Translation. Region: Russian Federal
Source: Moscow Government â Government of Moscow â
The Unified Register of Cultural Heritage Sites in Moscow has been expanded with 50 architectural monuments. This was reported in its telegram channel Sergei Sobyanin reported.
“We continue to work on preserving the historical memory of our city. 50 objects have been entered into the Unified Register of Cultural Heritage of Moscow. Among them are buildings that are associated with the fates of famous people and significant events,” the Mayor of Moscow wrote.
Source: Sergei Sobyanin’s Telegram channel @mos_sobyaninÂ
The register now contains 3,833 historical buildings and structures. All monuments are under state protection. Their owners and tenants are obliged to ensure the preservation of cultural heritage sites and maintain them in accordance with the approved subject of protection.
The building of the Hermitage Theatre (Karetny Ryad Street, Building 3, Building 1)
Among the 50 objects included in the register is the Hermitage Theatre building.
The history of this building in the Hermitage Garden dates back to December 16, 1894, when the famous Moscow patron and theater figure Yakov Shchukin founded the New Hermitage Theater. In 1897, Savva Mamontov’s private opera performed there. Famous performances were also staged here, one of them being Faust with Fyodor Chaliapin.
On October 14, 1898, the premiere performance of the Art and Public Theatre of Konstantin Stanislavsky and Vladimir Nemirovich-Danchenko (the future Moscow Art Theatre) took place on the stage of the New Hermitage Theatre â Tsar Fyodor Ioannovich with Ivan Moskvin in the leading role. The premiere of Anton Chekhov’s play Three Sisters also took place in this theatre.
In 1913, the Free Theatre opened here under the direction of Konstantin Mardzhanov and Alexander Sanin. In the 1920s, director Sergei Eisenstein staged the play “The Mexican”, his first theatrical production, on its stage. Then the Mossovet Theatre settled in the Hermitage.
In 1978, a young director, Mikhail Levitin, began working here and later became its permanent artistic director. Thanks to him, the theater’s repertoire changed from variety to drama, and the stage hosted performances based on the works of Daniil Kharms for the first time.
The building retained its architectural appearance, which was formed in the 1950s â then it was reconstructed according to the design of architects Mikhail Posokhin and Ashot Mdoyanets. The main façade was decorated with a double colonnade and crowned with a triangular pediment.
When included in the register of cultural heritage sites in Moscow, the decorative design of the building’s facades will be included in the subject of protection.
Apartment building of A.V. Krasnogorova â Blinovs (Starosadsky Lane, Building 10, Building 1)
Now it is a residential building, standing on the corner of Starosadsky Lane and Zabelina Street. The building was erected in two stages. In the 1880s, merchant Akulina Krasnogorova built a two-story apartment building. In 1900, its new owner, merchant Ivan Blinov, who sold candles and incense, added four floors to the building.
During World War I, the Moscow branch of the Jewish Committee for Aid to War Victims who had fled from their places of settlement in the western provinces was opened here. During the Soviet era, the apartments of the former apartment building were compacted and converted into communal housing.
In the 1920s and early 1930s, Osip Mandelstam lived in the first entrance in apartment 3 with his brother Alexander. At that time, the poet created several works, and the hero of one of the poems (âAlexander Gertsevich LivedâŠâ) was his neighbor in the communal apartment, amateur pianist Alexander Bekkerman. Mandelstam was visited here by Anna Akhmatova, Arseny Tarkovsky and Boris Klyuyev.
Mandelstam’s entrance and its ceremonial decoration with stucco, twisted staircase railings, and Mettlach tiles have survived to this day. This house is the poet’s only surviving address in Moscow. There is now a park in front of the building and a monument to Mandelstam.
When included in the register of cultural heritage sites of Moscow, the subject of protection will include the design of the building’s facades and the first entrance, the fence with a gate and the gatehouse.
Decorations of the Sofia Embankment: Which Houses Became Cultural Heritage SitesObjects of the old estate in the Yakimanka district are recognized as architectural monuments
Kokorevskoe Podvorye (Sofia Embankment, Building 34, Building 1)
This is a unique architectural complex built by order of the famous entrepreneur and philanthropist Vasily Kokorev. The courtyard became the first business center in Russia, combining a luxury hotel with restaurants, shops and warehouses.
The construction of the courtyard began in 1860 on the site between Sofiyskaya and Bolotnaya embankments, opposite the Kremlin. The project was developed by the architect Ivan Chernik, and the construction was supervised by Anton Bulgarin. The courtyard included seven buildings, including a hotel with 315 rooms, shops, warehouses, a reading room, and a restaurant.
The hotel building was equipped with the latest technology of the time: steam elevators, oven heating, telegraph and water supply. Technical innovation was combined with the expressive architecture of the hotel in the Russian style, which echoed the appearance of the Kremlin. One of the most striking details of the hotel was the openwork cast-iron gallery with a balcony on elegant pillars, stretching along the entire main facade of the building, facing the Sofiyskaya Embankment.
The Kokorevskoe Podvorye became the most modern and fashionable hotel in Moscow of its time. In the summer of 1866, a delegation from the United States Congress was accommodated here, having arrived in Russia on an official mission of sympathy regarding the assassination attempt on Emperor Alexander II. This visit was widely covered in the press and was an important stage in strengthening Russian-American relations after the end of the American Civil War.
At various times, the hotel was home to artists Ivan Kramskoy and Vasily Polenov, and writer Dmitry Mamin-Sibiryak. In 1867, Leo Tolstoy stayed here. In addition, Pyotr Tchaikovsky visited here many times during his visits to Moscow.
During the Soviet period, the building was used by various departments, and in the first half of the 20th century, several floors were added to it, which changed its historical appearance.
In 2015â2017, a large-scale restoration was carried out: the architectural decoration of the building and its main decoration, the cast-iron gallery, were restored. The work performed was highly praised: the building became a laureate of the Moscow Governmentâs âMoscow Restorationâ competition.
When included in the register of cultural heritage sites of Moscow, the subject of protection will include the architectural design of the facades at the level of the first four floors and the cast-iron gallery with a balcony.
Apartment building of Princess A.P. Golitsyna (Bolshaya Nikitskaya Street, Building 24/1)
The building is located at the intersection of Bolshaya Nikitskaya Street and Khlynovsky Tupik. Since the end of the 18th century, Bolshaya Nikitskaya Street has become a place popular with the nobility, as can be judged by the number of noble estates built on it at that time.
Manor life did not involve any business activity, but in 1836 the owner of the plot was Princess Alexandra Golitsyna, who was one of the first nobles to decide to use her land to generate income. In 1839, a four-story apartment building with retail space on the ground floor was built specifically for this purpose according to the design of the architect Mikhail Bykovsky, the author of a number of large buildings in Moscow, including the Sheremetev House on Vozdvizhenka.
The building has retained its original configuration and facade design from the first third of the 19th century. During the Soviet era, only the balconies were lost. The design of the fourth floor is interesting: the severity of the rectangular windows is slightly smoothed out by pilasters with molded capitals, and the side windows have an arched finish. The crowning cornice of the large projection on brackets also attracts attention.
In the 1860s, the Moscow Conservatory was opened on Bolshaya Nikitskaya Street. The proximity of the apartment building to the music school explains why Pyotr Tchaikovsky lived here in 1877, working on the opera Eugene Onegin at the time. This house became the composer’s last refuge in his homeland.
Another creative name is associated with the A.P. Golitsyna apartment building. In the 1880s, the building housed the studio of fashionable dressmaker Olga Suvorova, who ran a school of cutting and sewing. The future famous couturier Nadezhda Lamanova studied there. Here she also opened a small tailoring establishment â her first work address.
When the apartment building of Princess A.P. Golitsyna is included in the register of cultural heritage sites of Moscow, the design of the street facades, the vaults in the basement and the cast-iron staircase will be included in the subject of monument protection.
House of the architect S.M. Goncharov (Trekhprudny Lane, Building 2a)
The building on the corner of Trekhprudny and Bolshoy Palashevsky Lanes is the mansion of the famous Moscow Art Nouveau architect Sergei Goncharov, which he built on his family plot in 1885.
Situated near Patriarch’s Ponds, the house stands out for its original design of the main façade, which combines features of two architectural styles â eclecticism and Art Nouveau. The classical portico above the main entrance and rusticated platbands are adjacent to square semi-columns of window openings on the upper floors, interpreted in the spirit of the new era.
The owners of the house, the Goncharovs, moved to Moscow in 1891 from their estate in the Tula province. Sergei Goncharov’s genealogy is interesting: he was related to Natalia Pushkina â his great-grandfather was her father.
However, the house is famous not only for Sergei Goncharov and his ancestors. It became the studio of two famous avant-garde artists at once â Natalia Goncharova (the architect’s daughter) and her husband Mikhail Larionov, as well as a kind of center of cultural life, where the entrepreneur and philanthropist Sergei Diaghilev, artists Aristarkh Lentulov, Ilya Mashkov, Pyotr Konchalovsky and others visited.
The house on Trekhprudny Lane remained a studio until 1915. Avant-garde artists created many famous works, including the paintings “Resting Soldier”, “Spring. From the “Seasons” Cycle”, “Still Life with Pineapple”, and “Emptiness” kept in the Tretyakov Gallery.
After the return of the wounded Mikhail Larionov from the fronts of the First World War, the family left for Paris forever at the invitation of Sergei Diaghilev to work on the Russian Seasons.
When the house of the architect S.M. Goncharov is included in the register of cultural heritage sites of Moscow, the design of the street façade will be included in the subject of monument protection.
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