国网络电视(UN Web TV)观看中文版视频
    Regardez cette vidéo en français sur UN Web TV
    Vean este video en español en UN Web TV
    Смотрите это видео на русском на UN Web TV
    https://webtv.un.org/en/asset/k1t/k1tu19b3ug

    Screenshot credit: UN Photo/Loey Felipe

    #UNGA #UnitedNations

    https://www.youtube.com/watch?v=tibjjYiE8RQ

    MIL OSI Video

  • MIL-OSI Video: 🇸🇷 Suriname – President Addresses United Nations General Debate, 79th Session | #UNGA

    Source: United Nations (Video News)

    Chandrikapersad Santokhi, President of the Republic of Suriname, addresses the General Debate of the 79th Session of the General Assembly of the United Nations (New York, 24 – 30 September 2024).

    World leaders gather to engage in the annual high-level General Debate under the theme, “Unity and diversity for advancing peace, sustainable development, and human dignity, everywhere and for all.” Heads of State and Government and ministers will explore solutions to intertwined global challenges to advance peace, security, and sustainable development.

    The UN General Assembly (UNGA) is the main policy-making organ of the Organization. Comprising all Member States, it provides a unique forum for multilateral discussion of the full spectrum of international issues covered by the Charter of the United Nations. Each of the 193 Member States of the United Nations has an equal vote.

    General debate website: https://gadebate.un.org/

    —————————————-

    مشاهدة هذا الفيديو باللغة العربية على موقع البث الشبكي للأمم المتحدة
    请在联合国网络电视(UN Web TV)观看中文版视频
    Regardez cette vidéo en français sur UN Web TV
    Vean este video en español en UN Web TV
    Смотрите это видео на русском на UN Web TV
    https://webtv.un.org/en/asset/k15/k15gofnz1j

    Screenshot credit: UN Photo/Loey Felipe

    #UNGA #UnitedNations

    https://www.youtube.com/watch?v=6VPFF1r17Sc

    MIL OSI Video